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In late 2008, a trio of albums featuring him were released, and now in 2009 not one month has passed without another release. ôSlaughterhouse on the Prairieö is a step away from the sound that Buckethead has used on his last few solo ventures. The album starts off with a duo of songs dedicated to the basketball star LeBron James. Who would have guessed that Buckethead was a basketball fan? Anyways, both feature a good amount of riffing by Buckethead with some nice melodic leads on top, which opens up the album nicely. ôBlood Bayouö sounds a tad more experimental, starting off with a very dissonant progression leading into some pretty weird sounding guitar work. öIcemanö is a fairly typical Bucket song, but ôDonÆt Use Roosts if You Use Broilersö is very different sounding, featuring a funky rhythm section and slower, moodier guitar parts. The song adds some welcome variation to the album. ôRobot Checkerboardö is very different from everything else so far. It starts off with some very dissonant, glitchy sounding guitar parts, eventually moving into some riffs, and ending with shredding. The rest of the album for the most part continues with this sound of dissonant riffing and shredding. I commented on my review of BucketheadÆs last solo album (öAlbino Slugö) that his sound was becoming a tad bland and that I hoped he would start to mess around with his music a bit for his next album. Apparently he had the same thing in mind, and ôSlaughterhouse on the Prairieö is heavier and more experimental than his last few releases. It may not have been the change I was hoping for, but it certainly kept the album interesting and it starts 2009 on the right foot for Buckethead. Hopefully he will continue to experiment with his sound for his next release, for variety is the spice of life. ─ Contact ───────────────────────────────────────────── ─── ─ ─ Contact us @ : #eos (EFNet) █▀▀ ▀ ▀ ▀▀█ ▀█▀▓▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▓▀█▀ ▀▀▀▀▀▀ ▀ RIPPING AT ITS FINEST -- ECONOMY OF SOUND ▀ ▀▀▀▀▀▀ This NFO File was rendered by NFOmation.net
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Ý ÛÛÛÛ Û ÛÛ ÛÛ Ý ÛÛ Ý ÞÝ ÞÝ Ý ÛÛ Þ ÝÄÄÄÄÄÄ Release Info ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÞÝ ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ Ý ÄÄÄÄÄÄÄÄ Þ Þ Þ Originally released : 01-30-2009 Release date : 09-27-2009 Album name : Slaughterhouse On The Prairie Artist : Buckethead Ripped by : Team EOS Genre : Avantgarde Label : TDRS Music Encoding Software : Lame EOS Quality : -V 2 Tracks : 13 Size of Files : 64,6 MB Ä Track list ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä 01 04:33 Lebron 02 03:43 Lebron's Hammer 03 02:57 Blood Bayou 04 02:05 Iceman (Tribute To George Gervin) 05 03:28 Don't Use Roosts If You Raise Broilers 06 04:28 Robot Checkerboard 07 02:42 Premonition 08 03:08 Crouching Stump Hidden Limb 09 02:35 Goat Host 10 03:11 The Stretching Room 11 02:51 Pumpkin Pike 12 02:46 Collecting Specimens 13 03:23 Rack Maintenance Part 2 Total time: 41:50 min Ä Release notes ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä Buckethead releases so much material it can be hard to keep up. In late 2008, a trio of albums featuring him were released, and now in 2009 not one month has passed without another release. Slaughterhouse on the Prairie is a step away from the sound that Buckethead has used on his last few solo ventures. The album starts off with a duo of songs dedicated to the basketball star LeBron James. Who would have guessed that Buckethead was a basketball fan? Anyways, both feature a good amount of riffing by Buckethead with some nice melodic leads on top, which opens up the album nicely. Blood Bayou sounds a tad more experimental, starting off with a very dissonant progression leading into some pretty weird sounding guitar work. Iceman is a fairly typical Bucket song, but Dont Use Roosts if You Use Broilers is very different sounding, featuring a funky rhythm section and slower, moodier guitar parts. The song adds some welcome variation to the album. Robot Checkerboard is very different from everything else so far. It starts off with some very dissonant, glitchy sounding guitar parts, eventually moving into some riffs, and ending with shredding. The rest of the album for the most part continues with this sound of dissonant riffing and shredding. I commented on my review of Bucketheads last solo album (Albino Slug) that his sound was becoming a tad bland and that I hoped he would start to mess around with his music a bit for his next album. Apparently he had the same thing in mind, and Slaughterhouse on the Prairie is heavier and more experimental than his last few releases. It may not have been the change I was hoping for, but it certainly kept the album interesting and it starts 2009 on the right foot for Buckethead. Hopefully he will continue to experiment with his sound for his next release, for variety is the spice of life. Ä Contact ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä Contact us @ : #eos (EFNet) Ûßß ß ß ßßÛ ßÛß²ßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßß²ßÛß ßßßßßß ß RIPPING AT ITS FINEST -- ECONOMY OF SOUND ß ßßßßßß This NFO File was rendered by NFOmation.net