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████ ■ ███▓█ █▓███ ■ ████
████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ Tied + Tickled Trio + Billy Hart - La Place Demon ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ Tied + Tickled Trio + Billy Hart ▓▓▓▓█
█▓▓▓▓ TiTLE...[ La Place Demon ▓▓▓▓█
████ GENRE...[ Jazz GRABBER.[ EAC ████
████ LABEL...[ Morr Music ENCODER.[ Lame 3.98.4 ████
████ YEAR....[ 2011 QUALiTY.[ vbr 235kbps ████
████ SOURCE..[ CDDA MODE....[ Joint-Stereo ████
████ PLAYTIME[ 56:02 min REL.DATE[ 05.05.2011 ████
████ TRACKS..[ 09 RiPPER..[ TEAM OMA ████
████ SiZE....[ 94,2 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ 01 The End Is The Same As The Beginning 02:24 ████
████ 02 The Three Doors Pt. 1 10:46 ████
████ 03 Calaca 05:48 ████
████ 04 Violent Collaborations Pt. 1 05:49 ████
████ 05 The Three Doors Pt. 2 06:28 ████
████ 06 Violent Collaborations Pt. 2 02:25 ████
████ 07 Lonely Woman - Exit La Place Demon - The 11:14 ████
████ Electronic Family ████
████ 08 The Three Doors Pt. 3 05:30 ████
████ 09 Ghost Allaround 05:38 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 56:02 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ With versatility comes the risk of spreading ████
████ oneself too thin. Musical versatility is ████
████ especially nice, but it can be a burden. ████
████ Especially if the musician feels the urge to ████
████ actually realize all their many ideas. For ████
████ then you are adding massive organisational ████
████ demands to the problem of channelling a ████
████ sprawling creative drive which simultaneously ████
████ meanders in many different directions. ████
████ Tackling and mastering this seething cluster ████
████ of possibilities and tasks has become part of ████
████ the everyday work of some musicians. The ████
████ Brothers Markus and Micha Acher have made the ████
████ best out of their abilities. They are key ████
████ figures in the now internationally recognised ████
████ trademark that is the äWeilheim Sceneô. Every ████
████ one of their projects, be it The Notwist, ████
████ 13&God or Tied & Tickled Trio has grown to ████
████ become a working cosmos each of its own while ████
████ remaining open on all sides. Their new album ████
████ comes thanks to their preference for creative ████
████ collaborations as Tied & Tickled Trio have ████
████ really had a thrilling artistic liaison this ████
████ time. The drummer Billy Hart is among one of ████
████ the most accomplished contemporary jazz ████
████ drummers in the world. Along with his ████
████ recordings as band leader Hart, who celebrated ████
████ his 70th birthday in 2010, can be heard ████
████ drumming on more than 600 albums. Among other ████
