00-deep_purple-concerto_for_group_and_orchestra-remastered-2010-debt.nfo
◄██░
◄██░ ◄██░
◄███░ ◄██░███████ ◄██░ ◄███░▓
◄███████░ ◄██░▀▀▀▀◄██████████████░▓
◄███████████░ ◄████████░██░██████████░█░▓
◄███████████░ ◄██████████░▀▀◄████░▀▀▀▒▒▓
◄███░◄█████░ ◄██████░ ◄███░▀◄████░ ◄████░ ▒▒▓
◄███░ ◄████░ ◄███░◄██░ ◄███░ ◄███░ ◄████░ ▒▒▓▀
◄███░ ◄███░ ◄███░◄██░ ◄███░████░ ◄████░ ▒▒▓▀
◄███░ ◄███░ ◄██░ ◄██░ ◄██████████░ ◄████░ ▒▒▒▓
◄███░ ◄████░◄██████░▀▀◄█████████████░ ◄████░ ▀▀▒▓
◄███░ ◄████░ ◄████░▀ ◄███░▀▀◄████░ ◄████░ ▒▓
◄███░◄████░▀ ◄███░▀ ◄███░ ◄████░ ◄████░ ▒▒▓
◄███░████░▀ ◄███░ ◄██░ ◄███░ ◄████░▀ ◄████░ ▒▓▀
◄███████░▓ ◄████░███░ ◄███░█████░▓ ◄████░ ▒▓
◄██████░▒▓ ◄███████░ ◄████████░▒▒▓ ◄███░ ▓▀
◄███████░▀▒▓ ░░░░░░░▀◄████████░▀ ▒▓ ◄███░ ▓
◄██████░▀▒▒▓ ▒▒▓▀▀▒▓ .█████░▒▓▀ ▒▒▓ ◄████░ ▓
◄████░▀ ▒▓▀ ▒▒▓ .▒▓ |◄███░▀▒▓▒▒▒▓▀ ◄███░▀ ▀
◄██░▒▓ ▒▒▓ ▀▒▒▓|▒▒▓/◄███░▒▒▓▒▓▀▀ ◄███░
◄██░▒▒▓ ▒▓ -'-, \▒| ◄██,'▒▓▀▒▒▓ ◄█████░█
◄██░▀▒▓ ▒▓ . ▒▒▓▀\▒◄░►-'`█░,.-▀▒▒▓ ◄███████
░██◄██░▒▒▓ ▒▓ `.,▀ ◄▓░▓►◄/'` ▒▓ ▀▒▓ ◄███░███
░██◄██░▒▓ ▒▒▓ -'',▒`'◄▓░░░▓►██░ ▒▓_/`▓ ◄██░▓█
░░▄▄██▀▀▀ ░░▀▒▓ ▓▓▀ \▒◄▓░░░░░▓►---',.-▓▀ ◄██░▓█► ▀▀▀██▄▄░░
▄ ▄███▀░░ ▀▀ ▒▓ ▀▀ `. ◄▓░░░░░░░▓►░,'▓▀ , ◄██▓█► ░░▀███▄ ▄
▄▄░███▓░▄ ░ ▒▓ `'--◄▓░░░(☼)░░░▓► ▓.'`▀` ░░▓██► ░ ▄░▓███░▄▄
░▓███▓▓░ ▀ ▄▓▄ ▓ -'''-, ◄▓░░░░░░░░░░░▓►` , ▼ ▄▓▄ ▀ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ ◄▓░░░░░░░░░░░░░▓►---''` ▀ ░ ▄░░▓████░▄
░▓█████▄░░ ▀ ▄ -''◄▓░░░░░░░░░░░░░░░▓►, ▄ ▀ ░░▄█████▓░
▀░▓███████▄▄▄░ -` ,.▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ '-,,,. ░▄▄▄███████▓░▀
░▀▀ ▀▀████████████▀▀ ,` ` | / \ | ▀▀████████████▀▀▀▀
▀ ▄ ░░▓████▀▀░ / --'` / \ `' \ ░▀▀████▓░░ ▄
▄░████▓░ ▀ ◄▓░░░░░░░░░░░░░░░░░▓► ▀ ▓████░▄
▄ ░████▓░▀ ◄▓░░░░░░░░░░░░░░░░░░░▓► ▀▓████░ ▄
░ ▄▓████░ ◄▓░░░░░░░░░░░░░░░░░░░░░▓► ░████▓▄ ░
▀▄░████▓░▄ ▄ ◄▓░░░░░░░░░░░░░░░░░░░░░░░▓► ▄░▓████░▄▀
░▓████▓░░▄▄ ▄ ◄▓░░░░░░░░░░░░░░░░░░░░░░░░░▓► ▄ ▄▄░░▓████▓░
░▓█████▓░░░ ░ ▄ ◄▓░░░░░░░░░░░░░░░░░░░░░░░░░░░▓► ▄ ░ ░░░▓█████▓░
▀░▀████████▄▀▄░ ◄▓░░░░░░░░░░░░░░░░░░░░░░░░░░░░░▓► ░▄▄▀████████▀░▀▀
▄▓▄▀ ░█▀▀██████████◄▓░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░▓►█░██████████▀▀█ ▀
▀ ▀█ ░░ ░ ░░◄▓░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░▓►▀░░░ ░ ░░ █
█ ░▀ ▀▄ ░█◄▓░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░▓►▀██░ ▀ ▀░ █
▓ ░ ░██░▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀███▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ░██░ ░ ▓
░ ▀ ░▓██▓░░░▓████ ▄▄█▓█▄▄ ████▓░░░▓██▓░░ ▀ ░
▄ ▀░██████████░ ▄ ███░▒▓▒░███ ▄ ██████████░▀▀ ▄
░ ▀░▓█████▀▀░▀ ▄███▄▀▀██▒██▀▀▄███▄▄ ▀▀█████▓░▀ ░
▀ ▀▀▓ ░ ▀ ░███▓░▀ █▒█ ▀░▓███░ ▓▀▀ ▀
░ ░ ▀░▀██▄ ▐░▌ ▄██▀░▀ ▄ ░
░ ▀ ▄░▀██▄ ▐░▌ ▄██▀░▄ ░ ░
▄ ▄ ▓ ░███▓░▄ ▐█▌ ▄░▓███░ ░ ▓▄▄ ▄
░ ▄░▓█████▀▀ ▄███▀░▄▄█▓█▄▄░▀███▄▀ ░▀▀█████▓░▄ ░
▄ ▄▄░██████████ ▄▓███░▒▓▒░███▓▄ ░██████████░▄ ▀
░ ▄ ░░▓██▓░░░▓████░░▀██▀▄▄▀██▒██▀▄▄▀██▀░░████▓░░░▓██▓░ ▄ ░
▓ ░ ▀▀░██░▀▀░░▓███▓██▓░ █▒█ ▀ ░▓██▓███▓░░ ░██░▀ ░ ▓
█ ░▄ ▄ ▀░██▀▀▀░▓███░██░▀ ▐░▌ ▄▓▄ ▀░██░███▓░ ▀▀██░▀▄▄ ▄░ █
