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░█▒█ Artist ■ Hate Orgasm █▒█░
░ █▒█ Album ■ Feast To A Legion Of Possessed Pigs █▒█ ░
░█░█ Year ■ 2008 █░█░
█░█ Release Date ■ 2010-08-28 █░█
█░█ Genre ■ Black Metal █░█
█ █ Label ■ Goat Music & A.H.K █ █
█░█ Source ■ Tape █░█
█ █ Type ■ Demo █ █
█ █ Encoder ■ LAME v3.97 -V2 --vbr-new █ █
█░█ Quality ■ VBR, 44.1kHz, Joint Stereo █░█
█ █ █ █
█ █ █ █
█ █ So, a while ago, after I reviewed this band's antecedent █ █
█ █ release, the band actually emailed me and told me about █ █
█ █ this release and I told them I'd be happy to review it as █ █
█ █ well if they'd send me a copy. After that they never got █ █
█ █ back to me. I guess they weren't too keen on giving stuff █ █
█ █ away for free, since that's probably not a very good █ █
█ █ business model. Anyways, I eventually did get a copy and █ █
█ █ even though it wasn't free I can now assure you all that it █ █
█ █ is great and has perfectly re-affirmed all the faith (which █ █
█ █ never once wavered!) I had in this band and their prospects █ █
█ █ for becoming a powerhouse of old school modern metal not █ █
█ █ just in South America but the world over! █ █
█ █ █ █
█ █ Now to be honest, when I first popped this in, I was very █ █
█ █ surprised within a short amount of time. The riffs, the █ █
█ █ tone, the sound, the amazing lyrics, and the attitude are █ █
█ █ all the same as the previous demo, but somehow it was so █ █
█ █ radically different in delivery that for a while I was █ █
█ █ worried it might not be as super great as the first demo, █ █
█ █ but after giving it some serious focus and absorbing it as █ █
█ █ a holistic work I've come to the conclusion that the change █ █
█ █ was only surprising, not offensive, and this is just as █ █
█ █ good as the first demo, even better in some ways! █ █
█ █ █ █
█ █ Ok, so it still sounds like early Sarcofago, early Beherit, █ █
█ █ and early Havohej were involved in a three way car wreak █ █
█ █ that mixed up all their equipment and they sewed each other █ █
█ █ back together as best they could, using whatever parts were █ █
█ █ available to create one band's worth of monstrosities with █ █
█ █ enough ideas for ripping, bouncy, punkish black metal riffs █ █
█ █ to fill a few dozen cds, but overall the band seems to have █ █
█ █ matured a bit and developed a style of riffs and riffing █ █
█ █ more particularly their own than anyone elseÆs, and it is █ █
█ █ really great seeing them grow into themselves this way. The █ █
█ █ style of composition has also moved away from their █ █
█ █ previous influences into a more second wave of black metal █ █
█ █ era, incorporating the technique of using long passages █ █
█ █ broken up by spikes in rhythm and angular derivations █ █
█ █ originally designed by Darkthrone and later perfected by █ █
█ █ Judas Iscariot. This ties in well with the change in █ █
█ █ delivery previously mentioned. Where before each part of █ █
█ █ every song was delivered with Indiana Jones face melting, █ █
█ █ head exploding directness and intensity, now the riffs and █ █
█ █ vocals, which come in the form of a gruff, articulated howl █ █
█ █ which sound better than before despite not being quite so █ █
█ █ inherently spiteful, have been slowed down and the songs █ █
█ █ themselves have been extended to accommodate, cementing the █ █
█ █ Judas Iscariot comparison, while simultaneously the █ █
█ █ percussion remains rippingly fast with iNsAnE hyperblasts █ █
█ █ making it somewhat the equal opposite of Discharge. █ █
█ █ █ █
█ █ The problems with the production I mentioned before have █ █
█ █ been mostly fixed (mostly), but also replaced in some cases █ █
█ █ with other problems. The guitars are higher in the mix, but █ █
█ █ still don't have quite as much presence as they really █ █
█ █ should, considering how excellently it is used. It could █ █
