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_________________________________________________
Release Info
Artist : Queen
Album : Greatest Hits-[MTV History]
Tracks : 79
genre : Classic Rock
Time : CD1: 77:26 CD2: 72:59 CD3: 73:00 CD4: 73:06
Frequancy : 44.1KHz
Bitrate : 256kbps
Mode : Full Stereo
Size : 544,3 MB
Label : MTV Records
Catalog# : n/a
Str.date : 000-00-1999
Rip.date : Aug-01-2005
URL : http://www.allmusic.com
Ripper : AoW: SuperWyse
____________________________________________________________________________________________________ >>
_________________________________________________
Artist and Album Notes
Queen Formed in 1967 in 1971 in London, England
Disbanded in 1995
Years Active: 1970s-1990s
Group Members
* Freddie Mercury
* Brian May
* Roger Taylor
* John Deacon
Biography
Few bands embodied the pure excess of the '70s like Queen. Embracing the exaggerated pomp >>
of prog rock and heavy metal,
as well as vaudevillian music hall, the British quartet delved deeply into camp and bombast, >>
creating a huge,
mock-operatic sound with layered guitars and overdubbed vocals. Queen's music was a bizarre >>
yet highly accessible fusion
of the macho and the fey. For years, their albums boasted the motto "no synthesizers were >>
used on this record,"
signaling their allegiance with the legions of post-Led Zeppelin hard rock bands. But vocalist >>
Freddie Mercury brought
an extravagant sense of camp to the band, pushing them toward kitschy humor and >>
pseudo-classical arrangements, as
epitomized on their best-known song, "Bohemian Rhapsody." Mercury, it must be said, was a >>
flamboyant bisexual who
managed to keep his sexuality in the closet until his death from AIDS in 1992. >>
Nevertheless, his sexuality was apparent
throughout Queen's music, from their very name to their veiled lyrics -- it was truly bizarre >>
to hear gay anthems like
"We Are the Champions" turn into celebrations of sports victories. That would have been >>
impossible without Mercury, one
of the most dynamic and charismatic frontmen in rock history. Through his legendary >>
theatrical performances, Queen
became one of the most popular bands in the world in the mid-'70s; in England, they remained >>
second only to the Beatles
in popularity and collectibility in the '90s. Despite their enormous popularity, Queen were >>
never taken seriously by
rock critics -- an infamous Rolling Stone review labeled their 1979 album Jazz as >>
"fascist." In spite of such harsh
criticism, the band's popularity rarely waned; even in the late '80s, the group retained >>
a fanatical following except in
America. In the States, their popularity peaked in the early '80s, just as they finished >>
nearly a decade's worth of
extraordinarily popular records. And while those records were never praised, they sold in >>
enormous numbers, and traces
of Queen's music could be heard in several generations of hard rock and metal bands in the >>
next two decades, from
Metallica to Smashing Pumpkins.
The origins of Queen lay in the hard rock psychedelic group Smile, which guitarist Brian >>
May and drummer Roger Taylor
joined in 1967. Following the departure of Smile's lead vocalist, Tim Staffell, in 1971, >>
May and Taylor formed a group
with Freddie Mercury, the former lead singer for Wreckage. Within a few months, bassist John >>
Deacon joined them, and
they began rehearsing. Over the next two years, as all four members completed college, they >>
simply rehearsed, playing
just a handful of gigs. By 1973, they had begun to concentrate on their career, >>
releasing the Roy Thomas Baker-produced
Queen that year and setting out on their first tour. Queen was more or less a straight metal >>
album and failed to receive
much acclaim, but Queen II became an unexpected British breakthrough early in 1974. Before >>
its release, the band played
Top of the Pops, performing "Seven Seas of Rhye." Both the song and the performance were >>
a smash success, and the single
rocketed into the Top Ten, setting the stage for Queen II to reach number five. >>
Following its release, the group
embarked on its first American tour, supporting Mott the Hoople. On the strength of their >>
campily dramatic performances,
the album climbed to number 43 in the States.
