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Artist: Glen Hansard
Album: Didn't He Ramble
Bitrate: 211kbps avg
Quality: EAC Secure Mode / LAME 3.98.4 / -V0 / 44.100Khz
Label: Anti-
Genre: Indie
Size: 62.24 megs
PlayTime: 0h 39min 20sec total
Rip Date: 2015-09-18
Store Date: 2015-09-18

Track List:
--------
01. Grace Beneath The Pines          3:31
02. Wedding Ring                     4:47
03. Winning Streak                   3:21
04. Her Mercy                        4:46
05. McCormack's Wall                 4:39
06. Lowly Deserter                   3:02
07. Paying My Way                    3:34
08. My Little Ruin                   4:26
09. Just To Be The One               3:13
10. Stay The Road                    4:01

Release Notes:
--------
Glen Hansard has built a career, now 25 years strong, on struggle. His
impassioned songs mostly veer between the exhausting struggle to make it
professionally (ôPavement Tuneö) and the numbing struggle to keep the affections
of a romantic partner (ôWhat Happens When the Heart Just Stopsö). The musicians
surrounding him doesnÆt matter. Pick up any Frames or Swell Season record, or
his first solo release, 2012Æs Rhythm and Repose, to find him chipping away at
those two pillars.

Now at 45, with ôAcademy Award-winnerö tagged along with his name like a medical
degree and packing in fervent supporters at majestic venues across the globe,
that youthful thirst to prove oneself (and all the doubt that accompanies it)
serves him no more. HeÆs even eschewed the role of the tortured unrequited lover
on his second solo outing.

Instead, DidnÆt He Ramble offers up prayers to friends and family ù and not with
mere platitudes, but surges of white-hot honesty delivered in HansardÆs spoonful
of sugar timbre. In many ways, these 10 tracks serve as spiritual companions to
ôSong of Good Hopeö, the worldÆs most heartrending pep talk that closes out
Rhythm and Repose. Written for the late brother of this sophomore solo outingÆs
co-producer, Thomas Bartlett, the tune manages to convey good will, hope, and
pleading, while also coping with the inevitable.

This album keenly understands a favorite expression of ôLate Showö host Stephen
ColbertÆs mother: ôWhatÆs the use of being Irish if you donÆt know your life is
going to break your heart.ö Fittingly, Hansard, a born and bred Dubliner, called
DidnÆt He Ramble the hardest record to make, in an interview with Q Magazine.
His hard-won wisdom allows him to recognize that raging against bloodthirsty
record executives and unfaithful women ù no matter how satisfying ù takes less
grace than calling someone home.

Piano and mandolin-drenched first single ôWinning Streakö skips along casually
and loosely in the spirit of Bob DylanÆs ôForever Youngö. But this is more than
just throwing an arm around a troubled pal; this is a handwritten letter youÆd
keep folded up in your pocket to take out and read over and over until it begins
to tear at the creases, the text allowing you to muster up strength and courage
in rough times. Honeyed guest vocals by Sam Amidon and Iron & WineÆs Sam Beam
further cement the songÆs ôjust a couple of guys trading verses around Levon
HelmÆs kitchenö vibe.

ôHer Mercyö serves as a horn-dusted road map to letting go. A staple of
HansardÆs live shows for the last couple of years, the song has morphed from
dipping a toe into the waters of gospel to a full-on Sunday revival, Hansard a
welcome and comforting presence at the pulpit. A swaying choir, curiously kept
an arms-length away, buoys the sermon. The albumÆs standout track, ôLowly
Deserterö, showed up on YouTube last year with just Hansard and touring
trombonist Curtis Fowlkes. Even stripped down, the song evoked a ripe New
Orleans sensibility. The album version finds Hansard leading a second line
parade in Dr. JohnÆs honor.

Despite being recorded in various locales (New York, Dublin, WilcoÆs The Loft in
Chicago, and the FramesÆ longtime haunt, Black Box Studio in France, with former
bandmate Dave Odlum), the album remains cohesive and builds on the workshopping
Hansard undertook while on a small tour last winter. HeÆs often lamented the
difficulty of capturing his rambunctious stage energy in the studio ù no doubt
thereÆs still room for these pieces to blossom in a live setting, especially
weaker tracks like the shuffling blues wannabe ôWedding Ringö. While it might
not capture his energy, DidnÆt He Ramble fully illustrates HansardÆs deep
empathy.

The songwriter says he really ôdug deepö for these songs, chasing specific ideas
instead of settling for something with a pretty sound. ôMy Little Ruinö, which
reaches out to a friend prone to self-sabotage, manages to check off both boxes.
Hansard starts off gently, coaxing the recluse away from a poisonous crowd via a
soft guitar pitter-pattering like raindrops against a window. The backing band
swells to match HansardÆs growing frustration at his friendÆs careless misuse of
talent before expanding and extending an olive branch. In contrast, album opener
ôGrace Beneath the Pinesö solemnly turns inward, Hansard focusing on overcoming
his own shortcomings. It maintains a hymn-like momentum, save for a small break
when Hansard lets loose with his trademark vein-bulging wail: ôIÆll get through
this.ö At this point in his career, he doesnÆt need to convince us.



