NFOmation.net - Your Ultimate NFO Upload Resource! Viewing NFO file: 00-snoop_doggy_dogg-doggystyle-1993-eos.nfo 00-snoop_doggy_dogg-doggystyle-1993-eos
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████▄▄██▀▀ < E O S > ▄ ▀██▄ ▓ ▄██▀▀ ▀▀▀▀ ██ ▀ ████████
██████ ██ < M P 3 > ███ ▀██▄▄▄██ ▄ ██▄███████
████ ██▌ ██ ██████ ███ ▀▀▀▀ ████
████ █▌ P r o u d l y █ ████ ██ ██
██ ▌ P r e s e n t s . . ▌ ████ █ ██
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▌────── Release Info ───────────────── ▐▌ ──────────────── ▌ ──────── ▐
▐
▐
Originally released : 11-23-1993
Release date : 02-01-2004
Album name : Doggystyle
Artist : Snoop Doggy Dogg
Ripped by : Mookie
Genre : Hip-Hop
Label : Death Row
Encoding Software : Lame EOS
Quality : --alt-preset standard
Tracks : 19
Size of Files : 85,3 MB
─ Track list ───────────────────────────────────────── ─── ─ ─
01 01:51 Bathtub
02 02:25 G Funk Intro
03 03:32 Gin And Juice
04 00:37 W Balls
05 04:04 Tha Shiznit
06 00:37 Domino
07 04:25 Lodi Dodi
08 03:38 Murder Was The Case
09 03:36 Serial Killa
10 04:07 Who Am I (What's My Name)
11 04:43 For All My Niggaz & Bitches
12 04:06 Aint No Fun (If The Homies Can't Have None)
13 00:36 A Small Chronic Break
14 05:05 Doggy Dogg World
15 00:44 Sk00l Daze
16 03:52 Gz And Hustlas
17 00:56 Sam Sneed
18 02:21 Gz Up, Hoes Down
19 03:44 Pump Pump
Total time: 54:59 min
─ Release notes ─────────────────────────────────────── ─── ─ ─
Another Hq VBR release. Enjoy ;)
If Snoop Dogg's debut, Doggystyle, doesn't seem like a
debut, it's because in many ways it's not. Snoop had
already debuted as a featured rapper on Dr. Dre's 1992
album, The Chronic, rapping on half of the 16 tracks,
including all the hit singles, so it wasn't like he was
an unknown force when Doggystyle was released in late
1993. If anything, he was the biggest star in hip-hop,
with legions of fans anxiously awaiting new material,
and they were the ones who snapped up the album, making
it the first debut album to enter the Billboard charts
at number one. It wasn't like they were buying an
unknown quantity. They knew that the album would
essentially be the de facto sequel to The Chronic,
providing another round of P-Funk-inspired grooves and
languid gangsta and ganja tales, just like Dre's album.
Which is exactly what Doggystyle is ù a continuation of
The Chronic, with the same production, same aesthetic
and themes, and same reliance on guest rappers. The
miracle is, it's as good as that record. There are two
keys to its success, one belonging to Dre, the other to
Snoop. Dre realized that it wasn't time to push the
limits of G-funk, and instead decided to deepen it
musically, creating easy-rolling productions that have
more layers than they appear. They're laid-back funky,
continuing to resonate after many listens, but their
greatest strength is that they never overshadow the
laconic drawl of Snoop, who confirms that he's one of
hip-hop's greatest vocal stylists with this record.
Other gangsta rappers were all about aggression and
anger ù even Dre, as a rapper, is as blunt as a thug ù
but Snoop takes his time, playing with the flow of his
words, giving his rhymes a nearly melodic eloquence.
