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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
▄▀░████▓╔═══════════════════════╩═════════════════════════╩══════════════════════════╗▓████░▀▄
▐░ ▀▓████║ Deep_Purple-Concerto_For_Group_And_Orchestra-Remastered-2010-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
▀ ▀▀█████▀░████ ▄ ▄ ░▓████░▀ ████▀▀ ▀
▄ ░░▓████▀▀░ ░▀▀████▓░░ ▄ ▄
▄▄▀▀███████████▀▀▀ ▀▀████████████▀▀ ░
▄░▓███████▄▄▄░ ARTiST.... Deep Purple ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Concerto for Group and Orchestra █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Warner Music Japan ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Rock ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-05-02 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2010-00-00 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 228 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 4 / 53:44 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 92.36 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
░▓█████▄░░ ▄ ▄ ░░▄█████▓░
▄░▓███████▄▄▄░ ░▄▄▄███████▓░▀
░▀▀ ▀▀████████████▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄████████████▀▀▀▀
▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 First Movement: a. Moderato / b. Allegro / 19:11 ████▓▄ ░
░ ▄▓████ c. Vivace ████▓▄ ░
░ ▄▓████ 2 Second Movement: a. Part One - Andante 6:33 ████▓▄ ░
░ ▄▓████ 3 Second Movement: b. Part Two 12:29 ████▓▄ ░
░ ▄▓████ 4 Third Movement 15:31 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 53:44 MIN ████▓░
░▓███████▄ TOTAL SIZE: 92.36 MB▄█████▓░
▀░▀████████▄ ▄█████▀░▀▀
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░▓█████▓░╟─────────────────────────────────────◄RELEASE NOTES►╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ Back in 1970, it seemed as though any British ║▀░▓████░▀▄
▄▀░████▓░▀║ group that could was starting to utilize ║▀░▓████░▀▄
▄▀░████▓░▀║ classical elements in their work -- for some, ║▀░▓████░▀▄
▄▀░████▓░▀║ like ELP, that meant quoting from the classics as ║▀░▓████░▀▄
▄▀░████▓░▀║ often and loudly as possible, while for others, ║▀░▓████░▀▄
▄▀░████▓░▀║ like Yes, it meant incorporating classical ║▀░▓████░▀▄
▄▀░████▓░▀║ structures into their albums and songs. Deep ║▀░▓████░▀▄
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▄▀░████▓░▀║ fell briefly into the camp of this offshoot of ║▀░▓████░▀▄
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▄▀░████▓░▀║ Group and Orchestra. For most fans, the album ║▀░▓████░▀▄
▄▀░████▓░▀║ represented the nadir of the classic (i.e., ║▀░▓████░▀▄
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▄▀░████▓░▀║ meandering lead into some perfectly good hard ║▀░▓████░▀▄
▄▀░████▓░▀║ rock jamming by the band, but the trip is almost ║▀░▓████░▀▄
▄▀░████▓░▀║ not worth the effort. Ritchie Blackmore sounds ║▀░▓████░▀▄
▄▀░████▓░▀║ great and plays his heart out, and you can tell ║▀░▓████░▀▄
▄▀░████▓░▀║ this band is going to go somewhere, just by ║▀░▓████░▀▄
▄▀░████▓░▀║ virtue of the energy that they put into these ║▀░▓████░▀▄
▄▀░████▓░▀║ extended pieces. The classical influences mostly ║▀░▓████░▀▄
▄▀░████▓░▀║ seem drawn from movie music composers Dimitri ║▀░▓████░▀▄
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▄▀░████▓░▀║ with some nods to Rachmaninoff, Sibelius, and ║▀░▓████░▀▄
▄▀░████▓░▀║ Mahler, and they rather just lay there. Buried in ║▀░▓████░▀▄
▄▀░████▓░▀║ the middle of the second movement is a perfectly ║▀░▓████░▀▄
▄▀░████▓░▀║ good song, but you've got to get to it through ║▀░▓████░▀▄
▄▀░████▓░▀║ eight minutes of orchestral noodling on either ║▀░▓████░▀▄
▄▀░████▓░▀║ side. The third movement is almost bracing enough ║▀░▓████░▀▄
▄▀░████▓░▀║ to make up for the flaws of the other two, though ║▀░▓████░▀▄
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▄▀░████▓░▀║ Pink Floyd proved far more adept at mixing group ║▀░▓████░▀▄
▄▀░████▓░▀║ and orchestra, and making long, slow, lugubrious ║▀░▓████░▀▄
▄▀░████▓░▀║ pieces interesting. As a bonus, however, the ║▀░▓████░▀▄
▄▀░████▓░▀║ producers have added a pair of hard rock numbers ║▀░▓████░▀▄
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▄▀░████▓░▀║ in Time," that were played at the same concert. ║▀░▓████░▀▄
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Üß°ÛÛÛÛ²°ßº meandering lead into some perfectly good hard ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº rock jamming by the band, but the trip is almost ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº not worth the effort. Ritchie Blackmore sounds ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº great and plays his heart out, and you can tell ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº this band is going to go somewhere, just by ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº virtue of the energy that they put into these ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº extended pieces. The classical influences mostly ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº seem drawn from movie music composers Dimitri ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Tiomkin and Franz Waxman (and Elmer Bernstein), ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº with some nods to Rachmaninoff, Sibelius, and ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Mahler, and they rather just lay there. Buried in ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº the middle of the second movement is a perfectly ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº good song, but you've got to get to it through ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº eight minutes of orchestral noodling on either ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº side. The third movement is almost bracing enough ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº to make up for the flaws of the other two, though ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº by itself, it wouldn't make the CD worthwhile -- ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Pink Floyd proved far more adept at mixing group ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº and orchestra, and making long, slow, lugubrious ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº pieces interesting. As a bonus, however, the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº producers have added a pair of hard rock numbers ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº by the group alone, "Wring That Neck" and "Child ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº in Time," that were played at the same concert. ºß°²ÛÛÛÛ°ßÜ
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