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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
▄▀░████▓╔═══════════════════════╩═════════════════════════╩══════════════════════════╗▓████░▀▄
▐░ ▀▓████║ Erykah_Badu-New_Amerykah_Pt._1_4th_World_War-2008-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
▀ ▀▀█████▀░████ ▄ ▄ ░▓████░▀ ████▀▀ ▀
▄ ░░▓████▀▀░ ░▀▀████▓░░ ▄ ▄
▄▄▀▀███████████▀▀▀ ▀▀████████████▀▀ ░
▄░▓███████▄▄▄░ ARTiST.... Erykah Badu ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... New Amerykah, Pt. 1: 4th World War █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Universal Distribution ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... R&B ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-04-23 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2008-02-26 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 238 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 11 / 58:54 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 105.21 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
░▓█████▄░░ ▄ ▄ ░░▄█████▓░
▄░▓███████▄▄▄░ ░▄▄▄███████▓░▀
░▀▀ ▀▀████████████▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄████████████▀▀▀▀
▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 Amerykahn Promise 4:16 ████▓▄ ░
░ ▄▓████ 2 The Healer 3:59 ████▓▄ ░
░ ▄▓████ 3 Me 5:36 ████▓▄ ░
░ ▄▓████ 4 My People 3:25 ████▓▄ ░
░ ▄▓████ 5 Soldier 5:03 ████▓▄ ░
░ ▄▓████ 6 The Cell 4:20 ████▓▄ ░
░ ▄▓████ 7 Twinkle 6:56 ████▓▄ ░
░ ▄▓████ 8 Master Teacher 6:47 ████▓▄ ░
░ ▄▓████ 9 That Hump 5:24 ████▓▄ ░
░ ▄▓████ 10 Telephone 7:47 ████▓▄ ░
░ ▄▓████ 11 Honey 5:21 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 58:54 MIN ████▓░
░▓███████▄ TOTAL SIZE: 105.21 MB▄█████▓░
▀░▀████████▄ ▄█████▀░▀▀
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░▓█████▓░╟─────────────────────────────────────◄RELEASE NOTES►╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ Downplayed and practically disregarded as it was, ║▀░▓████░▀▄
▄▀░████▓░▀║ 2003's Worldwide Underground was an excellent and ║▀░▓████░▀▄
▄▀░████▓░▀║ brave follow-up to 2000's Mama's Gun. Erykah Badu ║▀░▓████░▀▄
▄▀░████▓░▀║ concedes she had nothing to say at the time -- ║▀░▓████░▀▄
▄▀░████▓░▀║ the loose 50-minute "EP" was more about sounds ║▀░▓████░▀▄
▄▀░████▓░▀║ than statements -- but she evidently holds ║▀░▓████░▀▄
▄▀░████▓░▀║ herself to a high standard. Perhaps that streak ║▀░▓████░▀▄
▄▀░████▓░▀║ was a factor in her protracted silence from its ║▀░▓████░▀▄
▄▀░████▓░▀║ release to New Amerykah, Pt. 1: 4th World War; ║▀░▓████░▀▄
▄▀░████▓░▀║ she even thought she might be through with making ║▀░▓████░▀▄
▄▀░████▓░▀║ music. Her creative energy returned at some ║▀░▓████░▀▄
▄▀░████▓░▀║ point, and then some, with this set apparently ║▀░▓████░▀▄
▄▀░████▓░▀║ just the first in a series of releases. Varied ║▀░▓████░▀▄
▄▀░████▓░▀║ and layered, New Amerykah, Pt. 1 has Badu ║▀░▓████░▀▄
▄▀░████▓░▀║ collaborating principally with the members of ║▀░▓████░▀▄
▄▀░████▓░▀║ Sa-Ra (who are present in almost half of the ║▀░▓████░▀▄
▄▀░████▓░▀║ tracks), Madlib, 9th Wonder, and Baduizm/Mama's ║▀░▓████░▀▄
▄▀░████▓░▀║ Gun vets Karriem Riggins, James Poyser, and Ahmir ║▀░▓████░▀▄
▄▀░████▓░▀║ Thompson. If you're familiar with what these ║▀░▓████░▀▄
▄▀░████▓░▀║ people have made in the past, you'll know to ║▀░▓████░▀▄
▄▀░████▓░▀║ expect plenty of fearless weirdness and a couple ║▀░▓████░▀▄
▄▀░████▓░▀║ relaxed soul-jazz backdrops that do not fail to ║▀░▓████░▀▄
▄▀░████▓░▀║ stimulate. The album is easily the most hip-hop ║▀░▓████░▀▄
▄▀░████▓░▀║ and most out-there release from Badu thus far, ║▀░▓████░▀▄
▄▀░████▓░▀║ with beats bumping, knocking, and booming in ║▀░▓████░▀▄
▄▀░████▓░▀║ roughly equal measure, sometimes switching tacks ║▀░▓████░▀▄
▄▀░████▓░▀║ or vanishing midstream, dropping down dark ║▀░▓████░▀▄
▄▀░████▓░▀║ corridors, gradually levitating into direct ║▀░▓████░▀▄
▄▀░████▓░▀║ sunlight. Lyrically, there's much to digest: in ║▀░▓████░▀▄
▄▀░████▓░▀║ the ghostly-mystical "The Healer," Badu proclaims ║▀░▓████░▀▄
▄▀░████▓░▀║ hip-hop to be bigger than religion and ║▀░▓████░▀▄
▄▀░████▓░▀║ government; both "That Hump" and "The Cell" are ║▀░▓████░▀▄
▄▀░████▓░▀║ vivid depictions of drug dependency; "Soldier" ║▀░▓████░▀▄
▄▀░████▓░▀║ gives a shout to the Nation of Islam, addresses ║▀░▓████░▀▄
▄▀░████▓░▀║ Katrina and black-on-black crime, and sends out a ║▀░▓████░▀▄
▄▀░████▓░▀║ warning ("Now to folks that think they livin' ║▀░▓████░▀▄
▄▀░████▓░▀║ sweet/They gone fuck around and push 'delete'"); ║▀░▓████░▀▄
▄▀░████▓░▀║ "Twinkle" evokes a lot of thought with few words, ║▀░▓████░▀▄
