NFOmation.net - Your Ultimate NFO Upload Resource! Viewing NFO file: 00-fun.-aim_and_ignite-2009-debt_int.nfo 00-fun.-aim_and_ignite-2009-debt_int
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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═══════╗ ╔══════╝▀ ░ ░░░▓█████▓░
░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░
▄▀░████▓╔═══════════════╩═════════════════════════╩══════════════╗▓████░▀▄
░ ▀▓████║ Fun.-Aim_And_Ignite-2009-DeBT_iNT ║████▓▀ ░
▀ ░████╚════════════════════════════════════════════════════════╝████░ ▀
▀░████ ▄ ▄ ░▓████░▀
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▄▄▀▀███████████▀▀▀ ▀▀████████████▀▀ ░
▄░▓███████▄▄▄░ ARTiST.... Fun. ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Aim And Ignite █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Nettwerk ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Rock ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2010-03-04 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2009-04-25 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CDDA ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 264 kbps / 44.1kHz / Joint-Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 10 / 42:20 MiN ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 80,1 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with Lame 3.98.2 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... www.myspace.com/fun ▀ ░ ░░▓████░▄
░▓█████▄░░ ▄ ▄ ░░▄█████▓░
▄░▓███████▄▄▄░ ░▄▄▄███████▓░▀
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▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 01 Be Calm 04:10 ████▓▄ ░
░ ▄▓████ 02 Benson Hedges 04:00 ████▓▄ ░
░ ▄▓████ 03 All The Pretty Girls 03:23 ████▓▄ ░
░ ▄▓████ 04 I Wanna Be The One 03:36 ████▓▄ ░
░ ▄▓████ 05 At Least I'm Not As Sad (As I Used To Be) 04:07 ████▓▄ ░
░ ▄▓████ 06 Light A Roman Candle With Me 03:05 ████▓▄ ░
░ ▄▓████ 07 Walking The Dog 03:40 ████▓▄ ░
░ ▄▓████ 08 Barlights 04:17 ████▓▄ ░
░ ▄▓████ 09 The Gambler 04:11 ████▓▄ ░
░ ▄▓████ 10 Take Your Time (Coming Home) 07:51 ████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 42:20 MiN ████▓░
░▓███████▄ TOTAL SIZE: 80,1 MB ▄█████▓░
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░▓█████▓░╟─────────────────────────────────────◄RELEASE NOTES►╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ Even in the early part of the 21st century when ║▀░▓████░▀▄
▄▀░████▓░▀║ everything from heavy metal dub to unlistenable ║▀░▓████░▀▄
▄▀░████▓░▀║ lo-fi shoegazer mumblings gets rave reviews in the ║▀░▓████░▀▄
▄▀░████▓░▀║ online press, progressive rock still has a bad ║▀░▓████░▀▄
▄▀░████▓░▀║ name. So when a band comes along claiming both ELO ║▀░▓████░▀▄
▄▀░████▓░▀║ and Sly & the Family Stone as influences, you ║▀░▓████░▀▄
▄▀░████▓░▀║ can't help but cringe. Thankfully, the oddly ║▀░▓████░▀▄
▄▀░████▓░▀║ punctuated band known as Fun. doesn't take itself ║▀░▓████░▀▄
▄▀░████▓░▀║ too seriously. It's progressive, but in the best ║▀░▓████░▀▄
▄▀░████▓░▀║ possible way. Full string sections provide ║▀░▓████░▀▄
▄▀░████▓░▀║ Beatlesque swells of sound, churchy harmonies ║▀░▓████░▀▄
▄▀░████▓░▀║ hint at African American Gospel music and the ║▀░▓████░▀▄
▄▀░████▓░▀║ swooning vocals of Queen, and, yes, the rhythm ║▀░▓████░▀▄
▄▀░████▓░▀║ section does have some of the pop bombast of ELO, ║▀░▓████░▀▄
▄▀░████▓░▀║ but the diverse elements all come together neatly ║▀░▓████░▀▄
▄▀░████▓░▀║ in service of the song. The arrangements break ║▀░▓████░▀▄
▄▀░████▓░▀║ down rigid song structures with an open-ended and ║▀░▓████░▀▄
▄▀░████▓░▀║ open-minded creativity that ranges far and wide ║▀░▓████░▀▄
▄▀░████▓░▀║ over the musical spectrum. This music needs to be ║▀░▓████░▀▄
▄▀░████▓░▀║ listened to as an album, in one sitting, so you ║▀░▓████░▀▄
▄▀░████▓░▀║ can appreciate the way the musical and lyrical ║▀░▓████░▀▄
▄▀░████▓░▀║ ideas flow together and play off of each other. ║▀░▓████░▀▄
▄▀░████▓░▀║ That said, there are moments of genius that grab ║▀░▓████░▀▄
▄▀░████▓░▀║ you even on your first casual listen. "At Least ║▀░▓████░▀▄
▄▀░████▓░▀║ I'm Not as Sad (As I Used to Be)" sounds like a ║▀░▓████░▀▄
▄▀░████▓░▀║ long-winded country song title, but it's a ║▀░▓████░▀▄
▄▀░████▓░▀║ cabaret-flavored rock song with a vaguely Latin ║▀░▓████░▀▄
▄▀░████▓░▀║ instrumental break, big grand piano flourishes, a ║▀░▓████░▀▄
▄▀░████▓░▀║ nursery rhyme chorus, and a big finish. The ║▀░▓████░▀▄
▄▀░████▓░▀║ ambiguous lyric deals with the loss of friends, or ║▀░▓████░▀▄
▄▀░████▓░▀║ maybe the loss of one's soul, and could be a ║▀░▓████░▀▄
▄▀░████▓░▀║ parable about the music business, or just growing ║▀░▓████░▀▄
▄▀░████▓░▀║ up, as Nate Ruess sings it in a tenor voice full ║▀░▓████░▀▄
▄▀░████▓░▀║ of an adolescent yearning. Life-long love is not ║▀░▓████░▀▄
▄▀░████▓░▀║ often addressed in rock music, but that's the ║▀░▓████░▀▄
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▀ ░████▓▄║ ║░▓████░ ▀
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▄ ░░▓███╠════════════════════════════════════════════◄QUOTES►╢╣███▓░░ ▄ ▄
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▀░▓███████▄▄║ ║▄▄███████▓░▀
▀░▓███████▄▄║ "Marriage is the only adventure open to the ║▄▄███████▓░▀
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▀░▓███████▄▄║ ║▄▄███████▓░▀
▀░▓███████▄▄║ -Voltaire ║▄▄███████▓░▀
░▓█████▄░░ ▄║ ║▄ ░░▄█████▓░
▀░████▓░░▀ ░║ ║░ ▀░░▓████░▀
░▓███▓▓░ ▄║ ║▄ ░▓▓███▓░
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▀ ▄███▀░░║ ║░░▀███▄ ▀
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▄▄▀▀██████╟────────────────────────────────────────◄GROUP NEWS►╢██████▀▀ ▄▄░
▄░▓███████▄║ DeBT is in need of affils, ║▄▄███████▓░▀
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░████▓░░▀ ║ pre-release suppliers, bookware ║░ ▀░░▓████░▀
░▓███▓▓░ ║ ║▄ ░▓▓███▓░
▀▀░███▓░▄▄║ suppliers, iNT rippers, shell accounts, ║░▄▄░▓███░▀▀
▀ ▄███▀░║ ║░░▀███▄ ▀
░░▄▄█║ coders, crackers and anything else ║██▄▄░░
▄▄░▀█████║ ║██████▀░▄▀
░▓█████▓░║ that may be of use to us. ║░▓█████▓░
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▄▀░████▓░▀║ We are in dire need of a quality dupe db. ║▀░▓████░▀▄
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▀ ░████▓▄║ DeBT is a new group that is dedicated to bringing ║░▓████░ ▀
