NFOmation.net - Your Ultimate NFO Upload Resource! Viewing NFO file: 00-exit-digital_and_morphy-exit023-vinyl-2010-sour.nfo 00-exit-digital_and_morphy-exit023-vinyl-2010-sour



                                      .___________________
                 __________________|_ |                  /______________|_
      .__________\                 |  |                                 |
      |                            |  |                                 |
      |          ______/_      ______ |      ._______\_____             |
     _|_      ___\  __/________\    /________|      __\  _ )__          |
   ((___\    \\   \___     .     __     .    |      .    .   /___     __|_
      |       |     l      |     \/     |    l      |    l      //   /____))
      |_      |            |            |           |    |      |       |
   __  /      |_____,------|_____,------|____.------|____|------'       |
  \\/ /                            |  |                                 |
     /_                       .... |  | .....                           |
      |                       :    |  `-----:---------------------------'
      `-----------------------:----'        : design.by.ant1k
                              :.............:

    __  ____  _______                         ...................
  _(_/_( _ /_( _/ _ /_    ................... :                 :   :
  \_  |  |  |  |_ |  |    :                 : :                 :   |     :
   |  |  |  |  _/ |  |    :                 : :                 :   |  :  |
.--+  |  |  |  |  |  +----------------------------------------------+--+--+---.
|  |  |  |  |  |  |  |            r e l e a s e  i n f o            :  .  :   |
`--+  |  |  |  |  |  +----------------------------------------------+--+--+---'
   |  |  |  |  |  |  |  . :.................: :                 :   |  |  |
   |__|__|__|__|_____|    :                 : :.................:   :  |  :
                                            :...                       :

                                                            _______________/_
.....                                                       \             /
:   :                                                       _\  rippers  /____.
:   :  release no     ( 10629 )                            \    rating        |
:   :                                                       \_____.           |
:   :  artist         (Digital & Morphy                  )         |   .---.  |
:   :  title          (Weatherman / Shanty               )         | 0 |   |  |
:   :  record label   (Exit (EXIT023)                    )         | 9 |%%%|  |
:   :  genre          (Drum & Bass                       )         | 8 |%%%|  |
:   :  release date   (2010/08/28)                                 | 7 |%%%|  |
:   :  street date    (2010/08/30)                                 | 6 |%%%|  |
:   :                                                              | 5 |%%%|  |
:   :  media type     vinyl (x) tape ( ) cd  ( ) radio ( )         | 4 |%%%|  |
:   :  cover sfv m3u  cover ( )  sfv (x) m3u (x) cue   ( )         | 3 |%%%|  |
:   :                                                              | 2 |%%%|  |
:.. :.....     ...                                                 | 1 |%%%|  |
  :      :     :.:    (02 tracks)  (12:10 min)  ( 16,6 mb)         |   `---'  |
  :   ...:....                                                     `----------'
  :...:..:   :        ::
      :......:

     _.   ____  ____   ____    __                  ..............
   .( |_ .\ _ )_\__ )_( __/.__/  /      .......... :            :   :
   | __/_|  _ _/  _  |  |  | /_ /_      :        : :            :   |  .  :
   |  |  |  |  |  |  |  |  |  |  |      :        : :            :   |  |  |
.--|  |  |  |  |  |  |  |  |  |  |----------------------------------+--+--+---.
|  |  |  |  |  |  |  |  |  |  |  |     t r a c k  l i s t i n g     :  .  :   |
`--|  |  |  |  |  |  |  |  |  |  |----------------------------------+--+--+---'
   |  |  |  |  |  |  |  |  |  |  |    : :........: :            :   |  |  |
   |_____|__|__|_____|_____|__|__|    :..        . :............:   .  |  :
                                                 :...                  :

  nr   times   track titles
.----^-------^----------------------------------------------------------------.
|  A    6:03   Digital - Weatherman                                           |
|  B    6:07   Digital & Morphy - Shanty                                      |
`----^-------^--------------------------------------------/                   |
                                                  ...... /____________________|
                                                  :            .
                                               ...:..          :
                                               :    :..........:
                                               :....:
                                             ::

    ____   ____ __.    ____ ____   ____  ____          ...
   .\ _ )_( _ /_\ |___( _ /_\__ )_( __/_( _ /_         : ...........  :
   |  _ _/ /___/  |  / /___/  _  |___  / /___/  ........ :         :  |     :
   |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  :      : :         :  |  :  |
.--|  |  |  |  |  |  |  |  |  |  |  |  |  |  |------------------------+--+--+-.
|  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | r e l e a s e  n o t e :  .  : |
`--|  |  |  |  |  |  |  |  |  |  |  |  |  |  |------------------------+--+--+-'
   |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  :......: :         :  |  |  |
   |__|__|_____|_____|_____|_____|_____|_____|           :.........:     |  :
                                                       :..               :