█ ░░ ░ ▀░░░▀▀▓███░▀ ▄█▓▀ ▐░▌ ▀▓█▄ ▀░███▓▀▀░░░▀ ░ ░░ █ ▀
▄ █▀▀███████╔════════════════════█═══════════════════╗████████▀▀█░ ▄▓▄
▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
▄▀░████▓╔═══════════════════════╩═════════════════════════╩══════════════════════════╗▓████░▀▄
▐░ ▀▓████║ Deep_Purple-Concerto_For_Group_And_Orchestra-Remastered-2010-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
▀ ▀▀█████▀░████ ▄ ▄ ░▓████░▀ ████▀▀ ▀
▄ ░░▓████▀▀░ ░▀▀████▓░░ ▄ ▄
▄▄▀▀███████████▀▀▀ ▀▀████████████▀▀ ░
▄░▓███████▄▄▄░ ARTiST.... Deep Purple ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Concerto for Group and Orchestra █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Warner Music Japan ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Rock ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-05-02 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2010-00-00 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 228 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 4 / 53:44 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 92.36 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
░▓█████▄░░ ▄ ▄ ░░▄█████▓░
▄░▓███████▄▄▄░ ░▄▄▄███████▓░▀
░▀▀ ▀▀████████████▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄████████████▀▀▀▀
▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 First Movement: a. Moderato / b. Allegro / 19:11 ████▓▄ ░
░ ▄▓████ c. Vivace ████▓▄ ░
░ ▄▓████ 2 Second Movement: a. Part One - Andante 6:33 ████▓▄ ░
░ ▄▓████ 3 Second Movement: b. Part Two 12:29 ████▓▄ ░
░ ▄▓████ 4 Third Movement 15:31 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 53:44 MIN ████▓░
░▓███████▄ TOTAL SIZE: 92.36 MB▄█████▓░
▀░▀████████▄ ▄█████▀░▀▀
▄▓▄▀ ░█▀▀█████████████▄▄ ▄ ▄ ▄ ▄ ▄▄█████████████▀▀█ ▀
▀ ▀█ ░░▀░ ▄░░░▀▀▓███░▄ ▄█▓▀ ▀▓█▄ ▄░███▓▀▀░░░ ░ ░░ █
█ ░▀ ▀▄▄░██▀▀▄░▓███░██░▀ ▀░██░███▓░▄▀▀██░ ▀ ▀░ █
▓ ░ ▄░██░▄▄░░▓███▓██▓░ ▄ ░▓██▓███▓░░▄▄░██░ ░ ▓
░ ▀ ░▓██▓░░░▓████░░▀██▄▄▄▄▄█▓█▄▄▄▄▄██▀░░████▓░░░▓██▓░░ ▀ ░
▀ ▀░██████████░▀▀ ▄▓███░▒▓▒░███▓▄ ▀▀ ██████████░▀▀ ▀
░ ▀░▓█████▀▀░▀ ▄███▀░▀██▒██▀░▀███▄ ▀▀█████▓░ ░
▀ ▀▀▓ ░ ▀ ░███▓░▀ █▒█ ▀░▓███░ ▓▀▀ ▀
░ ░ ▀░▀██▀ █░█ ▀██▀░▀ ▄ ░
░ ▀ ░▀██▄ ▐░▌ ▄██▀░▄ ░ ░
▄ ▄▄▓ ▄ ░███▓░▄ ▐█▌ ▄░▓███░ ▄ ░ ▓▄▄ ▄
░ ▄░▓█████▀▀░ ▀▄███▀░▄▄█▓█▄▄░▀███▄▀ ░▀▀█████▓░▄ ░
▀ ▄▄░██████████ ▄▄ ▄▓███░▒▓▒░███▓▄ ░██████████░▄ ▀
░ ▄ ░░▓██▓░░░▓████░░▀██▄▄▄▀██▒██▀▄▄▄██▀░░████▓░░░▓██▓░ ▄ ░
▓ ░ ▀▀░██░▀▀░░▓███▓██▓░ █▒█ ▀ ░▓██▓███▓░░▀▀░██░▀ ░ ▓
█ ░▄ ▄ ▀░██▀▀▀░▓███░██░▀ ▐░▌ ▄▓▄ ▀░██░███▓░▀▀▀██░▀▄▄ ▄░ █
█ ░░ ░ ▀░░░▀▀▓███░▀ ▄█▓▀ ▐░▌ ▀ ▀▓█▄ ▀░███▓▀▀░░░▀ ░ ░░ █▄ ▄
▄ █▀▀█████████████▄▄ ▀ ▀ ▀ ▀ ▀ ▄▄█████████████▀▀█░ ▄▄▓▄
▄▄░▀█████╔════════════════════════════════════════════════════╗██████▀░▄▀
░▓█████▓░╟─────────────────────────────────────◄RELEASE NOTES►╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ Back in 1970, it seemed as though any British ║▀░▓████░▀▄
▄▀░████▓░▀║ group that could was starting to utilize ║▀░▓████░▀▄
