┌───┌┐───┐
   │┌──┤└┬─+│
   │││││││└┤│
   ││││││├┐││ ─────────────────────────────────────── music for body and soul
   │└┴┴┴─┴─┘│
   └────────┘                                         2011-05-29
     freshhh!

        artist: CFCF
         album: The River
         label: Rvng Int'l
           cat: RVNGNL04
          year: 2010-00-00
         genre: Electronic

        source: Vinyl
       encoder: VBR LAME 3.98.4 -V0
          size: 58.69

          link:

   ─┐└───────────────────────────────────────────────────────────────────────
    │tracklist.

     no. time       track title

     1    5:19      Before And After Light
     2    5:13      It Was Never Meant To Be This Way
     3    5:08      Upon The Hill
     4    5:49      Frozen Forest
     5    6:35      The River
     6    4:21      Orage

     total time:    00:32:25

   ─┐└───────────────────────────────────────────────────────────────────────
    │release notes.

          Not only is CFCF's The River explicitly inspired by Fitzcarraldo,
     one of Werner Herzog's most grandly-sized cinematic efforts, the
     vinyl release is made to resemble the weathered map that leads
     Fitzcarraldo to madness and freedom. With all this in mind, it
     shouldn't come as a surprise that the cinematic aspects of CFCF,
     AKA 22 year old Montreal resident Michael Silver, are turned up to
     the max here, offering a heavily soundtrack-esque exploration of
     kosmiche atmosphere and ambient evocation.

     Steeped in the tradition of electronic psychedelia, The River is
     often at its strongest when it's able to weld its influences onto a
     contemporary aesthetic. The more retro-leaning tracks are
     nonetheless still quite effective, often trading heavily in the
     sort of trippy bliss that Popol Vuh pioneered in their work for
     Herzog's films. "Upon the Hill" is the most notable example, with
     its eerie choir of sampled voices and ecstatically ringing guitars.
     Elsewhere, on "It Was Never Meant to Be This Way," Silver flexes
     his knowledge of krautrock's more repetitive end. With its hypnotic
     bed of undulating synth-loops the tune sounds like it could have
     been nipped from anything Conny Plank-produced: Harmonia, Cluster,
     Eno, you name it.

     Ultimately, however, Silver has more in mind than stylized homage,
     as you can see on the title track, perhaps the record's standout.
     It's a gorgeous meditation with spare flute-like synths and windy
     exhalations that swells into a Tim-Hecker style white-noise
     freak-out. "Before and After Light" is the most
     contemporary-sounding, as Silver adds loops of percussive
     percolation. "Frozen Forest" is a close companion, more of a
     downtempo/trip-hop style number whose vibe and guitar pluck are
     more than a little reminiscent of Massive Attack's "Teardrop." It
     skirts that very fine line, perhaps impossible to define, between
     ambient and background music.

     The digital release features a handful of interesting attempts to
     reweave CFCF's sonic tapestries for the dance floor. Consider it
     the soundtrack to Fitzcarraldo 2: Electric Boogaloo, in which the
     obsessed hero builds a disco next to his jungle opera house.
     Jacques Renault takes up "Frozen Forest," tossing the guitar and
     revving things up into a characteristically dubby house groove,
     which feels like a natural development of the original. Coyote's
     take is more on the disco tip, its greater emphasis on melody
     providing a sort of wayward compromise between the original and
     Renault's minimalism. "It Was Never Meant to Be This Way" gets the
     heaviest rework, courtesy of Games, the dance floor project of
     Daniel Lopatin, AKA Oneohtrix Point Never, and Joel Ford of Tiger
     City, who explode the krautrock lullaby into a skittery
     electro-disco caffeine rush.

   ──────────────────────────────────────────────────────────────────────────

     mbs is a free music's lover association on the net.
     we only share the music we love, with the people we like.
     keep your mind, your body and your soul open...peace.