                :                                               :
                |                                               |
        .-------+                                              -+-------.
        |       |                                               |       |
        |       | This golden era heavyweight is still in the   |       |
        |       | game and as strong as ever. Having produced   |       |
        |       | some of the finest tracks of the Drum n Bass  |       |
        |       | golden era and recorded for labels including  |       |
        |       | Metalheadz, Photek productions, Reinforced    |       |
        |       | and Phantom audio to name a few, heÆs still   |       |
        |       | at it and in fine form once again. Sticking   |       |
        |       | to his guns and keeping his original bass     |       |
        |       | heavy dub style, heÆs rolled out two tracks   |       |
        |       | in the same vein as some of his classics such |       |
        |       | as Gateman and Deadline. If you donÆt know    |       |
        |       | about Digital yet then its time to get to     |       |
        |       | know. If you do then know your in for a       |       |
        |       | treat. "Weatherman" comes with the            |       |
        |       | ridiculously fat sub bass that Digital is     |       |
        |       | renowned for, topped with a half time step    |       |
        |       | and shuffling hats and shakers to add pace    |       |
        |       | its not far off being an all out dub track.   |       |
        |       | Classic jungle pads and delayed dub vocals    |       |
        |       | pay homage to days gone by and prove that     |       |
        |       | this music, when done properly can still      |       |
        |       | smash up a club without all the mid range     |       |
        |       | madness that is more common in this day and   |       |
        |       | age. Digital teams up with Scottish Producer  |       |
        |       | Morphy on the b-side and again comes with the |       |
        |       | heavyweight bass, half time step and dub      |       |
        |       | vibes but this track has a morehypnotic and   |       |
        |       | entrancing quality to it. Dub stabs and laid  |       |
        |       | back melodies wind around the bass like a     |       |
        |       | snake being charmed out of its box. All in    |       |
        |       | all the perfect partner to the a-side and     |       |
        |       | completes the 12" as yet another slice of     |       |
        |       | history is made by this legend.               |       |
        |       |                                               |       |
        `-------+-                                              +-------`
                :                                               :

    __.    ____ _____ ____  __.                    ..............
    \ |___( _ /_\  _/_\__ )_\ |___      .......... :            :   :
   /  |  / /___/  |  /  _  |  |  /      :        : :            :   |  .  :
   |  |  |  |  |  |  |  |  |  |  |      :        : :            :   |  |  |
.--|  |  |  |  |  |  |  |  |  |  |----------------------------------+--+--+---.
|  |  |  |  |  |  |  |  |  |  |  |        d i s c l a i m e r       :  .  :   |
`--|  |  |  |  |  |  |  |  |  |  |----------------------------------+--+--+---'
   |  |  |  |  |  |  |  |  |  |  |    : :........: :            :   |  |  |
   |__|__|_____|_____|_____|_____|    :..        . :............:   .  |  :
                                                 :...                  :

.-----------------------------------------------------------------------------.
|                                                                             |
|   This release may contain copyrighted material, however SOUR guarantees    |
|   that this material was at least available to one person "on the street"   |
|     and that the possession of this material is in no way privileged.       |
|                                                                             |
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |
|    the internet drum'n'bass public since summer 1999. Originally a small    |
|       operation, we have now reached levels of international acclaim.       |
|                                                                             |
|  SOUR is dedicated to both the availability and promotion of music to the   |
|  public, and our rips are intended to reflect these ideals. Specifically:   |
|                                                                             |
| . SOUR is dedicated to the promotion of new music that is currently         |
|   available to buy. If you like something you hear, you are obliged to      |
|   attempt to purchase an original copy.                                     |
|                                                                             |
| . SOUR is dedicated to the promotion of old music that may no longer be     |
|   available to buy.                                                         |
|                                                                             |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass        |
|   worldwide! We provide a service where none is available, specifically in  |
|   many remote countries where traditional distributors can not afford to    |
|   target. Also, the availability of drum'n'bass in an easily accessible     |
|   form expands the potential for real world sales to people who may not     |
|   otherwise have considered buying drum'n'bass.                             |
|                                                                             |
| . SOUR is dedicated to the expansion of the online and offline real world   |
|   scenes. With more listeners enjoying what they hear, clubs and venues can |
|   only expect MORE people to attend events; DJ's can only expect MORE       |
|   people to pay to see THEM.                                                |
|                                                                             |
| By accident of today's current real world distribution arrangements, many   |
|   artists will find that SOUR releases IMPROVE their real world sales;      |
|  especially for items only on vinyl. This is the basis upon which SOUR      |
|                                 operates.                                   |
|                                                                             |
`---------------------------------------------------------/                   |
                                                  ...... /____________________|
                                                  :            .
                                               ...:..          :
                                               :    :..........:
                                               :....:
                                             ::

