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▄▄▄▄ ▄██████████▄▄ ▒▒▒███████████▀▀▀██▄ ▄███▀ ▀███▄ ▄███ ▒▄███▀ ▒▒▒▒▒▒▒▒██ ▄█▀ ▀███▄ ▄██ █▄ ▒█ ░░░░░░░▒█ █ ▀███▄ ▄█ ██▄ ▒▒█ ▒█ █ ▀▀██ ▄█▀ ▒█ ▒█ ▒████████▀ █ ░▒▒█ ▄█▀ ▒▒▄█ ▒▒█ ▒▄█▀ █ ██ ░▒█▄ ██ ░▒▄█ ▒█ ▒█ █ █▀███ ░▒▒█ ▄█ ░▒█ ▒█ ▒▒█████▄ █ █ ▀██ ░▒█▄ █▀ ░▒▄█ ▒▀█ ▒▒▒▒▒▒█ █ ░ █ ░▒▒█ ░▒▀█ ██ ▒▄█ ▒▀█ ░▒▒█ █ ░ █ ░▒█ ░▒█ ██ ░▒█ ▄███▄ ▒█ ▒████▀ █ ░░▒█ ▒█ ░▒█ ██ ░▒█ ▄█▒▒▒██▄▀█ ▒█▄ █ ░▒█▀ ██ ▒█ ██ ░▒█ ▄█ ░▒▒▒█ ▀██. ██ ▄▀▀▀▄█ ▒█▀ ████▀ ▄█ ▀█ ▒█▄▄▄██ ░▒█▄▀▀▀█ █▀▒▒▒▒▒█ ▒█ ███▀ ▄█▄▀▀▀▄ ██ ▀▀▀▀` ▒█▒▒▒█▄ █▒▒▒▒▒▄█ ▒████▀ ▄█▒▒▒▒▒█ ▀█▄ ▄█▒▒▒▄██████▀█▄▒▒▒▒▄█▀ ▄████▒▒▒▒▒█ ▀█▄ ▄███▀▒▄█▀ ```` `█▒▒_▄█▀ ▄▄▄▄██████▀▀▄▄▄▄▄▀ ██▄ ▄███▀▀█▀▀▀ ▀▀▀▀█▄ ▄██████████ ▀█▄ ▄▄███▀ ▀███ ▄▄▄▄██▀▀ ▒█████▀ ▀█▄▄▄▄██ ▀▀▀▀▀▀▀ ▒▀████ ▀▀▀▀▀ ▒▀██▀ ▒█▀ ■█ ▒█ Artist..........: Dag F÷r Dag ▒▀ Album...........: Boo ▒ Genre...........: Rock ♦ Label...........: Haldern Pop Records Catnr...........: HPR040 Source..........: CDDA Rip.Date........: 24-08-2010 Street.Date.....: 08-03-2010 Quality.........: VBR/44.1kHz/Joint Stereo Url.............: http://www.myspace.com/dagfordag Size............: 57.90MB Song.Title : 01. Boo 0:27 02. I Am The Assassin 2:06 03. Hands And Knees 2:25 04. Boxed Up In Line 3:47 05. Wouldn't You 5:24 06. Silence As The Verb 4:38 07. Seven Stories 4:31 08. Light On Your Feet 4:35 09. Traffic Jam 3:20 10. The Leather Of Your Boots 3:00 11. Animal 3:01 12. Came In Like A Knife 4:42 13. Ring Me, Elise (Bonus Track) 3:32 Runtime: 45:43 min Release.Info : Last year, the Shooting from the Shadows EP by Dag f÷r Dag was the best of the under-the-radar releases to come this writerÆs way. A brother-sister duo whoÆd relocated from America to Sweden, you can almost hear Jacob and Sarah Snavely becoming natives from EP to LP. Musically, a kind of fuzzed-up, punk Americana (Violent Femmes, The Cramps) has eased into something looser, and more eccentric, like many of the more idiosyncratic Scandinavians (Wildbirds & Peacedrums, Taken by Trees). When they tell stories, Dag f÷r Dag use transparent metaphors: if they sing about being on a pirate ship, itÆs because theyÆve travelled the world as struggling artists, not because theyÆre twee fantasists. On their brilliant single, Animal, they basically want to get to the essence of rock music: making whooping noises, and pounding on the kit. ôLetÆs go!ö yelps Sarah before the drums and dirty guitars come in. ItÆs the kind of moment youÆre anticipating every time you hear it. Maybe this is subjective, but part of the appeal of Dag f÷r Dag û who take turns with the vocals û is that you get the variety of male/female tones and textures, without one playing as a foil to the other (eg, the girl doing syrupy backing vocals and trite sentiments while the guy with the weaker voice gets the good lines). Both of them sing their guts out, because theyÆre brother and sister. They donÆt have chemistry for each other, just the listener. After a couple of monthsÆ listening, itÆs not what youÆd call a ôsolidö debut album; in many ways, itÆs something better. ItÆs a collection of loose, organic songs with plenty of breathing space as the pair find their voiceà interspersed with immediate, and irresistibly catchy indie-rock anthems that manage to be powerful and honest without trying to be ground-breaking. On the EP, Ring Me, Elise was 2009Æs song most likely to get me dancing, but with Sarah on vocals, the premise (ôIÆm a rockÆnÆroll star now, so call me girlàö) has an extra frisson of humour and abandon, like The Raincoats singing Lola. Preposterous, sexy, and fun. Contact : crossfader(at)hush.ai We're currently looking for: Nice .eu affils Nice suppliers (No WEB) Beautiful females with big boobs (priority) A fucking BIG UP! to our friends : UMT - DEF This NFO File was rendered by NFOmation.net
