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The_Cranberries-To_The_Faithful_Departed-1996-NHH_INT
█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒░█▒█
▒ ( ( ( ) ) ( ▒
░ )\ ) )\ ) ( )\ ) ( /( ( /( * ) )\ ) ░
░ (()/(( (()/( ( )\ (()/(( )\()))\())` ) /(( (()/( ░
░ /(_))\ /(_)))\((((_)( /(_))\ ((_)\((_)\ ( )(_))\ /(_)) ░
░ (_))((_)(_)) ((_))\ _ )\(_))((_) _((_) ((_)(_(_()|(_)(_)) ░
░ | _ \ __| | | __(_)_\(_) __| __| | \| |/ _ \|_ _| __/ __| ░
░ | / _|| |__| _| / _ \ \__ \ _| | .` | (_) | | | | _|\__ \ ░
▒ |_|_\___|____|___/_/ \_\|___/___| |_|\_|\___/ |_| |___|___/ ▒
█≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡█
▒ Artist : The Cranberries ▒
░ Album : To The Faithful Departed ░
░ Bitrate : VBR 188 Average KB/s (High Quality 44.1 Joint Stereo) ░
░ Source : CD (LP) ░
░ Label : Island ░
░ Year : 1996 ░
░ Genre : Rock ░
░ Ripper : NHH ░
░ Rip Date : 2010-02-13 ░
░ Store Date : 1996-04-20 ░
░ Rip Tool : EAC 0.99 prebeta 5 (Secure Mode) ░
░ Encoder : Lame 3.97 -V2 --vbr-new ░
░ Size : 71.16 megs ░
░ Catalog # : 524234 ░
░ Supplier : NHH ░
░ NFO : YES [X] NO [ ] ░
░ SFV : YES [X] NO [ ] ░
░ M3U : YES [X] NO [ ] ░
░ JPG : YES [X] NO [ ] ░
▒ URL: http://allmusic.com/cg/amg.dll?p=amg&sql=10:azfrxqwhldte ▒
█≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡█
▒ ( ) ( ▒
░ * ))\ ) ( ( ( /( )\ ) ░
░ ` ) /(()/( )\ )\ )\()|()/( ░
░ ( )(_))(_)|(((_)( (((_)|((_)\ /(_)) ░
░ (_(_()|_)) )\ _ )\ )\___|_ ((_|_)) ░
░ |_ _| _ \ (_)_\(_|(/ __| |/ // __| ░
░ | | | / / _ \ | (__ ' < \__ \ ░
▒ |_| |_|_\ /_/ \_\ \___|_|\_\|___/ ▒
█≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡█
▒ Total Tracks : 13 ▒
░ 1) Hollywood 5:07 ░
░ 2) Salvation 2:24 ░
░ 3) When You're Gone 4:56 ░
░ 4) Free to Decide 4:24 ░
░ 5) War Child 3:50 ░
░ 6) Forever Yellow Skies 4:09 ░
░ 7) The Rebels 3:20 ░
░ 8) I Just Shot John Lennon 2:41 ░
░ 9) Electric Blue 4:51 ░
░ 10) I'm Still Remembering 4:49 ░
░ 11) Will You Remember? 2:49 ░
░ 12) Joe 3:22 ░
░ 13) Bosnia 5:37 ░
░ ----------------------------------------------------------------------- ░
░ 52:19 ░
▒ ▒
█≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡█
▒ ) ) ( ▒
░ ( /( ( /( * ) )\ ) ░
░ )\()))\())` ) /(( (()/( ░
░ ((_)\((_)\ ( )(_))\ /(_)) ░
░ _((_) ((_)(_(_()|(_)(_)) ░
░ | \| |/ _ \|_ _| __/ __| ░
░ | .` | (_) | | | | _|\__ \ ░
▒ |_|\_|\___/ |_| |___|___/ ▒
█≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡█
▒ ▒
░ Departed turned out to be where the Cranberries' best intentions finally ░
░ and thoroughly tripped them up. Switching producers to Bruce Fairbairn ░
░ was a troubling enough move to begin with; Stephen Street's ear for the ░
░ band's dynamics was note-perfect, but Fairbairn's work with arena-rock ░
░ monsters like Aerosmith meant on Departed everything was scaled up ░
░ accordingly. The results may have been more commercial, but they took ░
░ the identity of the band with it -- that opening song "Hollywood" ░
░ sounded exactly like atypical sludgefest "Zombie" was all to be ░
░ expected. O'Riordan, meanwhile, decided she was a generation's ░
░ spokesperson, fully taking over the songwriting, except on a couple of ░
░ cuts with Noel Hogan, penning some appropriate liner notes, and running ░
░ with it. Songtitles say it all -- "War Child," "I Just Shot John ░
░ Lennon," complete with cheesy gun shots, and perhaps most painfully ░
░ obvious at the end, "Bosnia." Then there's lead single "Salvation," ░
░ which preaches against heroin addiction in a manner worthy of ░
░ afterschool specials and with about as much depth. Not that good songs ░
░ can't and haven't been written on these subjects, of course, but ░
░ O'Riordan, lacking a truly individual or unique take on them, is not the ░
░ person to be writing them. Or singing them -- her wails and yelps now ░
░ run rampant, being less voice-as-instrument as it is signature calling ░
░ card to be employed throughout. There are bright points -- every so ░
░ often Hogan's guitar comes through at its best, and there's the ░
░ retro-'50s finger-snapping "When You're Gone" and the nicely arranged ░
