NFOmation.net - Your Ultimate NFO Upload Resource! Viewing NFO file: 00-gynger_lynn-babys_gone_bad-2010.nfo 00-gynger_lynn-babys_gone_bad-2010
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▐▓▌▐█▌ Artist : Gynger Lynn ▐█▌▐▓▌
▐▀▄██ Album : Baby's Gone Bad ██▄▀▌
▄███▌ Label : E÷nian Records ▐███▄
▀███▌ Genre : Rock & Roll ▐███▀
▐▄▀██ Street date : 2010-07-03 ██▀▄▌
▐▓▌▐█▌ Quality : 198 kbps / 44.1kHz / Joint Stereo ▐█▌▐▓▌
▓█▄▀▀ Encoder : Lame 3.97 -V2 --vbr-new ▀▀▄█▓
▓███ Size : 93.75 MB ███▓
▀ ▀█▌ Time : 62:18 min ▐█▀ ▀
▓▄███ Url : http://www.eonianrecords.com/b-gyngerlynn/gyngerl ███▄▓
▐▓████▌ ynn.html ▐████▓▌
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█▓▌ 1. Take Me Away 3:37 ▐▓█
█▓▌ 2. Need To Know 4:14 ▐▓█
█▓▌ 3. Baby's All Talk 4:01 ▐▓█
█▓▌ 4. Along The Way 4:42 ▐▓█
█▓▌ 5. Yes It's True 4:33 ▐▓█
█▓▌ 6. Need A Little Love 4:20 ▐▓█
█▓▌ 7. Goin' Home 4:26 ▐▓█
█▓▌ 8. Summertime 3:49 ▐▓█
█▓▌ 9. Lonely, Lonely 3:07 ▐▓█
█▓▌ 10. Never Find A Better Girl 4:59 ▐▓█
█▓▌ 11. Wanna Be Your Lover 3:35 ▐▓█
█▓▌ 12. The Chance 3:48 ▐▓█
█▓▌ 13. Stay With Me 4:18 ▐▓█
█▓▌ 14. Baby's Gone Bad 3:13 ▐▓█
█▓▌ 15. Way Of The World (bonus) 2:38 ▐▓█
█▓▌ 16. Bad Luck (bonus) 2:58 ▐▓█
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▐▓▌▐█▌ Dean Pressley - Lead Vocals & Rhythm Guitars ▐█▌▐▓▌
▐▓▌▐█▌ Will Hair - Lead Guitars ▐█▌▐▓▌
▐▓▌▐█▌ Jim Stuppy - Bass Guitar ▐█▌▐▓▌
▐▓▌▐█▌ Frank Paul - Drums ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ ôBabyÆs Gone Badö ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ Dean Pressley - Lead Vocals & Rhythm Guitars ▐█▌▐▓▌
▐▓▌▐█▌ Will Hair - Lead Guitars ▐█▌▐▓▌
▐▓▌▐█▌ Jim Stuppy - Bass Guitar ▐█▌▐▓▌
▐▓▌▐█▌ Luke James Lorraine - Drums ▐█▌▐▓▌
▐▓▌▐█▌ Gavin Jadwin - Keyboards ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ Gynger Lynn formed in 1989 when bassist Jim Stuppy paid a ▐█▌▐▓▌
▐▓▌▐█▌ visit to Dean Pressley, the lead singer and guitarist for ▐█▌▐▓▌
▐▓▌▐█▌ Chicago-based band Cheri Lane. Jim and Dean spent the entire ▐█▌▐▓▌
▐▓▌▐█▌ afternoon talking about collaborating. Over the course of the ▐█▌▐▓▌
▐▓▌▐█▌ same day, Jim would eventually introduce Dean to Will Hair, ▐█▌▐▓▌
▐▓▌▐█▌ who in turn called drummer Frank Paul that same evening. The ▐█▌▐▓▌
▐▓▌▐█▌ four musicians spent the next two weeks writing and playing ▐█▌▐▓▌
▐▓▌▐█▌ in FrankÆs basement. ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ Within a month, the newly formed Gynger Lynn had hit ôThe ▐█▌▐▓▌
▐▓▌▐█▌ Windy Cityö like a ferocious storm. Local management ▐█▌▐▓▌
▐▓▌▐█▌ companies and producers began to take notice. After recording ▐█▌▐▓▌
▐▓▌▐█▌ two demo cassettes at The Playroom with Joe Bader at the ▐█▌▐▓▌
▐▓▌▐█▌ helm, building the perfect road crew, and continuously ▐█▌▐▓▌
▐▓▌▐█▌ writing new material, Gynger Lynn was off to conquer the ▐█▌▐▓▌
▐▓▌▐█▌ Chicago music scene. The band played six to eight shows a ▐█▌▐▓▌
▐▓▌▐█▌ month, rehearsed five days a week, and basically lived the ▐█▌▐▓▌
▐▓▌▐█▌ rock-n-roll lifestyle to its fullest. ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ Over the course of the next couple of months, Gynger Lynn ▐█▌▐▓▌
▐▓▌▐█▌ would gain interest from Hounds and Columbia recording artist ▐█▌▐▓▌
