NFOmation.net - Your Ultimate NFO Upload Resource! Viewing NFO file: 00-m._ward-post-war-2006-debt.nfo 00-m._ward-post-war-2006-debt
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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
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▐░ ▀▓████║ M._Ward-Post-War-2006-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
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▄▄▀▀███████████▀▀▀ ▀▀████████████▀▀ ░
▄░▓███████▄▄▄░ ARTiST.... M. Ward ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Post-War █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Merge ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Alternative ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-04-30 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2006-08-22 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 244 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 12 / 37:36 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 69.04 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
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▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 Poison Cup 2:40 ████▓▄ ░
░ ▄▓████ 2 To Go Home 3:51 ████▓▄ ░
░ ▄▓████ 3 Right in the Head 4:12 ████▓▄ ░
░ ▄▓████ 4 Post-War 4:55 ████▓▄ ░
░ ▄▓████ 5 Requiem 2:48 ████▓▄ ░
░ ▄▓████ 6 Chinese Translation 3:58 ████▓▄ ░
░ ▄▓████ 7 Eyes on the Prize 2:37 ████▓▄ ░
░ ▄▓████ 8 Magic Trick 1:43 ████▓▄ ░
░ ▄▓████ 9 Neptune's Net 2:06 ████▓▄ ░
░ ▄▓████ 10 Rollercoaster 2:48 ████▓▄ ░
░ ▄▓████ 11 Today's Undertaking 2:26 ████▓▄ ░
░ ▄▓████ 12 Afterword / Rag 3:32 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 37:36 MIN ████▓░
░▓███████▄ TOTAL SIZE: 69.04 MB▄█████▓░
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░▓█████▓░╟─────────────────────────────────────◄RELEASE NOTES►╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ Laconic California indie minstrel M. Ward's fifth ║▀░▓████░▀▄
▄▀░████▓░▀║ offering is a thrift shop photo album filled with ║▀░▓████░▀▄
▄▀░████▓░▀║ histories that may or may not have been, dust ║▀░▓████░▀▄
▄▀░████▓░▀║ bowl carnival rides, and slices of sunlit Western ║▀░▓████░▀▄
▄▀░████▓░▀║ Americana so thick that you need a broom to sweep ║▀░▓████░▀▄
▄▀░████▓░▀║ up the bits that fall off of the knife. Ward ║▀░▓████░▀▄
▄▀░████▓░▀║ makes records that sound like he just wandered in ║▀░▓████░▀▄
▄▀░████▓░▀║ off the street with a few friends and hit the ║▀░▓████░▀▄
▄▀░████▓░▀║ record button, but what would feel lazy and ║▀░▓████░▀▄
▄▀░████▓░▀║ unfocused in less confident hands comes off like ║▀░▓████░▀▄
▄▀░████▓░▀║ a tutorial in old-school songwriting and ║▀░▓████░▀▄
▄▀░████▓░▀║ performance that hearkens back to the days of ║▀░▓████░▀▄
▄▀░████▓░▀║ Hank Williams and Leadbelly if they had had ║▀░▓████░▀▄
▄▀░████▓░▀║ access to a modern-day studio. Post-War is not ║▀░▓████░▀▄
▄▀░████▓░▀║ only Ward's best effort yet, it's one of the best ║▀░▓████░▀▄
▄▀░████▓░▀║ records of the year. While his distinctive ║▀░▓████░▀▄
▄▀░████▓░▀║ half-second-delay drawl assumes its usual ║▀░▓████░▀▄
▄▀░████▓░▀║ position as the ghostly broadcast from a more ║▀░▓████░▀▄
▄▀░████▓░▀║ sepia-toned time, the production is far grander ║▀░▓████░▀▄
▄▀░████▓░▀║ than on his previous outings. Opener "Poison ║▀░▓████░▀▄
▄▀░████▓░▀║ Cup," sounding for what it's worth like a cross ║▀░▓████░▀▄
▄▀░████▓░▀║ between the Walker Brothers' "Sun Ain't Gonna ║▀░▓████░▀▄
▄▀░████▓░▀║ Shine Anymore" and an outtake from Dennis ║▀░▓████░▀▄
▄▀░████▓░▀║ Wilson's Pacific Ocean Blue, kicks things off ║▀░▓████░▀▄
▄▀░████▓░▀║ with sneaky keyboard strings that fade into the ║▀░▓████░▀▄
▄▀░████▓░▀║ real deal, reaching elegiac heights by the ║▀░▓████░▀▄
▄▀░████▓░▀║ diminutive track's end. A catchy cover of Daniel ║▀░▓████░▀▄
▄▀░████▓░▀║ Johnston's "To Go Home" features guest vocalist ║▀░▓████░▀▄
▄▀░████▓░▀║ Neko Case breathing fire into the choruses with ║▀░▓████░▀▄
▄▀░████▓░▀║ her trademark howl, the rowdy "Requiem" sounds ║▀░▓████░▀▄
▄▀░████▓░▀║ like a Tom Waits version of Queen's "Fat Bottomed ║▀░▓████░▀▄
▄▀░████▓░▀║ Girls," and the peerless "Magic Trick," with its ║▀░▓████░▀▄
▄▀░████▓░▀║ brilliant refrain of "She's got one magic ║▀░▓████░▀▄
▄▀░████▓░▀║ trick/just one and that's it/she disappears," ║▀░▓████░▀▄
▄▀░████▓░▀║ kicks off a suite of tunes that snake their way ║▀░▓████░▀▄
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▄▀░████▓░▀║ sloppy sound succinct, and it's that magic mix of ║▀░▓████░▀▄
▄▀░████▓░▀║ earnestness and apathy that makes Post-War the ║▀░▓████░▀▄
▄▀░████▓░▀║ secret bounty that it is. ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
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▄ ░░▓███╠════════════════════════════════════════════◄QUOTES►╢╣███▓░░ ▄ ▄
░▄▄ ▀▀██████║ ║██████▀▀ ▄▄░
▀░▓███████▄▄║ We ought so to behave to one another as to avoid ║▄▄███████▓░▀
