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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
▄▀░████▓╔═══════════════════════╩═════════════════════════╩══════════════════════════╗▓████░▀▄
▐░ ▀▓████║ Cass_Mccombs-Catacombs-2009-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
▀ ▀▀█████▀░████ ▄ ▄ ░▓████░▀ ████▀▀ ▀
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▄▄▀▀███████████▀▀▀ ▀▀████████████▀▀ ░
▄░▓███████▄▄▄░ ARTiST.... Cass McCombs ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Catacombs █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Domino ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Alternative ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-05-02 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2009-06-02 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 224 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 11 / 53:50 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 91.08 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
░▓█████▄░░ ▄ ▄ ░░▄█████▓░
▄░▓███████▄▄▄░ ░▄▄▄███████▓░▀
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▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 Dreams-Come-True-Girl 5:20 ████▓▄ ░
░ ▄▓████ 2 Prima Donna 4:53 ████▓▄ ░
░ ▄▓████ 3 You Saved My Life 5:24 ████▓▄ ░
░ ▄▓████ 4 Don't Vote 5:26 ████▓▄ ░
░ ▄▓████ 5 The Executioner's Song 4:21 ████▓▄ ░
░ ▄▓████ 6 Harmonia 6:06 ████▓▄ ░
░ ▄▓████ 7 My Sister, My Spouse 5:14 ████▓▄ ░
░ ▄▓████ 8 Lionkiller Got Married 5:34 ████▓▄ ░
░ ▄▓████ 9 Eavesdropping on the Competition 3:53 ████▓▄ ░
░ ▄▓████ 10 Jonesy Boy 4:44 ████▓▄ ░
░ ▄▓████ 11 One Way to Go 2:55 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 53:50 MIN ████▓░
░▓███████▄ TOTAL SIZE: 91.08 MB▄█████▓░
▀░▀████████▄ ▄█████▀░▀▀
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░▓█████▓░╟─────────────────────────────────────◄RELEASE NOTES►╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ On the album he released previous to 2009's ║▀░▓████░▀▄
▄▀░████▓░▀║ Catacombs, Baltimore singer/songwriter Cass ║▀░▓████░▀▄
▄▀░████▓░▀║ McCombs began moving away from the reverb-heavy, ║▀░▓████░▀▄
▄▀░████▓░▀║ lo-fi sound and busy arrangements of his first ║▀░▓████░▀▄
▄▀░████▓░▀║ two records in favor of a more direct sound with ║▀░▓████░▀▄
▄▀░████▓░▀║ cleaner production. Here, McCombs strips away the ║▀░▓████░▀▄
▄▀░████▓░▀║ remaining traces of his early bedroom-crafted ║▀░▓████░▀▄
▄▀░████▓░▀║ indie pop sound and aims for something simpler ║▀░▓████░▀▄
▄▀░████▓░▀║ that takes the focus away from the sound of the ║▀░▓████░▀▄
▄▀░████▓░▀║ record and places it firmly on the wordy, ║▀░▓████░▀▄
▄▀░████▓░▀║ emotionally charged songs and McCombs' vocals. ║▀░▓████░▀▄
▄▀░████▓░▀║ The vocals are always up to the task; McCombs has ║▀░▓████░▀▄
▄▀░████▓░▀║ ditched the jittery yelping he sometimes used on ║▀░▓████░▀▄
▄▀░████▓░▀║ Dropping the Writ and instead settles into a warm ║▀░▓████░▀▄
▄▀░████▓░▀║ and intimate style that instantly draws the ║▀░▓████░▀▄
▄▀░████▓░▀║ listener in closer. The songs are mostly strong, ║▀░▓████░▀▄
▄▀░████▓░▀║ too; almost uniformly quiet and introspective, ║▀░▓████░▀▄
▄▀░████▓░▀║ they create a mood that lingers throughout the ║▀░▓████░▀▄
▄▀░████▓░▀║ album like a melancholy haze. Tracks like the ║▀░▓████░▀▄
▄▀░████▓░▀║ yearning "Dreams Come True Girl" or the tender, ║▀░▓████░▀▄
▄▀░████▓░▀║ epic "Harmonia" cast a quietly desperate spell; ║▀░▓████░▀▄
▄▀░████▓░▀║ in much the same way American Music Club did, ║▀░▓████░▀▄
▄▀░████▓░▀║ only with less sarcastic wit and more resigned ║▀░▓████░▀▄
▄▀░████▓░▀║ sadness. Only the lightly skipping "Prima Donna" ║▀░▓████░▀▄
▄▀░████▓░▀║ breaks the feeling and adds some much-needed ║▀░▓████░▀▄
▄▀░████▓░▀║ sunshine. The problem with creating an album this ║▀░▓████░▀▄
▄▀░████▓░▀║ uniformly midtempo and hushed is that by the end, ║▀░▓████░▀▄
▄▀░████▓░▀║ the listener may be screaming for a song to show ║▀░▓████░▀▄
▄▀░████▓░▀║ some spunk or to kick the tempo up past the ║▀░▓████░▀▄
▄▀░████▓░▀║ "lope" setting. It doesn't happen here, and it's ║▀░▓████░▀▄
▄▀░████▓░▀║ not really a big problem because the songs and ║▀░▓████░▀▄
▄▀░████▓░▀║ mood are so cleverly established and sustained. ║▀░▓████░▀▄
▄▀░████▓░▀║ The bigger issue is that a couple songs are ║▀░▓████░▀▄
▄▀░████▓░▀║ overly wordy or hook-free ("Don't," "Lionkiller ║▀░▓████░▀▄
▄▀░████▓░▀║ Got Married," and "My Sister, My Spouse"), and ║▀░▓████░▀▄
▄▀░████▓░▀║ this is where the album could use some ║▀░▓████░▀▄
▄▀░████▓░▀║ instrumental coloring or production tricks to add ║▀░▓████░▀▄
▄▀░████▓░▀║ some much needed distraction. For the most part, ║▀░▓████░▀▄
▄▀░████▓░▀║ though, the album is an enjoyable addition to ║▀░▓████░▀▄
▄▀░████▓░▀║ McCombs' catalog and shows him growing as an ║▀░▓████░▀▄
▄▀░████▓░▀║ artist. While some fans of his early work may be ║▀░▓████░▀▄
▄▀░████▓░▀║ left behind, most people who enjoy witty songs ║▀░▓████░▀▄
▄▀░████▓░▀║ with tender emotion behind them will be satisfied ║▀░▓████░▀▄
▄▀░████▓░▀║ with Catacombs and happy with the direction he's ║▀░▓████░▀▄
▄▀░████▓░▀║ headed. ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
▀ ░████▓▄║ ║░▓████░ ▀
▀░████▓╟◄──────────────────────────────────────────────────►╢▓████░▀
▄ ░░▓███╠════════════════════════════════════════════◄QUOTES►╢╣███▓░░ ▄ ▄