                      [ sour productions(c) 1999-2010 ]



This NFO File was rendered by NFOmation.net



                                      .___________________
                 __________________|_ |                  /______________|_
      .__________\                 |  |                                 |
      |                            |  |                                 |
      |          ______/_      ______ |      ._______\_____             |
     _|_      ___\  __/________\    /________|      __\  _ )__          |
   ((___\    \\   \___     .     __     .    |      .    .   /___     __|_
      |       |     l      |     \/     |    l      |    l      //   /____))
      |_      |            |            |           |    |      |       |
   __  /      |_____,------|_____,------|____.------|____|------'       |
  \\/ /                            |  |                                 |
     /_                       .... |  | .....                           |
      |                       :    |  `-----:---------------------------'
      `-----------------------:----'        : design.by.ant1k
                              :.............:

    __  ____  _______                         ...................
  _(_/_( _ /_( _/ _ /_    ................... :                 :   :
  \_  |  |  |  |_ |  |    :                 : :                 :   |     :
   |  |  |  |  _/ |  |    :                 : :                 :   |  :  |
.--+  |  |  |  |  |  +----------------------------------------------+--+--+---.
|  |  |  |  |  |  |  |            r e l e a s e  i n f o            :  .  :   |
`--+  |  |  |  |  |  +----------------------------------------------+--+--+---'
   |  |  |  |  |  |  |  . :.................: :                 :   |  |  |
   |__|__|__|__|_____|    :                 : :.................:   :  |  :
                                            :...                       :

                                                            _______________/_
.....                                                       \             /
:   :                                                       _\  rippers  /____.
:   :  release no     ( 10629 )                            \    rating        |
:   :                                                       \_____.           |
:   :  artist         (Digital & Morphy                  )         |   .---.  |
:   :  title          (Weatherman / Shanty               )         | 0 |   |  |
:   :  record label   (Exit (EXIT023)                    )         | 9 |%%%|  |
:   :  genre          (Drum & Bass                       )         | 8 |%%%|  |
:   :  release date   (2010/08/28)                                 | 7 |%%%|  |
:   :  street date    (2010/08/30)                                 | 6 |%%%|  |
:   :                                                              | 5 |%%%|  |
:   :  media type     vinyl (x) tape ( ) cd  ( ) radio ( )         | 4 |%%%|  |
:   :  cover sfv m3u  cover ( )  sfv (x) m3u (x) cue   ( )         | 3 |%%%|  |
:   :                                                              | 2 |%%%|  |
:.. :.....     ...                                                 | 1 |%%%|  |
  :      :     :.:    (02 tracks)  (12:10 min)  ( 16,6 mb)         |   `---'  |
  :   ...:....                                                     `----------'
  :...:..:   :        ::
      :......:

     _.   ____  ____   ____    __                  ..............
   .( |_ .\ _ )_\__ )_( __/.__/  /      .......... :            :   :
   | __/_|  _ _/  _  |  |  | /_ /_      :        : :            :   |  .  :
   |  |  |  |  |  |  |  |  |  |  |      :        : :            :   |  |  |
.--|  |  |  |  |  |  |  |  |  |  |----------------------------------+--+--+---.
|  |  |  |  |  |  |  |  |  |  |  |     t r a c k  l i s t i n g     :  .  :   |
`--|  |  |  |  |  |  |  |  |  |  |----------------------------------+--+--+---'
   |  |  |  |  |  |  |  |  |  |  |    : :........: :            :   |  |  |
   |_____|__|__|_____|_____|__|__|    :..        . :............:   .  |  :
                                                 :...                  :

  nr   times   track titles
.----^-------^----------------------------------------------------------------.
|  A    6:03   Digital - Weatherman                                           |
|  B    6:07   Digital & Morphy - Shanty                                      |
`----^-------^--------------------------------------------/                   |
                                                  ...... /____________________|
                                                  :            .
                                               ...:..          :
                                               :    :..........:
                                               :....:
                                             ::

    ____   ____ __.    ____ ____   ____  ____          ...
   .\ _ )_( _ /_\ |___( _ /_\__ )_( __/_( _ /_         : ...........  :
   |  _ _/ /___/  |  / /___/  _  |___  / /___/  ........ :         :  |     :
   |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  :      : :         :  |  :  |
.--|  |  |  |  |  |  |  |  |  |  |  |  |  |  |------------------------+--+--+-.
|  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | r e l e a s e  n o t e :  .  : |
`--|  |  |  |  |  |  |  |  |  |  |  |  |  |  |------------------------+--+--+-'
   |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  :......: :         :  |  |  |
   |__|__|_____|_____|_____|_____|_____|_____|           :.........:     |  :
                                                       :..               :

