NFOmation.net - Your Ultimate NFO Upload Resource! Viewing NFO file: 00-pat_jordache-future_songs-_cst076_-cd-2011.nfo 00-pat_jordache-future_songs-_cst076_-cd-2011
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▓█▓▓█ Artist.....[ Pat Jordache ▀████▄█▓
██▓▀ Album......[ Future Songs ▀▓██
▄ █▓█ █ Label......[ Constellation Records █ █▓█ ▄
█▒█▓█▄▀ Catalog #..[ CST076 ▀▄█▓█▒█
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▓█▀ ▀▀█▓█▒ Source.....[ CD ▒█▓█▀▀ ▀█▓
▓█▄ ▀▄ ██▓ Genre......[ Indie ▓██ ▄▀ ▄█▓
▓▓█▓▀ ██ Language...[ English ██ ▀▓█▓▓
▀ ▄████ Rip Date...[ 2011-05-06 ████▄ ▀
▄ ▀ ▓█▓ Store Date.[ 2011-04-26 ▓█▓ ▀ ▄
█▀▀ ▄▓█▀ Rip Tool...[ EAC ▀█▓▄ ▀▀█
▓█▄████▀ Encoder....[ LAME 3.98.4 -V0 ▀████▄█▓
▀█▓▀ Quality....[ 236 kbps AVG VBR 44.1/Joint Stereo ▀▓█▀
▄ █▓█▄▓█▓ Url........[ http://www.cstrecords.com ▓█▓▄█▓█ ▄
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▓█▀ █▀█▓█▒ ▒█▓█▀█ ▀█▓
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█▓ 01 Radio Generation 5:02 ▓█
█▓ 02 Get It (I Know You're Going To) 5:15 ▓█
█▓ 03 Salt On The Fields 4:17 ▓█
█▓ 04 Phantom Limb 5:38 ▓█
█▓ 05 Gold Bound 3:08 ▓█
█▓ 06 Song 4 Arthur 5:24 ▓█
█▓ 07 The 2-Step 5:53 ▓█
█▓ 08 UKUUU 6:20 ▓█
█▓ ----- ▓█
█▓ 40:57 ▓█
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▓█▓█ ▀ ▓█▄▀ ▓█▀ ▓█ ▓█▀█ ▓█ █ ▓█ ▓█▀ -▀▀▀█ ▀ █▓█▓
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█░█▒ Pat JORDACHE has been making elliptical sparkling ▒█░█
█░█▒ waves in Montreal's vibrant noise-pop community for ▒█░█
█░█▒ several years now. His band Sister Suvi with Merill ▒█░█
█░█▒ Garbus made a fierce but short-lived impact, ▒█░█
█░█▒ serving up dense, lo-fi, supercharged complexity ▒█░█
█░█▒ and garnering accolades from Pitchfork among others ▒█░█
█░█▒ for their Now I Am Champion album. With the ▒█░█
█░█▒ departure of Garbus for the American west coast and ▒█░█
█░█▒ her focus on tUnE-yArDs, Pat drew inspiration from ▒█░█
█░█▒ that friendship and from GarbusÆ hermetic solo ▒█░█
█░█▒ process, retreating to minimum wage employment ▒█░█
█░█▒ while working up home recordings of solo material. ▒█░█
█░█▒ ▒█░█
█░█▒ Future Songs is the bracing result of Pat's ▒█░█
█░█▒ isolation; an album of brilliant off-kilter pop, ▒█░█
█░█▒ anchored by woozy baritone vocals, angular guitar ▒█░█
█░█▒ lines and a gloriously careening approach to rhythm ▒█░█
█░█▒ and arrangement. Evoking sounds and sensibilities ▒█░█
█░█▒ that encompass David-Baker-era Mercury Rev, Joy ▒█░█
█░█▒ Division, Scott Walker and Can, to name just a few, ▒█░█
█░█▒ Future Songs was self-released on cassette and went ▒█░█
█░█▒ up on Bandcamp in summer of 2010, circulating ▒█░█
█░█▒ quickly through Montreal's DIY music community and ▒█░█
