NFOmation.net - Your Ultimate NFO Upload Resource! Viewing NFO file: 00-lamb_of_god-wrath-2009-debt.nfo 00-lamb_of_god-wrath-2009-debt
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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
▄▀░████▓╔═══════════════════════╩═════════════════════════╩══════════════════════════╗▓████░▀▄
▐░ ▀▓████║ Lamb_Of_God-Wrath-2009-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
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▄▄▀▀███████████▀▀▀ ▀▀████████████▀▀ ░
▄░▓███████▄▄▄░ ARTiST.... Lamb of God ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Wrath █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Epic ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Metal ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-05-01 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2009-02-24 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 275 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 11 / 44:50 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 93.51 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
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▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 The Passing 1:58 ████▓▄ ░
░ ▄▓████ 2 In Your Words 5:24 ████▓▄ ░
░ ▄▓████ 3 Set to Fail 3:46 ████▓▄ ░
░ ▄▓████ 4 Contractor 3:22 ████▓▄ ░
░ ▄▓████ 5 Fake Messiah 4:34 ████▓▄ ░
░ ▄▓████ 6 Grace 3:55 ████▓▄ ░
░ ▄▓████ 7 Broken Hands 3:53 ████▓▄ ░
░ ▄▓████ 8 Dead Seeds 3:41 ████▓▄ ░
░ ▄▓████ 9 Everything to Nothing 3:50 ████▓▄ ░
░ ▄▓████ 10 Choke Sermon 3:20 ████▓▄ ░
░ ▄▓████ 11 Reclamation 7:07 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 44:50 MIN ████▓░
░▓███████▄ TOTAL SIZE: 93.51 MB▄█████▓░
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░▓█████▓░╟─────────────────────────────────────◄RELEASE NOTES►╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ Lamb of God's follow-up to 2006's exceptionally ║▀░▓████░▀▄
▄▀░████▓░▀║ brutal Sacrament returns the Virginia-based heavy ║▀░▓████░▀▄
▄▀░████▓░▀║ metal outfit to the political soapbox that framed ║▀░▓████░▀▄
▄▀░████▓░▀║ 2004's Ashes of the Wake. While Sacrament ║▀░▓████░▀▄
▄▀░████▓░▀║ positioned itself firmly in the metalcore section ║▀░▓████░▀▄
▄▀░████▓░▀║ of fan playlists, 2009's Wrath wraps itself in a ║▀░▓████░▀▄
▄▀░████▓░▀║ relentless firestorm of Bay Area thrash. Despite ║▀░▓████░▀▄
▄▀░████▓░▀║ a promising, heavily melodic instrumental intro ║▀░▓████░▀▄
▄▀░████▓░▀║ ("The Passing") that fuses Black Album-era ║▀░▓████░▀▄
▄▀░████▓░▀║ Metallica with the sonic artistry of Agalloch, ║▀░▓████░▀▄
▄▀░████▓░▀║ Wrath ultimately descends into a black abyss of ║▀░▓████░▀▄
▄▀░████▓░▀║ atonal riffing, machine-gun drumming, and ║▀░▓████░▀▄
▄▀░████▓░▀║ forgettable lyrics peppered with clich¿ªd metal ║▀░▓████░▀▄
▄▀░████▓░▀║ outrage that stirs up a mighty storm, but no ║▀░▓████░▀▄
▄▀░████▓░▀║ carnage. Wrath's production is as aggressive as ║▀░▓████░▀▄
▄▀░████▓░▀║ ever (thanks to longtime LOG colleague Josh ║▀░▓████░▀▄
▄▀░████▓░▀║ Wilbur), but so is nearly every major label ║▀░▓████░▀▄
▄▀░████▓░▀║ alt/death/black/grindcore release in the 21st ║▀░▓████░▀▄
▄▀░████▓░▀║ century -- all it takes is a few good choruses to ║▀░▓████░▀▄
▄▀░████▓░▀║ separate a band from the herd, something that ║▀░▓████░▀▄
▄▀░████▓░▀║ Lamb of God have done in the past, but not so ║▀░▓████░▀▄
▄▀░████▓░▀║ this time around. The band does occasionally step ║▀░▓████░▀▄
▄▀░████▓░▀║ outside of its comfort zone ("Grace" lives up to ║▀░▓████░▀▄
▄▀░████▓░▀║ its name with some truly inspired early and ║▀░▓████░▀▄
▄▀░████▓░▀║ midsong guitar work, while "Reclamation" mines ║▀░▓████░▀▄
▄▀░████▓░▀║ epic, Sabotage-era Black Sabbath), and there's no ║▀░▓████░▀▄
▄▀░████▓░▀║ denying the sheer "angry basement workout/summer ║▀░▓████░▀▄
▄▀░████▓░▀║ garage weightlifting" potential that Wrath's ║▀░▓████░▀▄
▄▀░████▓░▀║ perfectly acceptable 45-minute running time ║▀░▓████░▀▄
▄▀░████▓░▀║ offers, but without a single hook that sticks ║▀░▓████░▀▄
▄▀░████▓░▀║ around long enough to reel in the fish, all ║▀░▓████░▀▄
▄▀░████▓░▀║ you've got is bait. ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
▀ ░████▓▄║ ║░▓████░ ▀
▀░████▓╟◄──────────────────────────────────────────────────►╢▓████░▀
▄ ░░▓███╠════════════════════════════════════════════◄QUOTES►╢╣███▓░░ ▄ ▄
░▄▄ ▀▀██████║ ║██████▀▀ ▄▄░
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°²ÛÛÛÛÛ²°ÇÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄRELEASE NOTES¶°²ÛÛÛÛÛ²°
°²ÛÛÛÛ²°°º º°°²ÛÛÛÛ²°
Üß°ÛÛÛÛ²°ßº Lamb of God's follow-up to 2006's exceptionally ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº brutal Sacrament returns the Virginia-based heavy ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº metal outfit to the political soapbox that framed ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº 2004's Ashes of the Wake. While Sacrament ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº positioned itself firmly in the metalcore section ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº of fan playlists, 2009's Wrath wraps itself in a ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº relentless firestorm of Bay Area thrash. Despite ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº a promising, heavily melodic instrumental intro ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº ("The Passing") that fuses Black Album-era ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Metallica with the sonic artistry of Agalloch, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Wrath ultimately descends into a black abyss of ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº atonal riffing, machine-gun drumming, and ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº forgettable lyrics peppered with clich¨¦d metal ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº outrage that stirs up a mighty storm, but no ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº carnage. Wrath's production is as aggressive as ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº ever (thanks to longtime LOG colleague Josh ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Wilbur), but so is nearly every major label ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº alt/death/black/grindcore release in the 21st ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº century -- all it takes is a few good choruses to ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº separate a band from the herd, something that ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Lamb of God have done in the past, but not so ºß°²ÛÛÛÛ°ßÜ
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Üß°ÛÛÛÛ²°ßº midsong guitar work, while "Reclamation" mines ºß°²ÛÛÛÛ°ßÜ
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Üß°ÛÛÛÛ²°ßº garage weightlifting" potential that Wrath's ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº perfectly acceptable 45-minute running time ºß°²ÛÛÛÛ°ßÜ
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