████ groups he was a long running member of the ████
████ Herbie Hancock and Stan Getz bands. Hart was ████
████ highly involved with the composition and ████
████ arrangements on La Place Demon. The permanent ████
████ members of the Tied & Tickled Trio also ████
████ occupied themselves intensively with Billy ████
████ Harts music prior to and during the ████
████ composition of the album. Over the course of ████
████ his discography he has covered everything from ████
████ spiritual jazz to free music and electronic ████
████ music. This album charts this development in ████
████ broad strokes and as such is something like a ████
████ biographical album. The Tied & Tickled Trio ████
████ play jazz music from an indie perspective and ████
████ so are by definition not afraid of contact. ████
████ Its amazing that a project which practically ████
████ has a new approach for every composition can ████
████ still have a unified sound. And the guys from ████
████ Weilheim have an instantly recognisable sound ████
████ - regardless whether their playing crazy free ████
████ jazz, static drones or complex patterns. ████
████ Perhaps it's something to do with their love ████
████ of wood-wind and rather melancholy harmonies, ████
████ which one knows well from The Notwist. La ████
████ Place Demon never gives us too much of a sense ████
████ of security. Even in harmonically and ████
████ rhythmically simple passages one senses the ████
████ abyss which surrounds these temporary islands ████
████ of order. Something seems to warn us that the ████
████ apparent clarity is nothing more than ████
████ ambiguity and that this order can at any ████
████ moment descend into freedom and chaos. ████
████ Everything is always in limbo, light and ████
████ feathery, but at the same time unfathomable. A ████
████ flurry of trills on the flute and thin yet ████
████ threatening string parts see to it that any ████
████ feeling of homely comfort is left behind. Out ████
████ of this abstract sound-scape, driven by dark ████
████ percussion and electronic effects comes a ████
████ masterfully arranged piece of chamber music. ████
████ Woodwind instruments in part manipulated with ████
████ effects and strings interweave to form quietly ████
████ pacing figures. One could relax in this ████
████ sound-scenery, if not for those nervously ████
████ beating drums. In the end the chamber music ████
████ descends into a whirlpool of free-jazz, ████
████ dominated by drums and saxophone. Often ████
████ sounding cinematic, tension is indeed built up ████
████ in the way that soundtracks do. Although with ████
████ Tied & Ticked Trio this tension might suddenly ████
████ turn into a slow bebop riff. In which case ████
████ there is an all-pervading atmosphere of ████
