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: 9 47741-2 ░ ░ Supplier : NHH ░ ░ NFO : YES [X] NO [ ] ░ ░ SFV : YES [X] NO [ ] ░ ░ M3U : YES [X] NO [ ] ░ ░ JPG : YES [X] NO [ ] ░ ▒ URL: http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:0pfixq95ldte ▒ █≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡█ ▒ ( ) ( ▒ ░ * ))\ ) ( ( ( /( )\ ) ░ ░ ` ) /(()/( )\ )\ )\()|()/( ░ ░ ( )(_))(_)|(((_)( (((_)|((_)\ /(_)) ░ ░ (_(_()|_)) )\ _ )\ )\___|_ ((_|_)) ░ ░ |_ _| _ \ (_)_\(_|(/ __| |/ // __| ░ ░ | | | / / _ \ | (__ ' < \__ \ ░ ▒ |_| |_|_\ /_/ \_\ \___|_|\_\|___/ ▒ █≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡█ ▒ Total Tracks : 9 ▒ ░ 1) 1984 1:07 ░ ░ 2) Jump 4:04 ░ ░ 3) Panama 3:32 ░ ░ 4) Top Jimmy 3:02 ░ ░ 5) Drop Dead Legs 4:15 ░ ░ 6) Hot For Teacher 4:44 ░ ░ 7) I'll Wait 4:45 ░ ░ 8) Girl Gone Bad 4:35 ░ ░ 9) House Of Pain 3:19 ░ ░ ----------------------------------------------------------------------- ░ ░ 33:23 ░ ▒ ▒ █≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡█ ▒ ) ) ( ▒ ░ ( /( ( /( * ) )\ ) ░ ░ )\()))\())` ) /(( (()/( ░ ░ ((_)\((_)\ ( )(_))\ /(_)) ░ ░ _((_) ((_)(_(_()|(_)(_)) ░ ░ | \| |/ _ \|_ _| __/ __| ░ ░ | .` | (_) | | | | _|\__ \ ░ ▒ |_|\_|\___/ |_| |___|___/ ▒ █≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡█ ▒ ▒ ░ Review by Stephen Thomas Erlewine ░ ░ ░ ░ At the time of its release, much of the fuss surrounding 1984 involved ░ ░ Van Halen's adoption of synthesizers on this, their sixth album ù a ░ ░ hoopla that was a bit of a red herring since the band had been layering ░ ░ in synths since their third album, Women and Children First. Those ░ ░ synths were either buried beneath guitars or used as texture, even on ░ ░ instrumentals where they were the main instrument, but here they were ░ ░ pushed to the forefront on "Jump," the album's first single and one of ░ ░ the chief reasons this became a blockbuster, crossing over to pop ░ ░ audiences Van Halen had flirted with before but had never quite won ░ ░ over. Of course, the mere addition of a synth wasn't enough to rope in ░ ░ fair-weather fans ù they needed pop hooks and pop songs, which 1984 had, ░ ░ most gloriously on the exuberant, timeless "Jump." There, the synths ░ ░ played a circular riff that wouldn't have sounded as overpowering on ░ ░ guitar, but the band didn't dispense with their signature monolithic, ░ ░ pulsating rock. Alex Van Halen and Michael Anthony grounded the song, ░ ░ keeping it from floating to pop, and David Lee Roth simply exploded with ░ ░ boundless energy, making this seem rock & roll no matter how close it ░ ░ got to pop. And "Jump" was about as close as 1984 got to pop, as the ░ ░ other seven songs ù with the exception of "I'll Wait," which rides along ░ ░ on a synth riff as chilly as "Jump" is warm ù are heavy rock, capturing ░ ░ the same fiery band that's been performing with a brutal intensity since ░ ░ Women and Children First. But where those albums placed an emphasis on ░ ░ the band's attack, this places an emphasis on the songs, and they're ░ ░ uniformly terrific, the