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▄ ░░▓███║ you the best of the old, new and forgotten in a ║███▓░░ ▄ ▄
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▄▄░▀█████║ C O N T A C T D e B T ║██████▀░▄▀
░▓█████▓░║ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ║░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ DeBTisSlaV3rYSTuPiD@GMail.com ║▀░▓████░▀▄
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°²ÛÛÛÛÛ²°ÇÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄRELEASE NOTES¶°²ÛÛÛÛÛ²°
°²ÛÛÛÛ²°°º º°°²ÛÛÛÛ²°
Üß°ÛÛÛÛ²°ßº ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Even in the early part of the 21st century when ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº everything from heavy metal dub to unlistenable ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº lo-fi shoegazer mumblings gets rave reviews in the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº online press, progressive rock still has a bad ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº name. So when a band comes along claiming both ELO ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº and Sly & the Family Stone as influences, you ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº can't help but cringe. Thankfully, the oddly ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº punctuated band known as Fun. doesn't take itself ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº too seriously. It's progressive, but in the best ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº possible way. Full string sections provide ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Beatlesque swells of sound, churchy harmonies ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº hint at African American Gospel music and the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº swooning vocals of Queen, and, yes, the rhythm ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº section does have some of the pop bombast of ELO, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº but the diverse elements all come together neatly ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº in service of the song. The arrangements break ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº down rigid song structures with an open-ended and ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº open-minded creativity that ranges far and wide ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº over the musical spectrum. This music needs to be ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº listened to as an album, in one sitting, so you ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº can appreciate the way the musical and lyrical ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº ideas flow together and play off of each other. ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº That said, there are moments of genius that grab ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº you even on your first casual listen. "At Least ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº I'm Not as Sad (As I Used to Be)" sounds like a ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº long-winded country song title, but it's a ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº cabaret-flavored rock song with a vaguely Latin ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº instrumental break, big grand piano flourishes, a ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº nursery rhyme chorus, and a big finish. The ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº ambiguous lyric deals with the loss of friends, or ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº maybe the loss of one's soul, and could be a ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº parable about the music business, or just growing ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº up, as Nate Ruess sings it in a tenor voice full ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº of an adolescent yearning. Life-long love is not ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº often addressed in rock music, but that's the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº subject of "The Gambler." You could call it the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº grown-up cousin of "When I'm 64," a long, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº beautiful, linear narrative that takes love from ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº 18 to old age, making the journey sound lovely and ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº worthwhile. "Be Calm" is based in part on the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº melody from Beethoven's "Ode to Joy," an old prog ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº rock trick, but Fun. keeps thing moving brightly ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº along. The song is about an approaching nervous ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº breakdown, and the song's shifting tempos -- from ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº jittery verse to soothing chorus -- aptly convey ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº the singer's growing panic. In the '70s, a lot of ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº prog rock was marred by pretentious or overly ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº sincere or consciously mythic lyrics. Ruess, main ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº wordsmith for Fun., doesn't fall into that trap. ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº His lyrics have a way of investigating the larger ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº truths of life -- loneliness, the struggles of ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº maintaining relationships, growing up, insecurity, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº even death -- with a witty approach that keeps the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº songs bubbling merrily along on a positive note. ºß°²ÛÛÛÛ°ßÜ
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