▄▀░████▓░▀║ classical elements in their work -- for some, ║▀░▓████░▀▄
▄▀░████▓░▀║ like ELP, that meant quoting from the classics as ║▀░▓████░▀▄
▄▀░████▓░▀║ often and loudly as possible, while for others, ║▀░▓████░▀▄
▄▀░████▓░▀║ like Yes, it meant incorporating classical ║▀░▓████░▀▄
▄▀░████▓░▀║ structures into their albums and songs. Deep ║▀░▓████░▀▄
▄▀░████▓░▀║ Purple, at the behest of keyboardman Jon Lord, ║▀░▓████░▀▄
▄▀░████▓░▀║ fell briefly into the camp of this offshoot of ║▀░▓████░▀▄
▄▀░████▓░▀║ early progressive rock with the Concerto for ║▀░▓████░▀▄
▄▀░████▓░▀║ Group and Orchestra. For most fans, the album ║▀░▓████░▀▄
▄▀░████▓░▀║ represented the nadir of the classic (i.e., ║▀░▓████░▀▄
▄▀░████▓░▀║ post-Rod Evans) group: minutes of orchestral ║▀░▓████░▀▄
▄▀░████▓░▀║ meandering lead into some perfectly good hard ║▀░▓████░▀▄
▄▀░████▓░▀║ rock jamming by the band, but the trip is almost ║▀░▓████░▀▄
▄▀░████▓░▀║ not worth the effort. Ritchie Blackmore sounds ║▀░▓████░▀▄
▄▀░████▓░▀║ great and plays his heart out, and you can tell ║▀░▓████░▀▄
▄▀░████▓░▀║ this band is going to go somewhere, just by ║▀░▓████░▀▄
▄▀░████▓░▀║ virtue of the energy that they put into these ║▀░▓████░▀▄
▄▀░████▓░▀║ extended pieces. The classical influences mostly ║▀░▓████░▀▄
▄▀░████▓░▀║ seem drawn from movie music composers Dimitri ║▀░▓████░▀▄
▄▀░████▓░▀║ Tiomkin and Franz Waxman (and Elmer Bernstein), ║▀░▓████░▀▄
▄▀░████▓░▀║ with some nods to Rachmaninoff, Sibelius, and ║▀░▓████░▀▄
▄▀░████▓░▀║ Mahler, and they rather just lay there. Buried in ║▀░▓████░▀▄
▄▀░████▓░▀║ the middle of the second movement is a perfectly ║▀░▓████░▀▄
▄▀░████▓░▀║ good song, but you've got to get to it through ║▀░▓████░▀▄
▄▀░████▓░▀║ eight minutes of orchestral noodling on either ║▀░▓████░▀▄
▄▀░████▓░▀║ side. The third movement is almost bracing enough ║▀░▓████░▀▄
▄▀░████▓░▀║ to make up for the flaws of the other two, though ║▀░▓████░▀▄
▄▀░████▓░▀║ by itself, it wouldn't make the CD worthwhile -- ║▀░▓████░▀▄
▄▀░████▓░▀║ Pink Floyd proved far more adept at mixing group ║▀░▓████░▀▄
▄▀░████▓░▀║ and orchestra, and making long, slow, lugubrious ║▀░▓████░▀▄
▄▀░████▓░▀║ pieces interesting. As a bonus, however, the ║▀░▓████░▀▄
▄▀░████▓░▀║ producers have added a pair of hard rock numbers ║▀░▓████░▀▄
▄▀░████▓░▀║ by the group alone, "Wring That Neck" and "Child ║▀░▓████░▀▄
▄▀░████▓░▀║ in Time," that were played at the same concert. ║▀░▓████░▀▄
▄▀░████▓░▀║ They and the third movement of the established ║▀░▓████░▀▄
▄▀░████▓░▀║ piece make this worth a listen. ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
▀ ░████▓▄║ ║░▓████░ ▀
▀░████▓╟◄──────────────────────────────────────────────────►╢▓████░▀
▄ ░░▓███╠════════════════════════════════════════════◄QUOTES►╢╣███▓░░ ▄ ▄
░▄▄ ▀▀██████║ ║██████▀▀ ▄▄░
▀░▓███████▄▄║ From a long view of the history of mankind í¬ ║▄▄███████▓░▀
