NFOmation.net - Your Ultimate NFO Upload Resource! Viewing NFO file: 00-low-cmon-2011-debt.nfo 00-low-cmon-2011-debt
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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
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▐░ ▀▓████║ Low-Cmon-2011-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
▀ ▀▀█████▀░████ ▄ ▄ ░▓████░▀ ████▀▀ ▀
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▄▄▀▀███████████▀▀▀ ▀▀████████████▀▀ ░
▄░▓███████▄▄▄░ ARTiST.... Low ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... C'mon █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Sub Pop ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Indie ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-04-30 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2011-04-12 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 237 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 10 / 45:27 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 81.61 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
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▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 Try to Sleep 4:18 ████▓▄ ░
░ ▄▓████ 2 You See Everything 4:05 ████▓▄ ░
░ ▄▓████ 3 Witches 4:01 ████▓▄ ░
░ ▄▓████ 4 Done 2:52 ████▓▄ ░
░ ▄▓████ 5 Especially Me 5:26 ████▓▄ ░
░ ▄▓████ 6 $20 4:09 ████▓▄ ░
░ ▄▓████ 7 Majesty / Magic 4:11 ████▓▄ ░
░ ▄▓████ 8 Nightingale 4:56 ████▓▄ ░
░ ▄▓████ 9 Nothing But Heart 8:10 ████▓▄ ░
░ ▄▓████ 10 Something's Turning Over 3:19 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 45:27 MIN ████▓░
░▓███████▄ TOTAL SIZE: 81.61 MB▄█████▓░
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░▓█████▓░╟─────────────────────────────────────◄RELEASE NOTES►╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ No one has ever listened to Low expecting ║▀░▓████░▀▄
▄▀░████▓░▀║ boundless good cheer, but the dour beauty of ║▀░▓████░▀▄
▄▀░████▓░▀║ their best work -- Secret Name, Things We Lost in ║▀░▓████░▀▄
▄▀░████▓░▀║ the Fire, and Trust -- made something deeply ║▀░▓████░▀▄
▄▀░████▓░▀║ rewarding out of the fragile sorrow of their ║▀░▓████░▀▄
▄▀░████▓░▀║ spare melodies and Alan Sparhawk and Mimi ║▀░▓████░▀▄
▄▀░████▓░▀║ Parker's voices. However, the bigger and more ║▀░▓████░▀▄
▄▀░████▓░▀║ sonically diverse sound of Low's two albums with ║▀░▓████░▀▄
▄▀░████▓░▀║ producer Dave Fridmann, The Great Destroyer and ║▀░▓████░▀▄
▄▀░████▓░▀║ Drums and Guns, tended to reinforce the ║▀░▓████░▀▄
▄▀░████▓░▀║ increasingly dark and chaotic tone of the group's ║▀░▓████░▀▄
▄▀░████▓░▀║ songwriting, and what once seemed quietly sad now ║▀░▓████░▀▄
▄▀░████▓░▀║ seemed more than a bit troubling. So it's both ║▀░▓████░▀▄
▄▀░████▓░▀║ surprising and reassuring that Low's ninth studio ║▀░▓████░▀▄
▄▀░████▓░▀║ album, C'mon, is also the most hopeful music ║▀░▓████░▀▄
▄▀░████▓░▀║ they've released in quite some time. With the ║▀░▓████░▀▄
▄▀░████▓░▀║ lovely tranquility of the opening tune, "Try to ║▀░▓████░▀▄
▄▀░████▓░▀║ Sleep," and the easy charm of "You See ║▀░▓████░▀▄
▄▀░████▓░▀║ Everything" (which sounds like some lost gem of ║▀░▓████░▀▄
▄▀░████▓░▀║ mid-í«70s soft rock), C'mon is as languid as ever ║▀░▓████░▀▄
▄▀░████▓░▀║ for Low while at the same time suggesting these ║▀░▓████░▀▄
▄▀░████▓░▀║ musicians are looking for some light at the end ║▀░▓████░▀▄
▄▀░████▓░▀║ of the tunnel. C'mon was co-produced and mixed by ║▀░▓████░▀▄
▄▀░████▓░▀║ Matt Beckley, who has previously worked with Katy ║▀░▓████░▀▄
▄▀░████▓░▀║ Perry, Avril Lavigne, and Vanessa Hudgens; he's ║▀░▓████░▀▄
▄▀░████▓░▀║ an odd choice to work with Low, but thankfully, ║▀░▓████░▀▄
▄▀░████▓░▀║ he's not afraid to let the album's darker and ║▀░▓████░▀▄
▄▀░████▓░▀║ more contemplative songs sound as dramatic as ║▀░▓████░▀▄
▄▀░████▓░▀║ they should, while adding just the right touch of ║▀░▓████░▀▄
▄▀░████▓░▀║ polish on "Especially Me" and "Something's ║▀░▓████░▀▄
▄▀░████▓░▀║ Turning Over," where the pop undercurrents that ║▀░▓████░▀▄
▄▀░████▓░▀║ often run beneath Sparhawk and Parker's songs bob ║▀░▓████░▀▄
▄▀░████▓░▀║ to the surface. (Beckley also does fine work with ║▀░▓████░▀▄
▄▀░████▓░▀║ Sparhawk and Parker's vocals, which are in ║▀░▓████░▀▄
▄▀░████▓░▀║ splendid form here.) C'mon, like Low's albums ║▀░▓████░▀▄
▄▀░████▓░▀║ with Fridmann, stands apart from the stark ║▀░▓████░▀▄
▄▀░████▓░▀║ minimalism of this band's earlier music, with a ║▀░▓████░▀▄
