NFOmation.net - Your Ultimate NFO Upload Resource! Viewing NFO file: 00-rebekka_karijord-the_noble_art_of_letting_go-2009.nfo 00-rebekka_karijord-the_noble_art_of_letting_go-2009
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▐▓▌▐█▌ Artist : Rebekka Karijord ▐█▌▐▓▌
▐▀▄██ Album : The Noble Art Of Letting Go ██▄▀▌
▄███▌ Label : Lillfacit Records ▐███▄
▀███▌ Genre : Pop ▐███▀
▐▄▀██ Street date : 2009-10-05 ██▀▄▌
▐▓▌▐█▌ Quality : 161 kbps / 44.1kHz / Joint Stereo ▐█▌▐▓▌
▓█▄▀▀ Encoder : Lame 3.97 -V2 --vbr-new ▀▀▄█▓
▓███ Size : 57.78 MB ███▓
▀ ▀█▌ Time : 47:28 min ▐█▀ ▀
▓▄███ Url : http://www.myspace.com/rebekkaandthemysterybox ███▄▓
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█▓▌ 1. Wear It Like A Crown 4:18 ▐▓█
█▓▌ 2. Undo Love 4:04 ▐▓█
█▓▌ 3. Parking Lot 3:36 ▐▓█
█▓▌ 4. Dead On My Feet 5:19 ▐▓█
█▓▌ 5. This Anarchistic Heart 4:41 ▐▓█
█▓▌ 6. Paperboy 4:33 ▐▓█
█▓▌ 7. The Noble Art Of Letting Go 4:51 ▐▓█
█▓▌ 8. Life Isn't Short At All 4:41 ▐▓█
█▓▌ 9. To Be Loved By You 3:37 ▐▓█
█▓▌ 10. Morning Light Forgives The Night (Feat. Ane Brun) 4:08 ▐▓█
█▓▌ 11. Wear It Like A Crown (Living Room Version) 3:40 ▐▓█
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▐▓▌▐█▌ When I first saw Rebekka, I found myself faced with someone ▐█▌▐▓▌
▐▓▌▐█▌ raw, not in a raunchy dirt-infused sense but someone new, ▐█▌▐▓▌
▐▓▌▐█▌ fresh, open, unbudding. Somebody naked of pretension. And ▐█▌▐▓▌
▐▓▌▐█▌ then some six months after first seeing her, I saw her for ▐█▌▐▓▌
▐▓▌▐█▌ real û on stage û a creature in her true element. The rawness ▐█▌▐▓▌
▐▓▌▐█▌ was highlighted, the ruby red of her lips stained with the ▐█▌▐▓▌
▐▓▌▐█▌ tales of past hardship, past truths and an aching for the ▐█▌▐▓▌
▐▓▌▐█▌ present tense. This is not a woman offering a shield behind ▐█▌▐▓▌
▐▓▌▐█▌ which to hide. She demands honesty, as she presents you her ▐█▌▐▓▌
▐▓▌▐█▌ one and only life tale through the most crystalline tones IÆd ▐█▌▐▓▌
▐▓▌▐█▌ heard in a long long while, and youÆd be a cold-hearted fool ▐█▌▐▓▌
▐▓▌▐█▌ to deny her your musical ears. ▐█▌▐▓▌
▐▓▌▐█▌ RebekkaÆs early tale is one you might read in a romanticised ▐█▌▐▓▌
▐▓▌▐█▌ travel brochure, her parents the ultimate free birds ▐█▌▐▓▌
▐▓▌▐█▌ wandering the world barefoot and open-hearted, making it back ▐█▌▐▓▌
▐▓▌▐█▌ home to northern Norway from southern Europe just as ▐█▌▐▓▌
▐▓▌▐█▌ RebekkaÆs motherÆs waters were breaking to deliver her into a ▐█▌▐▓▌
▐▓▌▐█▌ world of idealism, of love, where the sometimes harsh ▐█▌▐▓▌
▐▓▌▐█▌ Scandinavian coastline was as loud a musical voice in her ▐█▌▐▓▌
▐▓▌▐█▌ upbringing as the rest. And music there was: from the noble ▐█▌▐▓▌
▐▓▌▐█▌ age of five, Rebekka was trying her tiny hand at the violin ▐█▌▐▓▌