█░█▒ Tumblr accounts across the continent. While ▒█░█
█░█▒ entirely self-recorded, with almost all parts ▒█░█
█░█▒ played by Jordache, the material unmistakably cried ▒█░█
█░█▒ out for full band treatment, for which there was no ▒█░█
█░█▒ shortage of eager participants. ▒█░█
█░█▒ ▒█░█
█░█▒ Early Pat JORDACHE shows were solo ventures, ▒█░█
█░█▒ re-working the recorded music using a DD-3 pedal ▒█░█
█░█▒ capable of looping only 1.4 seconds of sound. These ▒█░█
█░█▒ droning minimalist arrangements soon came to be ▒█░█
█░█▒ supported by the explosive percussion efforts of ▒█░█
█░█▒ dueling drummers Phillip Chanel, Jeffrey Malecki ▒█░█
█░█▒ and Thom Gillies. Rory Seydel (Shapes and Sizes) ▒█░█
█░█▒ soon joined the group on guitar, allowing for a ▒█░█
█░█▒ more faithful interpretation of the recorded songs. ▒█░█
█░█▒ Pat JORDACHE toured house show circuits as a ▒█░█
█░█▒ 3-piece and 4-piece throughout 2010 while playing ▒█░█
█░█▒ tirelessly at home in Montreal's underground ▒█░█
█░█▒ spaces, with occasional forays into the mainstream, ▒█░█
█░█▒ including a raucous and rhapsodic late-night set at ▒█░█
█░█▒ the Pop Montreal after-party venue. ▒█░█
█░█▒ ▒█░█
█░█▒ Future Songs opens with the clarion call of "Radio ▒█░█
█░█▒ Generation" (also pressed on a tour-only 7" with ▒█░█
█░█▒ previously unreleased "Radar" on the B-Side), where ▒█░█
█░█▒ Jordache's falsetto kicks off the tune against ▒█░█
█░█▒ stuttering and fluttering guitar vamps before ▒█░█
█░█▒ settling into an off-beat chord pattern and verses ▒█░█
█░█▒ delivered in Jordache's unique baritone. "Get It" ▒█░█
█░█▒ follows, built from a great staccato riff and ▒█░█
█░█▒ driven by tripled octave-shifted vocals. "Salt On ▒█░█
█░█▒ The Fields" brings back the damaged Beach Boys ▒█░█
█░█▒ falsetto winding around a rhythmic track of ▒█░█
█░█▒ bubbling wood block and chimes, with a taste of ▒█░█
█░█▒ afro-beat guitar lines. "Gold Bound" is woozy ▒█░█
█░█▒ psych-tinged lo-fi folk. "The 2-Step" instantly ▒█░█
█░█▒ sounds like a lost classic from a Joy Division ▒█░█
█░█▒ session. "UKUUU" deploys nature sounds, reverse ▒█░█
█░█▒ vocals and spaghetti western guitars winding their ▒█░█
█░█▒ way towards a speak-song testimonial and a ▒█░█
█░█▒ Velvets-style doo-wop to close the album. All in ▒█░█
█░█▒ all, an awesome ride. ▒█░█
█░█▒ ▒█░█
█░█▒ With the original sessions lost in the theft of ▒█░█
█░█▒ JordacheÆs laptop from a Montreal roadside smoked ▒█░█
█░█▒ meat shop, the initial release of Future Songs was ▒█░█
█░█▒ in lo-res, self-mastered 160 kbps mp3. In one of ▒█░█
█░█▒ the many small miracles of our digital age, full ▒█░█
█░█▒ resolution back-up .wav files of the sessions were ▒█░█
█░█▒ dredged up from a forgotten Mediafire account, from ▒█░█