▐▓▌▐█▌ John Hunter. John would soon become the bandÆs long time ▐█▌▐▓▌
▐▓▌▐█▌ manager and was determined to see the Gynger Lynn maximize ▐█▌▐▓▌
▐▓▌▐█▌ their musical talents and showmanship. John later took the ▐█▌▐▓▌
▐▓▌▐█▌ band to Chicago Recording Company to record some of the ▐█▌▐▓▌
▐▓▌▐█▌ bandÆs best material with Chris Sheppard. Gynger Lynn would ▐█▌▐▓▌
▐▓▌▐█▌ also begin to open for many national acts such as Doro, Tony ▐█▌▐▓▌
▐▓▌▐█▌ MaCalpine, Tuff, Lillian Axe, Helix, Blue Oyster Cult, and ▐█▌▐▓▌
▐▓▌▐█▌ many others. Gynger Lynn would also share the stage with such ▐█▌▐▓▌
▐▓▌▐█▌ local acts as Smash Alley, Ript, Little Venus, Nikki Foxx, ▐█▌▐▓▌
▐▓▌▐█▌ Onyx, and many others. ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ Although times were good for Gynger Lynn, changes began to ▐█▌▐▓▌
▐▓▌▐█▌ develop about midway through with Frank and Dean and their ▐█▌▐▓▌
▐▓▌▐█▌ collaboration. Ergo, the side projects were short lived. ▐█▌▐▓▌
▐▓▌▐█▌ Frank had decided to pursue a different genre and has since ▐█▌▐▓▌
▐▓▌▐█▌ gone on to become a great country, pop, and Christian ▐█▌▐▓▌
▐▓▌▐█▌ recording artist. Frank can be found by visiting ▐█▌▐▓▌
▐▓▌▐█▌ www.frankpaul.com. ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ Dean would soon head back to Gynger Lynn and at the same time ▐█▌▐▓▌
▐▓▌▐█▌ would add two new band members with Gavin Jadwin on keyboards ▐█▌▐▓▌
▐▓▌▐█▌ and Luke James Lorraine on drums. Gynger Lynn was now a five ▐█▌▐▓▌
▐▓▌▐█▌ piece machine and was ready to get back to business as usual. ▐█▌▐▓▌
▐▓▌▐█▌ The band went back to six to eight shows a month, often ▐█▌▐▓▌
▐▓▌▐█▌ playing double shows on weekends. Known for their punked-up ▐█▌▐▓▌
▐▓▌▐█▌ version of ôThe Time Warp,ö lots of silly string, sufficient ▐█▌▐▓▌
▐▓▌▐█▌ supply of beer, beautiful girls at all of the shows, broken ▐█▌▐▓▌
▐▓▌▐█▌ guitars, plenty of original material, hard work, and most ▐█▌▐▓▌
▐▓▌▐█▌ importantly high-energy, Gynger Lynn never had to worry about ▐█▌▐▓▌
▐▓▌▐█▌ giving the same show twice and appeared to be on their way. ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ Gynger Lynn was also beginning to play showcases for and ▐█▌▐▓▌
▐▓▌▐█▌ meeting with many of the music industryÆs top record ▐█▌▐▓▌
▐▓▌▐█▌ executives from Warner Brothers, RCA, Columbia, Capital, and ▐█▌▐▓▌
▐▓▌▐█▌ Geffen. The band would also see plenty of air time on The ▐█▌▐▓▌
▐▓▌▐█▌ Spirit of Chicago 103.5 the Blaze. ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ In 1994, Gynger Lynn would eventually go their own way, as ▐█▌▐▓▌
▐▓▌▐█▌ the record industry was no longer interested in signing bands ▐█▌▐▓▌
▐▓▌▐█▌ of this nature. However, it was an incredible five year ride. ▐█▌▐▓▌
▐▓▌▐█▌ Gynger Lynn had recorded a few dozen studio tracks, played ▐█▌▐▓▌
▐▓▌▐█▌ hundreds of shows, and still remain friends to this day. ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ LET'S DO THE TIME WARP AGAIN! ▐█▌▐▓▌
▓█▄▀▀▄ ▄▀▀▄█▓
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This NFO File was rendered by NFOmation.net
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Þ²ÝÞÛÝ Artist : Gynger Lynn ÞÛÝÞ²Ý
ÞßÜÛÛ Album : Baby's Gone Bad ÛÛÜßÝ
ÜÛÛÛÝ Label : Eönian Records ÞÛÛÛÜ
ßÛÛÛÝ Genre : Rock & Roll ÞÛÛÛß
