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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
▄▀░████▓╔═══════════════════════╩═════════════════════════╩══════════════════════════╗▓████░▀▄
▐░ ▀▓████║ Skinny_Puppy-Brap_Back_and_Forth_Vol._3_and_4-2CD-1996-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
▀ ▀▀█████▀░████ ▄ ▄ ░▓████░▀ ████▀▀ ▀
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▄▄▀▀███████████▀▀▀ ▀▀████████████▀▀ ░
▄░▓███████▄▄▄░ ARTiST.... Skinny Puppy ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Brap: Back & Forth Vol. 3 & 4 █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Nettwerk/EMI Records ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Industrial ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-04-24 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 1996-04-30 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 251 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 25 / 108:40 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 207.19 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
░▓█████▄░░ ▄ ▄ ░░▄█████▓░
▄░▓███████▄▄▄░ ░▄▄▄███████▓░▀
░▀▀ ▀▀████████████▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄████████████▀▀▀▀
▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ Disc 1/2 ████▓▄ ░
░ ▄▓████ -------- ████▓▄ ░
░ ▄▓████ 1 Jackhammer 4:18 ████▓▄ ░
░ ▄▓████ 2 Splasher 3:51 ████▓▄ ░
░ ▄▓████ 3 Double Cross 5:31 ████▓▄ ░
░ ▄▓████ 4 Yo Yo Scrape 4:39 ████▓▄ ░
░ ▄▓████ 5 Carry 5:18 ████▓▄ ░
░ ▄▓████ 6 Guilty 3:13 ████▓▄ ░
░ ▄▓████ 7 The Soul That Creates 4:03 ████▓▄ ░
░ ▄▓████ 8 Brap 3:03 ████▓▄ ░
░ ▄▓████ 9 Sparkless 3:01 ████▓▄ ░
░ ▄▓████ 10 Dead Doll 2:17 ████▓▄ ░
░ ▄▓████ 11 Deadlines 4:42 ████▓▄ ░
░ ▄▓████ 12 Last Call 6:05 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
░ ▄▓████ Disc 2/2 ████▓▄ ░
░ ▄▓████ -------- ████▓▄ ░
░ ▄▓████ 1 Uranus Cancelled 4:21 ████▓▄ ░
░ ▄▓████ 2 All Eyes 6:07 ████▓▄ ░
░ ▄▓████ 3 Reclamation 2:57 ████▓▄ ░
░ ▄▓████ 4 Grave Wisdom 3:54 ████▓▄ ░
░ ▄▓████ 5 Spasmolytic 3:43 ████▓▄ ░
░ ▄▓████ 6 Tin Omen 6:16 ████▓▄ ░
░ ▄▓████ 7 God's Gift 4:46 ████▓▄ ░
░ ▄▓████ 8 Convulsion 3:10 ████▓▄ ░
░ ▄▓████ 9 Nature's Revenge 3:57 ████▓▄ ░
░ ▄▓████ 10 Love in Vein 6:57 ████▓▄ ░
░ ▄▓████ 11 TFWO 4:17 ████▓▄ ░
░ ▄▓████ 12 Left Handshake 4:38 ████▓▄ ░
░ ▄▓████ 13 Choralone 3:36 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 108:40MIN ████▓░
░▓███████▄ TOTAL SIZE: 207.19 MB▄█████▓░
▀░▀████████▄ ▄█████▀░▀▀
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░▓█████▓░╟─────────────────────────────────────◄RELEASE NOTES►╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ One of the more elaborate entries in the sporadic ║▀░▓████░▀▄
▄▀░████▓░▀║ Back and Forth archival series, Brap is a ║▀░▓████░▀▄
▄▀░████▓░▀║ double-disc effort covering the beginning and end ║▀░▓████░▀▄
▄▀░████▓░▀║ of Skinny Puppy's functional career as such. It's ║▀░▓████░▀▄
▄▀░████▓░▀║ very obviously for the hardcore fan but the ║▀░▓████░▀▄
▄▀░████▓░▀║ quality of much of the album is such that it's ║▀░▓████░▀▄
▄▀░████▓░▀║ worth hearing as an example of the band's ║▀░▓████░▀▄
▄▀░████▓░▀║ undoubted influence on electronic music. The ║▀░▓████░▀▄
▄▀░████▓░▀║ first disc mostly consists of quite accomplished, ║▀░▓████░▀▄
▄▀░████▓░▀║ textured, early home demos recorded in 1983 and ║▀░▓████░▀▄
▄▀░████▓░▀║ 1984; even taken from four-track efforts, the ║▀░▓████░▀▄
▄▀░████▓░▀║ remastering and sound brings out the ominous, ║▀░▓████░▀▄
▄▀░████▓░▀║ haunting power of the music beautifully. Ogre's ║▀░▓████░▀▄
▄▀░████▓░▀║ contributions are often either musical or ║▀░▓████░▀▄
▄▀░████▓░▀║ otherwise stripped back to minor interjections, ║▀░▓████░▀▄
▄▀░████▓░▀║ so songs like "Splasher" and "Carry" become slow, ║▀░▓████░▀▄
▄▀░████▓░▀║ meditative blends of clipped beats and textured ║▀░▓████░▀▄
▄▀░████▓░▀║ keyboards, occasional screams and elements from ║▀░▓████░▀▄
▄▀░████▓░▀║ movie and other sources (as on "Double Cross") ║▀░▓████░▀▄
▄▀░████▓░▀║ adding drama. Two live tracks do appear -- ║▀░▓████░▀▄
▄▀░████▓░▀║ "Brap," from a German show, and "Last Call" from ║▀░▓████░▀▄
▄▀░████▓░▀║ a Canadian radio show. The second disc, covering ║▀░▓████░▀▄
▄▀░████▓░▀║ the time period of Too Dark Park and Last Rights, ║▀░▓████░▀▄
▄▀░████▓░▀║ pulls together contributions from a variety of ║▀░▓████░▀▄
▄▀░████▓░▀║ bootleg live sources as well as a couple of ║▀░▓████░▀▄
▄▀░████▓░▀║ studio oddities like "Uranus Cancelled," an ║▀░▓████░▀▄
▄▀░████▓░▀║ alternate and quite strong arrangement of the ║▀░▓████░▀▄
▄▀░████▓░▀║ chaotic "Knowhere?" from Last Rights. It makes ║▀░▓████░▀▄
▄▀░████▓░▀║ for a fine contrast from the almost compulsively ║▀░▓████░▀▄
▄▀░████▓░▀║ arranged early material on the first disc to hear ║▀░▓████░▀▄
▄▀░████▓░▀║ the much more free-form improvisations on songs ║▀░▓████░▀▄
▄▀░████▓░▀║ like "All Eyes," ranging from ambient float to ║▀░▓████░▀▄
▄▀░████▓░▀║ hyperspeed drum mayhem. While the recording ║▀░▓████░▀▄
