NFOmation.net - Your Ultimate NFO Upload Resource! Viewing NFO file: 00-she_and_him-volume_one-2008-debt.nfo 00-she_and_him-volume_one-2008-debt
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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═══════╗ ╔══════╝▀ ░ ░░░▓█████▓░
░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░
▄▀░████▓╔═══════════════╩═════════════════════════╩══════════════╗▓████░▀▄
░ ▀▓████║ She_and_Him-Volume_One-2008-DeBT_iNT ║████▓▀ ░
▀ ░████╚════════════════════════════════════════════════════════╝████░ ▀
▀░████ ▄ ▄ ░▓████░▀
▄ ░░▓████▀▀░ ░▀▀████▓░░ ▄ ▄
▄▄▀▀███████████▀▀▀ ▀▀████████████▀▀ ░
▄░▓███████▄▄▄░ ARTiST.... She & Him ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Volume One █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Merge ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Pop Rock ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2010-09-22 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2008-03-18 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD (LP) ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 246 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 13 / 36:27 MiN ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 67.24 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.2 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... http://www.myspace.com/sheandhim ▀ ░ ░░▓████░▄
░▓█████▄░░ ▄ ▄ ░░▄█████▓░
▄░▓███████▄▄▄░ ░▄▄▄███████▓░▀
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▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 Sentimental Heart 2:36 ████▓▄ ░
░ ▄▓████ 2 Why Do You Let Me Stay Here 2:30 ████▓▄ ░
░ ▄▓████ 3 This Is Not A Test 3:30 ████▓▄ ░
░ ▄▓████ 4 Change Is Hard 3:03 ████▓▄ ░
░ ▄▓████ 5 I Thought I Saw Your Face Today 2:50 ████▓▄ ░
░ ▄▓████ 6 Take It Back 2:37 ████▓▄ ░
░ ▄▓████ 7 I Was Made For You 2:30 ████▓▄ ░
░ ▄▓████ 8 You Really Got A Hold On Me 3:59 ████▓▄ ░
░ ▄▓████ 9 Black Hole 2:12 ████▓▄ ░
░ ▄▓████ 10 Got Me 2:45 ████▓▄ ░
░ ▄▓████ 11 I Should Have Known Better 3:38 ████▓▄ ░
░ ▄▓████ 12 Sweet Darlin' 2:40 ████▓▄ ░
░ ▄▓████ 13 Swing Low, Sweet Chariot 1:37 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 36:27 MiN ████▓░
░▓███████▄ TOTAL SIZE: 67.24 MB▄█████▓░
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░▓█████▓░╟─────────────────────────────────────◄RELEASE NOTES►╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ She is actress Zooey Deschanel; Him is ║▀░▓████░▀▄
▄▀░████▓░▀║ alt-singer/songwriter M. Ward. The two met on the ║▀░▓████░▀▄
▄▀░████▓░▀║ set of a movie, found some musical common ground, ║▀░▓████░▀▄
▄▀░████▓░▀║ and began working together. Volume One is the ║▀░▓████░▀▄
▄▀░████▓░▀║ resulting album and it's one of the better albums ║▀░▓████░▀▄
▄▀░████▓░▀║ made recently by a movie star, male or female. ║▀░▓████░▀▄
▄▀░████▓░▀║ Good enough, in fact, that it even heads off the ║▀░▓████░▀▄
▄▀░████▓░▀║ obligatory suspicions that she only got to make a ║▀░▓████░▀▄
▄▀░████▓░▀║ record because she was a Hollywood star. After a ║▀░▓████░▀▄
▄▀░████▓░▀║ few spins of the album, one could make a ║▀░▓████░▀▄
▄▀░████▓░▀║ compelling case that Deschanel could quit her day ║▀░▓████░▀▄
▄▀░████▓░▀║ job, or at least justifiably call herself an ║▀░▓████░▀▄
▄▀░████▓░▀║ actress/musician. The common ground that the duo ║▀░▓████░▀▄
▄▀░████▓░▀║ explores on Volume One is a sweet place where ║▀░▓████░▀▄
▄▀░████▓░▀║ light-'60s pop meets strummy country tunes and ║▀░▓████░▀▄
▄▀░████▓░▀║ candy-coated folk, a mythical meeting place ║▀░▓████░▀▄
▄▀░████▓░▀║ between Sandie Shaw and Tammy Wynette with cameos ║▀░▓████░▀▄
▄▀░████▓░▀║ by Richard & Linda Thompson. Deschanel's songs ║▀░▓████░▀▄
▄▀░████▓░▀║ are simple and sad tales of heartbreak and missed ║▀░▓████░▀▄
▄▀░████▓░▀║ connections, with hooky melodies and not a single ║▀░▓████░▀▄
▄▀░████▓░▀║ artless moment to be found. For sure, there's not ║▀░▓████░▀▄
▄▀░████▓░▀║ a single instance that sounds like she got the ║▀░▓████░▀▄
▄▀░████▓░▀║ gig because of who she is instead of what she can ║▀░▓████░▀▄
▄▀░████▓░▀║ do. Even if her songs were weak, her strong, ║▀░▓████░▀▄
▄▀░████▓░▀║ assured vocals would carry the day. Sweet and ║▀░▓████░▀▄
▄▀░████▓░▀║ rich with no annoying folky warble, she can croon ║▀░▓████░▀▄
▄▀░████▓░▀║ ("Take It Back"), cry ("Sentimental Heart"), be ║▀░▓████░▀▄
▄▀░████▓░▀║ playful (the bubblegum snappy "I Was Made for ║▀░▓████░▀▄
▄▀░████▓░▀║ You"), or just sweep you off your feet with ║▀░▓████░▀▄
▄▀░████▓░▀║ sweetness ("Sweet Darlin'," which she co-wrote ║▀░▓████░▀▄
▄▀░████▓░▀║ with another artist who overcomes his Hollywood ║▀░▓████░▀▄
▄▀░████▓░▀║ roots, Jason Schwartzman). As for Ward, he keeps ║▀░▓████░▀▄
▄▀░████▓░▀║ his quirks mostly to himself, providing ║▀░▓████░▀▄
▄▀░████▓░▀║ sympathetic backing unadorned by the kind of ║▀░▓████░▀▄
▄▀░████▓░▀║ tricks and gimmicks that make his own albums ║▀░▓████░▀▄
▄▀░████▓░▀║ slightly uneven. The occasional whistle here or ║▀░▓████░▀▄