▐▓▌▐█▌ and piano, soon after creating her very own melodies. For ▐█▌▐▓▌
▐▓▌▐█▌ such a hippy child adept at packing up and moving home with ▐█▌▐▓▌
▐▓▌▐█▌ the agility and grace of a soft sand dune, the technical side ▐█▌▐▓▌
▐▓▌▐█▌ of creativity somehow managed to stick to her like the glue ▐█▌▐▓▌
▐▓▌▐█▌ from one of her familyÆs craft projects. From 13 she was ▐█▌▐▓▌
▐▓▌▐█▌ recording her own demos û on her own û spurred on by an acute ▐█▌▐▓▌
▐▓▌▐█▌ interest in the possibility of creating her own soundscape ▐█▌▐▓▌
▐▓▌▐█▌ through the use of mechanical devices. And she was off! ▐█▌▐▓▌
▐▓▌▐█▌ Her talent did not go unnoticed û quite the opposite. Signed ▐█▌▐▓▌
▐▓▌▐█▌ to a multinational label at 17, even from that impressionable ▐█▌▐▓▌
▐▓▌▐█▌ age she was unable to bend and twist to the restraints put on ▐█▌▐▓▌
▐▓▌▐█▌ her by those in positions of power. æWhat? You want me to ▐█▌▐▓▌
▐▓▌▐█▌ make that kind of music? Sayonara!Æ She spent the ensuing ▐█▌▐▓▌
▐▓▌▐█▌ five years crafting her sound and reached the end of that ▐█▌▐▓▌
▐▓▌▐█▌ time with a finished album, confidently approaching a label ▐█▌▐▓▌
▐▓▌▐█▌ which was quick to grab her and release æNeophyteÆ in 2003, a ▐█▌▐▓▌
▐▓▌▐█▌ simultaneously symphonic and electronic debut. Two years ▐█▌▐▓▌
▐▓▌▐█▌ later she was ready to go with her second album æGood or ▐█▌▐▓▌
▐▓▌▐█▌ GoodbyeÆ, according to her more of a pop journey than the ▐█▌▐▓▌
▐▓▌▐█▌ experimental escapades of her debut. Both albums were met ▐█▌▐▓▌
▐▓▌▐█▌ with critical acclaim, rave reviews and even a Grammy ▐█▌▐▓▌
▐▓▌▐█▌ nomination or two. Are you as winded as I am trying to keep ▐█▌▐▓▌
▐▓▌▐█▌ up with her? As if these accomplishments werenÆt enough, our ▐█▌▐▓▌
▐▓▌▐█▌ fairytale protagonist was searching world cities (New York, ▐█▌▐▓▌
▐▓▌▐█▌ Paris, Stockholm) for a place to lay down her waterlily ▐█▌▐▓▌
▐▓▌▐█▌ roots, singing all the while and even acting along the road. ▐█▌▐▓▌
▐▓▌▐█▌ Oh yes, she is an accomplished actress as well, but I am here ▐█▌▐▓▌
▐▓▌▐█▌ to extrapolate on her musical pursuits alone. Stockholm won ▐█▌▐▓▌
▐▓▌▐█▌ the place-to-rest-her bones award, and work on her first ▐█▌▐▓▌
▐▓▌▐█▌ truly æsoloÆ album, æThe Noble Art of Letting GoÆ, began ▐█▌▐▓▌
▐▓▌▐█▌ there in the dark early months of 2009, as she wrote herself ▐█▌▐▓▌
▐▓▌▐█▌ clear of heartache and one fear in particular, a rather ▐█▌▐▓▌
▐▓▌▐█▌ private one I am told. Armed with a harp, a piano and that ▐█▌▐▓▌
▐▓▌▐█▌ magnificently otherworldly voice that graces her vocal ▐█▌▐▓▌
▐▓▌▐█▌ chords, Rebekka snatched up a few close friends and recorded ▐█▌▐▓▌
▐▓▌▐█▌ in the city and woods surrounding her adopted Swedish ▐█▌▐▓▌
▐▓▌▐█▌ hometown. ▐█▌▐▓▌
▐▓▌▐█▌ æThe Noble Art of Letting GoÆ has truly taken on a life of ▐█▌▐▓▌