ÜÜÜÜ ÜÛÛÛÛÛÛÛÛÛÛÜÜ ÿ±±±ÛÛÛÛÛÛÛÛÛÛÛßßßÛÛÜ ÜÛÛÛß ßÛÛÛÜ ÜÛÛÛ ±ÜÛÛÛß ±±±±±±±±ÛÛ ÜÛß ßÛÛÛÜ ÜÛÛ ÛÜ ±Û °°°°°°°±Û Û ßÛÛÛÜ ÜÛ ÛÛÜ ±±Û ±Û Û ßßÛÛ ÜÛß ±Û ±Û ±ÛÛÛÛÛÛÛÛß Û °±±Û ÜÛß ±±ÜÛ ±±Û ±ÜÛß Û ÛÛ °±ÛÜ ÛÛ °±ÜÛ ±Û ±Û ÿÿÿ Û ÛßÛÛÛ °±±Û ÜÛ °±Û ±Û ±±ÛÛÛÛÛÜ Û Û ßÛÛ °±ÛÜ Ûß °±ÜÛ ±ßÛ ±±±±±±Û Û ° Û °±±Û °±ßÛ ÛÛ ±ÜÛ ±ßÛ °±±Ûÿ Û ° Û °±Û °±Û ÛÛ °±Û ÜÛÛÛÜ ±Û ±ÛÛÛÛß Û °°±Û ±Û °±Ûÿ ÛÛ °±Û ÜÛ±±±ÛÛÜßÛ ±ÛÜ Û °±Ûß ÛÛ ±Û ÛÛ °±Û ÜÛ °±±±Û ßÛÛ. ÿÛÛ ÜßßßÜÛ ±Ûß ÛÛÛÛß ÜÛ ßÛ ±ÛÜÜÜÛÛ °±ÛÜßßßÛ ÿ Ûß±±±±±Û ±Û ÛÛÛß ÜÛÜßßßÜ ÛÛ ßßßß` ±Û±±±ÛÜ ÿÿ Û±±±±±ÜÛ ±ÛÛÛÛß ÜÛ±±±±±Û ßÛÜ ÜÛ±±±ÜÛÛÛÛÛÛßÛܱ±±±ÜÛß ÜÛÛÛÛ±±±±±Û ßÛÜ ÜÛÛÛß±ÜÛß ```` `Û±±_ÜÛß ÜÜÜÜÛÛÛÛÛÛßßÜÜÜÜÜß ÛÛÜ ÜÛÛÛßßÛßßß ßßßßÛÜ ÜÛÛÛÛÛÛÛÛÛÛ ßÛÜ ÜÜÛÛÛß ßÛÛÛ ÜÜÜÜÛÛßß ±ÛÛÛÛÛß ßÛÜÜÜÜÛÛ ßßßßßßß ±ßÛÛÛÛ ßßßßß ±ßÛÛß ±Ûß þÛ ±Û Artist..........: Dag För Dag ±ß Album...........: Boo ± Genre...........: Rock ÿ Label...........: Haldern Pop Records Catnr...........: HPR040 Source..........: CDDA Rip.Date........: 24-08-2010 Street.Date.....: 08-03-2010 Quality.........: VBR/44.1kHz/Joint Stereo Url.............: http://www.myspace.com/dagfordag Size............: 57.90MB Song.Title : 01. Boo 0:27 02. I Am The Assassin 2:06 03. Hands And Knees 2:25 04. Boxed Up In Line 3:47 05. Wouldn't You 5:24 06. Silence As The Verb 4:38 07. Seven Stories 4:31 08. Light On Your Feet 4:35 09. Traffic Jam 3:20 10. The Leather Of Your Boots 3:00 11. Animal 3:01 12. Came In Like A Knife 4:42 13. Ring Me, Elise (Bonus Track) 3:32 Runtime: 45:43 min Release.Info : Last year, the Shooting from the Shadows EP by Dag för Dag was the best of the under-the-radar releases to come this writers way. A brother-sister duo whod relocated from America to Sweden, you can almost hear Jacob and Sarah Snavely becoming natives from EP to LP. Musically, a kind of fuzzed-up, punk Americana (Violent Femmes, The Cramps) has eased into something looser, and more eccentric, like many of the more idiosyncratic Scandinavians (Wildbirds & Peacedrums, Taken by Trees). When they tell stories, Dag för Dag use transparent metaphors: if they sing about being on a pirate ship, its because theyve travelled the world as struggling artists, not because theyre twee fantasists. On their brilliant single, Animal, they basically want to get to the essence of rock music: making whooping noises, and pounding on the kit. Lets go! yelps Sarah before the drums and dirty guitars come in. Its the kind of moment youre anticipating every time you hear it. Maybe this is subjective, but part of the appeal of Dag för Dag who take turns with the vocals is that you get the variety of male/female tones and textures, without one playing as a foil to the other (eg, the girl doing syrupy backing vocals and trite sentiments while the guy with the weaker voice gets the good lines). Both of them sing their guts out, because theyre brother and sister. They dont have chemistry for each other, just the listener. After a couple of months listening, its not what youd call a solid debut album; in many ways, its something better. Its a collection of loose, organic songs with plenty of breathing space as the pair find their voice interspersed with immediate, and irresistibly catchy indie-rock anthems that manage to be powerful and honest without trying to be ground-breaking. On the EP, Ring Me, Elise was 2009s song most likely to get me dancing, but with Sarah on vocals, the premise (Im a rocknroll star now, so call me girl ) has an extra frisson of humour and abandon, like The Raincoats singing Lola. Preposterous, sexy, and fun. Contact : crossfader(at)hush.ai We're currently looking for: Nice .eu affils Nice suppliers (No WEB) Beautiful females with big boobs (priority) A fucking BIG UP! to our friends : UMT - DEF This NFO File was rendered by NFOmation.net