ÞÜßÛÛ Street date : 2010-07-03 ÛÛßÜÝ
Þ²ÝÞÛÝ Quality : 198 kbps / 44.1kHz / Joint Stereo ÞÛÝÞ²Ý
²ÛÜßß Encoder : Lame 3.97 -V2 --vbr-new ßßÜÛ²
²ÛÛÛ Size : 93.75 MB ÛÛÛ²
ß ßÛÝ Time : 62:18 min ÞÛß ß
²ÜÛÛÛ Url : http://www.eonianrecords.com/b-gyngerlynn/gyngerl ÛÛÛܲ
Þ²ÛÛÛÛÝ ynn.html ÞÛÛÛÛ²Ý
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ÜÛÛß ßÛÛÜ
Û²Ý 1. Take Me Away 3:37 Þ²Û
Û²Ý 2. Need To Know 4:14 Þ²Û
Û²Ý 3. Baby's All Talk 4:01 Þ²Û
Û²Ý 4. Along The Way 4:42 Þ²Û
Û²Ý 5. Yes It's True 4:33 Þ²Û
Û²Ý 6. Need A Little Love 4:20 Þ²Û
Û²Ý 7. Goin' Home 4:26 Þ²Û
Û²Ý 8. Summertime 3:49 Þ²Û
Û²Ý 9. Lonely, Lonely 3:07 Þ²Û
Û²Ý 10. Never Find A Better Girl 4:59 Þ²Û
Û²Ý 11. Wanna Be Your Lover 3:35 Þ²Û
Û²Ý 12. The Chance 3:48 Þ²Û
Û²Ý 13. Stay With Me 4:18 Þ²Û
Û²Ý 14. Baby's Gone Bad 3:13 Þ²Û
Û²Ý 15. Way Of The World (bonus) 2:38 Þ²Û
Û²Ý 16. Bad Luck (bonus) 2:58 Þ²Û
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ßÛÛÛÝ ÞÛÛÛß
ÜÜßÛÛ ÛÛßÜÜ
Þ²ÝÞÛÝ Dean Pressley - Lead Vocals & Rhythm Guitars ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Will Hair - Lead Guitars ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Jim Stuppy - Bass Guitar ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Frank Paul - Drums ÞÛÝÞ²Ý
Þ²ÝÞÛÝ ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Babys Gone Bad ÞÛÝÞ²Ý
Þ²ÝÞÛÝ ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Dean Pressley - Lead Vocals & Rhythm Guitars ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Will Hair - Lead Guitars ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Jim Stuppy - Bass Guitar ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Luke James Lorraine - Drums ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Gavin Jadwin - Keyboards ÞÛÝÞ²Ý
Þ²ÝÞÛÝ ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Gynger Lynn formed in 1989 when bassist Jim Stuppy paid a ÞÛÝÞ²Ý
Þ²ÝÞÛÝ visit to Dean Pressley, the lead singer and guitarist for ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Chicago-based band Cheri Lane. Jim and Dean spent the entire ÞÛÝÞ²Ý
Þ²ÝÞÛÝ afternoon talking about collaborating. Over the course of the ÞÛÝÞ²Ý
Þ²ÝÞÛÝ same day, Jim would eventually introduce Dean to Will Hair, ÞÛÝÞ²Ý
Þ²ÝÞÛÝ who in turn called drummer Frank Paul that same evening. The ÞÛÝÞ²Ý
Þ²ÝÞÛÝ four musicians spent the next two weeks writing and playing ÞÛÝÞ²Ý
Þ²ÝÞÛÝ in Franks basement. ÞÛÝÞ²Ý
Þ²ÝÞÛÝ ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Within a month, the newly formed Gynger Lynn had hit The ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Windy City like a ferocious storm. Local management ÞÛÝÞ²Ý
Þ²ÝÞÛÝ companies and producers began to take notice. After recording ÞÛÝÞ²Ý
Þ²ÝÞÛÝ two demo cassettes at The Playroom with Joe Bader at the ÞÛÝÞ²Ý
Þ²ÝÞÛÝ helm, building the perfect road crew, and continuously ÞÛÝÞ²Ý
Þ²ÝÞÛÝ writing new material, Gynger Lynn was off to conquer the ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Chicago music scene. The band played six to eight shows a ÞÛÝÞ²Ý
Þ²ÝÞÛÝ month, rehearsed five days a week, and basically lived the ÞÛÝÞ²Ý
Þ²ÝÞÛÝ rock-n-roll lifestyle to its fullest. ÞÛÝÞ²Ý
Þ²ÝÞÛÝ ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Over the course of the next couple of months, Gynger Lynn ÞÛÝÞ²Ý