This NFO File was rendered by NFOmation.net

Artist: Glen Hansard
Album: Didn't He Ramble
Bitrate: 211kbps avg
Quality: EAC Secure Mode / LAME 3.98.4 / -V0 / 44.100Khz
Label: Anti-
Genre: Indie
Size: 62.24 megs
PlayTime: 0h 39min 20sec total
Rip Date: 2015-09-18
Store Date: 2015-09-18

Track List:
--------
01. Grace Beneath The Pines          3:31
02. Wedding Ring                     4:47
03. Winning Streak                   3:21
04. Her Mercy                        4:46
05. McCormack's Wall                 4:39
06. Lowly Deserter                   3:02
07. Paying My Way                    3:34
08. My Little Ruin                   4:26
09. Just To Be The One               3:13
10. Stay The Road                    4:01

Release Notes:
--------
Glen Hansard has built a career, now 25 years strong, on struggle. His
impassioned songs mostly veer between the exhausting struggle to make it
professionally (“Pavement Tune”) and the numbing struggle to keep the affections
of a romantic partner (“What Happens When the Heart Just Stops”). The musicians
surrounding him doesn’t matter. Pick up any Frames or Swell Season record, or
his first solo release, 2012’s Rhythm and Repose, to find him chipping away at
those two pillars.

Now at 45, with “Academy Award-winner” tagged along with his name like a medical
degree and packing in fervent supporters at majestic venues across the globe,
that youthful thirst to prove oneself (and all the doubt that accompanies it)
serves him no more. He’s even eschewed the role of the tortured unrequited lover
on his second solo outing.

Instead, Didn’t He Ramble offers up prayers to friends and family — and not with
mere platitudes, but surges of white-hot honesty delivered in Hansard’s spoonful
of sugar timbre. In many ways, these 10 tracks serve as spiritual companions to
“Song of Good Hope”, the world’s most heartrending pep talk that closes out
Rhythm and Repose. Written for the late brother of this sophomore solo outing’s
co-producer, Thomas Bartlett, the tune manages to convey good will, hope, and
pleading, while also coping with the inevitable.

This album keenly understands a favorite expression of “Late Show” host Stephen
Colbert’s mother: “What’s the use of being Irish if you don’t know your life is
going to break your heart.” Fittingly, Hansard, a born and bred Dubliner, called
Didn’t He Ramble the hardest record to make, in an interview with Q Magazine.
His hard-won wisdom allows him to recognize that raging against bloodthirsty
record executives and unfaithful women — no matter how satisfying — takes less
grace than calling someone home.

Piano and mandolin-drenched first single “Winning Streak” skips along casually
and loosely in the spirit of Bob Dylan’s “Forever Young”. But this is more than
just throwing an arm around a troubled pal; this is a handwritten letter you’d
keep folded up in your pocket to take out and read over and over until it begins
to tear at the creases, the text allowing you to muster up strength and courage
in rough times. Honeyed guest vocals by Sam Amidon and Iron & Wine’s Sam Beam
further cement the song’s “just a couple of guys trading verses around Levon
Helm’s kitchen” vibe.

“Her Mercy” serves as a horn-dusted road map to letting go. A staple of
Hansard’s live shows for the last couple of years, the song has morphed from
dipping a toe into the waters of gospel to a full-on Sunday revival, Hansard a
welcome and comforting presence at the pulpit. A swaying choir, curiously kept
an arms-length away, buoys the sermon. The album’s standout track, “Lowly
Deserter”, showed up on YouTube last year with just Hansard and touring
trombonist Curtis Fowlkes. Even stripped down, the song evoked a ripe New
Orleans sensibility. The album version finds Hansard leading a second line
parade in Dr. John’s honor.

Despite being recorded in various locales (New York, Dublin, Wilco’s The Loft in
Chicago, and the Frames’ longtime haunt, Black Box Studio in France, with former
bandmate Dave Odlum), the album remains cohesive and builds on the workshopping
Hansard undertook while on a small tour last winter. He’s often lamented the
difficulty of capturing his rambunctious stage energy in the studio — no doubt
there’s still room for these pieces to blossom in a live setting, especially
weaker tracks like the shuffling blues wannabe “Wedding Ring”. While it might
not capture his energy, Didn’t He Ramble fully illustrates Hansard’s deep
empathy.

The songwriter says he really “dug deep” for these songs, chasing specific ideas
instead of settling for something with a pretty sound. “My Little Ruin”, which
reaches out to a friend prone to self-sabotage, manages to check off both boxes.
Hansard starts off gently, coaxing the recluse away from a poisonous crowd via a
soft guitar pitter-pattering like raindrops against a window. The backing band
swells to match Hansard’s growing frustration at his friend’s careless misuse of
talent before expanding and extending an olive branch. In contrast, album opener
“Grace Beneath the Pines” solemnly turns inward, Hansard focusing on overcoming
his own shortcomings. It maintains a hymn-like momentum, save for a small break
when Hansard lets loose with his trademark vein-bulging wail: “I’ll get through
this.” At this point in his career, he doesn’t need to convince us.



This NFO File was rendered by NFOmation.net


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