█ █ also use a bit fuller tone. It needs more midrange as it █ █
█ █ loses a lot of the power it does have when it's focused on █ █
█ █ the trebly end. Also, the guitars have a distinct hiss to █ █
█ █ them which is particularly noticeable at the beginning █ █
█ █ before the music starts and whenever there is a lull in the █ █
█ █ action. Everything else entirely hiss free, if a tiny bit █ █
█ █ muffled, so it's not as though it's just over the whole █ █
█ █ recording like it was ripped from a tape. It's just a bit █ █
█ █ of annoying high end coming off the one instrument. █ █
█ █ █ █
█ █ For all that's changed, what remains the same is what made █ █
█ █ it great before. This demo, like the one before is totally █ █
█ █ evil, energetic, and violent black metal from the unearthed █ █
█ █ bowels of hell out to destroy Christianity and normal human █ █
█ █ beings for the deadly sin of weakness! Once again, I wish █ █
█ █ it as longer. Two or three more songs length would have █ █
█ █ given this the play time necessary to become a truly █ █
█ █ immersive listening experience, but for what it is, it can █ █
█ █ still fully engross and present the blasted, terrible █ █
█ █ images of the global chaos and human hating for which it █ █
█ █ stands. Metalheads: send the band money in exchange for █ █
█ █ this release because they deserve it and you need to hear █ █
█ █ it. Band members: keep up the great work! █ █
█ █ █ █
█░█ █░█
█ █ 1. Thousand Suicides to Shub-Niggurath 6:54 █ █
█ █ 2. Belial In Fury 5:00 █ █
█ █ 3. Great Coronation of the Almighty Fallen (Intro) 2:17 █ █
█ █ 4. Decadence of Magian Soul û LuciferÆs Race Rising 10:30 █ █
█ █ 24:41 █ █
█░█░ █░█░
█░█░ █░█░
█░█▒ + G R a v e W i s h + █░█▒
░█▒█▒ - est.2000 - ░█▒█▒
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This NFO File was rendered by NFOmation.net
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±Û²ÛÛÛ²Û ° ° °°±ÛÛ²ÛÛ ÛÛ²ÛÛ²Û°Û°ÿÛÛÛÛ°ÛßÛÛÛÜ
°²ÛÛÛÛ²° ²Û°°°Û °Û±°Û±°± ÛÿÛÛ°ÛßÛÛÛÛÛÛÛÛ²°
±ÛÛÛßÛ²° ° ² ° ßÛßß°°° °Û°Û ² ² ° °±²ÛßÛÛÛ±
°ÛÛÜÛ²° ° ² °°° ° ° ° ²²ÛÜÛÛ°
Û²Û²° ° ° ° ° ° ° ° °²Û²Û
²ÛÛÛ° ² ° ° ° ² °ÛÛÛ²
²Û°Û ° ° ° ° ° Û°Û²
°Û±Û Û±Û°
°Û±Û Artist þ Hate Orgasm Û±Û°
° Û±Û Album þ Feast To A Legion Of Possessed Pigs Û±Û °
°Û°Û Year þ 2008 Û°Û°
Û°Û Release Date þ 2010-08-28 Û°Û
Û°Û Genre þ Black Metal Û°Û
Û Û Label þ Goat Music & A.H.K Û Û
Û°Û Source þ Tape Û°Û
Û Û Type þ Demo Û Û
Û Û Encoder þ LAME v3.97 -V2 --vbr-new Û Û
Û°Û Quality þ VBR, 44.1kHz, Joint Stereo Û°Û
Û Û Û Û
Û Û Û Û
Û Û So, a while ago, after I reviewed this band's antecedent Û Û
Û Û release, the band actually emailed me and told me about Û Û
Û Û this release and I told them I'd be happy to review it as Û Û
Û Û well if they'd send me a copy. After that they never got Û Û
Û Û back to me. I guess they weren't too keen on giving stuff Û Û
Û Û away for free, since that's probably not a very good Û Û
Û Û business model. Anyways, I eventually did get a copy and Û Û
Û Û even though it wasn't free I can now assure you all that it Û Û
Û Û is great and has perfectly re-affirmed all the faith (which Û Û
Û Û never once wavered!) I had in this band and their prospects Û Û
Û Û for becoming a powerhouse of old school modern metal not Û Û
Û Û just in South America but the world over! Û Û
Û Û Û Û
Û Û Now to be honest, when I first popped this in, I was very Û Û
Û Û surprised within a short amount of time. The riffs, the Û Û
Û Û tone, the sound, the amazing lyrics, and the attitude are Û Û
Û Û all the same as the previous demo, but somehow it was so Û Û
Û Û radically different in delivery that for a while I was Û Û
Û Û worried it might not be as super great as the first demo, Û Û
Û Û but after giving it some serious focus and absorbing it as Û Û
Û Û a holistic work I've come to the conclusion that the change Û Û
Û Û was only surprising, not offensive, and this is just as Û Û
