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░ ARTiST.......: jakob dylan ▀▀▀▓▓████
░ ALBUM........: women and country ▀ ▄ ▀▓▓█
░ GENRE........: rock TRACKS...: 11 ▐▓▄ ▐▓▓
░▄▀ RELEASE DATE.: 04-02-2010 SiZE.....: 49,1 MB ▓▓▓▌ █▓
▒▌▄▄ YEAR.........: 2010 SOURCE...: cdda ▄▓▓▓▀ ▓█
▓▓▀ LABEL........: Sony Music BiTRATE..: avg. 159kbps ▄▄▄▓▓▀▀ ▒▓
▓▌ PLAYTIME.....: 42:53 min ▄▓▓▓▀▀▄▄ ▀ ▒█
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██ 01 nothing but the whole wide world 03:48 ██
██ 02 down on our own shield 03:41 ██
██ 03 lend a hand 03:49 ██
██ 04 we don't live here anymore 04:24 ██
██ 05 everybody's hurting 03:40 ██
██ 06 yonder come the blues 04:01 ██
██ 07 holy rollers for love 03:56 ██
██ 08 truth for a truth 03:35 ██
██ 09 they've trapped us boys 04:02 ██
██ 10 smile when you call me that 04:00 ██
██ 11 standing eight count 03:57 ██
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█▓▄ Total: 42:53 min ██
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██ ██
██ "I knew going into this record that I wanted to hear ██
██ something full and vibrant," says singer-songwriter Jakob ██
██ Dylan of Women and Country. "I wanted horns and fiddle, ██
██ for it to be as big and beautiful sounding as it could ██
██ with instrumentation. That changes the lyrics and tone of ██
██ what you're writing." ██
██ ██
██ Those instincts are evident across the album's tracks, a ██
██ lush collection that blends country, blues and folk into a ██
██ poignant aural evocation of rural landscapes. From the ██
██ soft snare and forlorn strings of "Nothing But the Wide ██
██ World For Us" and defiantly proud lyrics of "Down On Our ██
██ Own Shield" ("It's a struggle, it's a strain / it's all ██
██ give and no take / whatever it is now, it's up to our ██
██ waists") to the dirgey country strains of "Smile When You ██
██ Call Me That," which describes a love gone bad in ██
██ deceptively minimal terms ("I'm drunk and you're insane / ██
██ I can't quit and you won't change / Ain't no half-hearted ██
██ Romeo / why do you treat me so?"), the 40-year-old's ██
██ latest displays an artful mastery of roots-rock language ██
██ and musical phrasing. And where his previous record, ██
██ 2008's Seeing Things, was a stripped back "exercise in ██
██ limitations," Women and Country is the work of a mature ██
██ performer vested in exploring the byways of the American ██
██ songbook. ██
██ ██
██ "I see myself as a traditionalist," he says. "I like ██
██ traditional things. I like things of substance and value ██
██ that have been proven. Conceptually, as the songs started ██
██ to come together, I followed that lead, which is the ██
██ language I work in." ██
██ ██
██ Recorded in Los Angeles in May of 2009 and produced by the ██
██ legendary T-Bone Burnett, Women and Country marks Dylan's ██
██ second solo effort. He says he was pleased to enlist ██
██ Burnett, both because the two have a longstanding ██
██ friendship and because Dylan describes the producer as a ██
██ musical "historian" with an unparalleled depth and breadth ██
██ of knowledge when it comes to blues, folk and rock 'n' ██
██ roll. "I knew that there wasn't going to be great amount ██
██ of frustration making the record with him," Dylan says. ██
██ "Believe it or not, this many years later, it still seems ██
██ like you're trying to get around other people's ideas. I ██
██ knew that wasn't going to be the issue here. That allowed ██
██ me to bite off something fairly large." ██
██ ██
██ It's that freedom gave Dylan the room necessary to delve ██
██ into wide-ranging themesùthe women and country of the ██
██ album's titleùand marry them to a musical form appropriate ██
██ to a universal experience. "Everything we care about is an ██
██ extension of women and country. I don't see that as ██
██ American. I think that's the way the world works all over. ██
██ These things we believe in and strive for are the ██
██ foundations of what we desire or care about and want to ██