████ coolness, like in a 70s detective film. We ████
████ hear bold and moving harmonies with a seamless ████
████ group improvisation over the top. Or ████
████ threatening expanses with no rhythmic pulse, ████
████ which after seven minutes mutates into a cool ████
████ slow-motion groove. And complex fugue-like ████
████ structures with clear melodies in swing-time ████
████ played on brass, strings and glockenspiel. One ████
████ constantly has a sense that these are ████
████ musicians so masterful that they no longer ████
████ need to prove anything either to each other or ████
████ anyone else. The core members of the ôTrioö ████
████ are Markus and Micha Acher, the drummer Casper ████
████ Brandner as well as the visual artist and ████
████ electronic musician Andreas Gerth. There are ████
████ also compositions by Johannes Enders and Carl ████
████ Oesterhelt, who recently released their ████
████ wonderful album äDivertimento fⁿr ████
████ Tenorsaxophon und kleines Ensembleô on Alien ████
████ Transistor. In total 14 musicians have worked ████
████ on La Place Demon. For their studio work the ████
████ ensemble have done without any spectacular ████
████ effects. Nothing is overloaded, nobody is ████
████ playing in the foreground. No particular ████
████ musical event really has to happen as the ████
████ players have just taken their time. The pieces ████
████ unfold themselves with a pleasant calmness and ████
████ all the parts simply fall into place, as if by ████
████ their own accord. At the same time this album ████
████ is so multifaceted and diverse that even ████
████ within a single piece, one really never knows ████
████ quite what to expect. Of course Tied & Tickled ████
████ Trio follow a classic pattern of theme and ████
████ variation. But their DIY jazz is neither ████
████ markedly eclectic nor does it depend on ████
████ music-historical references. Tied & Tickled ████
████ Trio were founded in 1994 by Markus Acher and ████
████ Casper Brandner, at the time purely as a ████
████ drumming duo. Now the band can look back on 7 ████
████ albums including a remix record and a DVD. ████
████ ████
████ ████
████ URL: n/a ████
████ ████
████ ████
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ÛÛÛÛ þ ÛÛÛ²Û Û²ÛÛÛ þ ÛÛÛÛ
ÛÛÛÛ ú ܲÛÛÛ² OPENÿMUSiCÿASSOCiATiON ²ÛÛÛ²Ü ú ÛÛÛÛ
ÛÛÛÛÛ ÜܲÛßßß³ ² .úúú. P R E S E N T S .úúú. ² ³ßßßÛ²ÜÜ ÛÛÛÛÛ
ÛÛÛÛÛÛ²ß ß ß ß²ÛÛÛÛÛÛ
ÛÛÛÛÛß Tied + Tickled Trio + Billy Hart - La Place Demon ßÛÛÛÛÛ
ÛÛÛÛß ßÛÛÛÛ
ÛÛÛß ßÛÛÛ
Û²²²² ARTiST..[ Tied + Tickled Trio + Billy Hart ²²²²Û
Û²²²² TiTLE...[ La Place Demon ²²²²Û
ÛÛÛÛ GENRE...[ Jazz GRABBER.[ EAC ÛÛÛÛ
ÛÛÛÛ LABEL...[ Morr Music ENCODER.[ Lame 3.98.4 ÛÛÛÛ
ÛÛÛÛ YEAR....[ 2011 QUALiTY.[ vbr 235kbps ÛÛÛÛ
ÛÛÛÛ SOURCE..[ CDDA MODE....[ Joint-Stereo ÛÛÛÛ