█░█▒ which the songs were re-mastered for the ▒█░█
█░█▒ Constellation release of the album. ▒█░█
█░█▒ ▒█░█
█░█▒ http://www.cstrecords.com ▒█░█
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²Û²²Û Artist.....[ Pat Jordache ßÛÛÛÛÜÛ²
ÛÛ²ß Album......[ Future Songs ß²ÛÛ
Ü Û²Û Û Label......[ Constellation Records Û Û²Û Ü
Û±Û²ÛÜß Catalog #..[ CST076 ßÜÛ²Û±Û
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²Ûß ßßÛ²Û± Source.....[ CD ±Û²Ûßß ßÛ²
²ÛÜ ßÜ ÛÛ² Genre......[ Indie ²ÛÛ Üß ÜÛ²
²²Û²ß ÛÛ Language...[ English ÛÛ ß²Û²²
ß ÜÛÛÛÛ Rip Date...[ 2011-05-06 ÛÛÛÛÜ ß
Ü ß ²Û² Store Date.[ 2011-04-26 ²Û² ß Ü
Ûßß Ü²Ûß Rip Tool...[ EAC ßÛ²Ü ßßÛ
²ÛÜÛÛÛÛß Encoder....[ LAME 3.98.4 -V0 ßÛÛÛÛÜÛ²
ßÛ²ß Quality....[ 236 kbps AVG VBR 44.1/Joint Stereo ß²Ûß
Ü Û²Ûܲ۲ Url........[ http://www.cstrecords.com ²Û²ÜÛ²Û Ü
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Û² 01 Radio Generation 5:02 ²Û
Û² 02 Get It (I Know You're Going To) 5:15 ²Û
Û² 03 Salt On The Fields 4:17 ²Û
Û² 04 Phantom Limb 5:38 ²Û
Û² 05 Gold Bound 3:08 ²Û
Û² 06 Song 4 Arthur 5:24 ²Û
Û² 07 The 2-Step 5:53 ²Û
Û² 08 UKUUU 6:20 ²Û
Û² ----- ²Û
Û² 40:57 ²Û
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Û°Û± Pat JORDACHE has been making elliptical sparkling ±Û°Û
Û°Û± waves in Montreal's vibrant noise-pop community for ±Û°Û
Û°Û± several years now. His band Sister Suvi with Merill ±Û°Û
Û°Û± Garbus made a fierce but short-lived impact, ±Û°Û
Û°Û± serving up dense, lo-fi, supercharged complexity ±Û°Û
Û°Û± and garnering accolades from Pitchfork among others ±Û°Û
Û°Û± for their Now I Am Champion album. With the ±Û°Û
Û°Û± departure of Garbus for the American west coast and ±Û°Û
Û°Û± her focus on tUnE-yArDs, Pat drew inspiration from ±Û°Û
Û°Û± that friendship and from Garbus hermetic solo ±Û°Û
Û°Û± process, retreating to minimum wage employment ±Û°Û
Û°Û± while working up home recordings of solo material. ±Û°Û
Û°Û± ±Û°Û
Û°Û± Future Songs is the bracing result of Pat's ±Û°Û
Û°Û± isolation; an album of brilliant off-kilter pop, ±Û°Û
Û°Û± anchored by woozy baritone vocals, angular guitar ±Û°Û
Û°Û± lines and a gloriously careening approach to rhythm ±Û°Û
Û°Û± and arrangement. Evoking sounds and sensibilities ±Û°Û
Û°Û± that encompass David-Baker-era Mercury Rev, Joy ±Û°Û
Û°Û± Division, Scott Walker and Can, to name just a few, ±Û°Û
Û°Û± Future Songs was self-released on cassette and went ±Û°Û
Û°Û± up on Bandcamp in summer of 2010, circulating ±Û°Û
Û°Û± quickly through Montreal's DIY music community and ±Û°Û
Û°Û± Tumblr accounts across the continent. While ±Û°Û
Û°Û± entirely self-recorded, with almost all parts ±Û°Û
Û°Û± played by Jordache, the material unmistakably cried ±Û°Û
Û°Û± out for full band treatment, for which there was no ±Û°Û
