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    ┌────────┐
────┤ Info   ├─────────────────────────────────────────────────────────────────
    └────────┘

     Artist  | Cat Power
     Title   | Wanderer

     Genre   | Indie                                Format  | Album
     Source  | CDDA                                 Time    | 37:58

     Label   | Domino                               Store   | 2018
     Catalog | WIGCD435                             Rip     | 2018

     Bitrate | 202 kbps                             Size    | 58.30 MB
     Freq    | 44.1 kHz                             Encoder | Lame 3.98.4

    ┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
    └────────┘

     01. Wanderer                                                    1:14
     02. In Your Face                                                4:12
     03. You Get                                                     3:43
     04. Woman                                                       4:50
     05. Horizon                                                     4:24
     06. Stay                                                        3:58
     07. Black                                                       3:56
     08. Robbin Hood                                                 2:10
     09. Nothing Really Matters                                      3:12
     10. Me Voy                                                      4:00
     11. Wanderer / Exit                                             2:19

    ┌────────┐
────┤ Notes  ├─────────────────────────────────────────────────────────────────
    └────────┘

     A one-of-a-kind artist unafraid to reveal her inner self and follow her
     muse in different directions, Cat Power's Chan Marshall pens literate and
     emotionally revealing songs and performs them with strength and fragility.
     Her earliest albums, such as 1996's "What Would The Community Think",
     reflected the influence of New York's experimental rock scene. As time went
     on, however, the folk, blues, and soul music she was raised on made
     themselves known on 1998's "Moon Pix" and 2006's "The Greatest", which
     featured performances by Memphis soul legends. As Marshall continued to
     experiment, adding electronics on 2012's "Sun" and releasing one of her
     starkest albums yet with 2018's "Wanderer", she established herself as one
     of the 21st century's most acclaimed singer/songwriters and paved the way
     for like-minded artists such as Mitski, Snail Mail, and Angel Olsen.

     For "Wanderer", Marshall focuses her production and arrangements on her
     voice, which has become the instrument her songs have always needed. A
     little raspier than before and as remarkably emotive as always, it's so
     full of living that no flashy accompaniment is needed on songs such as the
     title track. One of the album's briefest and most beautiful moments,
     "Wanderer" heart-melting harmonies grace a song that could be an eternal
     lament handed down for generations. Throughout the album, Marshall feels
     completely in command of the folk, blues, and soul that have lurked around
     the margins of her music since the beginning and made up the heart of "The
     Greatest".

     Even as she says goodbye on almost every track, from "Me Voy" sultry regret
     to the serenely devastating "Horizon", Wanderer returns to sounds that are
     in her blood. She subtly modernizes these traditions while tapping into
     their timeless power: "Black" is another in her series of songs about
     friends who have died, and the way Marshall contrasts folk- and blues-based
     mythologizing with a very modern streak of survivor's guilt makes it one of
     her most spellbinding. "Robbin Hood", with its vicious cycle of literal and
     spiritual theft, could have been written in the shadow of The Great
     Depression or the Great Recession.

     Conversely, Marshall also incorporates 2010's touches in ways that sound
     classic and, above all, genuine. On "Woman", she and Lana Del Rey bid a
     liberating goodbye to others' expectations, their voices combining in an
     evocation of the spirit of womanhood (although Marshall's confession 'The
     doctor said I was not my past/He said I was finally free' is utterly,
     poignantly personal). Similarly, she hones Rihanna's "Stay" - already an
     unusually naked and free-flowing pop ballad - to its most soul-baring
     parts, and its spine-tingling beauty is another testament to the strength
     it takes to be so vulnerable.

     As tender as it is uncompromising, "Wanderer" is exactly the album Marshall
     needed to make at this point in her career and life. It's some of her most
     essential music, in both senses of the word.