Queen released their third album, Sheer Heart Attack, before the end of 1974. The music hall >>
meets Zeppelin "Killer
Queen" climbed to number two on the U.K. charts, taking the album to number two as well. >>
Sheer Heart Attack made some
inroads in America as well, setting the stage for the breakthrough of 1975's A Night at the >>
Opera. Queen labored long
and hard over the record; according to many reports, it was the most expensive rock record >>
ever made at the time of its
release. The first single from the record, "Bohemian Rhapsody," became Queen's >>
signature song, and with its bombastic,
mock-operatic structure punctuated by heavy metal riffing, it encapsulates their music. It >>
also is the symbol for their
musical excesses -- the song took three weeks to record, and there were so many vocal overdubs >>
on the record that it was
possible see through the tape at certain points. To support "Bohemian Rhapsody," Queen shot >>
one of the first conceptual
music videos, and the gamble paid off as the single spent nine weeks at number one in the >>
England, breaking the record
for the longest run at number one. The song and A Night at the Opera were equally >>
successful in America, as the album
climbed into the Top Ten and quickly went platinum.
Following A Night at the Opera, Queen were established as superstars, and they quickly took >>
advantage of all their
status had to offer. Their parties and indulgence quickly became legend in the rock world, >>
yet the band continued to
work at a rapid rate. In the summer of 1976, they performed a free concert at London's Hyde >>
Park that broke attendance
records, and they released the hit single "Somebody to Love" a few months later. It was followed >>
by A Day at the Races,
which was essentially a scaled-down version of A Night at the Opera that reached number one >>
in the U.K. and number five
in the U.S. They continued to pile up hit singles in both Britain and America over the next >>
five years, as each of their
albums went into the Top Ten, always going gold and usually platinum in the process. Because >>
Queen embraced such mass
success and adoration, they were scorned by the rock press, especially when they came to >>
represent all of the worst
tendencies of the old guard in the wake of punk. Nevertheless, the public continued to buy >>
Queen records. Featuring the
Top Five double-A-sided single "We Are the Champions"/"We Will Rock You," News of the World >>
became a Top Ten hit in
1977. The following year, Jazz nearly replicated that success, with the single "Fat Bottomed >>
Girls"/"Bicycle Race"
becoming an international hit despite the massive bad publicity surrounding their media stunt >>
of staging a nude female
bicycle race.
Queen were at the height of their popularity as they entered the '80s, releasing The Game, >>
their most diverse album to
date, in 1980. On the strength of two number one singles -- the campy rockabilly "Crazy Little >>
Thing Called Love" and
the disco-fied "Another One Bites the Dust" -- The Game became the group's first American >>
number one album. However, the
bottom fell out of the group's popularity, particularly in the U.S., shortly afterward. Their >>
largely instrumental
soundtrack to Flash Gordon was coldly received later in 1980. With the help of David Bowie, >>
Queen were able to
successfully compete with new wave with 1981's hit single "Under Pressure" -- their first >>
U.K. number one since
"Bohemian Rhapsody" -- which was included both on their 1981 Greatest Hits and 1982's Hot >>
Space. Instead of proving the
group's vitality, "Under Pressure" was a last gasp. Hot Space was only a moderate hit, and >>
the more rock-oriented The
Works (1984) also was a minor hit, with only "Radio Ga Ga" receiving much attention. Shortly >>
afterward, they left
Elektra and signed with Capitol.
Faced with their decreased popularity in the U.S. and waning popularity in Britain, Queen >>
began touring foreign markets,
cultivating a large, dedicated fan base in Latin America, Asia, and Africa, continents that >>
most rock groups ignored. In
1985, they returned to popularity in Britain in the wake of their show-stopping >>
performance at Live Aid. The following
year, they released A Kind of Magic to strong European sales, but they failed to make headway >>
in the States. The same
fate befell 1989's The Miracle, yet 1991's Innuendo was greeted more favorably, going gold >>
and peaking at number 30 in
the U.S. Nevertheless, it still was a far bigger success in Europe, entering the U.K. charts >>
at number one.
By 1991, Queen had drastically scaled back their activity, causing many rumors to >>
circulate about Freddie Mercury's
health. On November 23, he issued a statement confirming that he was stricken with AIDS; >>
he died the next day. The
following spring, the remaining members of Queen held a memorial concert at Wembley Stadium, >>
which was broadcast to an
international audience of more than one billion. Featuring such guest artists as David Bowie, >>
Elton John, Annie Lennox,
Def Leppard, and Guns N' Roses, the concert raised millions for the Mercury Phoenix Trust, >>
which was established for
AIDS awareness. The concert coincided with a revival of interest in "Bohemian Rhapsody," >>
which climbed to number two in
the U.S. and number one in the U.K. in the wake of its appearance in the Mike Myers comedy >>
Wayne's World. Following
Mercury's death, the remaining members of Queen were fairly quiet. Brian May released his >>
second solo album, Back to the
Light, in 1993, ten years after the release of his first record. Roger Taylor cut a few records >>
with the Cross, which he
had been playing with since 1987, while Deacon essentially retired. The three reunited in >>
1994 to record backing tapes
for vocal tracks Mercury recorded on his death bed. The resulting album, Made in Heaven, >>
was released in 1995 to mixed
reviews and strong sales, particularly in Europe. Crown Jewels, a box set repackaging their >>
first eight LPs, followed in
1998.