best set of original tunes Van Halen ever had. ░ ░ Surely, the anthems "Panama" and "Hot for Teacher" grab center stage ù ░ ░ how could they not, when the former is the band's signature sound ░ ░ elevated to performance art, with the latter being as lean and giddy, ░ ░ their one anthem that could be credibly covered by garage rockers? ù but ░ ░ "Top Jimmy," "Drop Dead Legs," and the dense yet funky closer, "House of ░ ░ Pain," are full-fledged songs, with great riffs and hooks in the guitars ░ ░ and vocals. It's the best showcase of Van Halen's instrumental prowess ░ ░ as a band, the best showcase for Diamond Dave's glorious shtick, the ░ ░ best showcase for their songwriting, just their flat-out best album ░ ░ overall. It's a shame that Roth left after this album, but maybe it's ░ ░ for the best, since there's no way Van Halen could have bettered this ░ ░ album with Dave around (and they didn't better it once Sammy joined, ░ ░ either). ░ ▒ ▒ █≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡█ ▒ ( ( ) ( ▒ ░ ( )\ ) * ))\ ) ( /( ( )\ ) ░ ░ )\ ) (()/(( ( ` ) /(()/( )\()))\ ) (()/( ░ ░ (()/( /(_))\ )\ ( )(_))(_)|(_)\(()/( /(_)) ░ ░ /(_))_(_))((_)((_)(_(_()|_)) _((_)/(_))_(_)) ░ ░ (_)) __| _ \ __| __|_ _|_ _|| \| (_)) __/ __| ░ ░ | (_ | / _|| _| | | | | | .` | | (_ \__ \ ░ ░ \___|_|_\___|___| |_| |___||_|\_| \___|___/ ▒ █≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡█ ▒ Greets to our friends in EwDp Recycled FRAY SNO MSD. ▒ ░ Looking for more sites 100mb+ EU prefered. If you can help us out please ░ ░ contact us ASAP! ░ ▒ ▒ █▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒█ ,-,-. ,-_/,. . . ,-_/,. ` | | ,-. ,-. ,-. . . ' |_|/ ,-. ,-. ,-| ,-. ,-| ' |_|/ ,-. ,-. | |-. ,-| | | | | | | /| | |-' ,-| | | |-' | | /| | | | `-. ,' `-' `-^ |-' |-' `-| `' `' `-' `-^ `-' `-' `-' `' `' `-' `-' | | /| ' ' `-' This NFO File was rendered by NFOmation.net
°Û° °²²° °ÛÛ± °±±±±²²ÛÛ²²±° °²ÛÛÛÛ±° ±ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²±°°±²ÛÛÛÛÛÛ²±° °²ÛÛ ±ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²±±±°°²ÛÛÛÛÛ ²±ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ ±Û²²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ ±ÛÛ²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ² ²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ° ²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ± ±ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²±±± ±±± ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ² ±ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ ±ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ° ±ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ± ±±°ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ °ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ ²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²° ±ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ² ²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ± ²Û²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ² °±²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²±±²²²²²²²²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²± ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²±±±±±±±²²²²²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²°±±±±²²²²²²²²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ² ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ±°°°±±±±±±±±±±²²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²±±±±±°°°±±±±±²²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ² ±ÛÛ²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²²²Û²²²²±±±±°°°±²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ °±²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²Û²±±±±±±°°±±°°±±±²±±±²²²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ± °ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²²±°°°°°°°°°°°°±±±±±±±±±±±²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ± ±ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²±±±±±±²²±±²±±±±±²ÛÛÛÛÛÛÛ²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ °ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²Û²²²²ÛÛÛÛÛÛÛÛ²²±°±²ÛÛÛÛ²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ ±ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²²²²Û²°²ÛÛ±±²±±±°°±ÛÛ± °ÛÛ²°ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ ²ÛÛÛÛ°±ÛÛÛÛ²²±²²²° ±ÛÛ±°±±±±±±±²Û²°°²Û²±ÛÛ²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ ÛÛÛ±²±²ÛÛÛ²±±±±²²²±±²²²²²²²²ÛÛÛÛÛÛ²²²ÛÛÛ²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ ÛÛÛ²²²ÛÛÛ²²±±±±±±±±±±²±±²Û²²²ÛÛÛÛÛ²²²²²²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ ±ÛÛ±±²ÛÛ²²²±±±±±±±±±±±²²±°°°±²Û²²²Û²²²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ Û±±²Û²²²±±±±±±±°°°±²±²²±±²²²Û²±±²²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ° ²²²ÛÛ²²±±±±°°°°°°±²Û²²²²ÛÛ²Û²±±±²ÛÛÛÛÛ² ±²±° ÛÛÛÛ²²²²±±±°°°°°°±±±±±±±²²²Û²±±²ÛÛÛÛÛ ±²ÛÛ²²²²²²²²°°±±±±±±±±±²ÛÛÛÛ²²ÛÛÛÛÛ ²ÛÛ²²²²²²²²±²²²±±±±²²²²ÛÛÛÛÛÛÛÛÛ± ²Û²²²²²²²²²²²²ÛÛÛÛÛÛÛ²ÛÛÛÛÛÛÛÛ² ÛÛ²²²²²²²²²ÛÛÛ²±°°°±±²ÛÛÛÛÛÛÛ Û²²²²²²±²²Û² °°°°° ²ÛÛÛÛÛ ±Û²²²²²²±±±±°°°°°°°±±ÛÛÛÛÛ° ²Û²²²²²²²±±±±±±±±±±²ÛÛÛÛÛÛ° ±ÛÛÛ²²²²²²²²²²±±±±±²ÛÛÛÛÛÛÛ° ±±±°°°±²ÛÛÛÛÛÛÛ²²²²²²²²²²²²²²ÛÛÛÛÛÛÛÛÛ² °±±±²±±±±±°±±°°°²ÛÛÛÛÛ²²²±²²²²²²²²²²²²ÛÛÛÛÛÛÛ±± ±±±±°°°±°°°°°°°°°°°±°±±²²²²²±±±²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛ°°±ÛÛÛ²²²±± °±±°°°°°°±±°°°°±°°°°°±°°°°±±±²²²²²²²²²²²²²²²²ÛÛ²±±±±±ÛÛÛÛÛ²²± °±±±°°±±°°°°±°°°°±±°°°°±±°°°°°±±²²²²Û²²±±²²²²²±²±±±±±²²Û²± ±±±±± ±±°±°°°°±°°°°°°°°°°±±°°±°±°°°±±°°°±±±±²ÛÛ²²²±±°±²±±±±±±±± ±±±±±±±±±° ±±±±°°°±°°°±°°°°°°°°°°°°°°°°°°°°°±±°°°°°°±±±±±°°°°°°°±°°°°±°±°°°±±°°±±±° °±±°°°°°°°±±°°°±°°±°°°±°°±±±°°±±±°°°±±±°±±±°°°°±±±°°±°°°°°°±°°°°±°°±°°±°±±± °±°°°°±±±°°°°°±°°°°°°±°°°°°°°±°°°°°°±°°°°°±°°°°°°°°°°°°±°°°±°°°±±±°°°±°°°°±±±± ÛÛÛ± ±²Û± ±²Û± ÛÛÛÛ²° ÛÛ±ÛÛ ÛÛ±ÛÛ ±²²Û ²Û²Û±Û² °±±²° Û± ÛÛ °±±²° Û± ÛÛ ²ÛÛÛÛÛ ²ÛÛÛÛ²± ÛÛÛÛÛ± ²ÛÛÛ² ÛÛÛÛÛ± ²ÛÛÛ² ±Û²Û±±Û° ±Û²²²Û² ²ÛÛ²±² ²²Û²° ²ÛÛ²±² ²²Û²° Û±ÛÛ°°Û± ±Û²Û °± °ÛÛÛ°Û Û²²²²±²± °ÛÛÛ°Û Û²²²²±²± Û±²Û²°±Û² °ÛÛ±²Û °²²Û±± ° ±±±±Û²Û²²²²Û° °²²Û±± ° ±±±±Û²Û²²²²Û° Û±Û²Û±²±²Û± ±ÛÛ²±Û °²²±Û²²ÛÛÛÛÛÛÛÛÛÛÛÛÛ± °Û° °²²±Û²²ÛÛÛÛÛÛÛÛÛÛÛÛÛ± °Û° ±ÛÛÛ²±Û²ÛÛ²Û² ²ÛÛ°Û° ÛÛ²²ÛÛ±²²ÛÛÛÛÛÛÛÛÛ± ²²Û± ÛÛ²²ÛÛ±²²ÛÛÛÛÛÛÛÛÛ± ²²Û± ²ÛÛ²² ²ÛÛÛÛ²Û± °ÛÛ°²² ÛÛ±²Û °±²°²±±±²±² Û±° ÛÛ±²Û °±²°²±±±²±² Û±° ÛÛÛ°² ±Û²²ÛÛÛÛ² °ÛÛ°±Û Û²Û±°²°° ²°±Û² Û²Û±°²°° ²°±Û² Û²±±± ²Û±²ÛÛÛÛ²ÛÛ² ²² ²Û±°² °Û±²° ²Û±°² °Û±²° Û± ÛÛ ±Û²±±²²Û²° °Û° ±Û² ±Û ²Û²Û° ±Û² ±Û ²Û²Û° ÛÛÛÛÛ ±²²±±°°°²Û² ÛÛ²ÛÛ ÛÛ±² ÛÛ²ÛÛ ÛÛ±² ±²²²²± °±° ²Û²ÛÛ °±° ²Û²ÛÛ °±° °±° Van_Halen-1984-(Remastered)-2000-NHH_INT Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±Û ± ( ( ( ) ) ( ± ° )\ ) )\ ) ( )\ ) ( /( ( /( * ) )\ ) ° ° (()/(( (()/( ( )\ (()/(( )\()))\())` ) /(( (()/( ° ° /(_))\ /(_)))\((((_)( /(_))\ ((_)\((_)\ ( )(_))\ /(_)) ° ° (_))((_)(_)) ((_))\ _ )\(_))((_) _((_) ((_)(_(_()|(_)(_)) ° ° | _ \ __| | | __(_)_\(_) __| __| | \| |/ _ \|_ _| __/ __| ° ° | / _|| |__| _| / _ \ \__ \ _| | .` | (_) | | | | _|\__ \ ° ± |_|_\___|____|___/_/ \_\|___/___| |_|\_|\___/ |_| |___|___/ ± ÛððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððÛ ± Artist : Van Halen ± ° Album : 1984 ° ° Bitrate : VBR 216 Average KB/s (High Quality 44.1 Joint Stereo) ° ° Source : CD (LP) ° ° Label : Warner Bros. ° ° Year : 2000 ° ° Genre : Hard Rock ° ° Ripper : NHH ° ° Rip Date : 2010-01-30 ° ° Store Date : 2000-09-19 ° ° Rip Tool : EAC 0.99 prebeta 5 (Secure Mode) ° ° Encoder : Lame 3.97 -V2 --vbr-new ° ° Size : 52.49 megs ° ° Catalog # : 9 47741-2 ° ° Supplier : NHH ° ° NFO : YES [X] NO [ ] ° ° SFV : YES [X] NO [ ] ° ° M3U : YES [X] NO [ ] ° ° JPG : YES [X] NO [ ] ° ± URL: http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:0pfixq95ldte ± ÛððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððÛ ± ( ) ( ± ° * ))\ ) ( ( ( /( )\ ) ° ° ` ) /(()/( )\ )\ )\()|()/( ° ° ( )(_))(_)|(((_)( (((_)|((_)\ /(_)) ° ° (_(_()|_)) )\ _ )\ )\___|_ ((_|_)) ° ° |_ _| _ \ (_)_\(_|(/ __| |/ // __| ° ° | | | / / _ \ | (__ ' < \__ \ ° ± |_| |_|_\ /_/ \_\ \___|_|\_\|___/ ± ÛððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððÛ ± Total Tracks : 9 ± ° 1) 1984 1:07 ° ° 2) Jump 4:04 ° ° 3) Panama 3:32 ° ° 4) Top Jimmy 3:02 ° ° 5) Drop Dead Legs 4:15 ° ° 6) Hot For Teacher 4:44 ° ° 7) I'll Wait 4:45 ° ° 8) Girl Gone Bad 4:35 ° ° 9) House Of Pain 3:19 ° ° ----------------------------------------------------------------------- ° ° 33:23 ° ± ± ÛððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððÛ ± ) ) ( ± ° ( /( ( /( * ) )\ ) ° ° )\()))\())` ) /(( (()/( ° ° ((_)\((_)\ ( )(_))\ /(_)) ° ° _((_) ((_)(_(_()|(_)(_)) ° ° | \| |/ _ \|_ _| __/ __| ° ° | .` | (_) | | | | _|\__ \ ° ± |_|\_|\___/ |_| |___|___/ ± ÛððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððÛ ± ± ° Review by Stephen Thomas Erlewine ° ° ° ° At the time of its release, much of the fuss surrounding 1984 involved ° ° Van Halen's adoption of synthesizers on this, their sixth album a ° ° hoopla that was a bit of a red herring since the band had been layering ° ° in synths since their third album, Women and Children First. Those ° ° synths were either buried beneath guitars or used as texture, even on ° ° instrumentals where they were the main instrument, but here they were ° ° pushed to the forefront on "Jump," the album's first single and one of ° ° the chief reasons this became a