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▌────── Release Info ───────────────── ▐▌ ──────────────── ▌ ──────── ▐
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Originally released : 02-02-2010
Release date : 02-06-2010
Album name : Hellbilly Deluxe 2
Artist : Rob Zombie
Ripped by : Team EOS
Genre : Metal
Label : Roadrunner Records
Encoding Software : Lame EOS
Quality : -V 2
Tracks : 11
Size of Files : 71,5 MB
─ Track list ───────────────────────────────────────── ─── ─ ─
01 05:22 Jesus Frankenstein
02 03:44 Sick Bubble Gum
03 02:48 What?
04 04:59 Mars Needs Women
05 04:00 Werewolf, Baby!
06 03:39 Virgin Witch
07 02:19 Death And Destiny Inside The Dream Factory
08 03:04 Burn
09 03:39 Cease To Exist
10 03:02 Werewolf Women Of The SS
11 09:44 The Man Who Laughs
Total time: 46:20 min
─ Release notes ─────────────────────────────────────── ─── ─ ─
As a director or as a musician, Rob Zombie shows no signs
of closing the door on either of his creative endeavors
anytime soon. Returning with his first album since 2006's
Educated Horses, after several delays following this
record's completion in 2008 - due to his work on Halloween
2, lack of promotion, and time spent shopping for a new
label after 18 years of recording for Geffen - Zombie has
since gone on to say that the songs on Hellbilly Deluxe 2
were his easiest to write. This could be because it was his
first outing to include help from his bandmates (longtime
touring comrades guitarist John 5, bassist Piggy D, and
drummer Tommy C) but it's probably more attributed to the
fact that making songs like these is old hat by now. "Jesus
Frankenstein", "Sick Bubblegum", and "Mars Needs Women" are
the same schlocky grooves that made up his five previous
solo records and six White Zombie records. His trademark
"yeah" and monotone hoedown growl are still front and
center, the B-horror movie references are still plentiful
(Frankenstein, martians, witches, and two songs about
werewolves), and the chugging guitars and dark, sleek beats
are still trashy enough to be stripclub staples. Chris
Baseford's production is thick throughout, withstanding the
single, "What", a song Zombie and company wrote and
recorded in only a few hours. Influenced by '60s garage
rock, the vocals are run through a maximal amount of mid-
range distortion and accented by temporize clinks and organ
riffs behind the usual crunch. At this point in his career,
his best move is to take these types of risks, and when he
does so on the ten-minute closer "The Man Who Laughs", with
its underlying orchestral score by Tyler Bates (composer for
the Halloween remakes The Devil's Rejects and The Watchmen),
the results are compelling and unnerving in a good way.
- Jason Lymangrover, allmusic.com
─ Contact ───────────────────────────────────────────── ─── ─ ─
Contact us @ : #eos (efnet)
█▀▀ ▀ ▀ ▀▀█
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▀▀▀▀▀▀ ▀ RIPPING AT ITS FINEST -- ECONOMY OF SOUND ▀ ▀▀▀▀▀▀
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ÝÄÄÄÄÄÄ Release Info ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÞÝ ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ Ý ÄÄÄÄÄÄÄÄ Þ
Þ
Þ
Originally released : 02-02-2010
Release date : 02-06-2010
Album name : Hellbilly Deluxe 2
Artist : Rob Zombie
Ripped by : Team EOS
Genre : Metal
Label : Roadrunner Records
Encoding Software : Lame EOS
Quality : -V 2
Tracks : 11
Size of Files : 71,5 MB
Ä Track list ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä
01 05:22 Jesus Frankenstein
02 03:44 Sick Bubble Gum
03 02:48 What?
04 04:59 Mars Needs Women
05 04:00 Werewolf, Baby!
06 03:39 Virgin Witch
07 02:19 Death And Destiny Inside The Dream Factory
08 03:04 Burn
09 03:39 Cease To Exist
10 03:02 Werewolf Women Of The SS
11 09:44 The Man Who Laughs
Total time: 46:20 min
Ä Release notes ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä
As a director or as a musician, Rob Zombie shows no signs
of closing the door on either of his creative endeavors
anytime soon. Returning with his first album since 2006's
Educated Horses, after several delays following this
record's completion in 2008 - due to his work on Halloween
2, lack of promotion, and time spent shopping for a new
label after 18 years of recording for Geffen - Zombie has
since gone on to say that the songs on Hellbilly Deluxe 2
were his easiest to write. This could be because it was his
first outing to include help from his bandmates (longtime
touring comrades guitarist John 5, bassist Piggy D, and
drummer Tommy C) but it's probably more attributed to the
fact that making songs like these is old hat by now. "Jesus
Frankenstein", "Sick Bubblegum", and "Mars Needs Women" are
the same schlocky grooves that made up his five previous
solo records and six White Zombie records. His trademark
"yeah" and monotone hoedown growl are still front and
center, the B-horror movie references are still plentiful
(Frankenstein, martians, witches, and two songs about
werewolves), and the chugging guitars and dark, sleek beats
are still trashy enough to be stripclub staples. Chris
Baseford's production is thick throughout, withstanding the
single, "What", a song Zombie and company wrote and
recorded in only a few hours. Influenced by '60s garage
rock, the vocals are run through a maximal amount of mid-
range distortion and accented by temporize clinks and organ
riffs behind the usual crunch. At this point in his career,
his best move is to take these types of risks, and when he
does so on the ten-minute closer "The Man Who Laughs", with
its underlying orchestral score by Tyler Bates (composer for
the Halloween remakes The Devil's Rejects and The Watchmen),
the results are compelling and unnerving in a good way.
- Jason Lymangrover, allmusic.com
Ä Contact ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä
Contact us @ : #eos (efnet)
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ßßßßßß ß RIPPING AT ITS FINEST -- ECONOMY OF SOUND ß ßßßßßß
This NFO File was rendered by NFOmation.net