AMG Rating: ?
AMG Review
None
Credz
____________________________________________________________________________________________________ >>
________________________________________________
Track Listing
cd1
01 Bohemian Rhapsody >>
[05:54]
02 Killer Queen >>
[02:59]
03 Another One Bites the Dust >>
[03:34]
04 Fat Bottomed Girls >>
[03:21]
05 Somebody to Love >>
[04:57]
06 White Queen >>
[04:33]
07 Bicycle Race >>
[03:01]
08 You're My Best Friends >>
[02:50]
09 Don't Stop Me Now >>
[03:29]
10 All Dead All Dead >>
[03:07]
11 Living on My Own >>
[03:36]
12 Save Me >>
[03:46]
13 No One But You >>
[04:06]
14 Jesus >>
[03:45]
15 Headlong >>
[04:33]
16 Who Wants to Live Forever >>
[04:54]
17 Baby I Don't Care >>
[01:33]
18 Love of My Life >>
[03:34]
19 Thank God It's Christmas >>
[04:17]
20 Barcelona >>
[05:37]
cd2
01 Radio Ga Ga >>
[05:43]
02 A Kind of Magik >>
[04:21]
03 We Are the Champions >>
[03:00]
04 Under Pressure >>
[03:56]
05 I Want It All >>
[04:01]
06 It's a Hard Life >>
[04:09]
07 Mustapha >>
[02:59]
08 Heaven for Everyone >>
[05:37]
09 Tutti Frutti >>
[02:53]
10 Your Kind of Lover >>
[03:57]
11 Flash >>
[02:47]
12 Love Kills >>
[04:28]
13 39 >>
[03:32]
14 Spread Your Wings >>
[04:31]
15 Seven Seas of Rhye >>
[02:49]
16 Hallo Mary Lou >>
[01:39]
17 Let's Turn It on >>
[03:45]
18 My Fairy Kind >>
[04:08]
19 Newer More >>
[01:17]
20 Life Is Real (Song for Lennon) >>
[03:27]
cd3
01 We Will Rock You >>
[02:00]
02 Crazy Little Thing Called Love >>
[02:42]
03 Innuendo >>
[06:27]
04 Breakthru >>
[04:09]
05 I Want to Break Free >>
[04:18]
06 Play the Game >>
[03:31]
07 I'm Going Slightly Mad >>
[04:08]
08 Exercises In Free Love >>
[03:56]
09 Scandal >>
[04:38]
10 One Year of Life >>
[04:27]
11 One Vision >>
[04:01]
12 Tear it Up >>
[03:26]
13 Dear Friends >>
[01:09]
14 Fun It >>
[03:31]
15 The Fairy Teller's Master >>
[02:45]
16 Soul Brother >>
[03:31]
17 Time >>
[03:49]
18 Lazing on Sunday Afternoon >>
[01:07]
19 Jealousy >>
[03:13]
20 Father to Son >>
[06:12]
cd4
01 The Show Must Go On >>
[04:23]
02 Mr. Bad Gay >>
[03:52]
03 The Invisible Man >>
[03:56]
04 The Miracle >>
[04:55]
05 Forever >>
[03:19]
06 Friends Will Be Friends >>
[04:06]
07 Don't Try So Hard >>
[03:39]
08 Good Old-Fashioned Lover Boy >>
[02:54]
09 Dont All Right >>
[04:09]
10 In My Defence >>
[03:51]
11 You Don't Fool Me >>
[05:27]
12 The Night Comes Down >>
[04:23]
13 Foolin' Around >>
[03:35]
14 My Baby Does Me >>
[03:21]
15 The Great Pretender >>
[03:24]
16 Lily of the Valley >>
[01:43]
17 Is This the World We Created >>
[02:13]
18 Rock in Rio Blues >>
[04:29]
19 Made in Heaven >>
[05:27]
#################################################################################################### >>
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_________________________________________________
Release Info
Artist : Queen
Album : Greatest Hits-[MTV History]
Tracks : 79
genre : Classic Rock
Time : CD1: 77:26 CD2: 72:59 CD3: 73:00 CD4: 73:06
Frequancy : 44.1KHz
Bitrate : 256kbps
Mode : Full Stereo
Size : 544,3 MB
Label : MTV Records
Catalog# : n/a
Str.date : 000-00-1999
Rip.date : Aug-01-2005
URL : http://www.allmusic.com
Ripper : AoW: SuperWyse
____________________________________________________________________________________________________ >>
_________________________________________________
Artist and Album Notes
Queen Formed in 1967 in 1971 in London, England
Disbanded in 1995
Years Active: 1970s-1990s
Group Members
* Freddie Mercury
* Brian May
* Roger Taylor