Þ²ÝÞÛÝ would gain interest from Hounds and Columbia recording artist ÞÛÝÞ²Ý
Þ²ÝÞÛÝ John Hunter. John would soon become the bands long time ÞÛÝÞ²Ý
Þ²ÝÞÛÝ manager and was determined to see the Gynger Lynn maximize ÞÛÝÞ²Ý
Þ²ÝÞÛÝ their musical talents and showmanship. John later took the ÞÛÝÞ²Ý
Þ²ÝÞÛÝ band to Chicago Recording Company to record some of the ÞÛÝÞ²Ý
Þ²ÝÞÛÝ bands best material with Chris Sheppard. Gynger Lynn would ÞÛÝÞ²Ý
Þ²ÝÞÛÝ also begin to open for many national acts such as Doro, Tony ÞÛÝÞ²Ý
Þ²ÝÞÛÝ MaCalpine, Tuff, Lillian Axe, Helix, Blue Oyster Cult, and ÞÛÝÞ²Ý
Þ²ÝÞÛÝ many others. Gynger Lynn would also share the stage with such ÞÛÝÞ²Ý
Þ²ÝÞÛÝ local acts as Smash Alley, Ript, Little Venus, Nikki Foxx, ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Onyx, and many others. ÞÛÝÞ²Ý
Þ²ÝÞÛÝ ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Although times were good for Gynger Lynn, changes began to ÞÛÝÞ²Ý
Þ²ÝÞÛÝ develop about midway through with Frank and Dean and their ÞÛÝÞ²Ý
Þ²ÝÞÛÝ collaboration. Ergo, the side projects were short lived. ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Frank had decided to pursue a different genre and has since ÞÛÝÞ²Ý
Þ²ÝÞÛÝ gone on to become a great country, pop, and Christian ÞÛÝÞ²Ý
Þ²ÝÞÛÝ recording artist. Frank can be found by visiting ÞÛÝÞ²Ý
Þ²ÝÞÛÝ www.frankpaul.com. ÞÛÝÞ²Ý
Þ²ÝÞÛÝ ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Dean would soon head back to Gynger Lynn and at the same time ÞÛÝÞ²Ý
Þ²ÝÞÛÝ would add two new band members with Gavin Jadwin on keyboards ÞÛÝÞ²Ý
Þ²ÝÞÛÝ and Luke James Lorraine on drums. Gynger Lynn was now a five ÞÛÝÞ²Ý
Þ²ÝÞÛÝ piece machine and was ready to get back to business as usual. ÞÛÝÞ²Ý
Þ²ÝÞÛÝ The band went back to six to eight shows a month, often ÞÛÝÞ²Ý
Þ²ÝÞÛÝ playing double shows on weekends. Known for their punked-up ÞÛÝÞ²Ý
Þ²ÝÞÛÝ version of The Time Warp, lots of silly string, sufficient ÞÛÝÞ²Ý
Þ²ÝÞÛÝ supply of beer, beautiful girls at all of the shows, broken ÞÛÝÞ²Ý
Þ²ÝÞÛÝ guitars, plenty of original material, hard work, and most ÞÛÝÞ²Ý
Þ²ÝÞÛÝ importantly high-energy, Gynger Lynn never had to worry about ÞÛÝÞ²Ý
Þ²ÝÞÛÝ giving the same show twice and appeared to be on their way. ÞÛÝÞ²Ý
Þ²ÝÞÛÝ ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Gynger Lynn was also beginning to play showcases for and ÞÛÝÞ²Ý
Þ²ÝÞÛÝ meeting with many of the music industrys top record ÞÛÝÞ²Ý
Þ²ÝÞÛÝ executives from Warner Brothers, RCA, Columbia, Capital, and ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Geffen. The band would also see plenty of air time on The ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Spirit of Chicago 103.5 the Blaze. ÞÛÝÞ²Ý
Þ²ÝÞÛÝ ÞÛÝÞ²Ý
Þ²ÝÞÛÝ In 1994, Gynger Lynn would eventually go their own way, as ÞÛÝÞ²Ý
Þ²ÝÞÛÝ the record industry was no longer interested in signing bands ÞÛÝÞ²Ý
Þ²ÝÞÛÝ of this nature. However, it was an incredible five year ride. ÞÛÝÞ²Ý
Þ²ÝÞÛÝ Gynger Lynn had recorded a few dozen studio tracks, played ÞÛÝÞ²Ý
Þ²ÝÞÛÝ hundreds of shows, and still remain friends to this day. ÞÛÝÞ²Ý
Þ²ÝÞÛÝ ÞÛÝÞ²Ý
Þ²ÝÞÛÝ LET'S DO THE TIME WARP AGAIN! ÞÛÝÞ²Ý
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