▐▓▌▐█▌ its own. Since its release in late 2009, sound clips from ▐█▌▐▓▌
▐▓▌▐█▌ this fantastically original album have been featured in ▐█▌▐▓▌
▐▓▌▐█▌ films, TV series and commercials, which all pale in ▐█▌▐▓▌
▐▓▌▐█▌ comparison to its being adapted as the soundtrack for the ▐█▌▐▓▌
▐▓▌▐█▌ highly acclaimed Cirkus Cirk÷rÆs new show, æWear It Like A ▐█▌▐▓▌
▐▓▌▐█▌ CrownÆ, named after one of the albumÆs tracks. As Cirkus ▐█▌▐▓▌
▐▓▌▐█▌ Cirk÷r director Tilde Bj÷rfors so prettily posed, æ(When I ▐█▌▐▓▌
▐▓▌▐█▌ heard RebekkaÆs songs for the first time,) it was as if ▐█▌▐▓▌
▐▓▌▐█▌ someone had created the music for what I was all about.Æ ▐█▌▐▓▌
▐▓▌▐█▌ Rebekka is both composing a soundtrack based on her third ▐█▌▐▓▌
▐▓▌▐█▌ album for the circus to carry with them on the road, and will ▐█▌▐▓▌
▐▓▌▐█▌ be performing the album live in its entirety with them in ▐█▌▐▓▌
▐▓▌▐█▌ Stockholm. ▐█▌▐▓▌
▐▓▌▐█▌ As one reviewer said, æ(RebekkaÆs voice is) both powerful and ▐█▌▐▓▌
▐▓▌▐█▌ strong, yet vulnerable and fragile.Æ And thus is the journey ▐█▌▐▓▌
▐▓▌▐█▌ of life and its many demands, my dears. These very days, ▐█▌▐▓▌
▐▓▌▐█▌ Rebekka carries the soles of her magic-dipped feet to her ▐█▌▐▓▌
▐▓▌▐█▌ Stockholm-based studio, which she shares with fellow ▐█▌▐▓▌
▐▓▌▐█▌ Norwegian songstress Ane Brun, with whom she has also spent ▐█▌▐▓▌
▐▓▌▐█▌ the last two years on the touring road. Within the somehow ▐█▌▐▓▌
▐▓▌▐█▌ delicate-seeming brick and mortar of those studio walls, ▐█▌▐▓▌
▐▓▌▐█▌ beyond spinning musical tales of a personal nature, Rebekka ▐█▌▐▓▌
▐▓▌▐█▌ also composes for film, theatre and modern dance companies ▐█▌▐▓▌
▐▓▌▐█▌ across Europe and the UK. Recent productions include for The ▐█▌▐▓▌
▐▓▌▐█▌ Royal National Theatre in Stockholm and Oslo, film scores in ▐█▌▐▓▌
▐▓▌▐█▌ France, Norway and Sweden, and both national and independent ▐█▌▐▓▌
▐▓▌▐█▌ theatres throughout the continent. ▐█▌▐▓▌
▐▓▌▐█▌ If your ears have been touched by the raw Scandinavian ▐█▌▐▓▌
▐▓▌▐█▌ clarity of this Nordic belle, and your eyes have been ▐█▌▐▓▌
▐▓▌▐█▌ fortunate enough to witness her unravelling on stage, then ▐█▌▐▓▌
▐▓▌▐█▌ you know what I mean when I say: æWithout Rebekka, the world ▐█▌▐▓▌
▐▓▌▐█▌ we inhabit would be that bit colder and crueler than our ▐█▌▐▓▌
▐▓▌▐█▌ lucky bones have it now.Æ ▐█▌▐▓▌
▐▓▌▐█▌ Sarah Parthemore Snavely ▐█▌▐▓▌
▐▓▌▐█▌ Stockholm, Sweden ▐█▌▐▓▌
▐▓▌▐█▌ 25 March 2010 ▐█▌▐▓▌
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This NFO File was rendered by NFOmation.net
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Þ²ÝÞÛÝ Artist : Rebekka Karijord ÞÛÝÞ²Ý
ÞßÜÛÛ Album : The Noble Art Of Letting Go ÛÛÜßÝ
ÜÛÛÛÝ Label : Lillfacit Records ÞÛÛÛÜ
ßÛÛÛÝ Genre : Pop ÞÛÛÛß