Û°Û± shortage of eager participants. ±Û°Û
Û°Û± ±Û°Û
Û°Û± Early Pat JORDACHE shows were solo ventures, ±Û°Û
Û°Û± re-working the recorded music using a DD-3 pedal ±Û°Û
Û°Û± capable of looping only 1.4 seconds of sound. These ±Û°Û
Û°Û± droning minimalist arrangements soon came to be ±Û°Û
Û°Û± supported by the explosive percussion efforts of ±Û°Û
Û°Û± dueling drummers Phillip Chanel, Jeffrey Malecki ±Û°Û
Û°Û± and Thom Gillies. Rory Seydel (Shapes and Sizes) ±Û°Û
Û°Û± soon joined the group on guitar, allowing for a ±Û°Û
Û°Û± more faithful interpretation of the recorded songs. ±Û°Û
Û°Û± Pat JORDACHE toured house show circuits as a ±Û°Û
Û°Û± 3-piece and 4-piece throughout 2010 while playing ±Û°Û
Û°Û± tirelessly at home in Montreal's underground ±Û°Û
Û°Û± spaces, with occasional forays into the mainstream, ±Û°Û
Û°Û± including a raucous and rhapsodic late-night set at ±Û°Û
Û°Û± the Pop Montreal after-party venue. ±Û°Û
Û°Û± ±Û°Û
Û°Û± Future Songs opens with the clarion call of "Radio ±Û°Û
Û°Û± Generation" (also pressed on a tour-only 7" with ±Û°Û
Û°Û± previously unreleased "Radar" on the B-Side), where ±Û°Û
Û°Û± Jordache's falsetto kicks off the tune against ±Û°Û
Û°Û± stuttering and fluttering guitar vamps before ±Û°Û
Û°Û± settling into an off-beat chord pattern and verses ±Û°Û
Û°Û± delivered in Jordache's unique baritone. "Get It" ±Û°Û
Û°Û± follows, built from a great staccato riff and ±Û°Û
Û°Û± driven by tripled octave-shifted vocals. "Salt On ±Û°Û
Û°Û± The Fields" brings back the damaged Beach Boys ±Û°Û
Û°Û± falsetto winding around a rhythmic track of ±Û°Û
Û°Û± bubbling wood block and chimes, with a taste of ±Û°Û
Û°Û± afro-beat guitar lines. "Gold Bound" is woozy ±Û°Û
Û°Û± psych-tinged lo-fi folk. "The 2-Step" instantly ±Û°Û
Û°Û± sounds like a lost classic from a Joy Division ±Û°Û
Û°Û± session. "UKUUU" deploys nature sounds, reverse ±Û°Û
Û°Û± vocals and spaghetti western guitars winding their ±Û°Û
Û°Û± way towards a speak-song testimonial and a ±Û°Û
Û°Û± Velvets-style doo-wop to close the album. All in ±Û°Û
Û°Û± all, an awesome ride. ±Û°Û
Û°Û± ±Û°Û
Û°Û± With the original sessions lost in the theft of ±Û°Û
Û°Û± Jordaches laptop from a Montreal roadside smoked ±Û°Û
Û°Û± meat shop, the initial release of Future Songs was ±Û°Û
Û°Û± in lo-res, self-mastered 160 kbps mp3. In one of ±Û°Û
Û°Û± the many small miracles of our digital age, full ±Û°Û
Û°Û± resolution back-up .wav files of the sessions were ±Û°Û
Û°Û± dredged up from a forgotten Mediafire account, from ±Û°Û
Û°Û± which the songs were re-mastered for the ±Û°Û
Û°Û± Constellation release of the album. ±Û°Û
Û°Û± ±Û°Û
Û°Û± http://www.cstrecords.com ±Û°Û
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