▄▀░████▓░▀║ alluding to the various failures of the U.S. ║▀░▓████░▀▄
▄▀░████▓░▀║ health, education, and prison systems, and the ║▀░▓████░▀▄
▄▀░████▓░▀║ negative and cyclical effects they've had on ║▀░▓████░▀▄
▄▀░████▓░▀║ Badu's people. Though this is another album where ║▀░▓████░▀▄
▄▀░████▓░▀║ you can only wonder how different it would be ║▀░▓████░▀▄
▄▀░████▓░▀║ with some input from the late J Dilla, the ║▀░▓████░▀▄
▄▀░████▓░▀║ beloved producer gets an incredibly touching ║▀░▓████░▀▄
▄▀░████▓░▀║ tribute with the eight-minute "Telephone," ║▀░▓████░▀▄
▄▀░████▓░▀║ written the day after the ceremony of his death. ║▀░▓████░▀▄
▄▀░████▓░▀║ Indeed, no listed song is light in sentiment, ║▀░▓████░▀▄
▄▀░████▓░▀║ which must partially explain why the beaming ║▀░▓████░▀▄
▄▀░████▓░▀║ single "Honey" is included as an unlisted track ║▀░▓████░▀▄
▄▀░████▓░▀║ -- it doesn't fit into the album's fabric, what ║▀░▓████░▀▄
▄▀░████▓░▀║ with its drifting, deeply sweetened, ║▀░▓████░▀▄
▄▀░████▓░▀║ synth-squish-and-string-drift groove. Immediately ║▀░▓████░▀▄
▄▀░████▓░▀║ moving and yet rather bewildering, New Amerykah, ║▀░▓████░▀▄
▄▀░████▓░▀║ Pt. 1 is an album that sounds special from the ║▀░▓████░▀▄
▄▀░████▓░▀║ first play, yet it will probably take years ║▀░▓████░▀▄
▄▀░████▓░▀║ before it is known just how special it is. ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
▀ ░████▓▄║ ║░▓████░ ▀
▀░████▓╟◄──────────────────────────────────────────────────►╢▓████░▀
▄ ░░▓███╠════════════════════════════════════════════◄QUOTES►╢╣███▓░░ ▄ ▄
░▄▄ ▀▀██████║ ║██████▀▀ ▄▄░
▀░▓███████▄▄║ One may say the eternal mystery of the world is ║▄▄███████▓░▀
▀░▓███████▄▄║ its comprehensibility. ║▄▄███████▓░▀
▀░▓███████▄▄║ ║▄▄███████▓░▀
▀░▓███████▄▄║ -- Albert Einstein ║▄▄███████▓░▀
░▓█████▄░░ ▄║ ║▄ ░░▄█████▓░
░▄▄ ▀▀██████╟◄──────────────────────────────────────────────────►╢██████▀▀ ▄▄░
▀░▓███████▄▄╠════════════════════════════════════════════════════╣▄▄███████▓░▀
▄▄▀▀██████╟────────────────────────────────────────◄GROUP NEWS►╢██████▀▀ ▄▄░
▄░▓███████▄║ DeBT is in need of SECURE affils ║▄▄███████▓░▀
░▓█████▄░░ ║ ║▄ ░░▄█████▓░
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░░▄▄█║ coders, crackers and anything else ║██▄▄░░
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▀ ░████▓▄║ DeBT is dedicated to bringing ║░▓████░ ▀
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▄ ░░▓███║ you the best of the old, new and forgotten in a ║███▓░░ ▄ ▄
▄▄▀▀██████║ ║██████▀▀ ▄▄░
▄░▓███████▄║ variety of sections. If you think you have ║▄▄███████▓░▀
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▄▄░▀█████║ C O N T A C T D e B T ║██████▀░▄▀
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▄▀░████▓░▀║ DeBTisSlaV3rYSTuPiD@GMail.com ║▀░▓████░▀▄
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▄ ░░▓███╚════════════════════════════════════════════════════╝███▓░░ ▄ ▄
▄▄▀▀████████████▀▀▄▄ ▄▄▀▀████████████▀▀ ▄▄░
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ÜÜ°ßÛÛÛÛÛÉÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ»ÛÛÛÛÛÛß°Üß
°²ÛÛÛÛÛ²°ÇÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄRELEASE NOTES¶°²ÛÛÛÛÛ²°
°²ÛÛÛÛ²°°º º°°²ÛÛÛÛ²°
Üß°ÛÛÛÛ²°ßº Downplayed and practically disregarded as it was, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº 2003's Worldwide Underground was an excellent and ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº brave follow-up to 2000's Mama's Gun. Erykah Badu ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº concedes she had nothing to say at the time -- ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº the loose 50-minute "EP" was more about sounds ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº than statements -- but she evidently holds ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº herself to a high standard. Perhaps that streak ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº was a factor in her protracted silence from its ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº release to New Amerykah, Pt. 1: 4th World War; ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº she even thought she might be through with making ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº music. Her creative energy returned at some ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº point, and then some, with this set apparently ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº just the first in a series of releases. Varied ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº and layered, New Amerykah, Pt. 1 has Badu ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº collaborating principally with the members of ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Sa-Ra (who are present in almost half of the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº tracks), Madlib, 9th Wonder, and Baduizm/Mama's ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Gun vets Karriem Riggins, James Poyser, and Ahmir ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Thompson. If you're familiar with what these ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº people have made in the past, you'll know to ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº expect plenty of fearless weirdness and a couple ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº relaxed soul-jazz backdrops that do not fail to ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº stimulate. The album is easily the most hip-hop ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº and most out-there release from Badu thus far, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº with beats bumping, knocking, and booming in ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº roughly equal measure, sometimes switching tacks ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº or vanishing midstream, dropping down dark ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº corridors, gradually levitating into direct ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº sunlight. Lyrically, there's much to digest: in ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº the ghostly-mystical "The Healer," Badu proclaims ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº hip-hop to be bigger than religion and ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº government; both "That Hump" and "The Cell" are ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº vivid depictions of drug dependency; "Soldier" ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº gives a shout to the Nation of Islam, addresses ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Katrina and black-on-black crime, and sends out a ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº warning ("Now to folks that think they livin' ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº sweet/They gone fuck around and push 'delete'"); ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº "Twinkle" evokes a lot of thought with few words, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº alluding to the various failures of the U.S. ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº health, education, and prison systems, and the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº negative and cyclical effects they've had on ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Badu's people. Though this is another album where ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº you can only wonder how different it would be ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº with some input from the late J Dilla, the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº beloved producer gets an incredibly touching ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº tribute with the eight-minute "Telephone," ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº written the day after the ceremony of his death. ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Indeed, no listed song is light in sentiment, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº which must partially explain why the beaming ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº single "Honey" is included as an unlisted track ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº -- it doesn't fit into the album's fabric, what ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº with its drifting, deeply sweetened, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº synth-squish-and-string-drift groove. Immediately ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº moving and yet rather bewildering, New Amerykah, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Pt. 1 is an album that sounds special from the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº first play, yet it will probably take years ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº before it is known just how special it is. ºß°²ÛÛÛÛ°ßÜ
° ß²ÛÛÛÛß º ºÜ°ÛÛÛÛ²ß °
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ß°²ÛÛÛÛÛÛÛÜܺ ºÜÜÛÛÛÛÛÛÛ²°ß
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Ü°²ÛÛÛÛÛÛÛܺ DeBT is in need of SECURE affils ºÜÜÛÛÛÛÛÛÛ²°ß
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°ÛÛÛÛ²°°ß º pre-release suppliers, bookware º° ß°°²ÛÛÛÛ°ß
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