blockbuster, crossing over to pop ° ° audiences Van Halen had flirted with before but had never quite won ° ° over. Of course, the mere addition of a synth wasn't enough to rope in ° ° fair-weather fans they needed pop hooks and pop songs, which 1984 had, ° ° most gloriously on the exuberant, timeless "Jump." There, the synths ° ° played a circular riff that wouldn't have sounded as overpowering on ° ° guitar, but the band didn't dispense with their signature monolithic, ° ° pulsating rock. Alex Van Halen and Michael Anthony grounded the song, ° ° keeping it from floating to pop, and David Lee Roth simply exploded with ° ° boundless energy, making this seem rock & roll no matter how close it ° ° got to pop. And "Jump" was about as close as 1984 got to pop, as the ° ° other seven songs with the exception of "I'll Wait," which rides along ° ° on a synth riff as chilly as "Jump" is warm are heavy rock, capturing ° ° the same fiery band that's been performing with a brutal intensity since ° ° Women and Children First. But where those albums placed an emphasis on ° ° the band's attack, this places an emphasis on the songs, and they're ° ° uniformly terrific, the best set of original tunes Van Halen ever had. ° ° Surely, the anthems "Panama" and "Hot for Teacher" grab center stage ° ° how could they not, when the former is the band's signature sound ° ° elevated to performance art, with the latter being as lean and giddy, ° ° their one anthem that could be credibly covered by garage rockers? but ° ° "Top Jimmy," "Drop Dead Legs," and the dense yet funky closer, "House of ° ° Pain," are full-fledged songs, with great riffs and hooks in the guitars ° ° and vocals. It's the best showcase of Van Halen's instrumental prowess ° ° as a band, the best showcase for Diamond Dave's glorious shtick, the ° ° best showcase for their songwriting, just their flat-out best album ° ° overall. It's a shame that Roth left after this album, but maybe it's ° ° for the best, since there's no way Van Halen could have bettered this ° ° album with Dave around (and they didn't better it once Sammy joined, ° ° either). ° ± ± ÛððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððÛ ± ( ( ) ( ± ° ( )\ ) * ))\ ) ( /( ( )\ ) ° ° )\ ) (()/(( ( ` ) /(()/( )\()))\ ) (()/( ° ° (()/( /(_))\ )\ ( )(_))(_)|(_)\(()/( /(_)) ° ° /(_))_(_))((_)((_)(_(_()|_)) _((_)/(_))_(_)) ° ° (_)) __| _ \ __| __|_ _|_ _|| \| (_)) __/ __| ° ° | (_ | / _|| _| | | | | | .` | | (_ \__ \ ° ° \___|_|_\___|___| |_| |___||_|\_| \___|___/ ± ÛððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððÛ ± Greets to our friends in EwDp Recycled FRAY SNO MSD. ± ° Looking for more sites 100mb+ EU prefered. If you can help us out please ° ° contact us ASAP! ° ± ± Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±°Û±Û ,-,-. ,-_/,. . . ,-_/,. ` | | ,-. ,-. ,-. . . ' |_|/ ,-. ,-. ,-| ,-. ,-| ' |_|/ ,-. ,-. | |-. ,-| | | | | | | /| | |-' ,-| | | |-' | | /| | | | `-. ,' `-' `-^ |-' |-' `-| `' `' `-' `-^ `-' `-' `-' `' `' `-' `-' | | /| ' ' `-' This NFO File was rendered by NFOmation.net