* John Deacon
Biography
Few bands embodied the pure excess of the '70s like Queen. Embracing the exaggerated pomp >>
of prog rock and heavy metal,
as well as vaudevillian music hall, the British quartet delved deeply into camp and bombast, >>
creating a huge,
mock-operatic sound with layered guitars and overdubbed vocals. Queen's music was a bizarre >>
yet highly accessible fusion
of the macho and the fey. For years, their albums boasted the motto "no synthesizers were >>
used on this record,"
signaling their allegiance with the legions of post-Led Zeppelin hard rock bands. But vocalist >>
Freddie Mercury brought
an extravagant sense of camp to the band, pushing them toward kitschy humor and >>
pseudo-classical arrangements, as
epitomized on their best-known song, "Bohemian Rhapsody." Mercury, it must be said, was a >>
flamboyant bisexual who
managed to keep his sexuality in the closet until his death from AIDS in 1992. >>
Nevertheless, his sexuality was apparent
throughout Queen's music, from their very name to their veiled lyrics -- it was truly bizarre >>
to hear gay anthems like
"We Are the Champions" turn into celebrations of sports victories. That would have been >>
impossible without Mercury, one
of the most dynamic and charismatic frontmen in rock history. Through his legendary >>
theatrical performances, Queen
became one of the most popular bands in the world in the mid-'70s; in England, they remained >>
second only to the Beatles
in popularity and collectibility in the '90s. Despite their enormous popularity, Queen were >>
never taken seriously by
rock critics -- an infamous Rolling Stone review labeled their 1979 album Jazz as >>
"fascist." In spite of such harsh
criticism, the band's popularity rarely waned; even in the late '80s, the group retained >>
a fanatical following except in
America. In the States, their popularity peaked in the early '80s, just as they finished >>
nearly a decade's worth of
extraordinarily popular records. And while those records were never praised, they sold in >>
enormous numbers, and traces
of Queen's music could be heard in several generations of hard rock and metal bands in the >>
next two decades, from
Metallica to Smashing Pumpkins.
The origins of Queen lay in the hard rock psychedelic group Smile, which guitarist Brian >>
May and drummer Roger Taylor
joined in 1967. Following the departure of Smile's lead vocalist, Tim Staffell, in 1971, >>
May and Taylor formed a group
with Freddie Mercury, the former lead singer for Wreckage. Within a few months, bassist John >>
Deacon joined them, and
they began rehearsing. Over the next two years, as all four members completed college, they >>
simply rehearsed, playing
just a handful of gigs. By 1973, they had begun to concentrate on their career, >>
releasing the Roy Thomas Baker-produced
Queen that year and setting out on their first tour. Queen was more or less a straight metal >>
album and failed to receive
much acclaim, but Queen II became an unexpected British breakthrough early in 1974. Before >>
its release, the band played
Top of the Pops, performing "Seven Seas of Rhye." Both the song and the performance were >>
a smash success, and the single
rocketed into the Top Ten, setting the stage for Queen II to reach number five. >>
Following its release, the group
embarked on its first American tour, supporting Mott the Hoople. On the strength of their >>
campily dramatic performances,
the album climbed to number 43 in the States.