▄▀░████▓░▀║ number of additional musicians contributing to ║▀░▓████░▀▄
▄▀░████▓░▀║ the sessions (including Wilco guitarist Nels ║▀░▓████░▀▄
▄▀░████▓░▀║ Cline and violinist Caitlin Moe), but this ║▀░▓████░▀▄
▄▀░████▓░▀║ material more successfully adds dynamics and ║▀░▓████░▀▄
▄▀░████▓░▀║ color to Low's melodies while retaining the power ║▀░▓████░▀▄
▄▀░████▓░▀║ of their elemental approach. The dark clouds that ║▀░▓████░▀▄
▄▀░████▓░▀║ have haunted Low are still clearly visible on ║▀░▓████░▀▄
▄▀░████▓░▀║ "Witches" and "$20," but the slow, noisy build to ║▀░▓████░▀▄
▄▀░████▓░▀║ the climax of "Nothing But Heart" is a testament ║▀░▓████░▀▄
▄▀░████▓░▀║ to the very real heart and soul behind their ║▀░▓████░▀▄
▄▀░████▓░▀║ music, and C'mon, while well short of sunny, is ║▀░▓████░▀▄
▄▀░████▓░▀║ an album devoted to the search for answers amidst ║▀░▓████░▀▄
▄▀░████▓░▀║ the darkness, and it's a powerful, deeply moving ║▀░▓████░▀▄
▄▀░████▓░▀║ work from a truly singular band. ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
▀ ░████▓▄║ ║░▓████░ ▀
▀░████▓╟◄──────────────────────────────────────────────────►╢▓████░▀
▄ ░░▓███╠════════════════════════════════════════════◄QUOTES►╢╣███▓░░ ▄ ▄
░▄▄ ▀▀██████║ ║██████▀▀ ▄▄░
▀░▓███████▄▄║ It has been said that one bad general is better ║▄▄███████▓░▀
▀░▓███████▄▄║ than two good ones, and the saying is true if ║▄▄███████▓░▀
▀░▓███████▄▄║ taken to mean no more than that an army is better ║▄▄███████▓░▀
▀░▓███████▄▄║ directed by a single mind, though inferior, than ║▄▄███████▓░▀
▀░▓███████▄▄║ by two superior ones at variance and ║▄▄███████▓░▀
▀░▓███████▄▄║ cross-purposes with each other. ║▄▄███████▓░▀
▀░▓███████▄▄║ ║▄▄███████▓░▀
▀░▓███████▄▄║ -- Abraham Lincoln ║▄▄███████▓░▀
░▓█████▄░░ ▄║ ║▄ ░░▄█████▓░
░▄▄ ▀▀██████╟◄──────────────────────────────────────────────────►╢██████▀▀ ▄▄░
▀░▓███████▄▄╠════════════════════════════════════════════════════╣▄▄███████▓░▀
▄▄▀▀██████╟────────────────────────────────────────◄GROUP NEWS►╢██████▀▀ ▄▄░
▄░▓███████▄║ DeBT is in need of SECURE affils ║▄▄███████▓░▀
░▓█████▄░░ ║ ║▄ ░░▄█████▓░
░████▓░░▀ ║ pre-release suppliers, bookware ║░ ▀░░▓████░▀
░▓███▓▓░ ║ ║▄ ░▓▓███▓░
▀▀░███▓░▄▄║ suppliers, iNT rippers, shell accounts, ║░▄▄░▓███░▀▀
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░░▄▄█║ coders, crackers and anything else ║██▄▄░░
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░▓█████▓░║ that may be of use to us. ║░▓█████▓░
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▀ ░████▓▄║ DeBT is dedicated to bringing ║░▓████░ ▀
▀░████▓║ ║▓████░▀
▄ ░░▓███║ you the best of the old, new and forgotten in a ║███▓░░ ▄ ▄
▄▄▀▀██████║ ║██████▀▀ ▄▄░
▄░▓███████▄║ variety of sections. If you think you have ║▄▄███████▓░▀
░▓█████▄░░ ║ ║▄ ░░▄█████▓░
░████▓░░▀ ║ what it takes don't hesitate to contact us. ║░ ▀░░▓████░▀
░▓███▓▓░ ║ ║▄ ░▓▓███▓░
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▀ ▄███▀░║ ║░░▀███▄ ▀
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▄▄░▀█████║ C O N T A C T D e B T ║██████▀░▄▀
░▓█████▓░║ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ║░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ DeBTisSlaV3rYSTuPiD@GMail.com ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
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▄ ░░▓███╚════════════════════════════════════════════════════╝███▓░░ ▄ ▄
▄▄▀▀████████████▀▀▄▄ ▄▄▀▀████████████▀▀ ▄▄░
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°²ÛÛÛÛÛ²°ÇÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄRELEASE NOTES¶°²ÛÛÛÛÛ²°
°²ÛÛÛÛ²°°º º°°²ÛÛÛÛ²°
Üß°ÛÛÛÛ²°ßº No one has ever listened to Low expecting ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº boundless good cheer, but the dour beauty of ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº their best work -- Secret Name, Things We Lost in ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº the Fire, and Trust -- made something deeply ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº rewarding out of the fragile sorrow of their ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº spare melodies and Alan Sparhawk and Mimi ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Parker's voices. However, the bigger and more ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº sonically diverse sound of Low's two albums with ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº producer