NFOmation.net - Your Ultimate NFO Upload Resource! Viewing NFO file: 00-namito-eleven-_retail_-2009.nfo 00-namito-eleven-_retail_-2009
▄▄▄▄ ▄██████████▄▄ ▒▒▒███████████▀▀▀██▄ ▄███▀ ▀███▄ ▄███ ▒▄███▀ ▒▒▒▒▒▒▒▒██ ▄█▀ ▀███▄ ▄██ █▄ ▒█ ░░░░░░░▒█ █ ▀███▄ ▄█ ██▄ ▒▒█ ▒█ █ ▀▀██ ▄█▀ ▒█ ▒█ ▒████████▀ █ ░▒▒█ ▄█▀ ▒▒▄█ ▒▒█ ▒▄█▀ █ ██ ░▒█▄ ██ ░▒▄█ ▒█ ▒█ █ █▀███ ░▒▒█ ▄█ ░▒█ ▒█ ▒▒█████▄ █ █ ▀██ ░▒█▄ █▀ ░▒▄█ ▒▀█ ▒▒▒▒▒▒█ █ ░ █ ░▒▒█ ░▒▀█ ██ ▒▄█ ▒▀█ ░▒▒█ █ ░ █ ░▒█ ░▒█ ██ ░▒█ ▄███▄ ▒█ ▒████▀ █ ░░▒█ ▒█ ░▒█ ██ ░▒█ ▄█▒▒▒██▄▀█ ▒█▄ █ ░▒█▀ ██ ▒█ ██ ░▒█ ▄█ ░▒▒▒█ ▀██. ██ ▄▀▀▀▄█ ▒█▀ ████▀ ▄█ ▀█ ▒█▄▄▄██ ░▒█▄▀▀▀█ █▀▒▒▒▒▒█ ▒█ ███▀ ▄█▄▀▀▀▄ ██ ▀▀▀▀` ▒█▒▒▒█▄ █▒▒▒▒▒▄█ ▒████▀ ▄█▒▒▒▒▒█ ▀█▄ ▄█▒▒▒▄██████▀█▄▒▒▒▒▄█▀ ▄████▒▒▒▒▒█ ▀█▄ ▄███▀▒▄█▀ ```` `█▒▒_▄█▀ ▄▄▄▄██████▀▀▄▄▄▄▄▀ ██▄ ▄███▀▀█▀▀▀ ▀▀▀▀█▄ ▄██████████ ▀█▄ ▄▄███▀ ▀███ ▄▄▄▄██▀▀ ▒█████▀ ▀█▄▄▄▄██ ▀▀▀▀▀▀▀ ▒▀████ ▀▀▀▀▀ ▒▀██▀ ▒█▀ ■█ ▒█ Artist..........: Namito ▒▀ Album...........: Eleven ▒ Genre...........: Electronic ♦ Label...........: Kling Klong Catnr...........: KLINGCD002 Source..........: CDDA Rip.Date........: 23-07-2010 Street.Date.....: 19-10-2009 Quality.........: VBR/44.1kHz/Joint Stereo Url.............: http://www.amazon.co.uk/Eleven-Namito/dp/B0027GZNRA/ Size............: 97.22MB Song.Title : 01. Zizou Intro 1:37 02. The Curse 6:44 03. Minou 7:17 04. Heat 5:51 05. Seven Hours 7:47 06. Pura Vida 5:30 07. Zorro 7:06 08. Train To Tehran 5:51 09. Who Knows 6:16 10. Seven Lives 9:06 11. Sternchen 16:05 Runtime: 79:11 min Release.Info : Combine the knowledge of Babylonia, Pythagoras, astrological philosophy from Hellenistic Alexandria, early Christian mysticism, the occultism of the early Gnostics, the Hebrew system of the Kabbalah, The Indian Vedas, the Chinese "Circle of the Dead", and the Egyptian "Book of the Master of the Secret House", and youÆre still not even close to cracking the genetic code of æElevenÆ, NamitoÆs first ever longplayer released on Martin EyererÆs Kling Klong label. The number 11, often associated with the life path of a person, is of very special significance for Namito, a genuinely creative person. Those who dive into the magic creases of the eleven tracks gathered on æElevenÆ -- story-telling, handcrafted music as colorful as a hand-woven Persian carpet -- quickly find out why this number plays such a significant role in NamitoÆs life. ôI always knew that the number was of special importance for me. When I arrived in Germany, I found out that I was actually born in Novemberö, recalls Namito. His dad -- with a sharpened bamboo stick he painted only one word: ôAllahö -- was a calligrapher so gifted he got appointed by the highest royalties. Namito takes the eminent artistry running in his family to the next level: In the early nineties, he, a teenager whoÆd escape the watchful eyes of his uncle in whose custody the young Iranian grew up after leaving behind his native Tehran, laid the foundation of what was to become one of the planetÆs most fertile playgrounds of the electronic music scene. The DJ and producer, one of the Zen masters of the emerging Berlin scene, honed his skills DJing at the legendary Bagwan disco on KuÆdamm while living and breathing music in his commune during the Nineties, and started coming forward with his own productions after ôinheritingö an entire studio from a Krautrock legend. One of the many lucky coincidences that make NamitoÆs life story such an outstanding one. And his music so rich. æElevenÆ has it all: the deepness of late night grooves combined with the audiophile finesse that makes NamitoÆs productions so tight and crisp. A very laidback attitude and a lot of knowledge and feeling combined with a lot of imagination equal a massive ride that never sounds worn out or prefabricated. The opener