NFOmation.net - Your Ultimate NFO Upload Resource! Viewing NFO file: 00-egypt-egypt-2009-berc.nfo 00-egypt-egypt-2009-berc


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         ─────────────────────────────────────────────────────────────

          Artist  : Egypt
          Album   : Egypt
          Year    : 2009

          Genre   : Metal
          Label   : Meteor City
          Cat.nr  : MCY-058

          Source  : CDDA
          R.date  : 10.04.2010
          Size    : 37,5 MB

          Encoder : LAME 3.97 -V2 --vbr-new
          Bitrate : avg. 164kbps
          Quality : 44,1kHz/Joint-Stereo

          Website : http://metal-archives.com/band.php?id=3540257657

          Tracklist:

          01.  Valley of the Kings                               07:35
          02.  Queen of All Time (Red Giant)                     09:24
          03.  Dirty Witch                                       07:20
          04.  Touch Ground                                      07:31
                                                                 ─────
                                                                 31:50

          Release Notes:

          Stoner/Doom Metal from Fargo with heavy influences
          from the 70's. Should appeal to fans of Sleep, Sir
          Lord Baltimore, and Deep Purple.

          ---
          In my neck of the woods this past summer was a
          washout:  Rain, rain, and more rain. It rained so
          god damned much that I thought I was going to have
          to build an ark.  Needless to say, this severely
          reduced this year's quotient of fun in the sun.
          Fortunately, Egypt's self titled disc has been a
          little ray of sunshine for me.  As I listen to
          Egypt's fuzzy grooves, I picture my self floating
          lazily down the Nile on a reed raft, with the sun
          in my face, a beer in one hand and a bong in the
          other. The reality is, I will probably never float
          down the Nile on a red raft, and if I did, those
          Nile crocodiles would probably capsize my raft and
          eat me, and I gave up weed because it gave me
          smoker's cough.  But, I still have the record, and
          it warms my soul.

          Though Egypt takes some lyrical inspiration from
          the land of the Pharaohs, the band is no threat to
          Nile's position as kings of Egyptian themed death
          metal.  Egypt plays a style that lands somewhere
          between the holy smoking doom of Sleep and the
          California jams of Nebula.  The disc is comprised
          of four tracks, with a total running time of just
          over half an hour, which means Egypt is not afraid
          to stretch their grooves out to epic proportions.
          The album's opening track, "Valley of the Kings"
          lays down the blueprint for the band's typical
          approach:  Start with a slow mellow groove, and
          when the listener is good and relaxed, call down
          the fucking thunder.  It is a simple formula, but
          one that stands the test of time.  Track two,
          "Queen of All Time (Red Giant)" is the most
          Sleep-like of the bunch, with an opening bass line
          reminiscent of Dopesmoker, and loping
          "Dragonaut"-esque riff in the latter half.  The
          album's strongest track is "Dirty Witch" which
          bounces along on an opening riff so catchy and
          funky that I defy anyone not to at least tap their
          foot to it.  The song then segues into some heavy
          Sabbath styled riffing perfectly complemented by
          Aaron Esterby yelling "Alright" in just the right
          spots.  The closing track, "Touch Ground" features
          a wistful intro that brings to mind Down's "Stone
          the Crow" and in simillar fashion to that track,
          works its way into heavier, more epic territory.

          Egypt is obviously not doing anything new, but the
          band's presentation and execution is nearly
          perfect.  Aaron Esterby's bass tone is thick and
          sublimely ugly, and his playing provides the pulse
          that keeps the songs moving.  Esterby also
          possesses a pretty good set of pipes, with a fine
          rock scream, in the vein of Chris Cornell, though
          not as shrill.  Guitarist, Ryan Grahn does not
          steel the show with any heroic solos, but his
          subtle, nuanced playing is essential to setting
          the mood in the mellow sections, and when it is
          time to drop the hammer, Grahn delivers a massive
          wall of fuzzy doom to rival the masters.  My grasp
          of the intricacies of drumming is limited, but it
          is safe to say that Chad Heille holds down the
          rhythm admirably, with a warm natural sound.

          Now for the bad news folks:  Egypt is kaput, tot,
          finito, splitsville, no mas. Four songs are all we
          are going to get.  This record is in fact two
          years old.  Originally released on the very small
          Norwegian label, Lyderhorn Records, Egypt has
          recently been re-released by Meteor City to
          hopefully, a wider audience.  Four songs is not
          much of a legacy, but they are four damn good
          songs, and I highly recommend any fan of the
          hazier side of metal to give Egypt a listen.