Queen released their third album, Sheer Heart Attack, before the end of 1974. The music hall >>
meets Zeppelin "Killer
Queen" climbed to number two on the U.K. charts, taking the album to number two as well. >>
Sheer Heart Attack made some
inroads in America as well, setting the stage for the breakthrough of 1975's A Night at the >>
Opera. Queen labored long
and hard over the record; according to many reports, it was the most expensive rock record >>
ever made at the time of its
release. The first single from the record, "Bohemian Rhapsody," became Queen's >>
signature song, and with its bombastic,
mock-operatic structure punctuated by heavy metal riffing, it encapsulates their music. It >>
also is the symbol for their
musical excesses -- the song took three weeks to record, and there were so many vocal overdubs >>
on the record that it was
possible see through the tape at certain points. To support "Bohemian Rhapsody," Queen shot >>
one of the first conceptual
music videos, and the gamble paid off as the single spent nine weeks at number one in the >>
England, breaking the record
for the longest run at number one. The song and A Night at the Opera were equally >>
successful in America, as the album
climbed into the Top Ten and quickly went platinum.
Following A Night at the Opera, Queen were established as superstars, and they quickly took >>
advantage of all their
status had to offer. Their parties and indulgence quickly became legend in the rock world, >>
yet the band continued to
work at a rapid rate. In the summer of 1976, they performed a free concert at London's Hyde >>
Park that broke attendance
records, and they released the hit single "Somebody to Love" a few months later. It was followed >>
by A Day at the Races,
which was essentially a scaled-down version of A Night at the Opera that reached number one >>
in the U.K. and number five
in the U.S. They continued to pile up hit singles in both Britain and America over the next >>
five years, as each of their
albums went into the Top Ten, always going gold and usually platinum in the process. Because >>
Queen embraced such mass
success and adoration, they were scorned by the rock press, especially when they came to >>
represent all of the worst
tendencies of the old guard in the wake of punk. Nevertheless, the public continued to buy >>
Queen records. Featuring the
Top Five double-A-sided single "We Are the Champions"/"We Will Rock You," News of the World >>
became a Top Ten hit in
1977. The following year, Jazz nearly replicated that success, with the single "Fat Bottomed >>
Girls"/"Bicycle Race"
becoming an international hit despite the massive bad publicity surrounding their media stunt >>
of staging a nude female
bicycle race.
Queen were at the height of their popularity as they entered the '80s, releasing The Game, >>
their most diverse album to
date, in 1980. On the strength of two number one singles -- the campy rockabilly "Crazy Little >>
Thing Called Love" and
the disco-fied "Another One Bites the Dust" -- The Game became the group's first American >>
number one album. However, the
bottom fell out of the group's popularity, particularly in the U.S., shortly afterward. Their >>
largely instrumental
soundtrack to Flash Gordon was coldly received later in 1980. With the help of David Bowie, >>
Queen were able to
successfully compete with new wave with 1981's hit single "Under Pressure" -- their first >>
U.K. number one since
"Bohemian Rhapsody" -- which was included both on their 1981 Greatest Hits and 1982's Hot >>
Space. Instead of proving the
group's vitality, "Under Pressure" was a last gasp. Hot Space was only a moderate hit, and >>
the more rock-oriented The
Works (1984) also was a minor hit, with only "Radio Ga Ga" receiving much attention. Shortly >>
afterward, they left
Elektra and signed with Capitol.
Faced with their decreased popularity in the U.S. and waning popularity in Britain, Queen >>
began touring foreign markets,
cultivating a large, dedicated fan base in Latin America, Asia, and Africa, continents that >>
most rock groups ignored. In
1985, they returned to popularity in Britain in the wake of their show-stopping >>
performance at Live Aid. The following
year, they released A Kind of Magic to strong European sales, but they failed to make headway >>
in the States. The same
fate befell 1989's The Miracle, yet 1991's Innuendo was greeted more favorably, going gold >>
and peaking at number 30 in
the U.S. Nevertheless, it still was a far bigger success in Europe, entering the U.K. charts >>
at number one.
By 1991, Queen had drastically scaled back their activity, causing many rumors to >>
circulate about Freddie Mercury's
health. On November 23, he issued a statement confirming that he was stricken with AIDS; >>
he died the next day. The
following spring, the remaining members of Queen held a memorial concert at Wembley Stadium, >>
which was broadcast to an
international audience of more than one billion. Featuring such guest artists as David Bowie, >>
Elton John, Annie Lennox,
Def Leppard, and Guns N' Roses, the concert raised millions for the Mercury Phoenix Trust, >>
which was established for
AIDS awareness. The concert coincided with a revival of interest in "Bohemian Rhapsody," >>
which climbed to number two in
the U.S. and number one in the U.K. in the wake of its appearance in the Mike Myers comedy >>
Wayne's World. Following
Mercury's death, the remaining members of Queen were fairly quiet. Brian May released his >>
second solo album, Back to the
Light, in 1993, ten years after the release of his first record. Roger Taylor cut a few records >>
with the Cross, which he
had been playing with since 1987, while Deacon essentially retired. The three reunited in >>
1994 to record backing tapes
for vocal tracks Mercury recorded on his death bed. The resulting album, Made in Heaven, >>
was released in 1995 to mixed
reviews and strong sales, particularly in Europe. Crown Jewels, a box set repackaging their >>
first eight LPs, followed in
1998.