██ protect. It's materialism, it's economy, it's politics." ██
██ He continues, "I do work within the parameters of what's ██
██ considered American and rural images, but it's really ██
██ women and countryùthose are the starting points. Those are ██
██ the beginning and ends of all our efforts, either ██
██ proactive or reactionary. I really think those matter more ██
██ now than ever." ██
██ ██
██ The album also features backup vocals by Neko Case and ██
██ Kelly Hogan, whose help Dylan enlisted to enrich the album ██
██ with a different personality on 8 of its 11 tracks. (For ██
██ his upcoming tour, Dylan will be accompanied by Case's ██
██ backing band; Case will appear on select dates as well.) ██
██ Among their notable harmonies are those on "Everybody's ██
██ Hurting," "Holy Rollers for Love" and the elegiac country ██
██ of "We Don't Live Here Anymore," which Dylan begins with ██
██ cinematic description ("Left turn off a county road / ██
██ weathervane is to the north / in the shade of sycamore / ██
██ is the house where you were born") before ratcheting up ██
██ the anxiety ("We're off the script / we're off the lease / ██
██ we can't catch any decent sleep / we don't live here ██
██ anymore"). The female voices on the chorus provide an ██
██ ethereal counterpart to Dylan's earthier tones. ██
██ ██
██ Despite the collection's western tinge and dusty lyrics, ██
██ the singer-songwriter stresses that his aim wasn't just to ██
██ offer up country, but rather create an album where the ██
██ melody of the songs only add to their meaning. "I just ██
██ find those references and sounds more interesting. I don't ██
██ want to be a throwback, and I'm not holding a torch for ██
██ anything. I just think that those sounds evoke something ██
██ that's undeniable to everybto eve ██
██ ██
██ ██
██ ██
██ Url: www.jakobdylan.com ██
██ ██
██ ██
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This NFO File was rendered by NFOmation.net
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° ARTiST.......: jakob dylan ßßß²²ÛÛÛÛ
° ALBUM........: women and country ß Ü ß²²Û
° GENRE........: rock TRACKS...: 11 Þ²Ü Þ²²
°Üß RELEASE DATE.: 04-02-2010 SiZE.....: 49,1 MB ²²²Ý Û²
±ÝÜÜ YEAR.........: 2010 SOURCE...: cdda ܲ²²ß ²Û
²²ß LABEL........: Sony Music BiTRATE..: avg. 159kbps ÜÜܲ²ßß ±²
²Ý PLAYTIME.....: 42:53 min ܲ²²ßßÜÜ ß ±Û
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ÛÛ 01 nothing but the whole wide world 03:48 ÛÛ
ÛÛ 02 down on our own shield 03:41 ÛÛ
ÛÛ 03 lend a hand 03:49 ÛÛ
ÛÛ 04 we don't live here anymore 04:24 ÛÛ
ÛÛ 05 everybody's hurting 03:40 ÛÛ
ÛÛ 06 yonder come the blues 04:01 ÛÛ
ÛÛ 07 holy rollers for love 03:56 ÛÛ
ÛÛ 08 truth for a truth 03:35 ÛÛ
ÛÛ 09 they've trapped us boys 04:02 ÛÛ
ÛÛ 10 smile when you call me that 04:00 ÛÛ
ÛÛ 11 standing eight count 03:57 ÛÛ
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ÛÛ ÛÛ
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Û²Ü Total: 42:53 min ÛÛ
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ÛÛ ²Û
ÛÛ ÛÛ
ÛÛ ÛÛ
ÛÛ "I knew going into this record that I wanted to hear ÛÛ
ÛÛ something full and vibrant," says singer-songwriter Jakob ÛÛ
ÛÛ Dylan of Women and Country. "I wanted horns and fiddle, ÛÛ
ÛÛ for it to be as big and beautiful sounding as it could ÛÛ
ÛÛ with instrumentation. That changes the lyrics and tone of ÛÛ
ÛÛ what you're writing." ÛÛ
ÛÛ ÛÛ
ÛÛ Those instincts are evident across the album's tracks, a ÛÛ
ÛÛ lush collection that blends country, blues and folk into a ÛÛ
ÛÛ poignant aural evocation of rural landscapes. From the ÛÛ
ÛÛ soft snare and forlorn strings of "Nothing But the Wide ÛÛ
ÛÛ World For Us" and defiantly proud lyrics of "Down On Our ÛÛ
ÛÛ Own Shield" ("It's a struggle, it's a strain / it's all ÛÛ
ÛÛ give and no take / whatever it is now, it's up to our ÛÛ
ÛÛ waists") to the dirgey country strains of "Smile When You ÛÛ
ÛÛ Call Me That," which describes a love gone bad in ÛÛ