ÞÜßÛÛ Street date : 2009-10-05 ÛÛßÜÝ
Þ²ÝÞÛÝ Quality : 161 kbps / 44.1kHz / Joint Stereo ÞÛÝÞ²Ý
²ÛÜßß Encoder : Lame 3.97 -V2 --vbr-new ßßÜÛ²
²ÛÛÛ Size : 57.78 MB ÛÛÛ²
ß ßÛÝ Time : 47:28 min ÞÛß ß
²ÜÛÛÛ Url : http://www.myspace.com/rebekkaandthemysterybox ÛÛÛܲ
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ÜÛÛß ßÛÛÜ
Û²Ý 1. Wear It Like A Crown 4:18 Þ²Û
Û²Ý 2. Undo Love 4:04 Þ²Û
Û²Ý 3. Parking Lot 3:36 Þ²Û
Û²Ý 4. Dead On My Feet 5:19 Þ²Û
Û²Ý 5. This Anarchistic Heart 4:41 Þ²Û
Û²Ý 6. Paperboy 4:33 Þ²Û
Û²Ý 7. The Noble Art Of Letting Go 4:51 Þ²Û
Û²Ý 8. Life Isn't Short At All 4:41 Þ²Û
Û²Ý 9. To Be Loved By You 3:37 Þ²Û
Û²Ý 10. Morning Light Forgives The Night (Feat. Ane Brun) 4:08 Þ²Û
Û²Ý 11. Wear It Like A Crown (Living Room Version) 3:40 Þ²Û
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Þ²ÝÞÛÝ When I first saw Rebekka, I found myself faced with someone ÞÛÝÞ²Ý
Þ²ÝÞÛÝ raw, not in a raunchy dirt-infused sense but someone new, ÞÛÝÞ²Ý
Þ²ÝÞÛÝ fresh, open, unbudding. Somebody naked of pretension. And ÞÛÝÞ²Ý
Þ²ÝÞÛÝ then some six months after first seeing her, I saw her for ÞÛÝÞ²Ý
Þ²ÝÞÛÝ real on stage a creature in her true element. The rawness ÞÛÝÞ²Ý
Þ²ÝÞÛÝ was highlighted, the ruby red of her lips stained with the ÞÛÝÞ²Ý
Þ²ÝÞÛÝ tales of past hardship, past truths and an aching for the ÞÛÝÞ²Ý
Þ²ÝÞÛÝ present tense. This is not a woman offering a shield behind ÞÛÝÞ²Ý
Þ²ÝÞÛÝ which to hide. She demands honesty, as she presents you her ÞÛÝÞ²Ý
Þ²ÝÞÛÝ one and only life tale through the most crystalline tones Id ÞÛÝÞ²Ý
Þ²ÝÞÛÝ heard in a long long while, and youd be a cold-hearted fool ÞÛÝÞ²Ý
Þ²ÝÞÛÝ to deny her your musical ears. ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Rebekkas early tale is one you might read in a romanticised ÞÛÝÞ²Ý
Þ²ÝÞÛÝ travel brochure, her parents the ultimate free birds ÞÛÝÞ²Ý
Þ²ÝÞÛÝ wandering the world barefoot and open-hearted, making it back ÞÛÝÞ²Ý
Þ²ÝÞÛÝ home to northern Norway from southern Europe just as ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Rebekkas mothers waters were breaking to deliver her into a ÞÛÝÞ²Ý
Þ²ÝÞÛÝ world of idealism, of love, where the sometimes harsh ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Scandinavian coastline was as loud a musical voice in her ÞÛÝÞ²Ý
Þ²ÝÞÛÝ upbringing as the rest. And music there was: from the noble ÞÛÝÞ²Ý
Þ²ÝÞÛÝ age of five, Rebekka was trying her tiny hand at the violin ÞÛÝÞ²Ý
Þ²ÝÞÛÝ and piano, soon after creating her very own melodies. For ÞÛÝÞ²Ý
Þ²ÝÞÛÝ such a hippy child adept at packing up and moving home with ÞÛÝÞ²Ý
Þ²ÝÞÛÝ the agility and grace of a soft sand dune, the technical side ÞÛÝÞ²Ý
Þ²ÝÞÛÝ of creativity somehow managed to stick to her like the glue ÞÛÝÞ²Ý