ÛÛÛÛ PLAYTIME[ 56:02 min REL.DATE[ 05.05.2011 ÛÛÛÛ
ÛÛÛÛ TRACKS..[ 09 RiPPER..[ TEAM OMA ÛÛÛÛ
ÛÛÛÛ SiZE....[ 94,2 MB SUPPLiER[ TEAM OMA ÛÛÛÛ
ÛÛÛÛ ÛÛÛÛ
ÛÛÛÛ ÛÛÛÛ
ÛÛÛÛ ÜßßÛÛÛ²Ü Ü²ÛÛÛßßÜ ÛÛÛÛ
ÛÛÛÛ þ ÛÛÛ²Û .úúú. T R A C K L i S T .úúú. Û²ÛÛÛ þ ÛÛÛÛ
ÛÛÛÛ ú ܲÛÛÛ² ²ÛÛÛ²Ü ú ÛÛÛÛ
ÛÛÛÛÛ ÜܲÛßßß³ ² ² ³ßßßÛ²ÜÜ ÛÛÛÛÛ
ÛÛÛÛÛÛ²ß ß ß ß²ÛÛÛÛÛÛ
ÛÛÛÛÛß ßÛÛÛÛÛ
ÛÛÛÛß ßÛÛÛÛ
ÛÛÛß NR. TRACK. TiME. ßÛÛÛ
Û²²²² ùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùù ²²²²Û
Û²²²² ²²²²Û
ÛÛÛÛ 01 The End Is The Same As The Beginning 02:24 ÛÛÛÛ
ÛÛÛÛ 02 The Three Doors Pt. 1 10:46 ÛÛÛÛ
ÛÛÛÛ 03 Calaca 05:48 ÛÛÛÛ
ÛÛÛÛ 04 Violent Collaborations Pt. 1 05:49 ÛÛÛÛ
ÛÛÛÛ 05 The Three Doors Pt. 2 06:28 ÛÛÛÛ
ÛÛÛÛ 06 Violent Collaborations Pt. 2 02:25 ÛÛÛÛ
ÛÛÛÛ 07 Lonely Woman - Exit La Place Demon - The 11:14 ÛÛÛÛ
ÛÛÛÛ Electronic Family ÛÛÛÛ
ÛÛÛÛ 08 The Three Doors Pt. 3 05:30 ÛÛÛÛ
ÛÛÛÛ 09 Ghost Allaround 05:38 ÛÛÛÛ
ÛÛÛÛ ùùùùùùùùùùùù ÛÛÛÛ
ÛÛÛÛ TOTAL: 56:02 ÛÛÛÛ
ÛÛÛÛ ÛÛÛÛ
ÛÛÛÛ ÛÛÛÛ
ÛÛÛÛ ÜßßÛÛÛ²Ü Ü²ÛÛÛßßÜ ÛÛÛÛ
ÛÛÛÛ þ ÛÛÛ²Û .úúú. R E L E A S E N O T E S .úúú. Û²ÛÛÛ þ ÛÛÛÛ
ÛÛÛÛ ú ܲÛÛÛ² ²ÛÛÛ²Ü ú ÛÛÛÛ
ÛÛÛÛÛ ÜܲÛßßß³ ² ² ³ßßßÛ²ÜÜ ÛÛÛÛÛ
ÛÛÛÛÛÛ²ß ß ß ß²ÛÛÛÛÛÛ
ÛÛÛÛÛß ßÛÛÛÛÛ
ÛÛÛÛß ßÛÛÛÛ
ÛÛÛß ßÛÛÛ
Û²²²² ²²²²Û
Û²²²² ²²²²Û
ÛÛÛÛ With versatility comes the risk of spreading ÛÛÛÛ
ÛÛÛÛ oneself too thin. Musical versatility is ÛÛÛÛ
ÛÛÛÛ especially nice, but it can be a burden. ÛÛÛÛ
ÛÛÛÛ Especially if the musician feels the urge to ÛÛÛÛ
ÛÛÛÛ actually realize all their many ideas. For ÛÛÛÛ
ÛÛÛÛ then you are adding massive organisational ÛÛÛÛ
ÛÛÛÛ demands to the problem of channelling a ÛÛÛÛ
ÛÛÛÛ sprawling creative drive which simultaneously ÛÛÛÛ
ÛÛÛÛ meanders in many different directions. ÛÛÛÛ
ÛÛÛÛ Tackling and mastering this seething cluster ÛÛÛÛ
ÛÛÛÛ of possibilities and tasks has become part of ÛÛÛÛ
ÛÛÛÛ the everyday work of some musicians. The ÛÛÛÛ
ÛÛÛÛ Brothers Markus and Micha Acher have made the ÛÛÛÛ
ÛÛÛÛ best out of their abilities. They are key ÛÛÛÛ
ÛÛÛÛ figures in the now internationally recognised ÛÛÛÛ
ÛÛÛÛ trademark that is the Weilheim Scene. Every ÛÛÛÛ
ÛÛÛÛ one of their projects, be it The Notwist, ÛÛÛÛ
ÛÛÛÛ 13&God or Tied & Tickled Trio has grown to ÛÛÛÛ
ÛÛÛÛ become a working cosmos each of its own while ÛÛÛÛ
ÛÛÛÛ remaining open on all sides. Their new album ÛÛÛÛ
ÛÛÛÛ comes thanks to their preference for creative ÛÛÛÛ
ÛÛÛÛ collaborations as Tied & Tickled Trio have ÛÛÛÛ
ÛÛÛÛ really had a thrilling artistic liaison this ÛÛÛÛ
ÛÛÛÛ time. The drummer Billy Hart is among one of ÛÛÛÛ
ÛÛÛÛ the most accomplished contemporary jazz ÛÛÛÛ
ÛÛÛÛ drummers in the world. Along with his ÛÛÛÛ
ÛÛÛÛ recordings as band leader Hart, who celebrated ÛÛÛÛ
ÛÛÛÛ his 70th birthday in 2010, can be heard ÛÛÛÛ
ÛÛÛÛ drumming on more than 600 albums. Among other ÛÛÛÛ
ÛÛÛÛ groups he was a long running member of the ÛÛÛÛ
