Artist: Glen Campbell
Album: See You There
Bitrate: 222kbps avg
Quality: EAC Secure Mode / LAME 3.98.4 / -V0 / 44.100Khz
Label: Surfdog
Genre: Country
Size: 63.51 megs
PlayTime: 0h 38min 00sec total
Rip Date: 2013-08-17
Store Date: 2013-08-13

Track List:
--------
01. Hey Little One                   2:37
02. Wichita Lineman                  3:36
03. Gentle On My Mind                3:02
04. Postcard From Paris              3:36
05. Waiting On The Comin' Of My      3:06
    Lord
06. What I Wouldn't Give             2:44
07. Galveston                        3:11
08. By the Time I Get to Phoenix     3:07
09. There's No Me...Without You      3:24
10. True Grit                        2:39
11. Rhinestone Cowboy                3:49
12. Waiting on the Comin' of My      3:09
    Lord (Feat. Jose Hernandez &
    Mariachi Del Sol De Mexico)

Release Notes:
--------
Ghost on the Canvas was designed and promoted as Glen Campbell's farewell album
but, unbeknownst to all who were not in the studio, the country legend also
recorded a bunch of new vocals to old hits (plus a couple of curious deep cuts)
during those 2011 recording sessions. Producers Dave Darling and Dave Kaplan
then took these vocals, added new instrumentation, and released the whole
shebang as 2013's See You There. Darling and Kaplan may refer to the Rick
Rubin/Johnny Cash playbook, but See You There isn't an exercise in noir
nostalgia. They've stripped away the gossamer strings, sometimes adding no more
than a guitar ("Rhinestone Cowboy," where the impression is Campbell strumming
along himself), but usually working in an army of guitars supported by sensitive
keyboards and steel guitars, maybe the occasional Dobro or fiddle. Compared to
the classic '60s and '70s recordings, these are spare but they're not stark;
they're artfully dusty. Usually, the songs sound different but feel the same,
which means attention is drawn directly to Campbell's voice, which is
considerably weathered, showing the signs of his age. He can still hit some
impressive notes but they're individual moments -- during the quiet stretches
when he's not reaching for the glory notes, his age is quite noticeable. To an
extent, there's a bittersweetness to hearing an aged Campbell revisit his
younger self -- a melancholy Darling and Kaplan are willing to emphasize -- but
no matter how carefully constructed this whole enterprise is, See You There
doesn't carry the same weight as Ghost on the Canvas. That felt like a fitting
coda to a career; this feels like an afterthought.



This NFO File was rendered by NFOmation.net

Artist: Glen Campbell
Album: See You There
Bitrate: 222kbps avg
Quality: EAC Secure Mode / LAME 3.98.4 / -V0 / 44.100Khz
Label: Surfdog
Genre: Country
Size: 63.51 megs
PlayTime: 0h 38min 00sec total
Rip Date: 2013-08-17
Store Date: 2013-08-13

Track List:
--------
01. Hey Little One                   2:37
02. Wichita Lineman                  3:36
03. Gentle On My Mind                3:02
04. Postcard From Paris              3:36
05. Waiting On The Comin' Of My      3:06
    Lord
06. What I Wouldn't Give             2:44
07. Galveston                        3:11
08. By the Time I Get to Phoenix     3:07
09. There's No Me...Without You      3:24
10. True Grit                        2:39
11. Rhinestone Cowboy                3:49
12. Waiting on the Comin' of My      3:09
    Lord (Feat. Jose Hernandez &
    Mariachi Del Sol De Mexico)

Release Notes:
--------
Ghost on the Canvas was designed and promoted as Glen Campbell's farewell album
but, unbeknownst to all who were not in the studio, the country legend also
recorded a bunch of new vocals to old hits (plus a couple of curious deep cuts)
during those 2011 recording sessions. Producers Dave Darling and Dave Kaplan
then took these vocals, added new instrumentation, and released the whole
shebang as 2013's See You There. Darling and Kaplan may refer to the Rick
Rubin/Johnny Cash playbook, but See You There isn't an exercise in noir
nostalgia. They've stripped away the gossamer strings, sometimes adding no more
than a guitar ("Rhinestone Cowboy," where the impression is Campbell strumming
along himself), but usually working in an army of guitars supported by sensitive
keyboards and steel guitars, maybe the occasional Dobro or fiddle. Compared to
the classic '60s and '70s recordings, these are spare but they're not stark;
they're artfully dusty. Usually, the songs sound different but feel the same,
which means attention is drawn directly to Campbell's voice, which is
considerably weathered, showing the signs of his age. He can still hit some
impressive notes but they're individual moments -- during the quiet stretches
when he's not reaching for the glory notes, his age is quite noticeable. To an
extent, there's a bittersweetness to hearing an aged Campbell revisit his
younger self -- a melancholy Darling and Kaplan are willing to emphasize -- but
no matter how carefully constructed this whole enterprise is, See You There
doesn't carry the same weight as Ghost on the Canvas. That felt like a fitting
coda to a career; this feels like an afterthought.



This NFO File was rendered by NFOmation.net