▄▀░████▓░▀║ slightly unconventional string arrangement there ║▀░▓████░▀▄
▄▀░████▓░▀║ are the only traces of his usual artistry on ║▀░▓████░▀▄
▄▀░████▓░▀║ Volume One. The rest of the time he and the band ║▀░▓████░▀▄
▄▀░████▓░▀║ (which includes the ubiquitous Mike Mogis) create ║▀░▓████░▀▄
▄▀░████▓░▀║ a soft, gentle feel equally inspired by the Brill ║▀░▓████░▀▄
▄▀░████▓░▀║ Building and the Countrypolitan sound of ║▀░▓████░▀▄
▄▀░████▓░▀║ Nashville in the late '50s. The only place the ║▀░▓████░▀▄
▄▀░████▓░▀║ album falters is on the two covers the duo ║▀░▓████░▀▄
▄▀░████▓░▀║ attempts. Deschanel doesn't add much to "You ║▀░▓████░▀▄
▄▀░████▓░▀║ Really Got a Hold on Me," and Ward's backing ║▀░▓████░▀▄
▄▀░████▓░▀║ vocals are just the kind of affected, arch ║▀░▓████░▀▄
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▄▀░████▓░▀║ but still awfully close to a novelty. The album ║▀░▓████░▀▄
▄▀░████▓░▀║ would have been more successful without both ║▀░▓████░▀▄
▄▀░████▓░▀║ tracks, but even with them, it stands as a nice ║▀░▓████░▀▄
▄▀░████▓░▀║ coming out party for Deschanel. If you run ║▀░▓████░▀▄
▄▀░████▓░▀║ screaming at the thought of singing actresses, ║▀░▓████░▀▄
▄▀░████▓░▀║ give She & Him a chance and they might calm your ║▀░▓████░▀▄
▄▀░████▓░▀║ fears. You may even forget the origins of the ║▀░▓████░▀▄
▄▀░████▓░▀║ singer and simply be charmed by the singing, the ║▀░▓████░▀▄
▄▀░████▓░▀║ songs, and the sounds found on Volume One. ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
▀ ░████▓▄║ ║░▓████░ ▀
▀░████▓╟◄──────────────────────────────────────────────────►╢▓████░▀
▄ ░░▓███╠════════════════════════════════════════════◄QUOTES►╢╣███▓░░ ▄ ▄
░▄▄ ▀▀██████║ ║██████▀▀ ▄▄░
▀░▓███████▄▄║ ║▄▄███████▓░▀
▀░▓███████▄▄║ "No state shall emit bills of credit, make any ║▄▄███████▓░▀
▀░▓███████▄▄║ thing but gold and silver coin a tender in ║▄▄███████▓░▀
▀░▓███████▄▄║ payment of debts, coin money---." ║▄▄███████▓░▀
▀░▓███████▄▄║ ║▄▄███████▓░▀
▀░▓███████▄▄║ -Article One, Section Ten, ║▄▄███████▓░▀
▀░▓███████▄▄║ United States Constitution ║▄▄███████▓░▀
░▓█████▄░░ ▄║ ║▄ ░░▄█████▓░
▀░████▓░░▀ ░║ ║░ ▀░░▓████░▀
░▓███▓▓░ ▄║ ║▄ ░▓▓███▓░
▀▀░███▓░▄▄░║ ║░▄▄░▓███░▀▀
▀ ▄███▀░░║ ║░░▀███▄ ▀
░▄▄ ▀▀██████╟◄──────────────────────────────────────────────────►╢██████▀▀ ▄▄░
▀░▓███████▄▄╠════════════════════════════════════════════════════╣▄▄███████▓░▀
▄▄▀▀██████╟────────────────────────────────────────◄GROUP NEWS►╢██████▀▀ ▄▄░
▄░▓███████▄║ DeBT is in need of affils ║▄▄███████▓░▀
░▓█████▄░░ ║ ║▄ ░░▄█████▓░
░████▓░░▀ ║ pre-release suppliers, bookware ║░ ▀░░▓████░▀
░▓███▓▓░ ║ ║▄ ░▓▓███▓░
▀▀░███▓░▄▄║ suppliers, iNT rippers, shell accounts, ║░▄▄░▓███░▀▀
▀ ▄███▀░║ ║░░▀███▄ ▀
░░▄▄█║ coders, crackers and anything else ║██▄▄░░
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░ ▀▓████▀ ║ ║▄░████▓▀ ░
▀ ░████▓▄║ DeBT is a new group that is dedicated to bringing ║░▓████░ ▀
▀░████▓║ ║▓████░▀
▄ ░░▓███║ you the best of the old, new and forgotten in a ║███▓░░ ▄ ▄
▄▄▀▀██████║ ║██████▀▀ ▄▄░
▄░▓███████▄║ variety of sections. If you think you have ║▄▄███████▓░▀
░▓█████▄░░ ║ ║▄ ░░▄█████▓░
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▄▄░▀█████║ C O N T A C T D e B T ║██████▀░▄▀
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▄▀░████▓░▀║ DeBTisSlaV3rYSTuPiD@GMail.com ║▀░▓████░▀▄
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° ܲÛÛÛÛ 3 This Is Not A Test 3:30 ÛÛÛÛ²Ü °
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° ܲÛÛÛÛ 8 You Really Got A Hold On Me 3:59 ÛÛÛÛ²Ü °
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° ܲÛÛÛÛ 11 I Should Have Known Better 3:38 ÛÛÛÛ²Ü °
° ܲÛÛÛÛ 12 Sweet Darlin' 2:40 ÛÛÛÛ²Ü °
° ܲÛÛÛÛ 13 Swing Low, Sweet Chariot 1:37 ÛÛÛÛ²Ü °
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ÜÜ°ßÛÛÛÛÛÉÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ»ÛÛÛÛÛÛß°Üß
°²ÛÛÛÛÛ²°ÇÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄRELEASE NOTES¶°²ÛÛÛÛÛ²°
°²ÛÛÛÛ²°°º º°°²ÛÛÛÛ²°
Üß°ÛÛÛÛ²°ßº ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº She is actress Zooey Deschanel; Him is ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº alt-singer/songwriter M. Ward. The two met on the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº set of a movie, found some musical common ground, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº and began working together. Volume One is the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº resulting album and it's one of the better albums ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº made recently by a movie star, male or female. ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Good enough, in fact, that it even heads off the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº obligatory suspicions that she only got to make a ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº record because she was a Hollywood star. After a ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº few spins of the album, one could make a ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº compelling case that Deschanel could quit her day ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº job, or at least justifiably call herself an ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº actress/musician. The common ground that the duo ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº explores on Volume One is a sweet place where ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº light-'60s pop meets strummy country tunes and ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº candy-coated folk, a mythical meeting place ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº between Sandie Shaw and Tammy Wynette with cameos ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº by Richard & Linda Thompson. Deschanel's songs ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº are simple and sad tales of heartbreak and missed ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº connections, with hooky melodies and not a single ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº artless moment to be found. For sure, there's not ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº a single instance that sounds like she got the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº gig because of who she is instead of what she can ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº do. Even if her songs were weak, her strong, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº assured vocals would carry the day. Sweet and ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº rich with no annoying folky warble, she can croon ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº ("Take It Back"), cry ("Sentimental Heart"), be ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº playful (the bubblegum snappy "I Was Made for ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº You"), or just sweep you off your feet with ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº sweetness ("Sweet Darlin'," which she co-wrote ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº with another artist who overcomes his Hollywood ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº roots, Jason Schwartzman). As for Ward, he keeps ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº his quirks mostly to himself, providing ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº sympathetic backing unadorned by the kind of ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº tricks and gimmicks that make his own albums ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº slightly uneven. The occasional whistle here or ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº slightly unconventional string arrangement there ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº are the only traces of his usual artistry on ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Volume One. The rest of the time he and the band ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº (which includes the ubiquitous Mike Mogis) create ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº a soft, gentle feel equally inspired by the Brill ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Building and the Countrypolitan sound of ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Nashville in the late '50s. The only place the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº album falters is on the two covers the duo ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº attempts. Deschanel doesn't add much to "You ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Really Got a Hold on Me," and Ward's backing ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº vocals are just the kind of affected, arch ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº singing she avoids elsewhere. Their take on the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Beatles' "I Should Have Known Better" is better, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº but still awfully close to a novelty. The album ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº would have been more successful without both ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº tracks, but even with them, it stands as a nice ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº coming out party for Deschanel. If you run ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº screaming at the thought of singing actresses, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº give She & Him a chance and they might calm your ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº fears. You may even forget the origins of the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº singer and simply be charmed by the singing, the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº songs, and the sounds found on Volume One. ºß°²ÛÛÛÛ°ßÜ
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