   ──────────────────────────────────────────────────────────────────────────
   nfobygucci!                                                  *xxi century*



This NFO File was rendered by NFOmation.net

   ÚÄÄÄÚ¿ÄÄÄ¿
   ³ÚÄÄ´ÀÂÄ+³
   ³³³³³³³À´³
   ³³³³³³Ã¿³³ ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ music for body and soul
   ³ÀÁÁÁÄÁÄÙ³
   ÀÄÄÄÄÄÄÄÄÙ                                         2011-05-29
     freshhh!

        artist: CFCF
         album: The River
         label: Rvng Int'l
           cat: RVNGNL04
          year: 2010-00-00
         genre: Electronic

        source: Vinyl
       encoder: VBR LAME 3.98.4 -V0
          size: 58.69

          link:

   Ä¿ÀÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ
    ³tracklist.

     no. time       track title

     1    5:19      Before And After Light
     2    5:13      It Was Never Meant To Be This Way
     3    5:08      Upon The Hill
     4    5:49      Frozen Forest
     5    6:35      The River
     6    4:21      Orage

     total time:    00:32:25

   Ä¿ÀÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ
    ³release notes.

          Not only is CFCF's The River explicitly inspired by Fitzcarraldo,
     one of Werner Herzog's most grandly-sized cinematic efforts, the
     vinyl release is made to resemble the weathered map that leads
     Fitzcarraldo to madness and freedom. With all this in mind, it
     shouldn't come as a surprise that the cinematic aspects of CFCF,
     AKA 22 year old Montreal resident Michael Silver, are turned up to
     the max here, offering a heavily soundtrack-esque exploration of
     kosmiche atmosphere and ambient evocation.

     Steeped in the tradition of electronic psychedelia, The River is
     often at its strongest when it's able to weld its influences onto a
     contemporary aesthetic. The more retro-leaning tracks are
     nonetheless still quite effective, often trading heavily in the
     sort of trippy bliss that Popol Vuh pioneered in their work for
     Herzog's films. "Upon the Hill" is the most notable example, with
     its eerie choir of sampled voices and ecstatically ringing guitars.
     Elsewhere, on "It Was Never Meant to Be This Way," Silver flexes
     his knowledge of krautrock's more repetitive end. With its hypnotic
     bed of undulating synth-loops the tune sounds like it could have
     been nipped from anything Conny Plank-produced: Harmonia, Cluster,
     Eno, you name it.

     Ultimately, however, Silver has more in mind than stylized homage,
     as you can see on the title track, perhaps the record's standout.
     It's a gorgeous meditation with spare flute-like synths and windy
     exhalations that swells into a Tim-Hecker style white-noise
     freak-out. "Before and After Light" is the most
     contemporary-sounding, as Silver adds loops of percussive
     percolation. "Frozen Forest" is a close companion, more of a
     downtempo/trip-hop style number whose vibe and guitar pluck are
     more than a little reminiscent of Massive Attack's "Teardrop." It
     skirts that very fine line, perhaps impossible to define, between
     ambient and background music.

     The digital release features a handful of interesting attempts to
     reweave CFCF's sonic tapestries for the dance floor. Consider it
     the soundtrack to Fitzcarraldo 2: Electric Boogaloo, in which the
     obsessed hero builds a disco next to his jungle opera house.
     Jacques Renault takes up "Frozen Forest," tossing the guitar and
     revving things up into a characteristically dubby house groove,
     which feels like a natural development of the original. Coyote's
     take is more on the disco tip, its greater emphasis on melody
     providing a sort of wayward compromise between the original and
     Renault's minimalism. "It Was Never Meant to Be This Way" gets the
     heaviest rework, courtesy of Games, the dance floor project of
     Daniel Lopatin, AKA Oneohtrix Point Never, and Joel Ford of Tiger
     City, who explode the krautrock lullaby into a skittery
     electro-disco caffeine rush.

   ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ

     mbs is a free music's lover association on the net.
     we only share the music we love, with the people we like.
     keep your mind, your body and your soul open...peace.

   ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ
   nfobygucci!                                                  *xxi century*



This NFO File was rendered by NFOmation.net