AMG Rating: ?
AMG Review
None
Credz
____________________________________________________________________________________________________ >>
________________________________________________
Track Listing
cd1
01 Bohemian Rhapsody >>
[05:54]
02 Killer Queen >>
[02:59]
03 Another One Bites the Dust >>
[03:34]
04 Fat Bottomed Girls >>
[03:21]
05 Somebody to Love >>
[04:57]
06 White Queen >>
[04:33]
07 Bicycle Race >>
[03:01]
08 You're My Best Friends >>
[02:50]
09 Don't Stop Me Now >>
[03:29]
10 All Dead All Dead >>
[03:07]
11 Living on My Own >>
[03:36]
12 Save Me >>
[03:46]
13 No One But You >>
[04:06]
14 Jesus >>
[03:45]
15 Headlong >>
[04:33]
16 Who Wants to Live Forever >>
[04:54]
17 Baby I Don't Care >>
[01:33]
18 Love of My Life >>
[03:34]
19 Thank God It's Christmas >>
[04:17]
20 Barcelona >>
[05:37]
cd2
01 Radio Ga Ga >>
[05:43]
02 A Kind of Magik >>
[04:21]
03 We Are the Champions >>
[03:00]
04 Under Pressure >>
[03:56]
05 I Want It All >>
[04:01]
06 It's a Hard Life >>
[04:09]
07 Mustapha >>
[02:59]
08 Heaven for Everyone >>
[05:37]
09 Tutti Frutti >>
[02:53]
10 Your Kind of Lover >>
[03:57]
11 Flash >>
[02:47]
12 Love Kills >>
[04:28]
13 39 >>
[03:32]
14 Spread Your Wings >>
[04:31]
15 Seven Seas of Rhye >>
[02:49]
16 Hallo Mary Lou >>
[01:39]
17 Let's Turn It on >>
[03:45]
18 My Fairy Kind >>
[04:08]
19 Newer More >>
[01:17]
20 Life Is Real (Song for Lennon) >>
[03:27]
cd3
01 We Will Rock You >>
[02:00]
02 Crazy Little Thing Called Love >>
[02:42]
03 Innuendo >>
[06:27]
04 Breakthru >>
[04:09]
05 I Want to Break Free >>
[04:18]
06 Play the Game >>
[03:31]
07 I'm Going Slightly Mad >>
[04:08]
08 Exercises In Free Love >>
[03:56]
09 Scandal >>
[04:38]
10 One Year of Life >>
[04:27]
11 One Vision >>
[04:01]
12 Tear it Up >>
[03:26]
13 Dear Friends >>
[01:09]
14 Fun It >>
[03:31]
15 The Fairy Teller's Master >>
[02:45]
16 Soul Brother >>
[03:31]
17 Time >>
[03:49]
18 Lazing on Sunday Afternoon >>
[01:07]
19 Jealousy >>
[03:13]
20 Father to Son >>
[06:12]
cd4
01 The Show Must Go On >>
[04:23]
02 Mr. Bad Gay >>
[03:52]
03 The Invisible Man >>
[03:56]
04 The Miracle >>
[04:55]
05 Forever >>
[03:19]
06 Friends Will Be Friends >>
[04:06]
07 Don't Try So Hard >>
[03:39]
08 Good Old-Fashioned Lover Boy >>
[02:54]
09 Dont All Right >>
[04:09]
10 In My Defence >>
[03:51]
11 You Don't Fool Me >>
[05:27]
12 The Night Comes Down >>
[04:23]
13 Foolin' Around >>
[03:35]
14 My Baby Does Me >>
[03:21]
15 The Great Pretender >>
[03:24]
16 Lily of the Valley >>
[01:43]
17 Is This the World We Created >>
[02:13]
18 Rock in Rio Blues >>
[04:29]
19 Made in Heaven >>
[05:27]
#################################################################################################### >>
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