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Artist: Damien Rice
Album: My Favourite Faded Fantasy
Bitrate: 218kbps avg
Quality: EAC Secure Mode / LAME 3.98.4 / -V0 / 44.100Khz
Label: Atlantic
Genre: Indie
Size: 84.20 megs
PlayTime: 0h 50min 31sec total
Rip Date: 2014-10-30
Store Date: 2014-10-31

Track List:
--------
01. My Favourite Faded Fantasy       6:12
02. It Takes A Lot To Know A Man     9:32
03. The Greatest Bastard             5:04
04. I Don't Want To Change You       5:26
05. Colour Me In                     5:18
06. The Box                          4:27
07. Trusty And True                  8:09
08. Long Long Way                    6:23

Release Notes:
--------
In the eight years since Damien Rice released his second album, 9, a cottage
industry of sensitive, Starbucks-approved indie singer-songwriters emerged and
then exploded into the teen-pop mainstream with the arrival of Rice-acolyte Ed
Sheeran, who graces this issueÆs cover. You can almost imagine Rice hovering in
the wings with a furrowed brow, sullenly wringing his hands, thinking, ôPlease,
please, relieve me of this writerÆs block.ö

Rice has been spared. And the depth and scope of music on his third full-length
studio album proves that however seductive the songs of his legion of followers
are, RiceÆs signature mix of acoustic guitars and strings, loops and layers, and
achingly raw confessionals is inimitable. If 2006Æs 9 was a slight letdown from
RiceÆs sublime 2003 debut, O, his more mature new album puts the singer and
guitarist firmly back in the ring.

Bookended by a pair of hazy, atmospheric piecesùthe title song and ôLong Long
Wayöùand fleshed out with sparer songs featuring lots of crisp fingerpicking and
swelling strings, the centerpiece of My Favourite Faded Fantasy is the one-two
punch of ôThe Greatest Bastardö and ôI DonÆt Want to Change You.ö The former,
over gently picked guitar, is quintessential Rice, questioning a series of
statements that are at once self-congratulatory and self-deprecating, and with a
wisdom that only comes with age: ôI made you laugh, I made you cry, I made you
open up your eyes,ö he sings, and then after a thoughtful pause, ôDidnÆt I?ö

ôI DonÆt Want to Change Youö combines everything that makes Rice tick: dramatic
strings and unadorned acoustic guitar; subtle touches of electronics, keyboards,
beats, and a warm heartbeat of a bass line; aching, soulful vocals; and lyrics
that burn with the passion of a confused lover. ôWherever you go, I can always
follow,ö he rasps, as if heÆs literally bleeding on the inside. The track is
likely a love song to his former musical and romantic partner, Lisa Hannigan,
whom he once claimed he still loves. ôIf you just want to be alone, I can wait
without waiting,ö he continues. ôAnd if you want me to let this go, I am more
than willing. Cause I donÆt want to change you. . .I donÆt want to change your
mind.ö

Yet somehow, you get the feeling Rice would like nothingmorethan to change her
mind.

Other standouts among the albumÆs eight extended songsùonly one clocks in at
less than five minutes, and two exceed the eight-minute markùare ôColour Me Inö
(about wanting to be pulled in) and ôThe Boxö (about feeling tied down). Both
are signature Rice songs that begin gently with just guitar before building to a
crescendo of strings and wailed vocals. The exotic and sensual ôIt Takes a Lot
to Know a Manö incorporates Middle Eastern-like touches, and ôTrusty and True,ö
with its mix of simple British-folk balladry and a joyful African-like backing
choir, adds a sense of spiritual release. As for the two bookendsùRice explores
a rainbow of musical and cultural traditions on those tracks, including snaky
melodies, classical flirtations, raging rock, and spacey, psychedelic textures.

Ed Sheeran may have taken RiceÆs place in the singerÆs absence, offering up a
similar sense of drama and pathos for a larger and younger audience, but he was
never a replacement. After all, itÆs hard to imagine Rice venturing into the
arena (so to speak) of big looped beats and rap. RiceÆs work depends on nuance
and dynamics, depth and scope. And after nearly a decade in the waiting, My
Favourite Faded Fantasy delivers all of that in a set of scorching tracks of
long-dormant anguish finally set free.



