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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
▄▀░████▓╔═══════════════════════╩═════════════════════════╩══════════════════════════╗▓████░▀▄
▐░ ▀▓████║ Deep_Purple-Who_Do_We_Think_We_Are-Remastered-2010-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
▀ ▀▀█████▀░████ ▄ ▄ ░▓████░▀ ████▀▀ ▀
▄ ░░▓████▀▀░ ░▀▀████▓░░ ▄ ▄
▄▄▀▀███████████▀▀▀ ▀▀████████████▀▀ ░
▄░▓███████▄▄▄░ ARTiST.... Deep Purple ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Who Do We Think We Are █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Warner Music Japan ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Hard Rock ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-05-02 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2010-00-00 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 265 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 7 / 34:46 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 69.21 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
░▓█████▄░░ ▄ ▄ ░░▄█████▓░
▄░▓███████▄▄▄░ ░▄▄▄███████▓░▀
░▀▀ ▀▀████████████▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄████████████▀▀▀▀
▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 Woman from Tokyo 5:55 ████▓▄ ░
░ ▄▓████ 2 Mary Long 4:28 ████▓▄ ░
░ ▄▓████ 3 Super Trouper 2:57 ████▓▄ ░
░ ▄▓████ 4 Smooth Dancer 4:12 ████▓▄ ░
░ ▄▓████ 5 Rat Bat Blue 5:28 ████▓▄ ░
░ ▄▓████ 6 Place in Line 6:34 ████▓▄ ░
░ ▄▓████ 7 Our Lady 5:12 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 34:46 MIN ████▓░
░▓███████▄ TOTAL SIZE: 69.21 MB▄█████▓░
▀░▀████████▄ ▄█████▀░▀▀
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░▓█████▓░╟─────────────────────────────────────◄RELEASE NOTES►╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ Deep Purple had kicked off the '70s with a new ║▀░▓████░▀▄
▄▀░████▓░▀║ lineup and a string of brilliant albums that ║▀░▓████░▀▄
▄▀░████▓░▀║ quickly established them (along with fellow ║▀░▓████░▀▄
▄▀░████▓░▀║ British giants Led Zeppelin and Black Sabbath) as ║▀░▓████░▀▄
▄▀░████▓░▀║ a major force in the popularization of hard rock ║▀░▓████░▀▄
▄▀░████▓░▀║ and heavy metal. All the while, their reputation ║▀░▓████░▀▄
▄▀░████▓░▀║ as one of the decade's fiercest live units ║▀░▓████░▀▄
▄▀░████▓░▀║ complemented this body of work and earned them ║▀░▓████░▀▄
▄▀░████▓░▀║ almost instant legendary status. But with 1973's ║▀░▓████░▀▄
▄▀░████▓░▀║ disappointing Who Do We Think We Are -- the ║▀░▓████░▀▄
▄▀░████▓░▀║ fourth and final studio outing by the original ║▀░▓████░▀▄
▄▀░████▓░▀║ run of Purple's classic Mark II lineup -- all the ║▀░▓████░▀▄
▄▀░████▓░▀║ fire and inspiration that had made the previous ║▀░▓████░▀▄
▄▀░████▓░▀║ year's Machine Head their greatest triumph ║▀░▓████░▀▄
▄▀░████▓░▀║ mysteriously vanished from sight. Vastly inferior ║▀░▓████░▀▄
▄▀░████▓░▀║ to all three of its famous predecessors, the ║▀░▓████░▀▄
▄▀░████▓░▀║ album revealed an exhausted band clearly ║▀░▓████░▀▄
▄▀░████▓░▀║ splintering at the seams. Except for opener ║▀░▓████░▀▄
▄▀░████▓░▀║ "Woman From Tokyo," which hinted at glories past ║▀░▓████░▀▄
▄▀░████▓░▀║ with its signature Ritchie Blackmore riff, the ║▀░▓████░▀▄
▄▀░████▓░▀║ album's remaining cuts are wildly inconsistent ║▀░▓████░▀▄
▄▀░████▓░▀║ and find the band simply going through the ║▀░▓████░▀▄
▄▀░████▓░▀║ motions. In fact, many of these don't so much ║▀░▓████░▀▄
▄▀░████▓░▀║ resemble songs as loose jam sessions quickly ║▀░▓████░▀▄
▄▀░████▓░▀║ thrown together in the studio with varying ║▀░▓████░▀▄
▄▀░████▓░▀║ degrees of enthusiasm. "Mary Long" and "Super ║▀░▓████░▀▄
▄▀░████▓░▀║ Trouper" are prime examples, featuring generic ║▀░▓████░▀▄
▄▀░████▓░▀║ solos from Blackmore and organist Jon Lord, and ║▀░▓████░▀▄
▄▀░████▓░▀║ uncharacteristically inane lyrics from soon-to-be ║▀░▓████░▀▄
▄▀░████▓░▀║ former singer Ian Gillan. With its start-stop ║▀░▓████░▀▄
▄▀░████▓░▀║ rhythm and Gillan's fine scat singing, the ║▀░▓████░▀▄
▄▀░████▓░▀║ energetic "Rat Bat Blue" is a memorable exception ║▀░▓████░▀▄
▄▀░████▓░▀║ to the rule, but the yawn-inducing blues of ║▀░▓████░▀▄
▄▀░████▓░▀║ "Place in the Line" and the gospel mediocrity of ║▀░▓████░▀▄
▄▀░████▓░▀║ "Our Lady" bring the album to a close with a ║▀░▓████░▀▄
▄▀░████▓░▀║ whimper rather than a shout. [A painfully ║▀░▓████░▀▄
▄▀░████▓░▀║ revealing display of a legendary band grinding to ║▀░▓████░▀▄
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Üß°ÛÛÛÛ²°ßº disappointing Who Do We Think We Are -- the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº fourth and final studio outing by the original ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº run of Purple's classic Mark II lineup -- all the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº fire and inspiration that had made the previous ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº year's Machine Head their greatest triumph ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº mysteriously vanished from sight. Vastly inferior ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº to all three of its famous predecessors, the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº album revealed an exhausted band clearly ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº splintering at the seams. Except for opener ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº "Woman From Tokyo," which hinted at glories past ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº with its signature Ritchie Blackmore riff, the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº album's remaining cuts are wildly inconsistent ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº and find the band simply going through the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº motions. In fact, many of these don't so much ºß°²ÛÛÛÛ°ßÜ
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Üß°ÛÛÛÛ²°ßº thrown together in the studio with varying ºß°²ÛÛÛÛ°ßÜ
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Üß°ÛÛÛÛ²°ßº solos from Blackmore and organist Jon Lord, and ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº uncharacteristically inane lyrics from soon-to-be ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº former singer Ian Gillan. With its start-stop ºß°²ÛÛÛÛ°ßÜ
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Üß°ÛÛÛÛ²°ßº "Place in the Line" and the gospel mediocrity of ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº "Our Lady" bring the album to a close with a ºß°²ÛÛÛÛ°ßÜ
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Üß°ÛÛÛÛ²°ßº revealing display of a legendary band grinding to ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº a halt, Who Do We Think We Are was reissued in ºß°²ÛÛÛÛ°ßÜ
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