æZizouÆ is setting the pace; a sound search that wakes the spirits and vitalizes the senses. Shaky bass quakes layered with squirming synths recall the greatest moments of all times. Sassily fading in: the racy æCurseÆ, a curse indeed for those who were planning to leave the club. ItÆs virtually impossible. Shimmering like the patina of a city far far below -- like a ride on a magic carpet woven out of trancey pads - is æSeven HoursÆ. A long-lasting mind trip that takes you to higher levels. æTrain 2 TehranÆ works on a similar level but aims much lower, way below the belt. Deep and stomping, this train cannot be stopped; it is like a conquest of a paradise lost and found. æWho KnowsÆ raises a lot of questions and gives answers in the same moment -- a cathartic release through hair raising bass drums. æSeven LivesÆ, produced with best amigo Martin Eyerer who is also half way responsible for NamitoÆs ambitious re-birth as one of GermanyÆs most talented producers, and Stephan Hinz, is one of the most accomplished tracks on the album. Slowly building up, the utterly compelling groove grips you by the intestines and turns you inside out while the sparkly synths tickle your sub consciousness before the track breaks down and creates a funky mayhem. Excellent stuff. The album culminates in a deep excursion of thoughtfulness, exploring the outer realms of sound experimentation -- the perfect end. ôAfter thirteen years of producing electronic music,ö beams Namito, ôI can finally proudly admit that I have found what one could call æmy trademark styleÆ: As Namito, I sound very underground and clubby with an edge, and I am not willing to budge.ö Right on: The music within Namito honors the music within you. Contact : crossfader@hush.ai We're currently looking for: Nice .eu affils Nice suppliers (No WEB) Beautiful females with big boobs (priority) A fucking BIG UP! to our friends : UMT This NFO File was rendered by NFOmation.net
ÜÜÜÜ ÜÛÛÛÛÛÛÛÛÛÛÜÜ ÿ±±±ÛÛÛÛÛÛÛÛÛÛÛßßßÛÛÜ ÜÛÛÛß ßÛÛÛÜ ÜÛÛÛ ±ÜÛÛÛß ±±±±±±±±ÛÛ ÜÛß ßÛÛÛÜ ÜÛÛ ÛÜ ±Û °°°°°°°±Û Û ßÛÛÛÜ ÜÛ ÛÛÜ ±±Û ±Û Û ßßÛÛ ÜÛß ±Û ±Û ±ÛÛÛÛÛÛÛÛß Û °±±Û ÜÛß ±±ÜÛ ±±Û ±ÜÛß Û ÛÛ °±ÛÜ ÛÛ °±ÜÛ ±Û ±Û ÿÿÿ Û ÛßÛÛÛ °±±Û ÜÛ °±Û ±Û ±±ÛÛÛÛÛÜ Û Û ßÛÛ °±ÛÜ Ûß °±ÜÛ ±ßÛ ±±±±±±Û Û ° Û °±±Û °±ßÛ ÛÛ ±ÜÛ ±ßÛ °±±Ûÿ Û ° Û °±Û °±Û ÛÛ °±Û ÜÛÛÛÜ ±Û ±ÛÛÛÛß Û °°±Û ±Û °±Ûÿ ÛÛ °±Û ÜÛ±±±ÛÛÜßÛ ±ÛÜ Û °±Ûß ÛÛ ±Û ÛÛ °±Û ÜÛ °±±±Û ßÛÛ. ÿÛÛ ÜßßßÜÛ ±Ûß ÛÛÛÛß ÜÛ ßÛ ±ÛÜÜÜÛÛ °±ÛÜßßßÛ ÿ Ûß±±±±±Û ±Û ÛÛÛß ÜÛÜßßßÜ ÛÛ ßßßß` ±Û±±±ÛÜ ÿÿ Û±±±±±ÜÛ ±ÛÛÛÛß ÜÛ±±±±±Û ßÛÜ ÜÛ±±±ÜÛÛÛÛÛÛßÛܱ±±±ÜÛß ÜÛÛÛÛ±±±±±Û ßÛÜ ÜÛÛÛß±ÜÛß ```` `Û±±_ÜÛß ÜÜÜÜÛÛÛÛÛÛßßÜÜÜÜÜß ÛÛÜ ÜÛÛÛßßÛßßß ßßßßÛÜ ÜÛÛÛÛÛÛÛÛÛÛ ßÛÜ ÜÜÛÛÛß ßÛÛÛ ÜÜÜÜÛÛßß ±ÛÛÛÛÛß ßÛÜÜÜÜÛÛ ßßßßßßß ±ßÛÛÛÛ ßßßßß ±ßÛÛß ±Ûß þÛ ±Û Artist..........: Namito ±ß Album...........: Eleven ± Genre...........: Electronic ÿ Label...........: Kling Klong Catnr...........: KLINGCD002 Source..........: CDDA Rip.Date........: 23-07-2010 Street.Date.....: 19-10-2009 Quality.........: VBR/44.1kHz/Joint Stereo Url.............: http://www.amazon.co.uk/Eleven-Namito/dp/B0027GZNRA/ Size............: 97.22MB Song.Title : 01. Zizou Intro 1:37 02. The Curse 6:44 03. Minou 7:17 04. Heat 5:51 05. Seven Hours 7:47 06. Pura Vida 5:30 07. Zorro 7:06 08. Train To Tehran 5:51 09. Who Knows 6:16 10. Seven Lives 9:06 11. Sternchen 16:05 Runtime: 79:11 min Release.Info : Combine the knowledge of Babylonia, Pythagoras, astrological philosophy from Hellenistic Alexandria, early Christian mysticism, the occultism of the early Gnostics, the Hebrew system of the Kabbalah, The Indian Vedas, the Chinese "Circle of the Dead", and the Egyptian "Book of the Master of the Secret House", and youre still not even close to cracking the genetic code of Eleven, Namitos first ever longplayer released on Martin