▀░▓███████▄▄║ seen from, say, ten thousand years from now, ║▄▄███████▓░▀
▀░▓███████▄▄║ there can be little doubt that the most ║▄▄███████▓░▀
▀░▓███████▄▄║ significant event of the 19th century will be ║▄▄███████▓░▀
▀░▓███████▄▄║ judged as Maxwell's discovery of the laws of ║▄▄███████▓░▀
▀░▓███████▄▄║ electrodynamics. ║▄▄███████▓░▀
▀░▓███████▄▄║ ║▄▄███████▓░▀
▀░▓███████▄▄║ -- Richard Feynman ║▄▄███████▓░▀
░▓█████▄░░ ▄║ ║▄ ░░▄█████▓░
░▄▄ ▀▀██████╟◄──────────────────────────────────────────────────►╢██████▀▀ ▄▄░
▀░▓███████▄▄╠════════════════════════════════════════════════════╣▄▄███████▓░▀
▄▄▀▀██████╟────────────────────────────────────────◄GROUP NEWS►╢██████▀▀ ▄▄░
▄░▓███████▄║ DeBT is in need of SECURE affils ║▄▄███████▓░▀
░▓█████▄░░ ║ ║▄ ░░▄█████▓░
░████▓░░▀ ║ pre-release suppliers, bookware ║░ ▀░░▓████░▀
░▓███▓▓░ ║ ║▄ ░▓▓███▓░
▀▀░███▓░▄▄║ suppliers, iNT rippers, shell accounts, ║░▄▄░▓███░▀▀
▀ ▄███▀░║ ║░░▀███▄ ▀
░░▄▄█║ coders, crackers and anything else ║██▄▄░░
▄▄░▀█████║ ║██████▀░▄▀
░▓█████▓░║ that may be of use to us. ║░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
▀ ░████▓▄║ DeBT is dedicated to bringing ║░▓████░ ▀
▀░████▓║ ║▓████░▀
▄ ░░▓███║ you the best of the old, new and forgotten in a ║███▓░░ ▄ ▄
▄▄▀▀██████║ ║██████▀▀ ▄▄░
▄░▓███████▄║ variety of sections. If you think you have ║▄▄███████▓░▀
░▓█████▄░░ ║ ║▄ ░░▄█████▓░
░████▓░░▀ ║ what it takes don't hesitate to contact us. ║░ ▀░░▓████░▀
░▓███▓▓░ ║ ║▄ ░▓▓███▓░
▀▀░███▓░▄▄║ Keep it scene. Keep it safe. ║░▄▄░▓███░▀▀
▀ ▄███▀░║ ║░░▀███▄ ▀
░░▄▄█║ ║██▄▄░░
▄▄░▀█████║ C O N T A C T D e B T ║██████▀░▄▀
░▓█████▓░║ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ║░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ DeBTisSlaV3rYSTuPiD@GMail.com ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
▀ ░████▓▄║ ║░▓████░ ▀
▀░████▓╟◄──────────────────────────────────────────────────►╢▓████░▀
▄ ░░▓███╚════════════════════════════════════════════════════╝███▓░░ ▄ ▄
▄▄▀▀████████████▀▀▄▄ ▄▄▀▀████████████▀▀ ▄▄░
▄░▓███████▄▄███████▓░▄ ▄░▓███████▄▄▄███████▓░▀
░▓█████▄░░ ░░▄█████▓░ ░▓█████▄░░ ▄ ░░▄█████▓░
░████▓░░▀ ▀░░▓████░ ░████▓░░▀ ░ ▀░░▓████░▀
░▓███▓▓░ ░▓▓███▓░ ░▓███▓▓░ ▄ ░▓▓███▓░
▀▀░███▓░▄▄▄▄░▓███░▀▀ ▀▀░███▓░▄▄░▄▄░▓███░▀▀
▀ ▄███▀░░▀███▄ ▀ ▀ ▄███▀░░░▀███▄ ▀
░░▄▄██▄▄░░ ░░▄▄███▄▄░░
This NFO File was rendered by NFOmation.net
ÛÛ°
ÛÛ° ÛÛ°
ÛÛÛ° ÛÛ°ÛÛÛÛÛÛÛ ÛÛ° ÛÛÛ°²
ÛÛÛÛÛÛÛ° ÛÛ°ßßßßÛÛÛÛÛÛÛÛÛÛÛÛÛÛ°²
ÛÛÛÛÛÛÛÛÛÛÛ° ÛÛÛÛÛÛÛÛ°ÛÛ°ÛÛÛÛÛÛÛÛÛÛ°Û°²
ÛÛÛÛÛÛÛÛÛÛÛ° ÛÛÛÛÛÛÛÛÛÛ°ßßÛÛÛÛ°ßßß±±²
ÛÛÛ°ÛÛÛÛÛ° ÛÛÛÛÛÛ° ÛÛÛ°ßÛÛÛÛ° ÛÛÛÛ° ±±²
ÛÛÛ° ÛÛÛÛ° ÛÛÛ°ÛÛ° ÛÛÛ° ÛÛÛ° ÛÛÛÛ° ±±²ß
ÛÛÛ° ÛÛÛ° ÛÛÛ°ÛÛ° ÛÛÛ°ÛÛÛÛ° ÛÛÛÛ° ±±²ß
ÛÛÛ° ÛÛÛ° ÛÛ° ÛÛ° ÛÛÛÛÛÛÛÛÛÛ° ÛÛÛÛ° ±±±²
ÛÛÛ° ÛÛÛÛ°ÛÛÛÛÛÛ°ßßÛÛÛÛÛÛÛÛÛÛÛÛÛ° ÛÛÛÛ° ßß±²
ÛÛÛ° ÛÛÛÛ° ÛÛÛÛ°ß ÛÛÛ°ßßÛÛÛÛ° ÛÛÛÛ° ±²
ÛÛÛ°ÛÛÛÛ°ß ÛÛÛ°ß ÛÛÛ° ÛÛÛÛ° ÛÛÛÛ° ±±²
ÛÛÛ°ÛÛÛÛ°ß ÛÛÛ° ÛÛ° ÛÛÛ° ÛÛÛÛ°ß ÛÛÛÛ° ±²ß
ÛÛÛÛÛÛÛ°² ÛÛÛÛ°ÛÛÛ° ÛÛÛ°ÛÛÛÛÛ°² ÛÛÛÛ° ±²
ÛÛÛÛÛÛ°±² ÛÛÛÛÛÛÛ° ÛÛÛÛÛÛÛÛ°±±² ÛÛÛ° ²ß
ÛÛÛÛÛÛÛ°ß±² °°°°°°°ßÛÛÛÛÛÛÛÛ°ß ±² ÛÛÛ° ²