▀░▓███████▄▄║ making enemies of our friends, and at the same ║▄▄███████▓░▀
▀░▓███████▄▄║ time to make friends of our enemies. ║▄▄███████▓░▀
▀░▓███████▄▄║ ║▄▄███████▓░▀
▀░▓███████▄▄║ -- Pythagoras ║▄▄███████▓░▀
░▓█████▄░░ ▄║ ║▄ ░░▄█████▓░
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▄▄▀▀██████╟────────────────────────────────────────◄GROUP NEWS►╢██████▀▀ ▄▄░
▄░▓███████▄║ DeBT is in need of SECURE affils ║▄▄███████▓░▀
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░████▓░░▀ ║ pre-release suppliers, bookware ║░ ▀░░▓████░▀
░▓███▓▓░ ║ ║▄ ░▓▓███▓░
▀▀░███▓░▄▄║ suppliers, iNT rippers, shell accounts, ║░▄▄░▓███░▀▀
▀ ▄███▀░║ ║░░▀███▄ ▀
░░▄▄█║ coders, crackers and anything else ║██▄▄░░
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▄▄░▀█████║ C O N T A C T D e B T ║██████▀░▄▀
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▄▀░████▓░▀║ DeBTisSlaV3rYSTuPiD@GMail.com ║▀░▓████░▀▄
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Üß°ÛÛÛÛ²°ßº Laconic California indie minstrel M. Ward's fifth ºß°²ÛÛÛÛ°ßÜ
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Üß°ÛÛÛÛ²°ßº histories that may or may not have been, dust ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº bowl carnival rides, and slices of sunlit Western ºß°²ÛÛÛÛ°ßÜ
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Üß°ÛÛÛÛ²°ßº up the bits that fall off of the knife. Ward ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº makes records that sound like he just wandered in ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº off the street with a few friends and hit the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº record button, but what would feel lazy and ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº unfocused in less confident hands comes off like ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº a tutorial in old-school songwriting and ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº performance that hearkens back to the days of ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Hank Williams and Leadbelly if they had had ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº access to a modern-day studio. Post-War is not ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº only Ward's best effort yet, it's one of the best ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº records of the year. While his distinctive ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº half-second-delay drawl assumes its usual ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº position as the ghostly broadcast from a more ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº sepia-toned time, the production is far grander ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº than on his previous outings. Opener "Poison ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Cup," sounding for what it's worth like a cross ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº between the Walker Brothers' "Sun Ain't Gonna ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Shine Anymore" and an outtake from Dennis ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Wilson's Pacific Ocean Blue, kicks things off ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº with sneaky keyboard strings that fade into the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº real deal, reaching elegiac heights by the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº diminutive track's end. A catchy cover of Daniel ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Johnston's "To Go Home" features guest vocalist ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Neko Case breathing fire into the choruses with ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº her trademark howl, the rowdy "Requiem" sounds ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº like a Tom Waits version of Queen's "Fat Bottomed ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Girls," and the peerless "Magic Trick," with its ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº brilliant refrain of "She's got one magic ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº trick/just one and that's it/she disappears," ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº kicks off a suite of tunes that snake their way ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº through to the album's end like a shot of Apple ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Jack. Like early Pavement, Ward knows how to make ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº sloppy sound succinct, and it's that magic mix of ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº earnestness and apathy that makes Post-War the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº secret bounty that it is. ºß°²ÛÛÛÛ°ßÜ
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°²ÛÛÛÛÛÜ°° º ºÜ °°ÜÛÛÛÛÛ²°
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