Þ²ÝÞÛÝ from one of her familys craft projects. From 13 she was ÞÛÝÞ²Ý
Þ²ÝÞÛÝ recording her own demos on her own spurred on by an acute ÞÛÝÞ²Ý
Þ²ÝÞÛÝ interest in the possibility of creating her own soundscape ÞÛÝÞ²Ý
Þ²ÝÞÛÝ through the use of mechanical devices. And she was off! ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Her talent did not go unnoticed quite the opposite. Signed ÞÛÝÞ²Ý
Þ²ÝÞÛÝ to a multinational label at 17, even from that impressionable ÞÛÝÞ²Ý
Þ²ÝÞÛÝ age she was unable to bend and twist to the restraints put on ÞÛÝÞ²Ý
Þ²ÝÞÛÝ her by those in positions of power. What? You want me to ÞÛÝÞ²Ý
Þ²ÝÞÛÝ make that kind of music? Sayonara! She spent the ensuing ÞÛÝÞ²Ý
Þ²ÝÞÛÝ five years crafting her sound and reached the end of that ÞÛÝÞ²Ý
Þ²ÝÞÛÝ time with a finished album, confidently approaching a label ÞÛÝÞ²Ý
Þ²ÝÞÛÝ which was quick to grab her and release Neophyte in 2003, a ÞÛÝÞ²Ý
Þ²ÝÞÛÝ simultaneously symphonic and electronic debut. Two years ÞÛÝÞ²Ý
Þ²ÝÞÛÝ later she was ready to go with her second album Good or ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Goodbye, according to her more of a pop journey than the ÞÛÝÞ²Ý
Þ²ÝÞÛÝ experimental escapades of her debut. Both albums were met ÞÛÝÞ²Ý
Þ²ÝÞÛÝ with critical acclaim, rave reviews and even a Grammy ÞÛÝÞ²Ý
Þ²ÝÞÛÝ nomination or two. Are you as winded as I am trying to keep ÞÛÝÞ²Ý
Þ²ÝÞÛÝ up with her? As if these accomplishments werent enough, our ÞÛÝÞ²Ý
Þ²ÝÞÛÝ fairytale protagonist was searching world cities (New York, ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Paris, Stockholm) for a place to lay down her waterlily ÞÛÝÞ²Ý
Þ²ÝÞÛÝ roots, singing all the while and even acting along the road. ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Oh yes, she is an accomplished actress as well, but I am here ÞÛÝÞ²Ý
Þ²ÝÞÛÝ to extrapolate on her musical pursuits alone. Stockholm won ÞÛÝÞ²Ý
Þ²ÝÞÛÝ the place-to-rest-her bones award, and work on her first ÞÛÝÞ²Ý
Þ²ÝÞÛÝ truly solo album, The Noble Art of Letting Go, began ÞÛÝÞ²Ý
Þ²ÝÞÛÝ there in the dark early months of 2009, as she wrote herself ÞÛÝÞ²Ý
Þ²ÝÞÛÝ clear of heartache and one fear in particular, a rather ÞÛÝÞ²Ý
Þ²ÝÞÛÝ private one I am told. Armed with a harp, a piano and that ÞÛÝÞ²Ý
Þ²ÝÞÛÝ magnificently otherworldly voice that graces her vocal ÞÛÝÞ²Ý
Þ²ÝÞÛÝ chords, Rebekka snatched up a few close friends and recorded ÞÛÝÞ²Ý
Þ²ÝÞÛÝ in the city and woods surrounding her adopted Swedish ÞÛÝÞ²Ý
Þ²ÝÞÛÝ hometown. ÞÛÝÞ²Ý
Þ²ÝÞÛÝ The Noble Art of Letting Go has truly taken on a life of ÞÛÝÞ²Ý
Þ²ÝÞÛÝ its own. Since its release in late 2009, sound clips from ÞÛÝÞ²Ý
Þ²ÝÞÛÝ this fantastically original album have been featured in ÞÛÝÞ²Ý