Eyerers Kling Klong label. The number 11, often associated with the life path of a person, is of very special significance for Namito, a genuinely creative person. Those who dive into the magic creases of the eleven tracks gathered on Eleven -- story-telling, handcrafted music as colorful as a hand-woven Persian carpet -- quickly find out why this number plays such a significant role in Namitos life. I always knew that the number was of special importance for me. When I arrived in Germany, I found out that I was actually born in November, recalls Namito. His dad -- with a sharpened bamboo stick he painted only one word: Allah -- was a calligrapher so gifted he got appointed by the highest royalties. Namito takes the eminent artistry running in his family to the next level: In the early nineties, he, a teenager whod escape the watchful eyes of his uncle in whose custody the young Iranian grew up after leaving behind his native Tehran, laid the foundation of what was to become one of the planets most fertile playgrounds of the electronic music scene. The DJ and producer, one of the Zen masters of the emerging Berlin scene, honed his skills DJing at the legendary Bagwan disco on Kudamm while living and breathing music in his commune during the Nineties, and started coming forward with his own productions after inheriting an entire studio from a Krautrock legend. One of the many lucky coincidences that make Namitos life story such an outstanding one. And his music so rich. Eleven has it all: the deepness of late night grooves combined with the audiophile finesse that makes Namitos productions so tight and crisp. A very laidback attitude and a lot of knowledge and feeling combined with a lot of imagination equal a massive ride that never sounds worn out or prefabricated. The opener Zizou is setting the pace; a sound search that wakes the spirits and vitalizes the senses. Shaky bass quakes layered with squirming synths recall the greatest moments of all times. Sassily fading in: the racy Curse, a curse indeed for those who were planning to leave the club. Its virtually impossible. Shimmering like the patina of a city far far below -- like a ride on a magic carpet woven out of trancey pads - is Seven Hours. A long-lasting mind trip that takes you to higher levels. Train 2 Tehran works on a similar level but aims much lower, way below the belt. Deep and stomping, this train cannot be stopped; it is like a conquest of a paradise lost and found. Who Knows raises a lot of questions and gives answers in the same moment -- a cathartic release through hair raising bass drums. Seven Lives, produced with best amigo Martin Eyerer who is also half way responsible for Namitos ambitious re-birth as one of Germanys most talented producers, and Stephan Hinz, is one of the most accomplished tracks on the album. Slowly building up, the utterly compelling groove grips you by the intestines and turns you inside out while the sparkly synths tickle your sub consciousness before the track breaks down and creates a funky mayhem. Excellent stuff. The album culminates in a deep excursion of thoughtfulness, exploring the outer realms of sound experimentation -- the perfect end. After thirteen years of producing electronic music, beams Namito, I can finally proudly admit that I have found what one could call my trademark style: As Namito, I sound very underground and clubby with an edge, and I am not willing to budge. Right on: The music within Namito honors the music within you. Contact : crossfader@hush.ai We're currently looking for: Nice .eu affils Nice suppliers (No WEB) Beautiful females with big boobs (priority) A fucking BIG UP! to our friends : UMT This NFO File was rendered by NFOmation.net