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The Soft Hills - Chromatisms
Label.........................: Tapete
Genre.........................: Indie
StoreDate.....................: Feb-08-2013
Source........................: CDDA
Grabber.......................: Exact Audio Copy (Secure Mode)
Encoding Scheme...............: Lame 3.98.4 V0 VBR Joint-Stereo
Size..........................: 68.37 MB
Total Playing Time............: 39:55
Release Notes:
Seattle soft psych-rockers the Soft Hills blended the rural with the
spectral on their 2012 album The Bird Is Coming Down to Earth. That
album's magnanimous blend of heavy guitar tones, spaced-out production,
and gentle vocal harmonies found itself in the strange waters somewhere
between a modern indie folk sound and a throwback to classic rock's FM
radio freakouts. With third album Chromatisms, the band digs deeper into
the sound it began on the album prior, turning more toward the spacy
than the folky on these ten songs. Beginning with muddy rockers like
"Riding High" and "Sweet Louise," the tone is set for a tense and
brooding album. Fleet Foxes-like harmonies tell stories of depression
and giving up while waves of looping guitar and crashing drums cruise by
with abandon before colliding with malfunctioning analog synth noise.
It's when the Soft Hills turn the volume down, however, that their
strengths and subtleties shine through the most. The gorgeously spare
"Dear Mr. Moonlight" begins with a dialed-back duet of Pink Floyd-esque
echoed pulses and singer Garrett Hobba's thin voice delayed into the
stratosphere. The song patiently unfolds into a melancholic wandering
akin to Neil Young's darkest moments circa On the Beach. It's a
breathtaking moment, and one that only gets space to breathe when the
band slows down enough to let it happen. Similarly, "Un" coasts by on a
psychedelic groove augmented by graceful harmonies. The relatively less
boisterous track calls to mind both Bobb Trimble's cold isolation and
the inner darkness of Dennis Wilson's masterpiece Pacific Ocean Blue. A
fair amount of reverb, tape echo, and majestic synthesizer shows up
throughout Chromatisms, and intricate touches like these come through
best in the quiet moments, but also add depth and power to epic tracks
like "Mighty River." It's a washy, varied ride from a band increasingly
in control of its powers. As the Soft Hills continue to hone their
sound, the moments of spaced-out production meeting tender harmony make
more sense, as do the blasts of fuzz and tension.
Tracklisting
01. Riding High 4:44
02. Sweet Louise 3:38
03. Marigolds 2:45
04. Dear Mr. Moonlight 3:16
05. Payroll 5:36
06. Un 3:48
07. Horse & Carriage 3:52
08. The Gifts You Hide 4:30
09. Mighty River 4:29
10. Desert Rose 3:17
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The Soft Hills - Chromatisms
Label.........................: Tapete
Genre.........................: Indie
StoreDate.....................: Feb-08-2013
Source........................: CDDA
Grabber.......................: Exact Audio Copy (Secure Mode)
Encoding Scheme...............: Lame 3.98.4 V0 VBR Joint-Stereo
Size..........................: 68.37 MB
Total Playing Time............: 39:55
Release Notes:
Seattle soft psych-rockers the Soft Hills blended the rural with the
spectral on their 2012 album The Bird Is Coming Down to Earth. That
album's magnanimous blend of heavy guitar tones, spaced-out production,
and gentle vocal harmonies found itself in the strange waters somewhere
between a modern indie folk sound and a throwback to classic rock's FM
radio freakouts. With third album Chromatisms, the band digs deeper into
the sound it began on the album prior, turning more toward the spacy
than the folky on these ten songs. Beginning with muddy rockers like
"Riding High" and "Sweet Louise," the tone is set for a tense and
brooding album. Fleet Foxes-like harmonies tell stories of depression
and giving up while waves of looping guitar and crashing drums cruise by
with abandon before colliding with malfunctioning analog synth noise.
It's when the Soft Hills turn the volume down, however, that their
strengths and subtleties shine through the most. The gorgeously spare
"Dear Mr. Moonlight" begins with a dialed-back duet of Pink Floyd-esque
echoed pulses and singer Garrett Hobba's thin voice delayed into the
stratosphere. The song patiently unfolds into a melancholic wandering
akin to Neil Young's darkest moments circa On the Beach. It's a
breathtaking moment, and one that only gets space to breathe when the
band slows down enough to let it happen. Similarly, "Un" coasts by on a
psychedelic groove augmented by graceful harmonies. The relatively less
boisterous track calls to mind both Bobb Trimble's cold isolation and
the inner darkness of Dennis Wilson's masterpiece Pacific Ocean Blue. A
fair amount of reverb, tape echo, and majestic synthesizer shows up
throughout Chromatisms, and intricate touches like these come through
best in the quiet moments, but also add depth and power to epic tracks
like "Mighty River." It's a washy, varied ride from a band increasingly
in control of its powers. As the Soft Hills continue to hone their
sound, the moments of spaced-out production meeting tender harmony make
more sense, as do the blasts of fuzz and tension.
Tracklisting
01. Riding High 4:44
02. Sweet Louise 3:38
03. Marigolds 2:45
04. Dear Mr. Moonlight 3:16
05. Payroll 5:36
06. Un 3:48
07. Horse & Carriage 3:52
08. The Gifts You Hide 4:30
09. Mighty River 4:29
10. Desert Rose 3:17
Support The Artists, Buy Their Music....
This NFO File was rendered by NFOmation.net