ÛÛÛÛÛÛ°ß±±² ±±²ßß±² .ÛÛÛÛÛ°±²ß ±±² ÛÛÛÛ° ²
ÛÛÛÛ°ß ±²ß ±±² .±² |ÛÛÛ°ß±²±±±²ß ÛÛÛ°ß ß
ÛÛ°±² ±±² ß±±²|±±²/ÛÛÛ°±±²±²ßß ÛÛÛ°
ÛÛ°±±² ±² -'-, \±| ÛÛ,'±²ß±±² ÛÛÛÛÛ°Û
ÛÛ°ß±² ±² . ±±²ß\±°-'`Û°,.-ß±±² ÛÛÛÛÛÛÛ
°ÛÛÛÛ°±±² ±² `.,ß ²°²/'` ±² ß±² ÛÛÛ°ÛÛÛ
°ÛÛÛÛ°±² ±±² -'',±`'²°°°²ÛÛ° ±²_/`² ÛÛ°²Û
°°ÜÜÛÛßßß °°ß±² ²²ß \±²°°°°°²---',.-²ß ÛÛ°²Û ßßßÛÛÜÜ°°
Ü ÜÛÛÛß°° ßß ±² ßß `. ²°°°°°°°²°,'²ß , ÛÛ²Û °°ßÛÛÛÜ Ü
ÜÜ°ÛÛÛ²°Ü ° ±² `'--²°°°()°°°² ².'`ß` °°²ÛÛ ° Ü°²ÛÛÛ°ÜÜ
°²ÛÛÛ²²° ß Ü²Ü ² -'''-, ²°°°°°°°°°°°²` , Ü²Ü ß °²²ÛÛÛ²°
Ü°ÛÛÛÛ²°°Ü ° ß ²°°°°°°°°°°°°°²---''` ß ° Ü°°²ÛÛÛÛ°Ü
°²ÛÛÛÛÛÜ°° ß Ü -''²°°°°°°°°°°°°°°°², Ü ß °°ÜÛÛÛÛÛ²°
ß°²ÛÛÛÛÛÛÛÜÜÜ° -` ,.ßßßßßßßßßßßßßßßßß '-,,,. °ÜÜÜÛÛÛÛÛÛÛ²°ß
°ßß ßßÛÛÛÛÛÛÛÛÛÛÛÛßß ,` ` | / \ | ßßÛÛÛÛÛÛÛÛÛÛÛÛßßßß
ß Ü °°²ÛÛÛÛßß° / --'` / \ `' \ °ßßÛÛÛÛ²°° Ü
Ü°ÛÛÛÛ²° ß ²°°°°°°°°°°°°°°°°°² ß ²ÛÛÛÛ°Ü
Ü °ÛÛÛÛ²°ß ²°°°°°°°°°°°°°°°°°°°² ß²ÛÛÛÛ° Ü
° ܲÛÛÛÛ° ²°°°°°°°°°°°°°°°°°°°°°² °ÛÛÛÛ²Ü °
ßÜ°ÛÛÛÛ²°Ü Ü ²°°°°°°°°°°°°°°°°°°°°°°°² Ü°²ÛÛÛÛ°Üß
°²ÛÛÛÛ²°°ÜÜ Ü ²°°°°°°°°°°°°°°°°°°°°°°°°°² Ü ÜÜ°°²ÛÛÛÛ²°
°²ÛÛÛÛÛ²°°° ° Ü ²°°°°°°°°°°°°°°°°°°°°°°°°°°°² Ü ° °°°²ÛÛÛÛÛ²°
ß°ßÛÛÛÛÛÛÛÛÜßÜ° ²°°°°°°°°°°°°°°°°°°°°°°°°°°°°°² °ÜÜßÛÛÛÛÛÛÛÛß°ßß
ܲÜß °ÛßßÛÛÛÛÛÛÛÛÛÛ²°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°²Û°ÛÛÛÛÛÛÛÛÛÛßßÛ ß
ß ßÛ °° ° °°²°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°²ß°°° ° °° Û
Û °ß ßÜ °Û²°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°²ßÛÛ° ß ß° Û
² ° °ÛÛ°ßßßßßßßßßßßßßßßßßßÛÛÛßßßßßßßßßßßßßßßß °ÛÛ° ° ²
° ß °²ÛÛ²°°°²ÛÛÛÛ ÜÜÛ²ÛÜÜ ÛÛÛÛ²°°°²ÛÛ²°° ß °
Ü ß°ÛÛÛÛÛÛÛÛÛÛ° Ü ÛÛÛ°±²±°ÛÛÛ Ü ÛÛÛÛÛÛÛÛÛÛ°ßß Ü
° ß°²ÛÛÛÛÛßß°ß ÜÛÛÛÜßßÛÛ±ÛÛßßÜÛÛÛÜÜ ßßÛÛÛÛÛ²°ß °
ß ßß² ° ß °ÛÛÛ²°ß Û±Û ß°²ÛÛÛ° ²ßß ß
° ° ß°ßÛÛÜ Þ°Ý ÜÛÛß°ß Ü °
° ß Ü°ßÛÛÜ Þ°Ý ÜÛÛß°Ü ° °
Ü Ü ² °ÛÛÛ²°Ü ÞÛÝ Ü°²ÛÛÛ° ° ²ÜÜ Ü
° Ü°²ÛÛÛÛÛßß ÜÛÛÛß°ÜÜÛ²ÛÜÜ°ßÛÛÛÜß °ßßÛÛÛÛÛ²°Ü °
Ü ÜÜ°ÛÛÛÛÛÛÛÛÛÛ Ü²ÛÛÛ°±²±°ÛÛÛ²Ü °ÛÛÛÛÛÛÛÛÛÛ°Ü ß
° Ü °°²ÛÛ²°°°²ÛÛÛÛ°°ßÛÛßÜÜßÛÛ±ÛÛßÜÜßÛÛß°°ÛÛÛÛ²°°°²ÛÛ²° Ü °
² ° ßß°ÛÛ°ßß°°²ÛÛÛ²ÛÛ²° Û±Û ß °²ÛÛ²ÛÛÛ²°° °ÛÛ°ß ° ²
Û °Ü Ü ß°ÛÛßßß°²ÛÛÛ°ÛÛ°ß Þ°Ý Ü²Ü ß°ÛÛ°ÛÛÛ²° ßßÛÛ°ßÜÜ Ü° Û
Û °° ° ß°°°ßß²ÛÛÛ°ß ÜÛ²ß Þ°Ý ß²ÛÜ ß°ÛÛÛ²ßß°°°ß ° °° Û ß
Ü ÛßßÛÛÛÛÛÛÛÉÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÛÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ»ÛÛÛÛÛÛÛÛßßÛ° ܲÜ
ÜÜ°ßÛÛÛÛÛÛÛÛÜÜܺD e B T i s S l a V 3 r Y S T u P i Dº°ÜÜÜÛÛÛÛÛÛÛÛß° ß
°²ÛÛÛÛÛ²°°° ° ÈÍÍÍÍÍ» ÉÍÍÍÍÍÍÍÍ¼ß ° °°°²ÛÛÛÛÛ²°
ÜÜÛÛÛ°²ÛÛÛÛ²°°ßß ß ºDuBi0uSlY EnDoWs YoU WiThº ß ßß°°²ÛÛÛÛ²°ÛÛÛÜÜ
Üß°ÛÛÛÛ²ÉÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÊÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÊÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ»²ÛÛÛÛ°ßÜ
Þ° ß²ÛÛÛÛº Deep_Purple-Concerto_For_Group_And_Orchestra-Remastered-2010-DeBT_iNT ºÛÛÛÛ²ß °Ý
ß °ÛÛÛÛÈÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍͼÛÛÛÛ° ß
ß ßßÛÛÛÛÛß°ÛÛÛÛ Ü Ü °²ÛÛÛÛ°ß ÛÛÛÛßß ß
Ü °°²ÛÛÛÛßß° °ßßÛÛÛÛ²°° Ü Ü
ÜÜßßÛÛÛÛÛÛÛÛÛÛÛßßß ßßÛÛÛÛÛÛÛÛÛÛÛÛßß °
Ü°²ÛÛÛÛÛÛÛÜÜÜ° ARTiST.... Deep Purple °ÜÜÜÛÛÛÛÛÛÛ²°ß
°²ÛÛÛÛÛÜ°° Ü ß TiTLE..... Concerto for Group and Orchestra ÛÛÛÛÛ²°
