NFOmation.net - Your Ultimate NFO Upload Resource! Viewing NFO file: 00-giorgio_moroder-scarface-ost-1990-eos.nfo 00-giorgio_moroder-scarface-ost-1990-eos


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    ▌────── Release Info ───────────────── ▐▌ ──────────────── ▌ ──────── ▐
                                           ▐
                                           ▐
      Originally released : 00-00-1990
      Release date        : 06-17-2007
      Album name          : Scarface
      Artist              : Giorgio Moroder

      Ripped by           : Team EOS
      Genre               : Soundtrack
      Label               : MCA

      Encoding Software   : Lame EOS
      Quality             : -V 2

      Tracks              : 10
      Size of Files       : 52,5 MB

      ─ Track list ───────────────────────────────────────── ─── ─ ─

        01  03:03  Scarface (Push It To The Limit)
        02  03:38  Rush Rush
        03  03:31  Turn Out The Light
        04  03:42  Vamos A Bailar
        05  03:10  Tony's Theme
        06  03:44  She's On Fire
        07  03:45  Shake It Up
        08  02:34  Dance Dance Dance
        09  03:13  I'm Hot Tonight
        10  05:02  Gina's And Elvira's Theme

                                Total time: 35:22 min
     ─ Release notes ─────────────────────────────────────── ─── ─ ─

     Giorgio Moroder did a lot of soundtrack work during the
     early '80s, and one of his most well-known soundtracks
     is that of Scarface, the iconic Al Pacino film from
     1983. Of all the films Moroder scored, from American
     Gigolo (1980) and Flashdance (1983) to Electric Dreams
     (1984) and The Never Ending Story (1984), Scarface is
     undoubtedly the one that withstood the test of time
     most impressively, growing in popularity as the years
     passed (culminating in a well-received DVD reissue in
     2003 that probably did more business than the film
     itself did its first go round). The same cannot be said
     about the film's soundtrack, however. While each of
     Moroder's aforementioned soundtracks spun off huge hits
     -- "Call Me," "Flashdance," "Together in Electric
     Dreams," and "Never Ending Story" -- Scarface fell more
     in line with another not-exactly-successful Moroder
     soundtrack, Metropolis (1984), one that is better known
     for its dubious taste than its actual music.
     Regardless, the Scarface soundtrack is indeed well
     known, even if only because of the film's cult
     following. But yeah, the music is of dubious taste --
     party hardy post-disco synth rock sung by Everywoman
     divas like Deborah Harry (most notably), Amy Holland
     (remember her?), and Elizabeth Daily (Valley Girl,
     anyone?) -- which is precisely what makes Scarface so
     much sheer fun. Like the film itself, it's just so over
     the top, so overstylish, so unmistakably 1983 that you
     can't help but savor the outright absurdity of it all.
     What an age it was! And few songs embody it as
     perfectly as Harry's "Rush Rush," a bubbly post-disco
     ode to yayo (aka llello) that just screams out "early
     '80s" in fine polyester leisure-suit fashion.
     Elsewhere, the pair of Daily songs, "Shake It Up" and
     "I'm Hot Tonight," could be taken seriously, in a Pat
     Benatar or Patty Smyth kind of way, but they're
     definitely more enjoyably taken as camp. There's also
     Moroder's moody side-closing instrumentals, which are
     actually quite moving -- but still beautifully kitschy.
     The overall effect is awfully amusing, even if it's one
     of those novelty CDs you pull out now and then strictly
     to humor friends (and yourself, somewhat guiltily).
     Then again, Moroder's craft, as always, is notably
     distinct for its stylishness, if not for its
     tastefulness.

