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It's the only quality made █ █ available. █ █ █ █ The first full-length from Louisville's Frontier(s). █ █ █ █ Chris Higdon has been here before. The powerful set █ █ of pipes that engraved the bombastic flair of █ █ Elliott--and previous to that, Falling Forward--into █ █ the tender consciousness of an entire generation of █ █ indie kids has returned with Frontier(s). The █ █ Louisville quartet has been gaining momentum since █ █ 2008, gradually building the massive sonic structures █ █ that make up their debut full-length, There Will Be █ █ No Miracles Here. █ █ █ █ But for Higdon, this is not a victory lap. An artist █ █ who (reluctantly, we'll assume) laid the groundwork █ █ for the genre of emo--back before the word lost its █ █ luster to mall kids with regrettable hair cuts--his █ █ finest creative days are not just relegated to the █ █ past. Just beyond the rolling bass lines of the █ █ opening moments in There Will Be No Miracles Here █ █ it's abundantly clear that the vast experience of █ █ Frontier(s) is transparent in the band's masterfully █ █ assembled post-rock sound. █ █ █ █ "The whole point for me with playing music again was █ █ to get to write music that I missed hearing," █ █ explains Higdon, who initially assembled Frontier(s) █ █ alongside bassist Bryan Todd. The pair was later █ █ joined by Matthew Wieder on guitar and Eagle Barber █ █ on drums. "We started this band with the main goal to █ █ write music we were in to, and to keep it less █ █ calculated than the current climate of heavy █ █ guitar-hinged music." While the long shadows of █ █ Elliott's False Cathedrals are witnessed in the █ █ unrelenting choruses of songs like "Von Veneer" and █ █ "Marching Line," There Will Be No Miracles Here is a █ █ record of an entirely different identity. Hook heavy █ █ and dramatic, Frontier(s) has the nervous energy of █ █ youth alongside the discretion of experience. Proof █ █ that for Higdon and company, their finest moment is █ █ right now. █ █ █ ░ ▒▄▄▄ █ █ ▄▄▄▒ ░ ▒ ███▓▓ █ ▄▄▄▄ ▄▄▄▄ █ ▓▓███ ▒ ▒█████▓▓ █▓▓████▓▓▄▄░ ▄▄▓▓▄ ▄█▓▄▄ ░▄▄▓▓████▓██ ▓▓█████▒ ▐████▀ ▄▓▓████████████████▓▓▄ FIND US! ▄██████████████████▓▓▄ ▀████▌ ▐███▓▌ ▓▓████▀█▓▀███████████▓▀ ▀████████████▀▓█▀████▓▓ ▐▓███▌ ████▓▄ ▀█▀▐▒ █▒ ▌▀▀██▓▓▀▀▀ ▀▀▀██▓▓▀▀▐ ▒█ ▒▌▀█▀ ▄▓████ ▀████▓▄ ░ ▌░ ░ iNTERRUPTING THE SILENCE ░▐ ░ ▄▓████▀ ▀█████▄▄▄ ▌▄▄▀ ▀▄▄▐ ▄▄▄█████▀ ▀▀▀████▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀████▀▀▀ This NFO File was rendered by NFOmation.net
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Û Û Don't complain to me. It's the only quality made Û Û available. Û Û Û Û The first full-length from Louisville's Frontier(s). Û Û Û Û Chris Higdon has been here before. The powerful set Û Û of pipes that engraved the bombastic flair of Û Û Elliott--and previous to that, Falling Forward--into Û Û the tender consciousness of an entire generation of Û Û indie kids has returned with Frontier(s). The Û Û Louisville quartet has been gaining momentum since Û Û 2008, gradually building the massive sonic structures Û Û that make up their debut full-length, There Will Be Û Û No Miracles Here. Û Û Û Û But for Higdon, this is not a victory lap. An artist Û Û who (reluctantly, we'll assume) laid the groundwork Û Û for the genre of emo--back before the word lost its Û Û luster to mall kids with regrettable hair cuts--his Û Û finest creative days are not just relegated to the Û Û past. Just beyond the rolling bass lines of the Û Û opening moments in There Will Be No Miracles Here Û Û it's abundantly clear that the vast experience of Û Û Frontier(s) is transparent in the band's masterfully Û Û assembled post-rock sound. Û Û Û Û "The whole point for me with playing music again was Û Û to get to write music that I missed hearing," Û Û explains Higdon, who initially assembled Frontier(s) Û Û alongside bassist Bryan Todd. The pair was later Û Û joined by Matthew Wieder on guitar and Eagle Barber Û Û on drums. "We started this band with the main goal to Û Û write music we were in to, and to keep it less Û Û calculated than the current climate of heavy Û Û guitar-hinged music." While the long shadows of Û Û Elliott's False Cathedrals are witnessed in the Û Û unrelenting choruses of songs like "Von Veneer" and Û Û "Marching Line," There Will Be No Miracles Here is a Û Û record of an entirely different identity. Hook heavy Û Û and dramatic, Frontier(s) has the nervous energy of Û Û youth alongside the discretion of experience. Proof Û Û that for Higdon and company, their finest moment is Û Û right now. Û Û Û ° ±ÜÜÜ Û Û ÜÜܱ ° ± ÛÛÛ²² Û ÜÜÜÜ ÜÜÜÜ Û ²²ÛÛÛ ± ±ÛÛÛÛÛ²² Û²²ÛÛÛÛ²²ÜÜ° Üܲ²Ü ÜÛ²ÜÜ °Üܲ²ÛÛÛÛ²ÛÛ ²²ÛÛÛÛÛ± ÞÛÛÛÛß Ü²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²Ü FIND US! ÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²Ü ßÛÛÛÛÝ ÞÛÛÛ²Ý ²²ÛÛÛÛßÛ²ßÛÛÛÛÛÛÛÛÛÛÛ²ß ßÛÛÛÛÛÛÛÛÛÛÛÛß²ÛßÛÛÛÛ²² Þ²ÛÛÛÝ ÛÛÛÛ²Ü ßÛßÞ± Û± ÝßßÛÛ²²ßßß ßßßÛÛ²²ßßÞ ±Û ±ÝßÛß Ü²ÛÛÛÛ ßÛÛÛÛ²Ü ° Ý° ° iNTERRUPTING THE SILENCE °Þ ° ܲÛÛÛÛß ßÛÛÛÛÛÜÜÜ ÝÜÜß ßÜÜÞ ÜÜÜÛÛÛÛÛß ßßßÛÛÛÛßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßÛÛÛÛßßß This NFO File was rendered by NFOmation.net