░ "Electric Blue." Still, when compared to No Need and especially ░
░ Everybody Departed ░
░ ░
░ ░
░ Enjoy!! ░
▒ ▒
█≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡█
▒ ( ( ) ( ▒
░ ( )\ ) * ))\ ) ( /( ( )\ ) ░
░ )\ ) (()/(( ( ` ) /(()/( )\()))\ ) (()/( ░
░ (()/( /(_))\ )\ ( )(_))(_)|(_)\(()/( /(_)) ░
░ /(_))_(_))((_)((_)(_(_()|_)) _((_)/(_))_(_)) ░
░ (_)) __| _ \ __| __|_ _|_ _|| \| (_)) __/ __| ░
░ | (_ | / _|| _| | | | | | .` | | (_ \__ \ ░
░ \___|_|_\___|___| |_| |___||_|\_| \___|___/ ▒
█≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡█
▒ Greets to our friends in EwDp Recycled FRAY SNO MSD. ▒
░ Looking for more sites 100mb+ EU prefered. If you can help us out please ░
░ contact us ASAP! ░
▒ ▒
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± Artist : The Cranberries ±
° Album : To The Faithful Departed °
° Bitrate : VBR 188 Average KB/s (High Quality 44.1 Joint Stereo) °
° Source : CD (LP) °
° Label : Island °
° Year : 1996 °
° Genre : Rock °
° Ripper : NHH °
° Rip Date : 2010-02-13 °
° Store Date : 1996-04-20 °
° Rip Tool : EAC 0.99 prebeta 5 (Secure Mode) °
° Encoder : Lame 3.97 -V2 --vbr-new °
° Size : 71.16 megs °
° Catalog # : 524234 °
° Supplier : NHH °
° NFO : YES [X] NO [ ] °
° SFV : YES [X] NO [ ] °
° M3U : YES [X] NO [ ] °
° JPG : YES [X] NO [ ] °
± URL: http://allmusic.com/cg/amg.dll?p=amg&sql=10:azfrxqwhldte ±
ÛððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððÛ
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± Total Tracks : 13 ±
° 1) Hollywood 5:07 °
° 2) Salvation 2:24 °
° 3) When You're Gone 4:56 °
° 4) Free to Decide 4:24 °
° 5) War Child 3:50 °
° 6) Forever Yellow Skies 4:09 °
° 7) The Rebels 3:20 °
° 8) I Just Shot John Lennon 2:41 °
° 9) Electric Blue 4:51 °
° 10) I'm Still Remembering 4:49 °
° 11) Will You Remember? 2:49 °
° 12) Joe 3:22 °
° 13) Bosnia 5:37 °
° ----------------------------------------------------------------------- °
° 52:19 °
± ±
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± ±
° Departed turned out to be where the Cranberries' best intentions finally °
° and thoroughly tripped them up. Switching producers to Bruce Fairbairn °
° was a troubling enough move to begin with; Stephen Street's ear for the °
° band's dynamics was note-perfect, but Fairbairn's work with arena-rock °
° monsters like Aerosmith meant on Departed everything was scaled up °
° accordingly. The results may have been more commercial, but they took °
° the identity of the band with it -- that opening song "Hollywood" °
° sounded exactly like atypical sludgefest "Zombie" was all to be °
° expected. O'Riordan, meanwhile, decided she was a generation's °
° spokesperson, fully taking over the songwriting, except on a couple of °
° cuts with Noel Hogan, penning some appropriate liner notes, and running °
° with it. Songtitles say it all -- "War Child," "I Just Shot John °
° Lennon," complete with cheesy gun shots, and perhaps most painfully °
° obvious at the end, "Bosnia." Then there's lead single "Salvation," °
° which preaches against heroin addiction in a manner worthy of °
° afterschool specials and with about as much depth. Not that good songs °
° can't and haven't been written on these subjects, of course, but °
° O'Riordan, lacking a truly individual or unique take on them, is not the °
° person to be writing them. Or singing them -- her wails and yelps now °
° run rampant, being less voice-as-instrument as it is signature calling °
° card to be employed throughout. There are bright points -- every so °
° often Hogan's guitar comes through at its best, and there's the °
° retro-'50s finger-snapping "When You're Gone" and the nicely arranged °
° "Electric Blue." Still, when compared to No Need and especially °
° Everybody Departed °
° °
° °
° Enjoy!! °
± ±
ÛððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððððÛ
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± Greets to our friends in EwDp Recycled FRAY SNO MSD. ±
° Looking for more sites 100mb+ EU prefered. If you can help us out please °
° contact us ASAP! °
± ±
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