▄▀░████▓░▀║ quality of the live tracks unsurprisingly varies ║▀░▓████░▀▄
▄▀░████▓░▀║ -- "Reclamation" is a straight soundboard effort, ║▀░▓████░▀▄
▄▀░████▓░▀║ the opening of "Tin Omen" spectacularly cruddy -- ║▀░▓████░▀▄
▄▀░████▓░▀║ most everything comes across quite well, ║▀░▓████░▀▄
▄▀░████▓░▀║ especially the strong Los Angeles performance ║▀░▓████░▀▄
▄▀░████▓░▀║ selections that (mostly) conclude the disc, with ║▀░▓████░▀▄
▄▀░████▓░▀║ "TFWO" being a particular standout. ║▀░▓████░▀▄
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°²ÛÛÛÛÛ²°ÇÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄRELEASE NOTES¶°²ÛÛÛÛÛ²°
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Üß°ÛÛÛÛ²°ßº One of the more elaborate entries in the sporadic ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Back and Forth archival series, Brap is a ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº double-disc effort covering the beginning and end ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº of Skinny Puppy's functional career as such. It's ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº very obviously for the hardcore fan but the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº quality of much of the album is such that it's ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº worth hearing as an example of the band's ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº undoubted influence on electronic music. The ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº first disc mostly consists of quite accomplished, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº textured, early home demos recorded in 1983 and ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº 1984; even taken from four-track efforts, the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº remastering and sound brings out the ominous, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº haunting power of the music beautifully. Ogre's ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº contributions are often either musical or ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº otherwise stripped back to minor interjections, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº so songs like "Splasher" and "Carry" become slow, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº meditative blends of clipped beats and textured ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº keyboards, occasional screams and elements from ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº movie and other sources (as on "Double Cross") ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº adding drama. Two live tracks do appear -- ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº "Brap," from a German show, and "Last Call" from ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº a Canadian radio show. The second disc, covering ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº the time period of Too Dark Park and Last Rights, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº pulls together contributions from a variety of ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº bootleg live sources as well as a couple of ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº studio oddities like "Uranus Cancelled," an ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº alternate and quite strong arrangement of the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº chaotic "Knowhere?" from Last Rights. It makes ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº for a fine contrast from the almost compulsively ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº arranged early material on the first disc to hear ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº the much more free-form improvisations on songs ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº like "All Eyes," ranging from ambient float to ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº hyperspeed drum mayhem. While the recording ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº quality of the live tracks unsurprisingly varies ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº -- "Reclamation" is a straight soundboard effort, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº the opening of "Tin Omen" spectacularly cruddy -- ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº most everything comes across quite well, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº especially the strong Los Angeles performance ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº selections that (mostly) conclude the disc, with ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº "TFWO" being a particular standout. ºß°²ÛÛÛÛ°ßÜ
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Ü°²ÛÛÛÛÛÛÛܺ DeBT is in need of SECURE affils ºÜÜÛÛÛÛÛÛÛ²°ß
°²ÛÛÛÛÛÜ°° º ºÜ °°ÜÛÛÛÛÛ²°
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°ÛÛÛÛ²°°ß º what it takes don't hesitate to contact us. º° ß°°²ÛÛÛÛ°ß
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