Compare his delivery to many guest rappers here: Nate
Dogg, Kurupt, and Dat Nigga Daz are all good rappers,
but they're good in a conventional sense, where Snoop
is something special, with unpredictable turns of
phrase, evocative imagery, and a distinctive, addictive
flow. If Doggystyle doesn't surprise or offer anything
that wasn't already on The Chronic, it nevertheless is
the best showcase for Snoop's prodigious talents, not
just because he's given the room to run wild, but
because he knows what to do with that freedom and Dre
presents it all with imagination and a narrative
thrust. If it doesn't have the shock of the new, the
way that The Chronic did, so be it: Over the years, the
pervasive influence of that record and its countless
ripoffs has dulled its innovations, so it doesn't have
the shock of the new either. Now, Doggystyle and The
Chronic stand proudly together as the twin pinnacles of
West Coast G-funk hip-hop of the early '90s. ù Stephen
Thomas Erlewine
─ Contact ───────────────────────────────────────────── ─── ─ ─
Contact us @ : #eos (efnet)
█▀▀ ▀ ▀ ▀▀█
▀█▀▓▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▓▀█▀
▀▀▀▀▀▀ ▀ RIPPING AT ITS FINEST -- ECONOMY OF SOUND ▀ ▀▀▀▀▀▀
This NFO File was rendered by NFOmation.net
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ÛÛÛÛÛÛ ÛÛ < M P 3 > ÛÛÛ ßÛÛÜÜÜÛÛ Ü ÛÛÜÛÛÛÛÛÛÛ
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ÝÄÄÄÄÄÄ Release Info ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÞÝ ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ Ý ÄÄÄÄÄÄÄÄ Þ
Þ
Þ
Originally released : 11-23-1993
Release date : 02-01-2004
Album name : Doggystyle
Artist : Snoop Doggy Dogg
Ripped by : Mookie
Genre : Hip-Hop
Label : Death Row
Encoding Software : Lame EOS
Quality : --alt-preset standard
Tracks : 19
Size of Files : 85,3 MB
Ä Track list ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä
01 01:51 Bathtub
02 02:25 G Funk Intro
03 03:32 Gin And Juice
04 00:37 W Balls
05 04:04 Tha Shiznit
06 00:37 Domino
07 04:25 Lodi Dodi
08 03:38 Murder Was The Case
09 03:36 Serial Killa
10 04:07 Who Am I (What's My Name)
11 04:43 For All My Niggaz & Bitches
12 04:06 Aint No Fun (If The Homies Can't Have None)
13 00:36 A Small Chronic Break
14 05:05 Doggy Dogg World
15 00:44 Sk00l Daze
16 03:52 Gz And Hustlas
17 00:56 Sam Sneed
18 02:21 Gz Up, Hoes Down
19 03:44 Pump Pump
Total time: 54:59 min
Ä Release notes ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä
Another Hq VBR release. Enjoy ;)
If Snoop Dogg's debut, Doggystyle, doesn't seem like a
debut, it's because in many ways it's not. Snoop had
already debuted as a featured rapper on Dr. Dre's 1992
album, The Chronic, rapping on half of the 16 tracks,
including all the hit singles, so it wasn't like he was
an unknown force when Doggystyle was released in late
1993. If anything, he was the biggest star in hip-hop,
with legions of fans anxiously awaiting new material,
and they were the ones who snapped up the album, making
it the first debut album to enter the Billboard charts
at number one. It wasn't like they were buying an
unknown quantity. They knew that the album would
essentially be the de facto sequel to The Chronic,
providing another round of P-Funk-inspired grooves and
languid gangsta and ganja tales, just like Dre's album.
Which is exactly what Doggystyle is a continuation of
The Chronic, with the same production, same aesthetic
and themes, and same reliance on guest rappers. The
miracle is, it's as good as that record. There are two
keys to its success, one belonging to Dre, the other to
Snoop. Dre realized that it wasn't time to push the
limits of G-funk, and instead decided to deepen it
musically, creating easy-rolling productions that have
more layers than they appear. They're laid-back funky,
continuing to resonate after many listens, but their
greatest strength is that they never overshadow the
laconic drawl of Snoop, who confirms that he's one of
hip-hop's greatest vocal stylists with this record.
Other gangsta rappers were all about aggression and
anger even Dre, as a rapper, is as blunt as a thug
but Snoop takes his time, playing with the flow of his
words, giving his rhymes a nearly melodic eloquence.
Compare his delivery to many guest rappers here: Nate
Dogg, Kurupt, and Dat Nigga Daz are all good rappers,
but they're good in a conventional sense, where Snoop
is something special, with unpredictable turns of
phrase, evocative imagery, and a distinctive, addictive
flow. If Doggystyle doesn't surprise or offer anything
that wasn't already on The Chronic, it nevertheless is
the best showcase for Snoop's prodigious talents, not
just because he's given the room to run wild, but
because he knows what to do with that freedom and Dre
presents it all with imagination and a narrative
thrust. If it doesn't have the shock of the new, the
way that The Chronic did, so be it: Over the years, the
pervasive influence of that record and its countless
ripoffs has dulled its innovations, so it doesn't have
the shock of the new either. Now, Doggystyle and The
Chronic stand proudly together as the twin pinnacles of
West Coast G-funk hip-hop of the early '90s. Stephen
Thomas Erlewine
Ä Contact ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä
Contact us @ : #eos (efnet)
Ûßß ß ß ßßÛ
ßÛß²ßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßß²ßÛß
ßßßßßß ß RIPPING AT ITS FINEST -- ECONOMY OF SOUND ß ßßßßßß
This NFO File was rendered by NFOmation.net