ß°ÛÛÛÛ²°°ß ° ß LABEL..... Warner Music Japan ß ° ß°°²ÛÛÛÛ°ß
°²ÛÛÛ²²° ß Ü²Ü GENRE..... Rock Ü²Ü ß °²²ÛÛÛ²°
ßß°ÛÛÛ²°ÜÜ° RiP.DATE.. 2011-05-02 °ÜÜ°²ÛÛÛ°ßß
ß ÜÛÛÛß°° STOREDATE. 2010-00-00 °°ßÛÛÛÜ ß
°°ÜÜÛÛßßß SOURCE.... CD ßßßÛÛÜÜ°°
°°ÜÜÛÛßßß QUALiTY... 228 kbps / 4410kHz / Joint Stereo ßßßÛÛÜÜ°°
Ü ÜÛÛÛß°° TRACKS.... 4 / 53:44 °°ßÛÛÛÜ Ü
ÜÜ°ÛÛÛ²°Ü ° SIZE...... 92.36 MB ° Ü°²ÛÛÛ°ÜÜ
°²ÛÛÛ²²° Ü Ü²Ü RIPPER.... EAC Secure with LAME 3.98.4 Ü²Ü Ü °²²ÛÛÛ²°
Ü°ÛÛÛÛ²°°Ü ° ß URL....... °²ÛÛÛÛ°Ü
°²ÛÛÛÛÛÜ°° Ü Ü °°ÜÛÛÛÛÛ²°
Ü°²ÛÛÛÛÛÛÛÜÜÜ° °ÜÜÜÛÛÛÛÛÛÛ²°ß
°ßß ßßÛÛÛÛÛÛÛÛÛÛÛÛßßÜßßÜßßÜßßÜßßÜßßÜßßÜßßÜßßÜßßÜßßÜßßÜßßÜßßÜÛÛÛÛÛÛÛÛÛÛÛÛßßßß
ß Ü °°²Ûß ßß ßß ßß ßß ßß ßß ßß ßß ßß ßß ßß ßß ßß ßß ßßÛÛÛÛ²°° Ü
Ü°ÛÛÛ NR. TRACKNAME TiME ÛÛÛÛ°Ü
Ü °ÛÛÛÛ ÛÛÛÛ° Ü
° ܲÛÛÛÛ 1 First Movement: a. Moderato / b. Allegro / 19:11 ÛÛÛÛ²Ü °
° ܲÛÛÛÛ c. Vivace ÛÛÛÛ²Ü °
° ܲÛÛÛÛ 2 Second Movement: a. Part One - Andante 6:33 ÛÛÛÛ²Ü °
° ܲÛÛÛÛ 3 Second Movement: b. Part Two 12:29 ÛÛÛÛ²Ü °
° ܲÛÛÛÛ 4 Third Movement 15:31 ÛÛÛÛ²Ü °
° ܲÛÛÛÛ ---------------------------------------------------------ÛÛÛÛ²Ü °
ßÜ°ÛÛÛÛ² ÛÛÛÛ°Üß
°²ÛÛÛÛ²Ü TOTAL TiME: 53:44 MIN ÛÛÛÛ²°
°²ÛÛÛÛÛÛÛÜ TOTAL SIZE: 92.36 MBÜÛÛÛÛÛ²°
ß°ßÛÛÛÛÛÛÛÛÜ ÜÛÛÛÛÛß°ßß
ܲÜß °ÛßßÛÛÛÛÛÛÛÛÛÛÛÛÛÜÜ Ü Ü Ü Ü ÜÜÛÛÛÛÛÛÛÛÛÛÛÛÛßßÛ ß
ß ßÛ °°ß° Ü°°°ßß²ÛÛÛ°Ü ÜÛ²ß ß²ÛÜ Ü°ÛÛÛ²ßß°°° ° °° Û
Û °ß ßÜÜ°ÛÛßßÜ°²ÛÛÛ°ÛÛ°ß ß°ÛÛ°ÛÛÛ²°ÜßßÛÛ° ß ß° Û
² ° Ü°ÛÛ°ÜÜ°°²ÛÛÛ²ÛÛ²° Ü °²ÛÛ²ÛÛÛ²°°ÜÜ°ÛÛ° ° ²
° ß °²ÛÛ²°°°²ÛÛÛÛ°°ßÛÛÜÜÜÜÜÛ²ÛÜÜÜÜÜÛÛß°°ÛÛÛÛ²°°°²ÛÛ²°° ß °
ß ß°ÛÛÛÛÛÛÛÛÛÛ°ßß Ü²ÛÛÛ°±²±°ÛÛÛ²Ü ßß ÛÛÛÛÛÛÛÛÛÛ°ßß ß
° ß°²ÛÛÛÛÛßß°ß ÜÛÛÛß°ßÛÛ±ÛÛß°ßÛÛÛÜ ßßÛÛÛÛÛ²° °
ß ßß² ° ß °ÛÛÛ²°ß Û±Û ß°²ÛÛÛ° ²ßß ß
° ° ß°ßÛÛß Û°Û ßÛÛß°ß Ü °
° ß °ßÛÛÜ Þ°Ý ÜÛÛß°Ü ° °
Ü Üܲ Ü °ÛÛÛ²°Ü ÞÛÝ Ü°²ÛÛÛ° Ü ° ²ÜÜ Ü
° Ü°²ÛÛÛÛÛßß° ßÜÛÛÛß°ÜÜÛ²ÛÜÜ°ßÛÛÛÜß °ßßÛÛÛÛÛ²°Ü °
ß ÜÜ°ÛÛÛÛÛÛÛÛÛÛ ÜÜ Ü²ÛÛÛ°±²±°ÛÛÛ²Ü °ÛÛÛÛÛÛÛÛÛÛ°Ü ß
° Ü °°²ÛÛ²°°°²ÛÛÛÛ°°ßÛÛÜÜÜßÛÛ±ÛÛßÜÜÜÛÛß°°ÛÛÛÛ²°°°²ÛÛ²° Ü °
² ° ßß°ÛÛ°ßß°°²ÛÛÛ²ÛÛ²° Û±Û ß °²ÛÛ²ÛÛÛ²°°ßß°ÛÛ°ß ° ²
Û °Ü Ü ß°ÛÛßßß°²ÛÛÛ°ÛÛ°ß Þ°Ý Ü²Ü ß°ÛÛ°ÛÛÛ²°ßßßÛÛ°ßÜÜ Ü° Û
Û °° ° ß°°°ßß²ÛÛÛ°ß ÜÛ²ß Þ°Ý ß ß²ÛÜ ß°ÛÛÛ²ßß°°°ß ° °° ÛÜ Ü
Ü ÛßßÛÛÛÛÛÛÛÛÛÛÛÛÛÜÜ ß ß ß ß ß ÜÜÛÛÛÛÛÛÛÛÛÛÛÛÛßßÛ° ÜܲÜ
ÜÜ°ßÛÛÛÛÛÉÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ»ÛÛÛÛÛÛß°Üß
°²ÛÛÛÛÛ²°ÇÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄRELEASE NOTES¶°²ÛÛÛÛÛ²°
°²ÛÛÛÛ²°°º º°°²ÛÛÛÛ²°
Üß°ÛÛÛÛ²°ßº Back in 1970, it seemed as though any British ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº group that could was starting to utilize ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº classical elements in their work -- for some, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº like ELP, that meant quoting from the classics as ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº often and loudly as possible, while for others, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº like Yes, it meant incorporating classical ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº structures into their