Þ²ÝÞÛÝ films, TV series and commercials, which all pale in ÞÛÝÞ²Ý
Þ²ÝÞÛÝ comparison to its being adapted as the soundtrack for the ÞÛÝÞ²Ý
Þ²ÝÞÛÝ highly acclaimed Cirkus Cirkörs new show, Wear It Like A ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Crown, named after one of the albums tracks. As Cirkus ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Cirkör director Tilde Björfors so prettily posed, (When I ÞÛÝÞ²Ý
Þ²ÝÞÛÝ heard Rebekkas songs for the first time,) it was as if ÞÛÝÞ²Ý
Þ²ÝÞÛÝ someone had created the music for what I was all about. ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Rebekka is both composing a soundtrack based on her third ÞÛÝÞ²Ý
Þ²ÝÞÛÝ album for the circus to carry with them on the road, and will ÞÛÝÞ²Ý
Þ²ÝÞÛÝ be performing the album live in its entirety with them in ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Stockholm. ÞÛÝÞ²Ý
Þ²ÝÞÛÝ As one reviewer said, (Rebekkas voice is) both powerful and ÞÛÝÞ²Ý
Þ²ÝÞÛÝ strong, yet vulnerable and fragile. And thus is the journey ÞÛÝÞ²Ý
Þ²ÝÞÛÝ of life and its many demands, my dears. These very days, ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Rebekka carries the soles of her magic-dipped feet to her ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Stockholm-based studio, which she shares with fellow ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Norwegian songstress Ane Brun, with whom she has also spent ÞÛÝÞ²Ý
Þ²ÝÞÛÝ the last two years on the touring road. Within the somehow ÞÛÝÞ²Ý
Þ²ÝÞÛÝ delicate-seeming brick and mortar of those studio walls, ÞÛÝÞ²Ý
Þ²ÝÞÛÝ beyond spinning musical tales of a personal nature, Rebekka ÞÛÝÞ²Ý
Þ²ÝÞÛÝ also composes for film, theatre and modern dance companies ÞÛÝÞ²Ý
Þ²ÝÞÛÝ across Europe and the UK. Recent productions include for The ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Royal National Theatre in Stockholm and Oslo, film scores in ÞÛÝÞ²Ý
Þ²ÝÞÛÝ France, Norway and Sweden, and both national and independent ÞÛÝÞ²Ý
Þ²ÝÞÛÝ theatres throughout the continent. ÞÛÝÞ²Ý
Þ²ÝÞÛÝ If your ears have been touched by the raw Scandinavian ÞÛÝÞ²Ý
Þ²ÝÞÛÝ clarity of this Nordic belle, and your eyes have been ÞÛÝÞ²Ý
Þ²ÝÞÛÝ fortunate enough to witness her unravelling on stage, then ÞÛÝÞ²Ý
Þ²ÝÞÛÝ you know what I mean when I say: Without Rebekka, the world ÞÛÝÞ²Ý
Þ²ÝÞÛÝ we inhabit would be that bit colder and crueler than our ÞÛÝÞ²Ý
Þ²ÝÞÛÝ lucky bones have it now. ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Sarah Parthemore Snavely ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Stockholm, Sweden ÞÛÝÞ²Ý
Þ²ÝÞÛÝ 25 March 2010 ÞÛÝÞ²Ý
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