ÛÛ deceptively minimal terms ("I'm drunk and you're insane / ÛÛ
ÛÛ I can't quit and you won't change / Ain't no half-hearted ÛÛ
ÛÛ Romeo / why do you treat me so?"), the 40-year-old's ÛÛ
ÛÛ latest displays an artful mastery of roots-rock language ÛÛ
ÛÛ and musical phrasing. And where his previous record, ÛÛ
ÛÛ 2008's Seeing Things, was a stripped back "exercise in ÛÛ
ÛÛ limitations," Women and Country is the work of a mature ÛÛ
ÛÛ performer vested in exploring the byways of the American ÛÛ
ÛÛ songbook. ÛÛ
ÛÛ ÛÛ
ÛÛ "I see myself as a traditionalist," he says. "I like ÛÛ
ÛÛ traditional things. I like things of substance and value ÛÛ
ÛÛ that have been proven. Conceptually, as the songs started ÛÛ
ÛÛ to come together, I followed that lead, which is the ÛÛ
ÛÛ language I work in." ÛÛ
ÛÛ ÛÛ
ÛÛ Recorded in Los Angeles in May of 2009 and produced by the ÛÛ
ÛÛ legendary T-Bone Burnett, Women and Country marks Dylan's ÛÛ
ÛÛ second solo effort. He says he was pleased to enlist ÛÛ
ÛÛ Burnett, both because the two have a longstanding ÛÛ
ÛÛ friendship and because Dylan describes the producer as a ÛÛ
ÛÛ musical "historian" with an unparalleled depth and breadth ÛÛ
ÛÛ of knowledge when it comes to blues, folk and rock 'n' ÛÛ
ÛÛ roll. "I knew that there wasn't going to be great amount ÛÛ
ÛÛ of frustration making the record with him," Dylan says. ÛÛ
ÛÛ "Believe it or not, this many years later, it still seems ÛÛ
ÛÛ like you're trying to get around other people's ideas. I ÛÛ
ÛÛ knew that wasn't going to be the issue here. That allowed ÛÛ
ÛÛ me to bite off something fairly large." ÛÛ
ÛÛ ÛÛ
ÛÛ It's that freedom gave Dylan the room necessary to delve ÛÛ
ÛÛ into wide-ranging themesthe women and country of the ÛÛ
ÛÛ album's titleand marry them to a musical form appropriate ÛÛ
ÛÛ to a universal experience. "Everything we care about is an ÛÛ
ÛÛ extension of women and country. I don't see that as ÛÛ
ÛÛ American. I think that's the way the world works all over. ÛÛ
ÛÛ These things we believe in and strive for are the ÛÛ
ÛÛ foundations of what we desire or care about and want to ÛÛ
ÛÛ protect. It's materialism, it's economy, it's politics." ÛÛ
ÛÛ He continues, "I do work within the parameters of what's ÛÛ
ÛÛ considered American and rural images, but it's really ÛÛ
ÛÛ women and countrythose are the starting points. Those are ÛÛ
ÛÛ the beginning and ends of all our efforts, either ÛÛ
ÛÛ proactive or reactionary. I really think those matter more ÛÛ
ÛÛ now than ever." ÛÛ
ÛÛ ÛÛ
ÛÛ The album also features backup vocals by Neko Case and ÛÛ
ÛÛ Kelly Hogan, whose help Dylan enlisted to enrich the album ÛÛ
ÛÛ with a different personality on 8 of its 11 tracks. (For ÛÛ
ÛÛ his upcoming tour, Dylan will be accompanied by Case's ÛÛ
ÛÛ backing band; Case will appear on select dates as well.) ÛÛ
ÛÛ Among their notable harmonies are those on "Everybody's ÛÛ
ÛÛ Hurting," "Holy Rollers for Love" and the elegiac country ÛÛ
ÛÛ of "We Don't Live Here Anymore," which Dylan begins with ÛÛ
ÛÛ cinematic description ("Left turn off a county road / ÛÛ
ÛÛ weathervane is to the north / in the shade of sycamore / ÛÛ
ÛÛ is the house where you were born") before ratcheting up ÛÛ
ÛÛ the anxiety ("We're off the script / we're off the lease / ÛÛ
ÛÛ we can't catch any decent sleep / we don't live here ÛÛ
ÛÛ anymore"). The female voices on the chorus provide an ÛÛ
ÛÛ ethereal counterpart to Dylan's earthier tones. ÛÛ
ÛÛ ÛÛ
ÛÛ Despite the collection's western tinge and dusty lyrics, ÛÛ
ÛÛ the singer-songwriter stresses that his aim wasn't just to ÛÛ
ÛÛ offer up country, but rather create an album where the ÛÛ
ÛÛ melody of the songs only add to their meaning. "I just ÛÛ
ÛÛ find those references and sounds more interesting. I don't ÛÛ
ÛÛ want to be a throwback, and I'm not holding a torch for ÛÛ
ÛÛ anything. I just think that those sounds evoke something ÛÛ
ÛÛ that's undeniable to everybto eve ÛÛ
ÛÛ ÛÛ
ÛÛ ÛÛ
ÛÛ ÛÛ
ÛÛ Url: www.jakobdylan.com ÛÛ
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