albums and songs. Deep ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Purple, at the behest of keyboardman Jon Lord, ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº fell briefly into the camp of this offshoot of ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº early progressive rock with the Concerto for ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Group and Orchestra. For most fans, the album ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº represented the nadir of the classic (i.e., ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº post-Rod Evans) group: minutes of orchestral ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº meandering lead into some perfectly good hard ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº rock jamming by the band, but the trip is almost ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº not worth the effort. Ritchie Blackmore sounds ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº great and plays his heart out, and you can tell ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº this band is going to go somewhere, just by ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº virtue of the energy that they put into these ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº extended pieces. The classical influences mostly ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº seem drawn from movie music composers Dimitri ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Tiomkin and Franz Waxman (and Elmer Bernstein), ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº with some nods to Rachmaninoff, Sibelius, and ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Mahler, and they rather just lay there. Buried in ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº the middle of the second movement is a perfectly ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº good song, but you've got to get to it through ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº eight minutes of orchestral noodling on either ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº side. The third movement is almost bracing enough ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº to make up for the flaws of the other two, though ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº by itself, it wouldn't make the CD worthwhile -- ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº Pink Floyd proved far more adept at mixing group ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº and orchestra, and making long, slow, lugubrious ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº pieces interesting. As a bonus, however, the ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº producers have added a pair of hard rock numbers ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº by the group alone, "Wring That Neck" and "Child ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº in Time," that were played at the same concert. ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº They and the third movement of the established ºß°²ÛÛÛÛ°ßÜ