ÛÛÛÛ Herbie Hancock and Stan Getz bands. Hart was ÛÛÛÛ
ÛÛÛÛ highly involved with the composition and ÛÛÛÛ
ÛÛÛÛ arrangements on La Place Demon. The permanent ÛÛÛÛ
ÛÛÛÛ members of the Tied & Tickled Trio also ÛÛÛÛ
ÛÛÛÛ occupied themselves intensively with Billy ÛÛÛÛ
ÛÛÛÛ Harts music prior to and during the ÛÛÛÛ
ÛÛÛÛ composition of the album. Over the course of ÛÛÛÛ
ÛÛÛÛ his discography he has covered everything from ÛÛÛÛ
ÛÛÛÛ spiritual jazz to free music and electronic ÛÛÛÛ
ÛÛÛÛ music. This album charts this development in ÛÛÛÛ
ÛÛÛÛ broad strokes and as such is something like a ÛÛÛÛ
ÛÛÛÛ biographical album. The Tied & Tickled Trio ÛÛÛÛ
ÛÛÛÛ play jazz music from an indie perspective and ÛÛÛÛ
ÛÛÛÛ so are by definition not afraid of contact. ÛÛÛÛ
ÛÛÛÛ Its amazing that a project which practically ÛÛÛÛ
ÛÛÛÛ has a new approach for every composition can ÛÛÛÛ
ÛÛÛÛ still have a unified sound. And the guys from ÛÛÛÛ
ÛÛÛÛ Weilheim have an instantly recognisable sound ÛÛÛÛ
ÛÛÛÛ - regardless whether their playing crazy free ÛÛÛÛ
ÛÛÛÛ jazz, static drones or complex patterns. ÛÛÛÛ
ÛÛÛÛ Perhaps it's something to do with their love ÛÛÛÛ
ÛÛÛÛ of wood-wind and rather melancholy harmonies, ÛÛÛÛ
ÛÛÛÛ which one knows well from The Notwist. La ÛÛÛÛ
ÛÛÛÛ Place Demon never gives us too much of a sense ÛÛÛÛ
ÛÛÛÛ of security. Even in harmonically and ÛÛÛÛ
ÛÛÛÛ rhythmically simple passages one senses the ÛÛÛÛ
ÛÛÛÛ abyss which surrounds these temporary islands ÛÛÛÛ
ÛÛÛÛ of order. Something seems to warn us that the ÛÛÛÛ
ÛÛÛÛ apparent clarity is nothing more than ÛÛÛÛ
ÛÛÛÛ ambiguity and that this order can at any ÛÛÛÛ
ÛÛÛÛ moment descend into freedom and chaos. ÛÛÛÛ
ÛÛÛÛ Everything is always in limbo, light and ÛÛÛÛ
ÛÛÛÛ feathery, but at the same time unfathomable. A ÛÛÛÛ
ÛÛÛÛ flurry of trills on the flute and thin yet ÛÛÛÛ
ÛÛÛÛ threatening string parts see to it that any ÛÛÛÛ
ÛÛÛÛ feeling of homely comfort is left behind. Out ÛÛÛÛ
ÛÛÛÛ of this abstract sound-scape, driven by dark ÛÛÛÛ
ÛÛÛÛ percussion and electronic effects comes a ÛÛÛÛ
ÛÛÛÛ masterfully arranged piece of chamber music. ÛÛÛÛ
ÛÛÛÛ Woodwind instruments in part manipulated with ÛÛÛÛ
ÛÛÛÛ effects and strings interweave to form quietly ÛÛÛÛ
ÛÛÛÛ pacing figures. One could relax in this ÛÛÛÛ
ÛÛÛÛ sound-scenery, if not for those nervously ÛÛÛÛ
ÛÛÛÛ beating drums. In the end the chamber music ÛÛÛÛ
ÛÛÛÛ descends into a whirlpool of free-jazz, ÛÛÛÛ
ÛÛÛÛ dominated by drums and saxophone. Often ÛÛÛÛ
ÛÛÛÛ sounding cinematic, tension is indeed built up ÛÛÛÛ
ÛÛÛÛ in the way that soundtracks do. Although with ÛÛÛÛ
ÛÛÛÛ Tied & Ticked Trio this tension might suddenly ÛÛÛÛ
ÛÛÛÛ turn into a slow bebop riff. In which case ÛÛÛÛ
ÛÛÛÛ there is an all-pervading atmosphere of ÛÛÛÛ
