NFOmation.net - Your Ultimate NFO Upload Resource! Viewing NFO file: 00-hole-nobodys_daughter-2010-debt.nfo 00-hole-nobodys_daughter-2010-debt
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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
▄▀░████▓╔═══════════════════════╩═════════════════════════╩══════════════════════════╗▓████░▀▄
▐░ ▀▓████║ Hole-Nobodys_Daughter-2010-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
▀ ▀▀█████▀░████ ▄ ▄ ░▓████░▀ ████▀▀ ▀
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▄▄▀▀███████████▀▀▀ ▀▀████████████▀▀ ░
▄░▓███████▄▄▄░ ARTiST.... Hole ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Nobody's Daughter █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Mercury ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Grunge ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-06-03 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2010-04-27 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 275 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 11 / 47:09 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 97.81 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
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▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 Nobody's Daughter 5:19 ████▓▄ ░
░ ▄▓████ 2 Skinny Little Bitch 3:10 ████▓▄ ░
░ ▄▓████ 3 Honey 4:19 ████▓▄ ░
░ ▄▓████ 4 Pacific Coast Highway 5:14 ████▓▄ ░
░ ▄▓████ 5 Samantha 4:16 ████▓▄ ░
░ ▄▓████ 6 Someone Else's Bed 4:26 ████▓▄ ░
░ ▄▓████ 7 For Once in Your Life 3:34 ████▓▄ ░
░ ▄▓████ 8 Letter to God 4:04 ████▓▄ ░
░ ▄▓████ 9 Loser Dust 3:25 ████▓▄ ░
░ ▄▓████ 10 How Dirty Girls Get Clean 4:54 ████▓▄ ░
░ ▄▓████ 11 Never Go Hungry 4:28 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 47:09 MIN ████▓░
░▓███████▄ TOTAL SIZE: 97.81 MB▄█████▓░
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░▓█████▓░╟─────────────────────────────────────◄RELEASE NOTES►╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ Resurrecting the Hole moniker for 2010í»s ║▀░▓████░▀▄
▄▀░████▓░▀║ Nobodyí»s Daughter is simply a matter of business ║▀░▓████░▀▄
▄▀░████▓░▀║ for Courtney Love: her 2004 solo album, ║▀░▓████░▀▄
▄▀░████▓░▀║ Americaí»s Sweetheart, flat-lined, so her ║▀░▓████░▀▄
▄▀░████▓░▀║ assumption is that the name Hole carries some ║▀░▓████░▀▄
▄▀░████▓░▀║ cachet and will raise her profile and, in turn, ║▀░▓████░▀▄
▄▀░████▓░▀║ her sales. That neither Loveí»s chief ║▀░▓████░▀▄
▄▀░████▓░▀║ collaborator Eric Erlandson nor her lieutenant ║▀░▓████░▀▄
▄▀░████▓░▀║ Melissa Auf der Maur is to be found on this ║▀░▓████░▀▄
▄▀░████▓░▀║ purported reunion is of no serious commercial ║▀░▓████░▀▄
▄▀░████▓░▀║ consequence -- for most observers, Courtney Love ║▀░▓████░▀▄
▄▀░████▓░▀║ was Hole just like Debbie Harry was Blondie, her ║▀░▓████░▀▄
▄▀░████▓░▀║ supporting cast seemingly meaning little to the ║▀░▓████░▀▄
▄▀░████▓░▀║ end product. Of course, the ironic thing is that ║▀░▓████░▀▄
▄▀░████▓░▀║ Love is more dependent on the kindness of others ║▀░▓████░▀▄
▄▀░████▓░▀║ than most singer/songwriters, her work taking on ║▀░▓████░▀▄
▄▀░████▓░▀║ the characteristics of her collaborators -- and ║▀░▓████░▀▄
▄▀░████▓░▀║ in the case of Nobodyí»s Daughter, they include ║▀░▓████░▀▄
▄▀░████▓░▀║ longtime (and now former) friend Billy Corgan and ║▀░▓████░▀▄
▄▀░████▓░▀║ Michael Beinhorn, two of the architects behind ║▀░▓████░▀▄
▄▀░████▓░▀║ 1998í»s Celebrity Skin, the one time Courtney ║▀░▓████░▀▄
▄▀░████▓░▀║ came close to being the genuine crossover rock ║▀░▓████░▀▄
▄▀░████▓░▀║ star she so desperately craves to be. Trace ║▀░▓████░▀▄
▄▀░████▓░▀║ elements of the SoCal sheen of Skin can catch the ║▀░▓████░▀▄
▄▀░████▓░▀║ light on Nobodyí»s Daughter, but despite its ║▀░▓████░▀▄
▄▀░████▓░▀║ billing as a Hole album, this record wasní»t ║▀░▓████░▀▄
▄▀░████▓░▀║ conceived as a band effort: its genesis is as the ║▀░▓████░▀▄
▄▀░████▓░▀║ second Love solo album and it caní»t shake its ║▀░▓████░▀▄
▄▀░████▓░▀║ inward-leaning singer/songwriter roots no matter ║▀░▓████░▀▄
▄▀░████▓░▀║ how many times a í░Skinny Little Bitchí▒ is ║▀░▓████░▀▄
▄▀░████▓░▀║ grafted onto the final product. That affected ║▀░▓████░▀▄
▄▀░████▓░▀║ snarl was pulled as the first single in hopes of ║▀░▓████░▀▄
▄▀░████▓░▀║ selling the album as a return to rock, but ití»s ║▀░▓████░▀▄
▄▀░████▓░▀║ impossible to disguise the turgid tuneless ║▀░▓████░▀▄
▄▀░████▓░▀║ folk-rock swirl at the heart of Nobodyí»s ║▀░▓████░▀▄
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▄▀░████▓░▀║ inadvertently turning every clich¿ª into truth as ║▀░▓████░▀▄
▄▀░████▓░▀║ she slowly slips into her final role as ║▀░▓████░▀▄
▄▀░████▓░▀║ alt-rockí»s Norma Desmond. ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
▀ ░████▓▄║ ║░▓████░ ▀
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▄ ░░▓███╠════════════════════════════════════════════◄QUOTES►╢╣███▓░░ ▄ ▄
░▄▄ ▀▀██████║ ║██████▀▀ ▄▄░
▀░▓███████▄▄║ The cautious seldom err. ║▄▄███████▓░▀
▀░▓███████▄▄║ ║▄▄███████▓░▀
▀░▓███████▄▄║ -- Confucius ║▄▄███████▓░▀
░▓█████▄░░ ▄║ ║▄ ░░▄█████▓░
░▄▄ ▀▀██████╟◄──────────────────────────────────────────────────►╢██████▀▀ ▄▄░
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▄░▓███████▄║ DeBT is in need of SECURE affils ║▄▄███████▓░▀
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▀ ░████▓▄║ DeBT is dedicated to bringing ║░▓████░ ▀
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▄ ░░▓███║ you the best of the old, new and forgotten in a ║███▓░░ ▄ ▄
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°²ÛÛÛÛÛ²°ÇÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄRELEASE NOTES¶°²ÛÛÛÛÛ²°
°²ÛÛÛÛ²°°º º°°²ÛÛÛÛ²°
