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▀█████▓▌ MTD Proudly Presents ▐▓█████▀
Artist : Hit The Lights
Album : Summer Bones
Label : Pure Noise
Genre : Rock
Street Date : 2015-03-24
Quality : 276 kbps / 44.1kHz / Joint Stereo
Encoder : Lame 3.98.4 -V0
Size : 55.09 MB
Time : 26:27 min
Url : http://www.hitthelightsmusic.com/
1. Fucked Up Kids 2:31
2. The Real 2:37
3. Life On The Bottom 2:27
4. Revolutions And Executions 3:06
5. No Filter 2:54
6. Blasphemy, Myself And I 2:40
7. Summer Bones 3:45
8. Keep Your Head 1:29
9. Sitter 2:25
10. Old Friend (Ft. Colin Ross) 2:33
[Notes]
Released in 2012, Invicta saw the Ohio-based emocore unit batten down the
hatches and jettison whatever lo-fi skatepunk detritus was left from its
early days in favor of a more pure, radio-driven pop feel. Summer Bones, the
band's fourth studio long-player and first outing for Pure Noise Records,
effectively seals the deal, offering up an 11-track set of slickly produced,
earworm-heavy, festival-ready singalongs shot through with enough good
old-fashioned punk/hardcore spirit to make the transition easy for
old-schoolers looking for a respite from breakdown town. Similar in tone to
bands like Sleeping with Sirens and the Story So Far, Hit the Lights have no
interest in wallowing in the oft-excavated pit of youthful despair; rather,
they exist in a sort of amped-up, devil-may-care vacuum of
good-times/bad-times soul-searching that leans more heavily toward the
former. Vocalist Nick Thompson's clear-and-concise croon bears only the
tiniest touch of the traditional emo-whininess that can so often turn a
decent song into a chore, and the band can tear things up, especially on the
album's more anthemic numbers (actually, they're all pretty reliably
fervent) like "Fucked Up Kids," "No Filter," "The Real," and the nostalgic
title track, the latter of which flirts with Midwest Americana and provides
the album with its most pop-centric moments. Even at their most sonically
malevolent ("Keep Your Head," "Sitter"), Hit the Lights manage to find a
sugary bridge or chorus, effectively exposing their brief moment of
suffering as an anomaly in an otherwise perfect buzz of a warm Warped Tour
summer afternoon, where the pit is as rowdy and cathartic as it is totally
bloodless.
This NFO File was rendered by NFOmation.net
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Þ²ÛÛÛ²ÛÜ ÜÛ²ÛÛÛ²Ý
ßÛÛÛÛÛ²Ý MTD Proudly Presents Þ²ÛÛÛÛÛß
Artist : Hit The Lights
Album : Summer Bones
Label : Pure Noise
Genre : Rock
Street Date : 2015-03-24
Quality : 276 kbps / 44.1kHz / Joint Stereo
Encoder : Lame 3.98.4 -V0
Size : 55.09 MB
Time : 26:27 min
Url : http://www.hitthelightsmusic.com/
1. Fucked Up Kids 2:31
2. The Real 2:37
3. Life On The Bottom 2:27
4. Revolutions And Executions 3:06
5. No Filter 2:54
6. Blasphemy, Myself And I 2:40
7. Summer Bones 3:45
8. Keep Your Head 1:29
9. Sitter 2:25
10. Old Friend (Ft. Colin Ross) 2:33
[Notes]
Released in 2012, Invicta saw the Ohio-based emocore unit batten down the
hatches and jettison whatever lo-fi skatepunk detritus was left from its
early days in favor of a more pure, radio-driven pop feel. Summer Bones, the
band's fourth studio long-player and first outing for Pure Noise Records,
effectively seals the deal, offering up an 11-track set of slickly produced,
earworm-heavy, festival-ready singalongs shot through with enough good
old-fashioned punk/hardcore spirit to make the transition easy for
old-schoolers looking for a respite from breakdown town. Similar in tone to
bands like Sleeping with Sirens and the Story So Far, Hit the Lights have no
interest in wallowing in the oft-excavated pit of youthful despair; rather,
they exist in a sort of amped-up, devil-may-care vacuum of
good-times/bad-times soul-searching that leans more heavily toward the
former. Vocalist Nick Thompson's clear-and-concise croon bears only the
tiniest touch of the traditional emo-whininess that can so often turn a
decent song into a chore, and the band can tear things up, especially on the
album's more anthemic numbers (actually, they're all pretty reliably
fervent) like "Fucked Up Kids," "No Filter," "The Real," and the nostalgic
title track, the latter of which flirts with Midwest Americana and provides
the album with its most pop-centric moments. Even at their most sonically
malevolent ("Keep Your Head," "Sitter"), Hit the Lights manage to find a
sugary bridge or chorus, effectively exposing their brief moment of
suffering as an anomaly in an otherwise perfect buzz of a warm Warped Tour
summer afternoon, where the pit is as rowdy and cathartic as it is totally
bloodless.
This NFO File was rendered by NFOmation.net