Dave Fridmann, The Great Destroyer and ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Drums and Guns, tended to reinforce the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº increasingly dark and chaotic tone of the group's ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº songwriting, and what once seemed quietly sad now ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº seemed more than a bit troubling. So it's both ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº surprising and reassuring that Low's ninth studio ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº album, C'mon, is also the most hopeful music ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº they've released in quite some time. With the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº lovely tranquility of the opening tune, "Try to ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Sleep," and the easy charm of "You See ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Everything" (which sounds like some lost gem of ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº mid-¡®70s soft rock), C'mon is as languid as ever ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº for Low while at the same time suggesting these ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº musicians are looking for some light at the end ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº of the tunnel. C'mon was co-produced and mixed by ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Matt Beckley, who has previously worked with Katy ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Perry, Avril Lavigne, and Vanessa Hudgens; he's ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº an odd choice to work with Low, but thankfully, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº he's not afraid to let the album's darker and ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº more contemplative songs sound as dramatic as ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº they should, while adding just the right touch of ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº polish on "Especially Me" and "Something's ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Turning Over," where the pop undercurrents that ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº often run beneath Sparhawk and Parker's songs bob ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº to the surface. (Beckley also does fine work with ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Sparhawk and Parker's vocals, which are in ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº splendid form here.) C'mon, like Low's albums ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº with Fridmann, stands apart from the stark ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº minimalism of this band's earlier music, with a ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº number of additional musicians contributing to ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº the sessions (including Wilco guitarist Nels ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Cline and violinist Caitlin Moe), but this ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº material more successfully adds dynamics and ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº color to Low's melodies while retaining the power ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº of their elemental approach. The dark clouds that ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº have haunted Low are still clearly visible on ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº "Witches" and "$20," but the slow, noisy build to ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº the climax of "Nothing But Heart" is a testament ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº to the very real heart and soul behind their ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº music, and C'mon, while well short of sunny, is ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº an album devoted to the search for answers amidst ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº the darkness, and it's a powerful, deeply moving ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº work from a truly singular band. ºß°²ÛÛÛÛ°ßÜ
° ß²ÛÛÛÛß º ºÜ°ÛÛÛÛ²ß °
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