Üß°ÛÛÛÛ²°ßº piece make this worth a listen. ºß°²ÛÛÛÛ°ßÜ
° ß²ÛÛÛÛß º ºÜ°ÛÛÛÛ²ß °
ß °ÛÛÛ۲ܺ º°²ÛÛÛÛ° ß
ß°ÛÛÛÛ²ÇÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄĶ²ÛÛÛÛ°ß
Ü °°²ÛÛÛÌÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍQUOTES¶¹ÛÛÛ²°° Ü Ü
°ÜÜ ßßÛÛÛÛÛÛº ºÛÛÛÛÛÛßß ÜÜ°
ß°²ÛÛÛÛÛÛÛÜܺ From a long view of the history of mankind ¡ª ºÜÜÛÛÛÛÛÛÛ²°ß
ß°²ÛÛÛÛÛÛÛÜܺ seen from, say, ten thousand years from now, ºÜÜÛÛÛÛÛÛÛ²°ß
ß°²ÛÛÛÛÛÛÛÜܺ there can be little doubt that the most ºÜÜÛÛÛÛÛÛÛ²°ß
ß°²ÛÛÛÛÛÛÛÜܺ significant event of the 19th century will be ºÜÜÛÛÛÛÛÛÛ²°ß
ß°²ÛÛÛÛÛÛÛÜܺ judged as Maxwell's discovery of the laws of ºÜÜÛÛÛÛÛÛÛ²°ß
ß°²ÛÛÛÛÛÛÛÜܺ electrodynamics. ºÜÜÛÛÛÛÛÛÛ²°ß
ß°²ÛÛÛÛÛÛÛÜܺ ºÜÜÛÛÛÛÛÛÛ²°ß
ß°²ÛÛÛÛÛÛÛÜܺ -- Richard Feynman ºÜÜÛÛÛÛÛÛÛ²°ß
°²ÛÛÛÛÛÜ°° ܺ ºÜ °°ÜÛÛÛÛÛ²°
°ÜÜ ßßÛÛÛÛÛÛÇÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄĶÛÛÛÛÛÛßß ÜÜ°
ß°²ÛÛÛÛÛÛÛÜÜÌÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ͹ÜÜÛÛÛÛÛÛÛ²°ß
ÜÜßßÛÛÛÛÛÛÇÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄGROUP NEWS¶ÛÛÛÛÛÛßß ÜÜ°
Ü°²ÛÛÛÛÛÛÛܺ DeBT is in need of SECURE affils ºÜÜÛÛÛÛÛÛÛ²°ß
°²ÛÛÛÛÛÜ°° º ºÜ °°ÜÛÛÛÛÛ²°
°ÛÛÛÛ²°°ß º pre-release suppliers, bookware º° ß°°²ÛÛÛÛ°ß
°²ÛÛÛ²²° º ºÜ °²²ÛÛÛ²°
ßß°ÛÛÛ²°Üܺ suppliers, iNT rippers, shell accounts, º°ÜÜ°²ÛÛÛ°ßß
ß ÜÛÛÛß°º º°°ßÛÛÛÜ ß
°°ÜÜÛº coders, crackers and anything else ºÛÛÜÜ°°
ÜÜ°ßÛÛÛÛÛº ºÛÛÛÛÛÛß°Üß
°²ÛÛÛÛÛ²°º that may be of use to us. º°²ÛÛÛÛÛ²°
°²ÛÛÛÛ²°°º º°°²ÛÛÛÛ²°
Üß°ÛÛÛÛ²°ßº ºß°²ÛÛÛÛ°ßÜ
° ß²ÛÛÛÛß º ºÜ°ÛÛÛÛ²ß °
ß °ÛÛÛ۲ܺ DeBT is dedicated to bringing º°²ÛÛÛÛ° ß
ß°ÛÛÛÛ²º º²ÛÛÛÛ°ß
Ü °°²ÛÛÛº you the best of the old, new and forgotten in a ºÛÛÛ²°° Ü Ü
ÜÜßßÛÛÛÛÛÛº ºÛÛÛÛÛÛßß ÜÜ°
Ü°²ÛÛÛÛÛÛÛܺ variety of sections. If you think you have ºÜÜÛÛÛÛÛÛÛ²°ß
°²ÛÛÛÛÛÜ°° º ºÜ °°ÜÛÛÛÛÛ²°
°ÛÛÛÛ²°°ß º what it takes don't hesitate to contact us. º° ß°°²ÛÛÛÛ°ß
°²ÛÛÛ²²° º ºÜ °²²ÛÛÛ²°
ßß°ÛÛÛ²°Üܺ Keep it scene. Keep it safe. º°ÜÜ°²ÛÛÛ°ßß
ß ÜÛÛÛß°º º°°ßÛÛÛÜ ß
°°ÜÜÛº ºÛÛÜÜ°°
ÜÜ°ßÛÛÛÛÛº C O N T A C T D e B T ºÛÛÛÛÛÛß°Üß
°²ÛÛÛÛÛ²°º ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ º°²ÛÛÛÛÛ²°
°²ÛÛÛÛ²°°º º°°²ÛÛÛÛ²°
Üß°ÛÛÛÛ²°ßº DeBTisSlaV3rYSTuPiD@GMail.com ºß°²ÛÛÛÛ°ßÜ
° ß²ÛÛÛÛß º ºÜ°ÛÛÛÛ²ß °
ß °ÛÛÛ۲ܺ º°²ÛÛÛÛ° ß
ß°ÛÛÛÛ²ÇÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄĶ²ÛÛÛÛ°ß
Ü °°²ÛÛÛÈÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍͼÛÛÛ²°° Ü Ü
ÜÜßßÛÛÛÛÛÛÛÛÛÛÛÛßßÜÜ ÜÜßßÛÛÛÛÛÛÛÛÛÛÛÛßß ÜÜ°
Ü°²ÛÛÛÛÛÛÛÜÜÛÛÛÛÛÛÛ²°Ü Ü°²ÛÛÛÛÛÛÛÜÜÜÛÛÛÛÛÛÛ²°ß
°²ÛÛÛÛÛÜ°° °°ÜÛÛÛÛÛ²° °²ÛÛÛÛÛÜ°° Ü °°ÜÛÛÛÛÛ²°
°ÛÛÛÛ²°°ß ß°°²ÛÛÛÛ° °ÛÛÛÛ²°°ß ° ß°°²ÛÛÛÛ°ß
°²ÛÛÛ²²° °²²ÛÛÛ²° °²ÛÛÛ²²° Ü °²²ÛÛÛ²°
ßß°ÛÛÛ²°ÜÜÜÜ°²ÛÛÛ°ßß ßß°ÛÛÛ²°ÜÜ°ÜÜ°²ÛÛÛ°ßß
ß ÜÛÛÛß°°ßÛÛÛÜ ß ß ÜÛÛÛß°°°ßÛÛÛÜ ß
°°ÜÜÛÛÜÜ°° °°ÜÜÛÛÛÜÜ°°
This NFO File was rendered by NFOmation.net