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COPYRIGHT CRIMINALS Aired: Jan 19, 2010 Long before people began posting their homemade video mashups on the Web, hip-hop musicians were >> perfecting the art of audio montage through sampling. Sampling ù or riffing ù is as old as music itself, >> but new technologies developed in the 1980s and 1990s made it easier to reuse existing sound >> recordings. Acts like Public Enemy, De La Soul and the Beastie Boys created complex rhythms, >> references and nuanced layers of original and appropriated sound. But by the early 1990s, sampling had >> collided with the law. When recording industry lawyers got involved, what was once called ôborrowed melodyö >> became ôcopyright infringement.ö COPYRIGHT CRIMINALS examines the creative and commercial value of musical sampling, including the related >> debates over artistic expression, copyright law and money. The film showcases many of hip-hop musicÆs >> founding figures like Public Enemy, De La Soul and Digital Underground, as well as emerging artists such >> as audiovisual remixers Eclectic Method. It also provides first-person interviews with artists who have >> been sampled, such as Clyde Stubblefield ù James Brown's drummer and the world's most sampled musician >> ù and commentary by another highly sampled musician, funk legend George Clinton. Computers, mobile phones and other interactive technologies are changing our relationships with media, >> blurring the line between producer and consumer and radically changing what it means to be >> creative. As artists find more inventive ways to insert old influences into new material, COPYRIGHT >> CRIMINALS poses the question: Can you own a sound? Format : AVI Length : 466 MiB for 56mn 29s 139ms Codec : XviD Source : HDTV Language : English US Subtitles : None Genre : Documenatary Video #0 : MPEG-4 Visual at 1 009 Kbps Aspect : 624 x 336 (1.857) at 23.976 fps Audio #0 : MPEG Audio at 131 Kbps Infos : 2 channels, 48.0 KHz Enjoy! Ekolb This NFO File was rendered by NFOmation.net
COPYRIGHT CRIMINALS Aired: Jan 19, 2010 Long before people began posting their homemade video mashups on the Web, hip-hop musicians were >> perfecting the art of audio montage through sampling. Sampling or riffing is as old as music itself, >> but new technologies developed in the 1980s and 1990s made it easier to reuse existing sound >> recordings. Acts like Public Enemy, De La Soul and the Beastie Boys created complex rhythms, >> references and nuanced layers of original and appropriated sound. But by the early 1990s, sampling had >> collided with the law. When recording industry lawyers got involved, what was once called borrowed melody >> became copyright infringement. COPYRIGHT CRIMINALS examines the creative and commercial value of musical sampling, including the related >> debates over artistic expression, copyright law and money. The film showcases many of hip-hop musics >> founding figures like Public Enemy, De La Soul and Digital Underground, as well as emerging artists such >> as audiovisual remixers Eclectic Method. It also provides first-person interviews with artists who have >> been sampled, such as Clyde Stubblefield James Brown's drummer and the world's most sampled musician >> and commentary by another highly sampled musician, funk legend George Clinton. Computers, mobile phones and other interactive technologies are changing our relationships with media, >> blurring the line between producer and consumer and radically changing what it means to be >> creative. As artists find more inventive ways to insert old influences into new material, COPYRIGHT >> CRIMINALS poses the question: Can you own a sound? Format : AVI Length : 466 MiB for 56mn 29s 139ms Codec : XviD Source : HDTV Language : English US Subtitles : None Genre : Documenatary Video #0 : MPEG-4 Visual at 1 009 Kbps Aspect : 624 x 336 (1.857) at 23.976 fps Audio #0 : MPEG Audio at 131 Kbps Infos : 2 channels, 48.0 KHz Enjoy! Ekolb This NFO File was rendered by NFOmation.net