                :                                               :
                |                                               |
        .-------+                                              -+-------.
        |       |                                               |       |
        |       | This golden era heavyweight is still in the   |       |
        |       | game and as strong as ever. Having produced   |       |
        |       | some of the finest tracks of the Drum n Bass  |       |
        |       | golden era and recorded for labels including  |       |
        |       | Metalheadz, Photek productions, Reinforced    |       |
        |       | and Phantom audio to name a few, he’s still   |       |
        |       | at it and in fine form once again. Sticking   |       |
        |       | to his guns and keeping his original bass     |       |
        |       | heavy dub style, he’s rolled out two tracks   |       |
        |       | in the same vein as some of his classics such |       |
        |       | as Gateman and Deadline. If you don’t know    |       |
        |       | about Digital yet then its time to get to     |       |
        |       | know. If you do then know your in for a       |       |
        |       | treat. "Weatherman" comes with the            |       |
        |       | ridiculously fat sub bass that Digital is     |       |
        |       | renowned for, topped with a half time step    |       |
        |       | and shuffling hats and shakers to add pace    |       |
        |       | its not far off being an all out dub track.   |       |
        |       | Classic jungle pads and delayed dub vocals    |       |
        |       | pay homage to days gone by and prove that     |       |
        |       | this music, when done properly can still      |       |
        |       | smash up a club without all the mid range     |       |
        |       | madness that is more common in this day and   |       |
        |       | age. Digital teams up with Scottish Producer  |       |
        |       | Morphy on the b-side and again comes with the |       |
        |       | heavyweight bass, half time step and dub      |       |
        |       | vibes but this track has a morehypnotic and   |       |
        |       | entrancing quality to it. Dub stabs and laid  |       |
        |       | back melodies wind around the bass like a     |       |
        |       | snake being charmed out of its box. All in    |       |
        |       | all the perfect partner to the a-side and     |       |
        |       | completes the 12" as yet another slice of     |       |
        |       | history is made by this legend.               |       |
        |       |                                               |       |
        `-------+-                                              +-------`
                :                                               :

    __.    ____ _____ ____  __.                    ..............
    \ |___( _ /_\  _/_\__ )_\ |___      .......... :            :   :
   /  |  / /___/  |  /  _  |  |  /      :        : :            :   |  .  :
   |  |  |  |  |  |  |  |  |  |  |      :        : :            :   |  |  |
.--|  |  |  |  |  |  |  |  |  |  |----------------------------------+--+--+---.
|  |  |  |  |  |  |  |  |  |  |  |        d i s c l a i m e r       :  .  :   |
`--|  |  |  |  |  |  |  |  |  |  |----------------------------------+--+--+---'
   |  |  |  |  |  |  |  |  |  |  |    : :........: :            :   |  |  |
   |__|__|_____|_____|_____|_____|    :..        . :............:   .  |  :
                                                 :...                  :

.-----------------------------------------------------------------------------.
|                                                                             |
|   This release may contain copyrighted material, however SOUR guarantees    |
|   that this material was at least available to one person "on the street"   |
|     and that the possession of this material is in no way privileged.       |
|                                                                             |
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |
|    the internet drum'n'bass public since summer 1999. Originally a small    |
|       operation, we have now reached levels of international acclaim.       |
|                                                                             |
|  SOUR is dedicated to both the availability and promotion of music to the   |
|  public, and our rips are intended to reflect these ideals. Specifically:   |
|                                                                             |
| . SOUR is dedicated to the promotion of new music that is currently         |
|   available to buy. If you like something you hear, you are obliged to      |
|   attempt to purchase an original copy.                                     |
|                                                                             |
| . SOUR is dedicated to the promotion of old music that may no longer be     |
|   available to buy.                                                         |
|                                                                             |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass        |
|   worldwide! We provide a service where none is available, specifically in  |
|   many remote countries where traditional distributors can not afford to    |
|   target. Also, the availability of drum'n'bass in an easily accessible     |
|   form expands the potential for real world sales to people who may not     |
|   otherwise have considered buying drum'n'bass.                             |
|                                                                             |
| . SOUR is dedicated to the expansion of the online and offline real world   |
|   scenes. With more listeners enjoying what they hear, clubs and venues can |
|   only expect MORE people to attend events; DJ's can only expect MORE       |
|   people to pay to see THEM.                                                |
|                                                                             |
| By accident of today's current real world distribution arrangements, many   |
|   artists will find that SOUR releases IMPROVE their real world sales;      |
|  especially for items only on vinyl. This is the basis upon which SOUR      |
|                                 operates.                                   |
|                                                                             |
`---------------------------------------------------------/                   |
                                                  ...... /____________________|
                                                  :            .
                                               ...:..          :
                                               :    :..........:
                                               :....:
                                             ::

                      [ sour productions(c) 1999-2010 ]



This NFO File was rendered by NFOmation.net


<Mascot>

aa21