    ┌────────┐
────┤ Salute ├─────────────────────────────────────────────────────────────────
    └────────┘

     BERC r35 GCP FWYH NuHS GRAVEWISH JCE KLV



This NFO File was rendered by NFOmation.net

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    ÚÄÄÄÄÄÄÄÄ¿
ÄÄÄÄ´ Info   ÃÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ
    ÀÄÄÄÄÄÄÄÄÙ

     Artist  | Cat Power
     Title   | Wanderer

     Genre   | Indie                                Format  | Album
     Source  | CDDA                                 Time    | 37:58

     Label   | Domino                               Store   | 2018
     Catalog | WIGCD435                             Rip     | 2018

     Bitrate | 202 kbps                             Size    | 58.30 MB
     Freq    | 44.1 kHz                             Encoder | Lame 3.98.4

    ÚÄÄÄÄÄÄÄÄ¿
ÄÄÄÄ´ Tracks ÃÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ
    ÀÄÄÄÄÄÄÄÄÙ

     01. Wanderer                                                    1:14
     02. In Your Face                                                4:12
     03. You Get                                                     3:43
     04. Woman                                                       4:50
     05. Horizon                                                     4:24
     06. Stay                                                        3:58
     07. Black                                                       3:56
     08. Robbin Hood                                                 2:10
     09. Nothing Really Matters                                      3:12
     10. Me Voy                                                      4:00
     11. Wanderer / Exit                                             2:19

    ÚÄÄÄÄÄÄÄÄ¿
ÄÄÄÄ´ Notes  ÃÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ
    ÀÄÄÄÄÄÄÄÄÙ

     A one-of-a-kind artist unafraid to reveal her inner self and follow her
     muse in different directions, Cat Power's Chan Marshall pens literate and
     emotionally revealing songs and performs them with strength and fragility.
     Her earliest albums, such as 1996's "What Would The Community Think",
     reflected the influence of New York's experimental rock scene. As time went
     on, however, the folk, blues, and soul music she was raised on made
     themselves known on 1998's "Moon Pix" and 2006's "The Greatest", which
     featured performances by Memphis soul legends. As Marshall continued to
     experiment, adding electronics on 2012's "Sun" and releasing one of her
     starkest albums yet with 2018's "Wanderer", she established herself as one
     of the 21st century's most acclaimed singer/songwriters and paved the way
     for like-minded artists such as Mitski, Snail Mail, and Angel Olsen.

     For "Wanderer", Marshall focuses her production and arrangements on her
     voice, which has become the instrument her songs have always needed. A
     little raspier than before and as remarkably emotive as always, it's so
     full of living that no flashy accompaniment is needed on songs such as the
     title track. One of the album's briefest and most beautiful moments,
     "Wanderer" heart-melting harmonies grace a song that could be an eternal
     lament handed down for generations. Throughout the album, Marshall feels
     completely in command of the folk, blues, and soul that have lurked around
     the margins of her music since the beginning and made up the heart of "The
     Greatest".

     Even as she says goodbye on almost every track, from "Me Voy" sultry regret
     to the serenely devastating "Horizon", Wanderer returns to sounds that are
     in her blood. She subtly modernizes these traditions while tapping into
     their timeless power: "Black" is another in her series of songs about
     friends who have died, and the way Marshall contrasts folk- and blues-based
     mythologizing with a very modern streak of survivor's guilt makes it one of
     her most spellbinding. "Robbin Hood", with its vicious cycle of literal and
     spiritual theft, could have been written in the shadow of The Great
     Depression or the Great Recession.

     Conversely, Marshall also incorporates 2010's touches in ways that sound
     classic and, above all, genuine. On "Woman", she and Lana Del Rey bid a
     liberating goodbye to others' expectations, their voices combining in an
     evocation of the spirit of womanhood (although Marshall's confession 'The
     doctor said I was not my past/He said I was finally free' is utterly,
     poignantly personal). Similarly, she hones Rihanna's "Stay" - already an
     unusually naked and free-flowing pop ballad - to its most soul-baring
     parts, and its spine-tingling beauty is another testament to the strength
     it takes to be so vulnerable.

     As tender as it is uncompromising, "Wanderer" is exactly the album Marshall
     needed to make at this point in her career and life. It's some of her most
     essential music, in both senses of the word.

    ÚÄÄÄÄÄÄÄÄ¿
ÄÄÄÄ´ Salute ÃÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ
    ÀÄÄÄÄÄÄÄÄÙ

     BERC r35 GCP FWYH NuHS GRAVEWISH JCE KLV



This NFO File was rendered by NFOmation.net


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