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Artist: Bombay Bicycle Club Title: Flaws Label: Island Genre: Indie Bitrate: 181kbit av. Time: 00:33:50 Size: 46.38 mb Rip Date: 2010-07-12 Str Date: 2010-07-12 01. Rinse Me Down 3:12 02. Many Ways 2:44 03. Dust On The Ground 4:05 04. Ivy & Gold 2:58 05. Leaving Blues 2:58 06. Fairytale Lullaby 2:22 07. Word By Word 2:40 08. Jewel 3:06 09. My God 2:29 10. Flaws 3:02 11. Swansea 4:14 Release Notes: Calling æFlawsÆ a Bombay Bicycle Club record is misleading. It isnÆt; not in that sort of way. We probably would have gone with Jack Steadman and Bombay Bicycle Club, because thereÆs a real sense that the new album makes him the star. His acoustic guitar is the albumÆs anchor, with very little in the way of contribution from the other band members - but this is entirely a good thing. In fact, we can see this shift in sound doing the band a considerable amount of good. People who had them pegged as middle-of-the-road indie-pop upstarts will need to think again, for a start. They probably werenÆt paying close enough attention to last yearÆs æI Had The Blues But I Shook Them LooseÆ, anyway. True, there were a number of songs on that album that came across as filler on initial listens, but it was these tracks that had the greatest impact when they finally clicked. æFlawsÆ has been in the pipeline for quite a while, too. One of its highlights, æThe GiantessÆ, indicated this new direction they would eventually take. Anyone thinking that the whole idea was, æOh hey guys, letÆs make an acoustic album for shits and giggles!Æ would be mistaken. There was an almost imperceptible gap between the debut being finished and the start of the sessions for æFlawsÆ. Bombay Bicycle Club are treating it as far more as a diversion before LP3, and so they should, because æFlawsÆ displays confidence beyond the groupÆs years, well able to stand up on its own, yet also capable of avoiding comparisons to the debut because of its very nature; thereÆs another reason why this was a good move. Like the debut, the melodies contained on the new album are its strongest point. Even the reworkings of a selection of older tracks sound fresh, their immediacy shining through even more clearly due to their bare-bones makeup. Intimacy is here in spades as well. Some of these songs are so brittle they seem almost at the point of shattering even as theyÆre heard, like the impossibly tender duo of æLeaving BluesÆ and the John Martyn cover æFairy Tale LullabyÆ. The highlight is æIvy and GoldÆ, a song that can sit comfortably amongst the groupÆs finest work, its gentle percussion intertwining with a perfect melody to produce something majestic. Closing with SteadmanÆs take on Joanna NewsomÆs stunning æSwanseaÆ, rejigged with an entirely new hook, and showcasing the frontmanÆs breathless vocals very well indeed, æFlawsÆ is a gentle rebuke for those who had written Bombay Bicycle Club off after just one record. TheyÆre just as comfortable with creating torch songs like these, as they are writing powerful, stadium-sized tracks. With sessions for the next album already underway, we can see that they simply do not want to keep still, or stay in the same musical territory for too long. Is there another reinvention on the cards? LetÆs hope so. This NFO File was rendered by NFOmation.net
Artist: Bombay Bicycle Club Title: Flaws Label: Island Genre: Indie Bitrate: 181kbit av. Time: 00:33:50 Size: 46.38 mb Rip Date: 2010-07-12 Str Date: 2010-07-12 01. Rinse Me Down 3:12 02. Many Ways 2:44 03. Dust On The Ground 4:05 04. Ivy & Gold 2:58 05. Leaving Blues 2:58 06. Fairytale Lullaby 2:22 07. Word By Word 2:40 08. Jewel 3:06 09. My God 2:29 10. Flaws 3:02 11. Swansea 4:14 Release Notes: Calling Flaws a Bombay Bicycle Club record is misleading. It isnt; not in that sort of way. We probably would have gone with Jack Steadman and Bombay Bicycle Club, because theres a real sense that the new album makes him the star. His acoustic guitar is the albums anchor, with very little in the way of contribution from the other band members - but this is entirely a good thing. In fact, we can see this shift in sound doing the band a considerable amount of good. People who had them pegged as middle-of-the-road indie-pop upstarts will need to think again, for a start. They probably werent paying close enough attention to last years I Had The Blues But I Shook Them Loose, anyway. True, there were a number of songs on that album that came across as filler on initial listens, but it was these tracks that had the greatest impact when they finally clicked. Flaws has been in the pipeline for quite a while, too. One of its highlights, The Giantess, indicated this new direction they would eventually take. Anyone thinking that the whole idea was, Oh hey guys, lets make an acoustic album for shits and giggles! would be mistaken. There was an almost imperceptible gap between the debut being finished and the start of the sessions for Flaws. Bombay Bicycle Club are treating it as far more as a diversion before LP3, and so they should, because Flaws displays confidence beyond the groups years, well able to stand up on its own, yet also capable of avoiding comparisons to the debut because of its very nature; theres another reason why this was a good move. Like the debut, the melodies contained on the new album are its strongest point. Even the reworkings of a selection of older tracks sound fresh, their immediacy shining through even more clearly due to their bare-bones makeup. Intimacy is here in spades as well. Some of these songs are so brittle they seem almost at the point of shattering even as theyre heard, like the impossibly tender duo of Leaving Blues and the John Martyn cover Fairy Tale Lullaby. The highlight is Ivy and Gold, a song that can sit comfortably amongst the groups finest work, its gentle percussion intertwining with a perfect melody to produce something majestic. Closing with Steadmans take on Joanna Newsoms stunning Swansea, rejigged with an entirely new hook, and showcasing the frontmans breathless vocals very well indeed, Flaws is a gentle rebuke for those who had written Bombay Bicycle Club off after just one record. Theyre just as comfortable with creating torch songs like these, as they are writing powerful, stadium-sized tracks. With sessions for the next album already underway, we can see that they simply do not want to keep still, or stay in the same musical territory for too long. Is there another reinvention on the cards? Lets hope so. This NFO File was rendered by NFOmation.net