This NFO File was rendered by NFOmation.net

Artist: Damien Rice
Album: My Favourite Faded Fantasy
Bitrate: 218kbps avg
Quality: EAC Secure Mode / LAME 3.98.4 / -V0 / 44.100Khz
Label: Atlantic
Genre: Indie
Size: 84.20 megs
PlayTime: 0h 50min 31sec total
Rip Date: 2014-10-30
Store Date: 2014-10-31

Track List:
--------
01. My Favourite Faded Fantasy       6:12
02. It Takes A Lot To Know A Man     9:32
03. The Greatest Bastard             5:04
04. I Don't Want To Change You       5:26
05. Colour Me In                     5:18
06. The Box                          4:27
07. Trusty And True                  8:09
08. Long Long Way                    6:23

Release Notes:
--------
In the eight years since Damien Rice released his second album, 9, a cottage
industry of sensitive, Starbucks-approved indie singer-songwriters emerged and
then exploded into the teen-pop mainstream with the arrival of Rice-acolyte Ed
Sheeran, who graces this issue’s cover. You can almost imagine Rice hovering in
the wings with a furrowed brow, sullenly wringing his hands, thinking, “Please,
please, relieve me of this writer’s block.”

Rice has been spared. And the depth and scope of music on his third full-length
studio album proves that however seductive the songs of his legion of followers
are, Rice’s signature mix of acoustic guitars and strings, loops and layers, and
achingly raw confessionals is inimitable. If 2006’s 9 was a slight letdown from
Rice’s sublime 2003 debut, O, his more mature new album puts the singer and
guitarist firmly back in the ring.

Bookended by a pair of hazy, atmospheric pieces—the title song and “Long Long
Way”—and fleshed out with sparer songs featuring lots of crisp fingerpicking and
swelling strings, the centerpiece of My Favourite Faded Fantasy is the one-two
punch of “The Greatest Bastard” and “I Don’t Want to Change You.” The former,
over gently picked guitar, is quintessential Rice, questioning a series of
statements that are at once self-congratulatory and self-deprecating, and with a
wisdom that only comes with age: “I made you laugh, I made you cry, I made you
open up your eyes,” he sings, and then after a thoughtful pause, “Didn’t I?”

“I Don’t Want to Change You” combines everything that makes Rice tick: dramatic
strings and unadorned acoustic guitar; subtle touches of electronics, keyboards,
beats, and a warm heartbeat of a bass line; aching, soulful vocals; and lyrics
that burn with the passion of a confused lover. “Wherever you go, I can always
follow,” he rasps, as if he’s literally bleeding on the inside. The track is
likely a love song to his former musical and romantic partner, Lisa Hannigan,
whom he once claimed he still loves. “If you just want to be alone, I can wait
without waiting,” he continues. “And if you want me to let this go, I am more
than willing. Cause I don’t want to change you. . .I don’t want to change your
mind.”

Yet somehow, you get the feeling Rice would like nothingmorethan to change her
mind.

Other standouts among the album’s eight extended songs—only one clocks in at
less than five minutes, and two exceed the eight-minute mark—are “Colour Me In”
(about wanting to be pulled in) and “The Box” (about feeling tied down). Both
are signature Rice songs that begin gently with just guitar before building to a
crescendo of strings and wailed vocals. The exotic and sensual “It Takes a Lot
to Know a Man” incorporates Middle Eastern-like touches, and “Trusty and True,”
with its mix of simple British-folk balladry and a joyful African-like backing
choir, adds a sense of spiritual release. As for the two bookends—Rice explores
a rainbow of musical and cultural traditions on those tracks, including snaky
melodies, classical flirtations, raging rock, and spacey, psychedelic textures.

Ed Sheeran may have taken Rice’s place in the singer’s absence, offering up a
similar sense of drama and pathos for a larger and younger audience, but he was
never a replacement. After all, it’s hard to imagine Rice venturing into the
arena (so to speak) of big looped beats and rap. Rice’s work depends on nuance
and dynamics, depth and scope. And after nearly a decade in the waiting, My
Favourite Faded Fantasy delivers all of that in a set of scorching tracks of
long-dormant anguish finally set free.



This NFO File was rendered by NFOmation.net


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