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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
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▐░ ▀▓████║ Andy_Mckee-The_Gates_Of_Gnomeria-2007-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
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▄▄▀▀███████████▀▀▀ ▀▀████████████▀▀ ░
▄░▓███████▄▄▄░ ARTiST.... Andy Mckee ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... The Gates of Gnomeria █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Candyrat ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Acoustic ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-04-23 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2007-09-10 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 201 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 11 / 42:52 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 65.35 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
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▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 The Gates of Gnomeria 5:39 ████▓▄ ░
░ ▄▓████ 2 I'll Be Over You 3:24 ████▓▄ ░
░ ▄▓████ 3 7-14 3:26 ████▓▄ ░
░ ▄▓████ 4 A Sphere 3:22 ████▓▄ ░
░ ▄▓████ 5 Ouray 2:21 ████▓▄ ░
░ ▄▓████ 6 All Laid Back & Stuff 2:45 ████▓▄ ░
░ ▄▓████ 7 Nakagawa-San 4:34 ████▓▄ ░
░ ▄▓████ 8 Dependant Arising 4:46 ████▓▄ ░
░ ▄▓████ 9 Venus as a Girl 4:28 ████▓▄ ░
░ ▄▓████ 10 She 3:01 ████▓▄ ░
░ ▄▓████ 11 Ebon Coast 5:06 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 42:52 MIN ████▓░
░▓███████▄ TOTAL SIZE: 65.35 MB▄█████▓░
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░▓█████▓░╟─────────────────────────────────────◄RELEASE NOTES►╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ This is exquisite guitar music for those in love ║▀░▓████░▀▄
▄▀░████▓░▀║ with lush and moody musicscapes a la the hallowed ║▀░▓████░▀▄
▄▀░████▓░▀║ old ECM label giants (Connors, Towner, Gismonti, ║▀░▓████░▀▄
▄▀░████▓░▀║ etc.). Andy McKee's magic is in chordal ║▀░▓████░▀▄
▄▀░████▓░▀║ progressions which never fail to maintain an ║▀░▓████░▀▄
▄▀░████▓░▀║ integrated vision, whether laconic, pensive, ║▀░▓████░▀▄
▄▀░████▓░▀║ restrainedly elated, or just plain ol' ║▀░▓████░▀▄
▄▀░████▓░▀║ descriptive. It's possible he's strictly a ║▀░▓████░▀▄
▄▀░████▓░▀║ fingerpicker, but I'm pretty sure there's ║▀░▓████░▀▄
▄▀░████▓░▀║ flatpicking in this highly engrossing CD as well, ║▀░▓████░▀▄
▄▀░████▓░▀║ even though the attack on most of the notes ║▀░▓████░▀▄
▄▀░████▓░▀║ doesn't indicate it. There's a high degree of ║▀░▓████░▀▄
▄▀░████▓░▀║ repetition and variation, making for a lot of ║▀░▓████░▀▄
▄▀░████▓░▀║ very absorbing interlocking weavery in the melody ║▀░▓████░▀▄
▄▀░████▓░▀║ lines, music for the intellect rather than just ║▀░▓████░▀▄
▄▀░████▓░▀║ the ears. If you like serial minimal ║▀░▓████░▀▄
▄▀░████▓░▀║ compositioní¬and I'm a huge fan of the modeí¬then ║▀░▓████░▀▄
▄▀░████▓░▀║ you'll love the combination of that and floating ║▀░▓████░▀▄
▄▀░████▓░▀║ top-lines. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ More than a little of Michael Hedges, Alex ║▀░▓████░▀▄
▄▀░████▓░▀║ DeGrassi,and William Ackerman inform his ║▀░▓████░▀▄
▄▀░████▓░▀║ atmospheres, not to mention occasional Mark ║▀░▓████░▀▄
▄▀░████▓░▀║ Egan-ish fretless bass work, which, since the CD ║▀░▓████░▀▄
▄▀░████▓░▀║ is completely uncredited, I'll assume is McKee. ║▀░▓████░▀▄
▄▀░████▓░▀║ The Gates of Gnomeria is not the sort of mindless ║▀░▓████░▀▄
▄▀░████▓░▀║ string diddling you'll find in New Age Doo-Dah ║▀░▓████░▀▄
▄▀░████▓░▀║ shops but an extremely mature collection of ║▀░▓████░▀▄
▄▀░████▓░▀║ mostly solo guitar peregrinations revealing a ║▀░▓████░▀▄
▄▀░████▓░▀║ top-flight player with a well-developed ║▀░▓████░▀▄
▄▀░████▓░▀║ aestheticí¡oddly enough cultivated in Tolkien, ║▀░▓████░▀▄
▄▀░████▓░▀║ Dungeons & Dragons, and gamer mileus (I ║▀░▓████░▀▄
▄▀░████▓░▀║ sympathize: I'm devoted to platform video games ║▀░▓████░▀▄
▄▀░████▓░▀║ and lament that more adults can't appreciate that ║▀░▓████░▀▄
▄▀░████▓░▀║ world of artistic thought and manifestation)! ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ The solo factor is what will be surprising to ║▀░▓████░▀▄
▄▀░████▓░▀║ many. For just one guitar each time out (save for ║▀░▓████░▀▄
▄▀░████▓░▀║ the track with the bass, only one cut, Venus as a ║▀░▓████░▀▄
▄▀░████▓░▀║ Girl, has more), the profusion of directions, ║▀░▓████░▀▄
▄▀░████▓░▀║ incidentals, inner melodies, and change-ups is ║▀░▓████░▀▄
▄▀░████▓░▀║ amazing, not to mention how thick everything can ║▀░▓████░▀▄
▄▀░████▓░▀║ get, sounding like two or three axes at time. On ║▀░▓████░▀▄
▄▀░████▓░▀║ YouTube, he's gotten millions of hits, so I'm ║▀░▓████░▀▄
▄▀░████▓░▀║ heading over there as soon as I finish this ║▀░▓████░▀▄
▄▀░████▓░▀║ review. Lastly, the packaging is classy, as well, ║▀░▓████░▀▄
▄▀░████▓░▀║ with a cover painting cleverly hybridizing ║▀░▓████░▀▄
▄▀░████▓░▀║ Tolkein's personal graphic style with a kind of ║▀░▓████░▀▄
▄▀░████▓░▀║ Chagall-ish twistí¬again, McKee's work? If so, ║▀░▓████░▀▄
▄▀░████▓░▀║ very cool; if not, he really needs to learn to ║▀░▓████░▀▄
▄▀░████▓░▀║ attribute properly. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ Listening to music like this always makes me a ║▀░▓████░▀▄
▄▀░████▓░▀║ tad lamentive about the many fine guitarists I've ║▀░▓████░▀▄
▄▀░████▓░▀║ reviewed over the years who failed to achieve the ║▀░▓████░▀▄
▄▀░████▓░▀║ audiences they so richly deserved (and, in this ║▀░▓████░▀▄
▄▀░████▓░▀║ sort of category, Mila Gilbert stands out in ║▀░▓████░▀▄
▄▀░████▓░▀║ extremis). I have to hope that guitarists like ║▀░▓████░▀▄
▄▀░████▓░▀║ Andy McKee, Lawrence Blatt, Zeb Gould, Szabo & ║▀░▓████░▀▄
▄▀░████▓░▀║ Kastning, Stephan Crump, and the many excellent ║▀░▓████░▀▄
▄▀░████▓░▀║ fretmeisters I've critiqued in FAME don't suffer ║▀░▓████░▀▄
▄▀░████▓░▀║ the same fate. Come what may, though, The Gates ║▀░▓████░▀▄
▄▀░████▓░▀║ of Gnomeria gets very, very, very high marks all ║▀░▓████░▀▄
▄▀░████▓░▀║ around. ║▀░▓████░▀▄
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▀░▓███████▄▄║ -- Buddha ║▄▄███████▓░▀
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ÜÜ°ßÛÛÛÛÛÉÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ»ÛÛÛÛÛÛß°Üß