ÛÛÛÛ coolness, like in a 70s detective film. We ÛÛÛÛ
ÛÛÛÛ hear bold and moving harmonies with a seamless ÛÛÛÛ
ÛÛÛÛ group improvisation over the top. Or ÛÛÛÛ
ÛÛÛÛ threatening expanses with no rhythmic pulse, ÛÛÛÛ
ÛÛÛÛ which after seven minutes mutates into a cool ÛÛÛÛ
ÛÛÛÛ slow-motion groove. And complex fugue-like ÛÛÛÛ
ÛÛÛÛ structures with clear melodies in swing-time ÛÛÛÛ
ÛÛÛÛ played on brass, strings and glockenspiel. One ÛÛÛÛ
ÛÛÛÛ constantly has a sense that these are ÛÛÛÛ
ÛÛÛÛ musicians so masterful that they no longer ÛÛÛÛ
ÛÛÛÛ need to prove anything either to each other or ÛÛÛÛ
ÛÛÛÛ anyone else. The core members of the Trio ÛÛÛÛ
ÛÛÛÛ are Markus and Micha Acher, the drummer Casper ÛÛÛÛ
ÛÛÛÛ Brandner as well as the visual artist and ÛÛÛÛ
ÛÛÛÛ electronic musician Andreas Gerth. There are ÛÛÛÛ
ÛÛÛÛ also compositions by Johannes Enders and Carl ÛÛÛÛ
ÛÛÛÛ Oesterhelt, who recently released their ÛÛÛÛ
ÛÛÛÛ wonderful album Divertimento für ÛÛÛÛ
ÛÛÛÛ Tenorsaxophon und kleines Ensemble on Alien ÛÛÛÛ
ÛÛÛÛ Transistor. In total 14 musicians have worked ÛÛÛÛ
ÛÛÛÛ on La Place Demon. For their studio work the ÛÛÛÛ
ÛÛÛÛ ensemble have done without any spectacular ÛÛÛÛ
ÛÛÛÛ effects. Nothing is overloaded, nobody is ÛÛÛÛ
ÛÛÛÛ playing in the foreground. No particular ÛÛÛÛ
ÛÛÛÛ musical event really has to happen as the ÛÛÛÛ
ÛÛÛÛ players have just taken their time. The pieces ÛÛÛÛ
ÛÛÛÛ unfold themselves with a pleasant calmness and ÛÛÛÛ
ÛÛÛÛ all the parts simply fall into place, as if by ÛÛÛÛ
ÛÛÛÛ their own accord. At the same time this album ÛÛÛÛ
ÛÛÛÛ is so multifaceted and diverse that even ÛÛÛÛ
ÛÛÛÛ within a single piece, one really never knows ÛÛÛÛ
ÛÛÛÛ quite what to expect. Of course Tied & Tickled ÛÛÛÛ
ÛÛÛÛ Trio follow a classic pattern of theme and ÛÛÛÛ
ÛÛÛÛ variation. But their DIY jazz is neither ÛÛÛÛ
ÛÛÛÛ markedly eclectic nor does it depend on ÛÛÛÛ
ÛÛÛÛ music-historical references. Tied & Tickled ÛÛÛÛ
ÛÛÛÛ Trio were founded in 1994 by Markus Acher and ÛÛÛÛ
ÛÛÛÛ Casper Brandner, at the time purely as a ÛÛÛÛ
ÛÛÛÛ drumming duo. Now the band can look back on 7 ÛÛÛÛ
ÛÛÛÛ albums including a remix record and a DVD. ÛÛÛÛ
ÛÛÛÛ ÛÛÛÛ
ÛÛÛÛ ÛÛÛÛ
ÛÛÛÛ URL: n/a ÛÛÛÛ
ÛÛÛÛ ÛÛÛÛ
ÛÛÛÛ ÛÛÛÛ
ÛÛÛÛ ÛÛÛÛ
ÛÛÛÛ ÛÛÛÛ
ÛÛÛÛ ÛÛÛÛ
ÛÛÛÛ ÜßßÛÛÛ²Ü Ü²ÛÛÛßßÜ ÛÛÛÛ
ÛÛÛÛ þ ÛÛÛ²Û .úúú. G R O U P .úúú. Û²ÛÛÛ þ ÛÛÛÛ
ÛÛÛÛ ú ܲÛÛÛ² ²ÛÛÛ²Ü ú ÛÛÛÛ
ÛÛÛÛÛ ÜܲÛßßß³ ² MAiL: oma@never-ever.com ² ³ßßßÛ²ÜÜ ÛÛÛÛÛ
Ûß ßÛÛ²ß ß ß ß²ÛÛß ßÛ
ÛÛÜÛÛß ßÛÛÜÛÛ
ÛÛÛÛß The only thing that really matters is music!!! ßÛÛÛÛ
ßÛÛ² ²ÛÛß
ßÛÛ²Ü Ü²ÛÛß
.ß ³ ßßÛÛÜ²Ü .úúú. G R E E T S .úúú. ܲÜÛÛßß ³ ß
. ܲ²Ü ³ ßßßÛÜÜ ÜÜÛßßß ³ ܲ²Ü .
ßß ßßÜ FRiENDS / SiTEOPS / NUKENET Üßß ßß
ß . Ü Ü²²Ü ßÜ RIP kHz Üß Ü²²Ü Ü . ß
ß ß²ß ßß ß . Ü.úúú. !kb^faa 08.MARCH 2009 .úúú.Ü . ß ßß ß²ß ß .
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