     ─ Contact ───────────────────────────────────────────── ─── ─ ─

                       Contact us @ : #eos (efnet)

 █▀▀  ▀                                                               ▀  ▀▀█
▀█▀▓▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▓▀█▀
 ▀▀▀▀▀▀ ▀        RIPPING AT ITS FINEST -- ECONOMY OF SOUND          ▀ ▀▀▀▀▀▀



This NFO File was rendered by NFOmation.net


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ÛÛÛÛÜÜÛÛßß          < E O S >       Ü  ßÛÛÜ ² ÜÛÛßß         ßßßß  ÛÛ ß ÛÛÛÛÛÛÛÛ
 ÛÛÛÛÛÛ   ÛÛ        < M P 3 >      ÛÛÛ  ßÛÛÜÜÜÛÛ                Ü  ÛÛÜÛÛÛÛÛÛÛ
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    ÝÄÄÄÄÄÄ Release Info ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÞÝ ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ Ý ÄÄÄÄÄÄÄÄ Þ
                                           Þ
                                           Þ
      Originally released : 00-00-1990
      Release date        : 06-17-2007
      Album name          : Scarface
      Artist              : Giorgio Moroder

      Ripped by           : Team EOS
      Genre               : Soundtrack
      Label               : MCA

      Encoding Software   : Lame EOS
      Quality             : -V 2

      Tracks              : 10
      Size of Files       : 52,5 MB

      Ä Track list ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä

        01  03:03  Scarface (Push It To The Limit)
        02  03:38  Rush Rush
        03  03:31  Turn Out The Light
        04  03:42  Vamos A Bailar
        05  03:10  Tony's Theme
        06  03:44  She's On Fire
        07  03:45  Shake It Up
        08  02:34  Dance Dance Dance
        09  03:13  I'm Hot Tonight
        10  05:02  Gina's And Elvira's Theme

                                Total time: 35:22 min
     Ä Release notes ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä

     Giorgio Moroder did a lot of soundtrack work during the
     early '80s, and one of his most well-known soundtracks
     is that of Scarface, the iconic Al Pacino film from
     1983. Of all the films Moroder scored, from American
     Gigolo (1980) and Flashdance (1983) to Electric Dreams
     (1984) and The Never Ending Story (1984), Scarface is
     undoubtedly the one that withstood the test of time
     most impressively, growing in popularity as the years
     passed (culminating in a well-received DVD reissue in
     2003 that probably did more business than the film
     itself did its first go round). The same cannot be said
     about the film's soundtrack, however. While each of
     Moroder's aforementioned soundtracks spun off huge hits
     -- "Call Me," "Flashdance," "Together in Electric
     Dreams," and "Never Ending Story" -- Scarface fell more
     in line with another not-exactly-successful Moroder
     soundtrack, Metropolis (1984), one that is better known
     for its dubious taste than its actual music.
     Regardless, the Scarface soundtrack is indeed well
     known, even if only because of the film's cult
     following. But yeah, the music is of dubious taste --
     party hardy post-disco synth rock sung by Everywoman
     divas like Deborah Harry (most notably), Amy Holland
     (remember her?), and Elizabeth Daily (Valley Girl,
     anyone?) -- which is precisely what makes Scarface so
     much sheer fun. Like the film itself, it's just so over
     the top, so overstylish, so unmistakably 1983 that you
     can't help but savor the outright absurdity of it all.
     What an age it was! And few songs embody it as
     perfectly as Harry's "Rush Rush," a bubbly post-disco
     ode to yayo (aka llello) that just screams out "early
     '80s" in fine polyester leisure-suit fashion.
     Elsewhere, the pair of Daily songs, "Shake It Up" and
     "I'm Hot Tonight," could be taken seriously, in a Pat
     Benatar or Patty Smyth kind of way, but they're
     definitely more enjoyably taken as camp. There's also
     Moroder's moody side-closing instrumentals, which are
     actually quite moving -- but still beautifully kitschy.
     The overall effect is awfully amusing, even if it's one
     of those novelty CDs you pull out now and then strictly
     to humor friends (and yourself, somewhat guiltily).
     Then again, Moroder's craft, as always, is notably
     distinct for its stylishness, if not for its
     tastefulness.

     Ä Contact ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä

                       Contact us @ : #eos (efnet)

 Ûßß  ß                                                               ß  ßßÛ
ßÛß²ßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßß²ßÛß
 ßßßßßß ß        RIPPING AT ITS FINEST -- ECONOMY OF SOUND          ß ßßßßßß



This NFO File was rendered by NFOmation.net


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