°²ÛÛÛÛÛ²°ÇÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄRELEASE NOTES¶°²ÛÛÛÛÛ²°
°²ÛÛÛÛ²°°º º°°²ÛÛÛÛ²°
Üß°ÛÛÛÛ²°ßº This is exquisite guitar music for those in love ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº with lush and moody musicscapes a la the hallowed ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº old ECM label giants (Connors, Towner, Gismonti, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº etc.). Andy McKee's magic is in chordal ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº progressions which never fail to maintain an ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº integrated vision, whether laconic, pensive, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº restrainedly elated, or just plain ol' ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº descriptive. It's possible he's strictly a ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº fingerpicker, but I'm pretty sure there's ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº flatpicking in this highly engrossing CD as well, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº even though the attack on most of the notes ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº doesn't indicate it. There's a high degree of ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº repetition and variation, making for a lot of ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº very absorbing interlocking weavery in the melody ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº lines, music for the intellect rather than just ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº the ears. If you like serial minimal ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº composition¡ªand I'm a huge fan of the mode¡ªthen ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº you'll love the combination of that and floating ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº top-lines. ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº More than a little of Michael Hedges, Alex ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº DeGrassi,and William Ackerman inform his ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº atmospheres, not to mention occasional Mark ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Egan-ish fretless bass work, which, since the CD ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº is completely uncredited, I'll assume is McKee. ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº The Gates of Gnomeria is not the sort of mindless ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº string diddling you'll find in New Age Doo-Dah ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº shops but an extremely mature collection of ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº mostly solo guitar peregrinations revealing a ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº top-flight player with a well-developed ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº aesthetic¡oddly enough cultivated in Tolkien, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Dungeons & Dragons, and gamer mileus (I ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº sympathize: I'm devoted to platform video games ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº and lament that more adults can't appreciate that ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº world of artistic thought and manifestation)! ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº The solo factor is what will be surprising to ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº many. For just one guitar each time out (save for ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº the track with the bass, only one cut, Venus as a ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Girl, has more), the profusion of directions, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº incidentals, inner melodies, and change-ups is ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº amazing, not to mention how thick everything can ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº get, sounding like two or three axes at time. On ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº YouTube, he's gotten millions of hits, so I'm ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº heading over there as soon as I finish this ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº review. Lastly, the packaging is classy, as well, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº with a cover painting cleverly hybridizing ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Tolkein's personal graphic style with a kind of ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Chagall-ish twist¡ªagain, McKee's work? If so, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº very cool; if not, he really needs to learn to ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº attribute properly. ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Listening to music like this always makes me a ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº tad lamentive about the many fine guitarists I've ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº reviewed over the years who failed to achieve the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº audiences they so richly deserved (and, in this ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº sort of category, Mila Gilbert stands out in ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº extremis). I have to hope that guitarists like ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Andy McKee, Lawrence Blatt, Zeb Gould, Szabo & ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Kastning, Stephan Crump, and the many excellent ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº fretmeisters I've critiqued in FAME don't suffer ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº the same fate. Come what may, though, The Gates ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº of Gnomeria gets very, very, very high marks all ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº around. ºß°²ÛÛÛÛ°ßÜ
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