Û Û good as the first demo, even better in some ways! Û Û
Û Û Û Û
Û Û Ok, so it still sounds like early Sarcofago, early Beherit, Û Û
Û Û and early Havohej were involved in a three way car wreak Û Û
Û Û that mixed up all their equipment and they sewed each other Û Û
Û Û back together as best they could, using whatever parts were Û Û
Û Û available to create one band's worth of monstrosities with Û Û
Û Û enough ideas for ripping, bouncy, punkish black metal riffs Û Û
Û Û to fill a few dozen cds, but overall the band seems to have Û Û
Û Û matured a bit and developed a style of riffs and riffing Û Û
Û Û more particularly their own than anyone elses, and it is Û Û
Û Û really great seeing them grow into themselves this way. The Û Û
Û Û style of composition has also moved away from their Û Û
Û Û previous influences into a more second wave of black metal Û Û
Û Û era, incorporating the technique of using long passages Û Û
Û Û broken up by spikes in rhythm and angular derivations Û Û
Û Û originally designed by Darkthrone and later perfected by Û Û
Û Û Judas Iscariot. This ties in well with the change in Û Û
Û Û delivery previously mentioned. Where before each part of Û Û
Û Û every song was delivered with Indiana Jones face melting, Û Û
Û Û head exploding directness and intensity, now the riffs and Û Û
Û Û vocals, which come in the form of a gruff, articulated howl Û Û
Û Û which sound better than before despite not being quite so Û Û
Û Û inherently spiteful, have been slowed down and the songs Û Û
Û Û themselves have been extended to accommodate, cementing the Û Û
Û Û Judas Iscariot comparison, while simultaneously the Û Û
Û Û percussion remains rippingly fast with iNsAnE hyperblasts Û Û
Û Û making it somewhat the equal opposite of Discharge. Û Û
Û Û Û Û
Û Û The problems with the production I mentioned before have Û Û
Û Û been mostly fixed (mostly), but also replaced in some cases Û Û
Û Û with other problems. The guitars are higher in the mix, but Û Û
Û Û still don't have quite as much presence as they really Û Û
Û Û should, considering how excellently it is used. It could Û Û
Û Û also use a bit fuller tone. It needs more midrange as it Û Û
Û Û loses a lot of the power it does have when it's focused on Û Û
Û Û the trebly end. Also, the guitars have a distinct hiss to Û Û
Û Û them which is particularly noticeable at the beginning Û Û
Û Û before the music starts and whenever there is a lull in the Û Û
Û Û action. Everything else entirely hiss free, if a tiny bit Û Û
Û Û muffled, so it's not as though it's just over the whole Û Û
Û Û recording like it was ripped from a tape. It's just a bit Û Û
Û Û of annoying high end coming off the one instrument. Û Û
Û Û Û Û
Û Û For all that's changed, what remains the same is what made Û Û
Û Û it great before. This demo, like the one before is totally Û Û
Û Û evil, energetic, and violent black metal from the unearthed Û Û
Û Û bowels of hell out to destroy Christianity and normal human Û Û
Û Û beings for the deadly sin of weakness! Once again, I wish Û Û
Û Û it as longer. Two or three more songs length would have Û Û
Û Û given this the play time necessary to become a truly Û Û
Û Û immersive listening experience, but for what it is, it can Û Û
Û Û still fully engross and present the blasted, terrible Û Û
Û Û images of the global chaos and human hating for which it Û Û
Û Û stands. Metalheads: send the band money in exchange for Û Û
Û Û this release because they deserve it and you need to hear Û Û
Û Û it. Band members: keep up the great work! Û Û
ÛÿÛ ÛÿÛ
Û°Û Û°Û
Û Û 1. Thousand Suicides to Shub-Niggurath 6:54 Û Û
Û Û 2. Belial In Fury 5:00 Û Û
Û Û 3. Great Coronation of the Almighty Fallen (Intro) 2:17 Û Û
Û Û 4. Decadence of Magian Soul Lucifers Race Rising 10:30 Û Û
Û Û 24:41 Û Û
Û°Û° Û°Û°
Û°Û° Û°Û°
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