Üß°ÛÛÛÛ²°ßº Resurrecting the Hole moniker for 2010¡¯s ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Nobody¡¯s Daughter is simply a matter of business ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº for Courtney Love: her 2004 solo album, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº America¡¯s Sweetheart, flat-lined, so her ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº assumption is that the name Hole carries some ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº cachet and will raise her profile and, in turn, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº her sales. That neither Love¡¯s chief ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº collaborator Eric Erlandson nor her lieutenant ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Melissa Auf der Maur is to be found on this ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº purported reunion is of no serious commercial ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº consequence -- for most observers, Courtney Love ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº was Hole just like Debbie Harry was Blondie, her ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº supporting cast seemingly meaning little to the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº end product. Of course, the ironic thing is that ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Love is more dependent on the kindness of others ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº than most singer/songwriters, her work taking on ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº the characteristics of her collaborators -- and ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº in the case of Nobody¡¯s Daughter, they include ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº longtime (and now former) friend Billy Corgan and ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Michael Beinhorn, two of the architects behind ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº 1998¡¯s Celebrity Skin, the one time Courtney ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº came close to being the genuine crossover rock ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº star she so desperately craves to be. Trace ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº elements of the SoCal sheen of Skin can catch the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº light on Nobody¡¯s Daughter, but despite its ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº billing as a Hole album, this record wasn¡¯t ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº conceived as a band effort: its genesis is as the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº second Love solo album and it can¡¯t shake its ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº inward-leaning singer/songwriter roots no matter ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº how many times a ¡°Skinny Little Bitch¡± is ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº grafted onto the final product. That affected ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº snarl was pulled as the first single in hopes of ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº selling the album as a return to rock, but it¡¯s ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº impossible to disguise the turgid tuneless ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº folk-rock swirl at the heart of Nobody¡¯s ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Daughter. By swapping guitar armies and ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº clobbering hooks for muddled midtempo ballads, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Courtney is placing more weight on her lyrics ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº than she perhaps should given that she¡¯s plowing ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº familiar fields, painting herself as either a ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº martyr or survivor (going so far as to quote ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Scarlett O¡¯Hara in the concluding ¡°Never Go ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Hungry¡±), two personas that don¡¯t quite jibe ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº with the image she¡¯s relentlessly pushed into ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº the spotlight. Naturally, art should stand ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº separate from the artist, but Courtney Love has ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº never made that easy, blurring all lines between ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº the public and private, turning all judgments on ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº her art into a referendum on her. And in the case ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº of Nobody¡¯s Daughter, the tattered, ragged ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº survivor in the gossip rags is no different than ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº the one on record, both capturing Courtney in an ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº inevitable, not so romantic decline, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº inadvertently turning every clich¨¦ into truth as ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº she slowly slips into her final role as ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº alt-rock¡¯s Norma Desmond. ºß°²ÛÛÛÛ°ßÜ
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