░▄▄ ▀▀██████║ ║██████▀▀ ▄▄░
▀░▓███████▄▄║ The idea behind digital computers may be ║▄▄███████▓░▀
▀░▓███████▄▄║ explained by saying that these machines are ║▄▄███████▓░▀
▀░▓███████▄▄║ intended to carry out any operations which could ║▄▄███████▓░▀
▀░▓███████▄▄║ be done by a human computer. ║▄▄███████▓░▀
▀░▓███████▄▄║ ║▄▄███████▓░▀
▀░▓███████▄▄║ -- Alan Turing ║▄▄███████▓░▀
░▓█████▄░░ ▄║ ║▄ ░░▄█████▓░
░▄▄ ▀▀██████╟◄──────────────────────────────────────────────────►╢██████▀▀ ▄▄░
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▄░▓███████▄║ DeBT is in need of SECURE affils ║▄▄███████▓░▀
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°²ÛÛÛÛ²°°º º°°²ÛÛÛÛ²°
Üß°ÛÛÛÛ²°ßº On the album he released previous to 2009's ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Catacombs, Baltimore singer/songwriter Cass ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº McCombs began moving away from the reverb-heavy, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº lo-fi sound and busy arrangements of his first ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº two records in favor of a more direct sound with ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº cleaner production. Here, McCombs strips away the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº remaining traces of his early bedroom-crafted ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº indie pop sound and aims for something simpler ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº that takes the focus away from the sound of the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº record and places it firmly on the wordy, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº emotionally charged songs and McCombs' vocals. ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº The vocals are always up to the task; McCombs has ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº ditched the jittery yelping he sometimes used on ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Dropping the Writ and instead settles into a warm ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº and intimate style that instantly draws the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº listener in closer. The songs are mostly strong, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº too; almost uniformly quiet and introspective, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº they create a mood that lingers throughout the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº album like a melancholy haze. Tracks like the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº yearning "Dreams Come True Girl" or the tender, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº epic "Harmonia" cast a quietly desperate spell; ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº in much the same way American Music Club did, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº only with less sarcastic wit and more resigned ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº sadness. Only the lightly skipping "Prima Donna" ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº breaks the feeling and adds some much-needed ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº sunshine. The problem with creating an album this ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº uniformly midtempo and hushed is that by the end, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº the listener may be screaming for a song to show ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº some spunk or to kick the tempo up past the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº "lope" setting. It doesn't happen here, and it's ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº not really a big problem because the songs and ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº mood are so cleverly established and sustained. ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº The bigger issue is that a couple songs are ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº overly wordy or hook-free ("Don't," "Lionkiller ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Got Married," and "My Sister, My Spouse"), and ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº this is where the album could use some ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº instrumental coloring or production tricks to add ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº some much needed distraction. For the most part, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº though, the album is an enjoyable addition to ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº McCombs' catalog and shows him growing as an ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº artist. While some fans of his early work may be ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº left behind, most people who enjoy witty songs ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº with tender emotion behind them will be satisfied ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº with Catacombs and happy with the direction he's ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº headed. ºß°²ÛÛÛÛ°ßÜ
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