         ─────────────────────────────────────────────────────────────



This NFO File was rendered by NFOmation.net


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                        ÛÛÛ      ÛÛÛ      ÛÛÛÜ     ÛÛÛ

         ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ

          Artist  : Egypt
          Album   : Egypt
          Year    : 2009

          Genre   : Metal
          Label   : Meteor City
          Cat.nr  : MCY-058

          Source  : CDDA
          R.date  : 10.04.2010
          Size    : 37,5 MB

          Encoder : LAME 3.97 -V2 --vbr-new
          Bitrate : avg. 164kbps
          Quality : 44,1kHz/Joint-Stereo

          Website : http://metal-archives.com/band.php?id=3540257657

          Tracklist:

          01.  Valley of the Kings                               07:35
          02.  Queen of All Time (Red Giant)                     09:24
          03.  Dirty Witch                                       07:20
          04.  Touch Ground                                      07:31
                                                                 ÄÄÄÄÄ
                                                                 31:50

          Release Notes:

          Stoner/Doom Metal from Fargo with heavy influences
          from the 70's. Should appeal to fans of Sleep, Sir
          Lord Baltimore, and Deep Purple.

          ---
          In my neck of the woods this past summer was a
          washout:  Rain, rain, and more rain. It rained so
          god damned much that I thought I was going to have
          to build an ark.  Needless to say, this severely
          reduced this year's quotient of fun in the sun.
          Fortunately, Egypt's self titled disc has been a
          little ray of sunshine for me.  As I listen to
          Egypt's fuzzy grooves, I picture my self floating
          lazily down the Nile on a reed raft, with the sun
          in my face, a beer in one hand and a bong in the
          other. The reality is, I will probably never float
          down the Nile on a red raft, and if I did, those
          Nile crocodiles would probably capsize my raft and
          eat me, and I gave up weed because it gave me
          smoker's cough.  But, I still have the record, and
          it warms my soul.

          Though Egypt takes some lyrical inspiration from
          the land of the Pharaohs, the band is no threat to
          Nile's position as kings of Egyptian themed death
          metal.  Egypt plays a style that lands somewhere
          between the holy smoking doom of Sleep and the
          California jams of Nebula.  The disc is comprised
          of four tracks, with a total running time of just
          over half an hour, which means Egypt is not afraid
          to stretch their grooves out to epic proportions.
          The album's opening track, "Valley of the Kings"
          lays down the blueprint for the band's typical
          approach:  Start with a slow mellow groove, and
          when the listener is good and relaxed, call down
          the fucking thunder.  It is a simple formula, but
          one that stands the test of time.  Track two,
          "Queen of All Time (Red Giant)" is the most
          Sleep-like of the bunch, with an opening bass line
          reminiscent of Dopesmoker, and loping
          "Dragonaut"-esque riff in the latter half.  The
          album's strongest track is "Dirty Witch" which
          bounces along on an opening riff so catchy and
          funky that I defy anyone not to at least tap their
          foot to it.  The song then segues into some heavy
          Sabbath styled riffing perfectly complemented by
          Aaron Esterby yelling "Alright" in just the right
          spots.  The closing track, "Touch Ground" features
          a wistful intro that brings to mind Down's "Stone
          the Crow" and in simillar fashion to that track,
          works its way into heavier, more epic territory.

          Egypt is obviously not doing anything new, but the
          band's presentation and execution is nearly
          perfect.  Aaron Esterby's bass tone is thick and
          sublimely ugly, and his playing provides the pulse
          that keeps the songs moving.  Esterby also
          possesses a pretty good set of pipes, with a fine
          rock scream, in the vein of Chris Cornell, though
          not as shrill.  Guitarist, Ryan Grahn does not
          steel the show with any heroic solos, but his
          subtle, nuanced playing is essential to setting
          the mood in the mellow sections, and when it is
          time to drop the hammer, Grahn delivers a massive
          wall of fuzzy doom to rival the masters.  My grasp
          of the intricacies of drumming is limited, but it
          is safe to say that Chad Heille holds down the
          rhythm admirably, with a warm natural sound.

          Now for the bad news folks:  Egypt is kaput, tot,
          finito, splitsville, no mas. Four songs are all we
          are going to get.  This record is in fact two
          years old.  Originally released on the very small
          Norwegian label, Lyderhorn Records, Egypt has
          recently been re-released by Meteor City to
          hopefully, a wider audience.  Four songs is not
          much of a legacy, but they are four damn good
          songs, and I highly recommend any fan of the
          hazier side of metal to give Egypt a listen.

         ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ



This NFO File was rendered by NFOmation.net


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